This study reverses the question implicit in title of Christa Wolf’s now-canonical 1990 novella Was bleibt (What remains), looking instead at what was lost during the process of German reunification. It argues that, in their work during and after the Wende, most literary authors from both East and West Germany responded ambivalently to the reunification. Many felt, on the one hand, a keen sense of loss as the GDR dissolved and an expanded Federal Republic summarily absorbed former Eastern Germany. They mourned the ideals of democratic socialism, tolerance, and internationalism that the GDR had held dear, as well as the country’s rich cultural life. On the other hand, however, they recognized that the GDR was a fundamentally corrupt surveillance state whose industry weighed heavily on the environment while failing to buoy the country’s economy. By looking at works by some of the most important authors from either side of the border, this study shows that those who unequivocally embraced the reunification were clearly in the minority.
David Winters has quickly become a leading voice in the new landscape of online literary criticism. His widely-published work maps the furthest frontiers of contemporary fiction and theory. The essays in this book range from the American satirist Sam Lipsyte to the reclusive Australian genius Gerald Murnane; from the "distant reading" of Franco Moretti to the legacy of Gordon Lish. Meditations on style, form and fictional worlds sit side-by-side with overviews of the cult status of Oulipo, the aftermath of modernism, and the history of continental philosophy. Infinite Fictions is indispensable reading for anyone interested in the forefront of literary thought.
Insurance Coverage of Intellectual Property Assets, Second Edition is the best resource to comprehensively analyze the insurance protection issues that must be considered when an intellectual property dispute arises. From determining the scope of coverage under a policy, to tendering of a claim, to seeking remedies when coverage has been denied, this essential guidebook details the interactions among policyholders, insurers and the courts. You'll find comprehensive and timely analysis of federal and state case law and major commercial insurance policy provisions that address: The extent of insurance coverage under the andquot;advertising injuryandquot; and andquot;personal injuryandquot; provisions Language in policies that limits or excludes coverage for intellectual property claims Public policy exclusions to coverage for claims of an infringement undertaken with intent to harm Interpreting ambiguous language in insurance policies Defending a claim under a andquot;reservation of rightsandquot; and potential conflicts of interest triggered thereby Forum selection and choice of law And more. In addition, there's detailed discussion and comparison of the actual language used in most commercial insurance policies and the most recent Insurance Services (ISO) policies.
This is the first book-length study devoted to modern German "author-as-character" fiction set in the Age of Goethe. It shows for the first time in a sustained manner the powerful hold the Goethezeit continues to exercise on the imagination of many of Germany's leading writers. This inner-German dialogue across the ages provides an important corrective to the dominant critical view that contemporary German-language literature is composed primarily under the sign of both globalization and the influence of mass American culture." -- Book cover.
This is a definitive history of the American army's role and performance during the First World War. Drawing from a rich pool of archival sources, David Woodward sheds new light on key themes such as the mobilisation of US forces, the interdependence of military diplomacy, coalition war-making, the combat effectiveness of the AEF and the leadership of its commander John J. Pershing. He shows us how, in spite of a flawed combat doctrine, logistical breakdowns and American industry's failure to provide modern weaponry, the Doughboys were nonetheless able to wage a costly battle at Meuse-Argonne and play a decisive role in ending the war. The book gives voice to the common soldier through firsthand war diaries, letters, and memoirs, allowing us to reimagine their first encounters with regimented military life, their transport across the sub-infested Atlantic to Europe, and their experiences both in and behind the trenches.
Oh no! A flood means that Christmas is looking doomed! Enter a spell, a surprise stay in a castle and a party to plan for - will Meg, Mog and Owl make it home for a very special Christmas Day? Jan Pienkowski's bold, colourful artwork and instantly recognisable characters make this festive adventure for our favourite witch into a fun and satisfying read for the very young onwards.
Provides a study of musical improvisation, using theories from cultural and cognitive studies. The author presents a systemic view, with chapters funneling outward in scope from the perspective of a solo improviser to that of a group interacting in performance, to the long-term dynamics of an improvising group from formation to dissolution.
