A companion volume to Why Are You So Sad? - David W. McFadden's book of selected poems shortlisted for the Griffin Poetry Prize - this book finally brings together, in one place, all of McFadden's masterful long poems. For some poets, the long poem is an occasion to stretch one's lyrical legs, try on different stylistic hats, or work out ideas too complex for shorter poems. For David McFadden, the long poem is much more; here is McFadden's prodigious imagination in overdrive, his language always mischievous and mesmerizing, spinning yarns both comic and cosmic.
Anonymity Suite reaffirms David McFadden’s reputation as one of the more interesting and completely enjoyable voices in Canadian poetry. Like a Pre-Raphaelite painter, he is able to join various objects, experiences, voices, and moods in a single canvas. A poem may begin with someone studying Italian on the shore of Lake Como, or drinking kava with firewalkers in the South Seas, and end up with Kelly Gruber and the notorious Skydome heckler. Formally, this is very much a suite of poems, using images from nature, history, and culture to unite thematic strands dealing with sentimentality and anonymity, joy and grief, personality and universality, and a wealth of philosophical and ethical concerns.
In 1995, David W. McFadden published An Innocent in Ireland: Curious Rambles and Singular Encounters, a quirky and affectionate account of his travels around Ireland. In undertaking the trip, he chose as his guide H. V. Morton, the prolific travel writer of the 1920s and 1930s, whose In Search of Ireland (part of Morton’s famous In Search of... series) had been familiar to him since childhood. Now, setting out to explore Scotland, his family’s ancestral home, McFadden plans to use the same technique: to follow Morton’s route around the country, observing how things have changed and in what ways they remain the same. As in An Innocent in Ireland, however, his own inquiring mind and engaging personality take over, and Morton appears less and less as McFadden becomes increasingly absorbed by the landscape – and particularly by the people. Starting in the Lowlands, he travels through Burns country (examining verses that Burns is alleged to have inscribed on a Dumfries window with his diamond ring) and up the east coast to the Highlands. There he lingers by Loch Ness (spotting nothing but tourists), before heading over to the west coast and falling in love with it – particularly with the islands of Mull and Iona. Through the entire trip, McFadden charts an erratic course, led only by H. V. Morton and his own acute eye and very lively curiosity. As he does so, he records his extremely personal impressions, which are wry, amused – and often more astute than he lets on. The reader won’t find many of the traditional Scottish tourist sites in this account. Rather, as in An Innocent in Ireland, McFadden loves a good chat, and he wisely lets the many characters he meets speak for themselves. He gives generous attention to a variety of talkative barmen, hoteliers, shopkeepers, as well as to passersby that he encounters in the course of his travels. Their conversations, ranging from the instructive or humorous to the eccentric and even surreal, give a thoroughly entertaining view of a Scotland the guidebooks never reveal. Still quirky, affectionate, always ready to be intrigued or amused, David McFadden makes an ideal companion for any armchair traveller.
His life in Canadian poetry has spanned five decades, and David W. McFadden is still going strong. This selection from his career to date brings back into print many of the greatest poems from nearly two dozen books. Chosen and introduced by fellow poet Stuart Ross, in full collaboration with the author, these poems reaffirm McFadden's status as one of Canada's most gratifying, ineffable, and necessary poets.
With An Innocent in Ireland (1995), David McFadden began his eccentric journeys to the heart of some of the world’s most unique island nations. Now McFadden rambles through the highs and lows of Cuba, home to cigars, Guantanamera, and of course Castro. The beautiful Caribbean landscape, along with Cuba’s rich history, culture, and uncertain future, lend themselves to the quirky eye and wry witticisms of our innocent Canadian guide. Poking into the nation’s many corners, McFadden offers a series of vignettes of the people, cities,villages, roads, and countryside of the island the author refers to as “the most famous little country in the world.” Warm and colourful, An Innocent in Cuba is a musical, sensuous, flirtatious, joyful tribute to the Cuban spirit in all its incarnations.
His life in Canadian poetry has spanned five decades, and David W. McFadden is still going strong. This selection from his career to date brings back into print many of the greatest poems from nearly two dozen books. Chosen and introduced by fellow poet Stuart Ross, in full collaboration with the author, these poems reaffirm McFadden's status as one of Canada's most gratifying, ineffable, and necessary poets.
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When writer David McFadden sets out on a tour of Ireland, he is determined to so do in a relatively innocent state. Using as a guide only In Search of Ireland, a 1930 title by travel writer H. V. Morton, he plans to follow the same route, to try to determine how things have changed and how they have remained the same. This he proceeds to do – at least at first. But soon he is wandering more and more erratically around the country, poking into any corner and musing over any sight that takes his fancy – from a cozy guest house in Kilcullen to the legendary Hill of Tara, from the south-coast pub run by twin sisters to the windswept reaches of the Ballaghbeama Gap. And increasingly he is drawn to the prehistoric monuments of ancient Ireland. As he goes, he records his very personal impressions in a clear-eyed and wryly humorous way. Wisely, McFadden also lets the many characters he meets speak for themselves; he loves a good chat and he gives ample space to the various loquacious barmen, shopkeepers, hoteliers, and passersby along the way. And of all the eccentric and appealing characters that he encounters, one of the most intriguing is his travelling companion, the mysterious Spanish chambermaid and poet Lourdes Brasil. Amusing, quirky, compassionate but unsentimental, An Innocent in Ireland is a treat for any armchair traveller.