Lectures on ecstatic temporality and on Heideggers political legacy. In Ecstasy, Catastrophe, David Farrell Krell provides insight into two areas of Heideggers thought: his analysis of ecstatic temporality in Being and Time (1927)and his political remarks in the recently published Black Notebooks (19311941). The first part of Krells book focuses on Heideggers interpretation of time, which Krell takes to be one of Heideggers greatest philosophical achievements. In addition to providing detailed commentary on ecstatic temporality, Krell considers Derridas analysis of ekstasis in his first seminar on Heidegger, taught in Paris in 19641965. Krell also relates ecstatic temporality to the work of other philosophers, including Aristotle, Augustine, Kant, Schelling, Hölderlin, and Merleau-Ponty; he then analyzes Dasein as infant and child, relating ecstatic temporality to the mirror stage theory of Jacques Lacan. The second part of the book turns to Heideggers Black Notebooks, which have received a great deal of critical attention in the press and in philosophical circles. Notorious for their pejorative references to Jews and Jewish culture, the Notebooks exhibit a level of polemic throughout that Krell takes to be catastrophic in and for Heideggers thought. Heideggers legacy therefore seems to be split between the best and the worst of thinkingsomewhere between ecstasy and catastrophe. Based on the 2014 Brauer Lectures in German Studies at Brown University, the book communicates the fruits of Krells many years of work on Heidegger in an engaging and accessible style.
In Politics and Piety: The Protestant 'Awakening' in Prussia, 1816-1856, David L. Ellis analyzes the connections between political conservatism and Prussia’s neo-Pietist religious revival, especially in Brandenburg and Pomerania, in the years surrounding the revolution of 1848. Awakened conservatives waged a cultural struggle against political and religious liberalism, impacting the state church, the outcome of the revolution, and Prussia’s controversial neutrality in the Crimean War. Awakened leaders, in their effort to recover and adapt a pre-Napoleonic order, ironically modernized conservatism with individualistic rhetoric, widely circulated newspapers, and political organization.
Leon Battista Alberti (1404-1472) was the most versatile humanist of the fifteenth century: author of numerous compositions in both Latin and Italian, and a groundbreaking theorist of painting, sculpture, and architecture. His Latin writings owe much to the model of Petrarch (1304-1374), the famed poet of the Italian Canzoniere, but also a prolific author of Latin epistles, biographies, and poems that sparked the revival of classical culture in the early Italian Renaissance. The essays collected here reflect some thirty years of research into these pioneers of Humanism, and offer important insights into forms of Renaissance 'self-fashioning' such as allegory and autobiography.
Argues that Holocaust representation has ethical implications fundamentally linked to questions of good and evil. Many books focus on issues of Holocaust representation, but few address why the Holocaust in particular poses such a representational problem. David Patterson draws from Emmanuel Levinass contention that the Good cannot be represented. He argues that the assault on the Good is equally nonrepresentable and this nonrepresentable aspect of the Holocaust is its distinguishing feature. Utilizing Jewish religious thought, Patterson examines how the literary word expresses the ineffable and how the photographic image manifests the invisible. Where the Holocaust is concerned, representation is a matter not of imagination but of ethical implication, not of what it was like but of what must be done. Ultimately Patterson provides a deeper understanding of why the Holocaust itself is indefinablenot only as an evil but also as a fundamental assault on the very categories of good and evil affirmed over centuries of Jewish teaching and testimony. This book commands respect, both for the authors immense and intimate knowledge of what has become a vast body of work and for his unconditional commitment to the subject. I am in awe of what I have just read. Dorota Glowacka, coeditor of Between Ethics and Aesthetics: Crossing the Boundaries
Popular music is far more than just songs we listen to; its meanings are also in album covers, lyrics, subcultures, voices and video soundscapes. Like language these elements can be used to communicate complex cultural ideas, values, concepts and identities. Analysing Popular Music is a lively look at the semiotic resources found in the sounds, visuals and words that comprise the ′code book′ of popular music. It explains exactly how popular music comes to mean so much. Packed with examples, exercises and a glossary, this book provides the reader with the knowledge and skills they need to carry out their own analyses of songs, soundtracks, lyrics and album covers. Written for students with no prior musical knowledge, Analysing Popular Music is the perfect toolkit for students in sociology, media and communication studies to analyse, understand - and celebrate - popular music.