Between 1917 and 1920--from the Bolshevik Revolution to the definitive statement of American opposition to Bolshevik Russia--Soviets and Americans searched for ways to effect meaningful interactions between their two nations in the absence of formal diplomatic relations. During these years, wide-ranging discussions occurred on a variety of serious issues, from military collaboration and economic relations to the comprehensive settlement of political and military disputes. At the same time, extensive debates took place in both countries about the nature of the relations between them. As McFadden shows in this pathbreaking book, based on research in Soviet archives as well as previously unused private collections and government archives in the United States and Great Britain, a surprising number of concrete agreements were reached between the two countries. These included continued operation of the American Red Cross in Russia, the transfer of war materials from the Russian army to the Americans, the sale of strategic supplies of platinum from the Bolsheviks to the United States, and the exemption of a number of American corporations from Soviet government nationalization decrees. Numerous important diplomats and politicians were involved in these negotiations. McFadden offers a timely reevaluation in a post-Cold War era.
Although there have been many studies of U.S.–Soviet diplomacy in the twentieth century, most explorations of people-to-people diplomacy begin in the 1980s and to not take into account the early contacts in the revolutionary period and 1920s. This study explores in greater depth the religious figures, radical activists, entrepreneurs, engineers, social workers, and others in both the U.S. and the Soviet Union who reached across the barriers of ideology and culture and history to forge tentative but real human connections in an attempt to further better understanding between the two countries. All of these efforts prefigured the much more heralded "citizen diplomacy" efforts of the 1980s, which helped end the Cold War.
This new addition to the Step-Up Series is a high-yield study aid for surgery clerkships and USMLE Step 2 and an excellent reference for common questions arising during rotations or in the operating room. The book covers all the major topics on the surgery rotation and additional high-yield topics for USMLE Step 2. The user-friendly, highly visual format features over 150 illustrations and numerous tables. "Quick Hit" margin notes highlight important facts likely to be tested. Over 120 "Next Step Questions" and "Shelf Questions" provide excellent opportunity for review.
A companion volume to Why Are You So Sad? - David W. McFadden's book of selected poems shortlisted for the Griffin Poetry Prize - this book finally brings together, in one place, all of McFadden's masterful long poems. For some poets, the long poem is an occasion to stretch one's lyrical legs, try on different stylistic hats, or work out ideas too complex for shorter poems. For David McFadden, the long poem is much more; here is McFadden's prodigious imagination in overdrive, his language always mischievous and mesmerizing, spinning yarns both comic and cosmic.
In 1995, David W. McFadden published An Innocent in Ireland: Curious Rambles and Singular Encounters, a quirky and affectionate account of his travels around Ireland. In undertaking the trip, he chose as his guide H. V. Morton, the prolific travel writer of the 1920s and 1930s, whose In Search of Ireland (part of Morton’s famous In Search of... series) had been familiar to him since childhood. Now, setting out to explore Scotland, his family’s ancestral home, McFadden plans to use the same technique: to follow Morton’s route around the country, observing how things have changed and in what ways they remain the same. As in An Innocent in Ireland, however, his own inquiring mind and engaging personality take over, and Morton appears less and less as McFadden becomes increasingly absorbed by the landscape – and particularly by the people. Starting in the Lowlands, he travels through Burns country (examining verses that Burns is alleged to have inscribed on a Dumfries window with his diamond ring) and up the east coast to the Highlands. There he lingers by Loch Ness (spotting nothing but tourists), before heading over to the west coast and falling in love with it – particularly with the islands of Mull and Iona. Through the entire trip, McFadden charts an erratic course, led only by H. V. Morton and his own acute eye and very lively curiosity. As he does so, he records his extremely personal impressions, which are wry, amused – and often more astute than he lets on. The reader won’t find many of the traditional Scottish tourist sites in this account. Rather, as in An Innocent in Ireland, McFadden loves a good chat, and he wisely lets the many characters he meets speak for themselves. He gives generous attention to a variety of talkative barmen, hoteliers, shopkeepers, as well as to passersby that he encounters in the course of his travels. Their conversations, ranging from the instructive or humorous to the eccentric and even surreal, give a thoroughly entertaining view of a Scotland the guidebooks never reveal. Still quirky, affectionate, always ready to be intrigued or amused, David McFadden makes an ideal companion for any armchair traveller.
With An Innocent in Ireland (1995), David McFadden began his eccentric journeys to the heart of some of the world’s most unique island nations. Now McFadden rambles through the highs and lows of Cuba, home to cigars, Guantanamera, and of course Castro. The beautiful Caribbean landscape, along with Cuba’s rich history, culture, and uncertain future, lend themselves to the quirky eye and wry witticisms of our innocent Canadian guide. Poking into the nation’s many corners, McFadden offers a series of vignettes of the people, cities,villages, roads, and countryside of the island the author refers to as “the most famous little country in the world.” Warm and colourful, An Innocent in Cuba is a musical, sensuous, flirtatious, joyful tribute to the Cuban spirit in all its incarnations.
David McFadden travels around Newfoundland. Who knows which was most charmed In An Innocent in Ireland (1995) and An Innocent in Scotland (1999), poet and traveller David McFadden let the spirit of the country – and his own interests – guide his rambles. He has now done the same in Newfoundland. Zigzagging across the province in his rented car, he charts an erratic course, admiring lawn sculpture (in his opinion a new local art), visiting fellow poets and publishers, wandering at dusk among the Viking mounds at L’Anse aux Meadows, rooming with a Salvation Army family in a distant outport (and discovering a family tragedy), hanging on in a stiff wind to watch birds nesting on a cliff face, and enjoying the social life in countless bars and restaurants. It soon becomes clear that McFadden’s love of a good chat is shared widely by the people he meets in Newfoundland and he is wise enough to let them tell their own stories. For, as ever, his interest is in the heart of a place – and not just its scenery. Alert, somewhat eccentric, always ready to amuse and be amused, David McFadden is an ideal travelling companion.
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