At the dawn of the 1990s, as the United States celebrated its victory in the Cold War and sole superpower status by waging war on Iraq and proclaiming democratic capitalism as the best possible society, the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 WTO meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations. Numerous subgenres of punk proliferated to deliver this critique, such as the blazing hardcore punk of bands like Los Crudos, propagandistic crust-punk/dis-core, grindcore and power violence with tempos over 800 beats per minute, and So-Cal punk with its combination of melody and hardcore. Musical analysis of each of these styles and the expressive efficacy of numerous bands reveals that punk is not merely simplistic three-chord rock music, but a genre that is constantly revolutionizing itself in which nuances of guitar riffs, vocal timbres, drum beats, and song structures are deeply meaningful to its audience, as corroborated by the robust discourse in punk zines.
What, where, and when is jazz? To most of us jazz means small combos, made up mostly of men, performing improvisationally in urban club venues. But jazz has been through many changes in the decades since World War II, emerging in unexpected places and incorporating a wide range of new styles. In this engrossing new book, David Ake expands on the discussion he began in Jazz Cultures, lending his engaging, thoughtful, and stimulating perspective to post-1940s jazz. Ake investigates such issues as improvisational analysis, pedagogy, American exceptionalism, and sense of place in jazz. He uses provocative case studies to illustrate how some of the values ascribed to the postwar jazz culture are reflected in and fundamentally shaped by aspects of sound, location, and time.
The delightful first title in a new collaboration with Channel 4's Walter Presents: a fast-paced comic mystery enriched by a deep love of books In the small town of Crozon in Brittany, a library houses manuscripts that were rejected for publication: the faded dreams of aspiring writers. Visiting while on holiday, young editor Delphine Despero is thrilled to discover a novel so powerful that she feels compelled to bring it back to Paris to publish it. The book is a sensation, prompting fevered interest in the identity of its author - apparently one Henri Pick, a now-deceased pizza chef from Crozon. Sceptics cry that the whole thing is a hoax: how could this man have written such a masterpiece? An obstinate journalist, Jean-Michel Rouche, heads to Brittany to investigate. By turns farcical and moving, The Mystery of Henri Pick is a fast-paced comic mystery enriched by a deep love of books - and of the authors who write them. Curley #108
The revised edition of Sync or Swarm promotes an ecological view of musicking, moving us from a subject-centered to a system-centered view of improvisation. It explores cycles of organismic self-regulation, cycles of sensorimotor coupling between organism and environment, and cycles of intersubjective interaction mediated via socio-technological networks. Chapters funnel outward, from the solo improviser (Evan Parker), to nonlinear group dynamics (Sam Rivers trio), to networks that comprise improvisational communities, to pedagogical dynamics that affect how individuals learn, completing the hermeneutic circle. Winner of the Society for Ethnomusicology's Alan Merriam prize in its first edition, the revised edition features new sections that highlight electro-acoustic and transcultural improvisation, and concomitant issues of human-machine interaction and postcolonial studies.
Musicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms including: - aesthetics - canon - culture - deconstruction - ethnicity - identity - subjectivity - value - work Fully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music.
A collection of chilling and prescient stories about ecological apocalypse and the merging of human and machine. Welcome to Moderan, world of the future. Here perpetual war is waged by furious masters fighting from Strongholds well stocked with “arsenals of fear” and everyone is enamored with hate. The devastated earth is coated by vast sheets of gray plastic, while humans vie to replace more and more of their own “soft parts” with steel. What need is there for nature when trees and flowers can be pushed up through holes in the plastic? Who requires human companionship when new-metal mistresses are waiting? But even a Stronghold master can doubt the catechism of Moderan. Wanderers, poets, and his own children pay visits, proving that another world is possible. “As if Whitman and Nietzsche had collaborated,” wrote Brian Aldiss of David R. Bunch’s work. Originally published in science-fiction magazines in the 1960s and ’70s, these mordant stories, though passionately sought by collectors, have been unavailable in a single volume for close to half a century. Like Anthony Burgess in A Clockwork Orange, Bunch coined a mind-bending new vocabulary. He sought not to divert readers from the horror of modernity but to make us face it squarely. This volume includes eleven previously uncollected Moderan stories.
This book constitutes the author's effort to provide a biblical foundation for answers to questions regarding congregational singing. The present work is broader in scope than the author's smaller book, Volumes of Praise for a Vanishing God, and unlike the earlier volume, contains full documentation and end-notes, many of which pursue topics of interest that are mentioned only briefly in the text proper. Each chapter of this book ends with a brief list of questions to spur further study and discussion. It is hoped that this book may be useful as a text for a seminary course on congregational singing, a course that the author believes to be great need for the church of the twenty-first century. Special attention is given to the issues raised in the "music wars" of the past fifty years.
Studies in Modern German and Austrian Literature publishes research and scholarship devoted to German and Austrian literature of all forms and genres from the eighteenth century to the present day. The series promotes the analysis of intersections of literature with thought, society and other art forms, such as film, theatre, autobiography, music, painting, sculpture and performance art.
From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's vibrant and original book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz Cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
When wealthy Jewish industrialist David Friedländer proposed in 1799 that Berlin's Jews undergo a sham conversion to Christianity in return for full German citizenship, he touched off a political and theological debate that would continue to define the relation between Jewish and German identity for more than a century. In the series of provocative letters collected here, Friedländer, Protestant leader Wilhelm Abraham Teller, and young Christian theologian Friedrich Schleiermacher debate Friedländer's radical proposal. In so doing, they grapple with many of the thorny problems--such as citizenship, religious tolerance, and assimilation--that continue to vex world political leaders today. Richard Crouter's Introduction provides the cultural, religious, and historical context for this compelling exchange; a postscript by Julie Klassen reveals the ways in which Germany's minorities continue to be marginalized more than two hundred years after Friedländer made his passionate appeal for political liberty and human rights.
Herodotus, one of the earliest and greatest of Western prose authors, set out in the late fifth century BC to describe the world as he knew it. This commentary by leading scholars, originally published in Italian, has been fully revised by the original authors and is now presented for English readers.
Pringle presents his selections in chronological order and includes a synopsis of the story, a discussion of the author's overall contribution to fantasy literature, critical commentary on the title's significance, and a brief publishing history. An introductory essay tackles the difficulty of defining fantasy, while a "Brief Bibliography" directs readers to other discussions of the genre. By no means a definitive subject guide, this entertaining volume should serve as a solid introduction to the elusive field of imaginative literature.
This book addresses the problems surrounding Cicero's Academici Libri, including why the work exists in two different editions, why and when the work became fragmentary, and how it managed to survive. It achieves this by tracing the history and influence of the work from Antiquity to the present day. The main part of the book studies the manuscript tradition of the work. All extant manuscripts are fully described and their textual relationships are established. Historical information is assessed in order to show the part which manuscripts played in intellectual life, conclusions are reached on the archetype of the work and a full stemma of the tradition is built. The book contains a wealth of bibliographical information and will serve as a base for further study in the transmission of Cicero's works.
Christian history in rural central Germany principally followed not a Catholic and Protestant course but rather an indigenous one, which agricultural and communal forces animated and which bifurcated in the wake of the 1648 Peace of Westphalia.
This writing has to do with some things I saw, felt, and was part of": with quiet modesty, David Jones begins a work that is among the most powerful imaginative efforts to grapple with the carnage of the First World War, a book celebrated by W.B. Yeats and T.S. Eliot as one of the masterpieces of modern literature. Fusing poetry and prose, gutter talk and high music, wartime terror and ancient myth, Jones, who served as an infantryman on the Western Front, presents a picture at once panoramic and intimate of a world of interminable waiting and unforeseen death. And yet throughout he remains alert to the flashes of humanity that light up the wasteland of war.
This latest volume in The Metropolitan Museum of Art symposia series reprises The Met’s blockbuster exhibition Armenia! (2018–19)—the first major exhibition on the art of this highly influential culture at the crossroads of the eastern and western worlds. Building on the pioneering work of those who first established Armenian studies in America, these essays by a new generation of scholars address Armenia’s roles in facilitating exchange with the Mongol, Ottoman, and Persian empires to the East and with Byzantium and European Crusader states to the West. Contributors explore the effects of this tension in the history of Armenian art and how those histories persist into the present, as Armenia continues to grapple with the legacy of genocide and counters new threats to its sovereignty, integrity, and culture.
A guidebook to Italy's Grande Traversata delle Alpi (GTA) trek through the western Italian Alps. The 809km (503 mile) route is presented in 55 stages with each stage ranging from 7-26km (4-16 miles). Beginning at the Nufenen pass at the Swiss border the route traverses the Lepontine, Pennine, Graian, Cottian and Maritime Alps to finish at Ventimiglia on the Mediterranean coast. With nearly 60,000m of ascent this route is suitable for fit and experienced alpine trekkers. This guidebook contains route description and 1:100,000 mapping for each stage as well as information on the region's history, culture and wildlife. Accommodation, facilities and public transport information is also given to help with trek planning. Italy's western Alps is an area of high mountain passes, sparkling lakes, clean air, and alpine meadows rich in wildflowers. With a network of paths that enabled travel long before the motor car, the region is ideally suited to exploring on foot. From Switzerland to the Mediterranean, the GTA enables the visitor to travel the old ways through the mountains, hearing the stories, sampling the regional specialties in food and wine, and experiencing the famously warm welcome of the Italian people.
In all of the books about rock music, relatively few focus on the purely musical dimensions of the style: dimensions of harmony and melody, tonality and scale, rhythm and meter, phrase structure and form, and emotional expression. The Musical Language of Rock puts forth a new, comprehensive theoretical framework for the study of rock music by addressing each of these aspects. Eastman music theorist and cognition researcher David Temperley brings together a conventional music-analytic approach with statistical corpus analysis to offer an innovative and insightful approach to the genre. With examples from across a broadly defined rock idiom encompassing everything from the Beatles to Deep Purple, Michael Jackson to Bonnie Raitt, The Musical Language of Rock shows how rock musicians exploit musical parameters to achieve aesthetic and expressive goals-for example, the manipulation of expectation and surprise, the communication of such oppositions as continuity/closure and tension/relaxation, and the expression of emotional states. A major innovation of the book is a three-dimensional model of musical expression-representing valence, energy, and tension-which proves to be a powerful tool for characterizing songs and also for tracing expressive shifts within them. The book includes many musical examples, with sound clips available on the book's website. The Musical Language of Rock presents new insights on the powerful musical mechanisms which have made rock a hallmark of our contemporary musical landscape.
Henry David Thoreau’s Journal was his life’s work: the daily practice of writing that accompanied his daily walks, the workshop where he developed his books and essays, and a project in its own right—one of the most intensive explorations ever made of the everyday environment, the revolving seasons, and the changing self. It is a treasure trove of some of the finest prose in English and, for those acquainted with it, its prismatic pages exercise a hypnotic fascination. Yet at roughly seven thousand pages, or two million words, it remains Thoreau’s least-known work. This reader’s edition, the largest one-volume edition of Thoreau’s Journal ever published, is the first to capture the scope, rhythms, and variety of the work as a whole. Ranging freely over the world at large, the Journal is no less devoted to the life within. As Thoreau says, “It is in vain to write on the seasons unless you have the seasons in you.”
Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography, musical forgeries, and jazz singing, as well as Goodman’s allographic/autographic distinction, Adorno’s critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the book’s commitment to social-historical contextualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation. This book is a comprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy.
This study analyzes the work of three prominent proletarian-revolutionary dramatists at the end of the Weimar Republic. The work of Bertolt Brecht, Friedrich Wolf, and Gustav von Wangenheim is looked at against the backdrop of debates among Marxist intellectuals and artists. Through a discussion of theatrical theory and close readings of individual plays, this work examines the authors' unique aesthetics and their enactment of a critical appropriation of the German literary heritage. It also investigates their attempts to transform the audience's relationship to the theatrical production from a passive-receptive to an active-critical one. This volume offers insights into larger questions of political and cultural continuity that characterized the Weimar and the postwar periods.
The definitive account of Louis Armstrong—his life and legacy—during the most creative period of his career. Nearly 100 years after bursting onto Chicago’s music scene under the tutelage of Joe "King" Oliver, Louis Armstrong is recognized as one of the most influential artists of the twentieth century. A trumpet virtuoso, seductive crooner, and consummate entertainer, Armstrong laid the foundation for the future of jazz with his stylistic innovations, but his story would be incomplete without examining how he struggled in a society seething with brutally racist ideologies, laws, and practices. Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong's New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers's expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America. Louis Armstrong, Master of Modernism blends cultural history, musical scholarship, and personal accounts from Armstrong's contemporaries to reveal his enduring contributions to jazz and popular music at a time when he and his bandmates couldn’t count on food or even a friendly face on their travels across the country. Thomas Brothers combines an intimate knowledge of Armstrong's life with the boldness to examine his place in such a racially charged landscape. In vivid prose and with vibrant photographs, Brothers illuminates the life and work of the man many consider to be the greatest American musician of the twentieth century.
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