This book tells the story of a life spent on the road recording the rich diversity of music in America when it was a major part of our lives, not just digital background noise. For music fans, there was a golden era of live music, stretching from the 1960s through the 1980s, and even evolving into the 1990s, if you want to be generous. In the pre-digital era, music fans spent a large part of their free time (and money) listening to their favorite artist’s recordings. It was an analog world so if they wanted to hear the music, they actually had to listen to the radio, buy the records, and go to the concerts. Popular artists had long performed live concerts in the major markets, but it took rock 'n' roll to make national touring a viable business. Touring sound systems grew from scratch to keep up with larger and larger venues. Likewise, the ability to record those shows had to grow as well. The rudimentary collection of semi-professional gear grew into full-blown remote recording studios to keep up with the demand for live records, films, and broadcasts. The truly wonderful thing about the remote recording business was the author experienced so many different musical cultures. Where else could you go from recording a tour with the Rolling Stones to a TV special with Mohamed Ali at the Apollo Theater? How about the season opening of Carnegie Hall on PBS TV (with a different major orchestra every year) to Frank Zappa’s annual Halloween Show? Or maybe a Yoko Ono tour behind the 1980s Iron Curtain to the Eagles in modern Australia? Then there are worldwide live broadcasts like the Academy Awards and the Grammy Awards to intimate jazz settings with Miles Davis or Wynton Marsalis. Compare the grandeur of the Metropolitan Opera to the irreverent comedy of Saturday Night Live. On the Road contains the stories of recording all that music live in its natural habitat, the clubs, theaters, concert halls, and arenas. There were only a few companies that succeeded in the rough and tumble business of live recording. The author was one of the most successful live recording engineers and the constructor of remote recording studios during that era, with thousands of live shows to his credit.
The incredible story of how human pilots and automated systems worked together to achieve the ultimate achievement in flight—the lunar landings of NASA’s Apollo program As Apollo 11’s Lunar Module descended toward the moon under automatic control, a program alarm in the guidance computer’s software nearly caused a mission abort. Neil Armstrong responded by switching off the automatic mode and taking direct control. He stopped monitoring the computer and began flying the spacecraft, relying on skill to land it and earning praise for a triumph of human over machine. In Digital Apollo, engineer-historian David Mindell takes this famous moment as a starting point for an exploration of the relationship between humans and computers in the Apollo program. In each of the six Apollo landings, the astronaut in command seized control from the computer and landed with his hand on the stick. Mindell recounts the story of astronauts’ desire to control their spacecraft in parallel with the history of the Apollo Guidance Computer. From the early days of aviation through the birth of spaceflight, test pilots and astronauts sought to be more than “spam in a can” despite the automatic controls, digital computers, and software developed by engineers. Digital Apollo examines the design and execution of each of the six Apollo moon landings, drawing on transcripts and data telemetry from the flights, astronaut interviews, and NASA’s extensive archives. Mindell’s exploration of how human pilots and automated systems worked together to achieve the ultimate in flight—a lunar landing—traces and reframes the debate over the future of humans and automation in space. The results have implications for any venture in which human roles seem threatened by automated systems, whether it is the work at our desktops or the future of exploration.
Winner of the Homer D. Babbidge Jr. (2016) In Wesleyan University, 1910–1970, David B. Potts presents an engaging story that includes a measured departure from denominational identity, an enterprising acquisition of fabulous wealth, and a burst of enthusiastic aspirations that initiated an era of financial stress. Threaded through these episodes is a commitment to social service that is rooted in Methodism and clothed in more humanistic garb after World War II. Potts gives an unprecedented level of attention to the board of trustees and finances. These closely related components are now clearly introduced as major shaping forces in the development of American higher education. Extensive examination is also given to student and faculty roles in building and altering institutional identity. Threaded throughout these probes within in the analytical narrative is a close look at the waxing and waning of presidential leadership. All these developments, as is particularly evident in the areas of student demography and faculty compensation, travel on a pathway through middle-class America. Within this broad context, Wesleyan becomes a window on how the nation's liberal arts colleges survived and thrived during the last century. This book concludes the author's analysis of changes in institutional identities that shaped the narrative for his widely praised first volume, Wesleyan University, 1831–1910: Collegiate Enterprise in New England. His current fully evidenced sequel supplies helpful insights and reference points as we encounter the present fiscal strain in higher education and the related debates on institutional mission.
New Age philosophy is really ancient paganism repackaged for modern consumption. David Jeremiah shows how this new spirituality is flooding our culture with teachings and terminology that clearly contradict the Christian Gospel.
Features actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.
Three generations of the Houston-Woodward family, one of the wealthiest and most influential in Philadelphia, have been leaders in politics, diplomacy, suburban planning, housing reform, land conservation, and historic preservation. In A Philadelphia Family, David Contosta analyzes the impact the Houstons and Woodwards have had economically, politically, and demographically on Philadelphia, a city known for its reserved and private leading families. The story of the Houston and Woodward families' continuing public service offers a unique perspective on Philadelphia history in the nineteenth and twentieth centuries. Family founder Henry Howard Houston (1820-1895) was one of America's greatest post-Civil War entrepreneurs, a top executive of the Pennsylvania Railroad as well as a leading speculator in oil, mining, and other railroad ventures. Houston created a unique, planned suburb in Chestnut Hill, which his son Samuel and son-in-law George Woodward maintained and expanded in the twentieth century. Woodward, in particular, became an energetic crusader for housing reform. Other family members have distinguished themselves in government service and charitable work. Stanley Woodward served in the Roosevelt and Truman administrations, George Woodward was a state senator for 30 years, and Lawrence M. C. Smith was founder and owner of a prominent classical music station in Philadelphia.
David PowellÍs The Chickamauga CampaignGlory or the Grave: The Breakthrough, Union Collapse, and the Retreat to Chattanooga, September 20-23, 1863 is the second volume in his magnificent projected three-volume study of this overlooked and largely misunderstood campaign. According to soldier rumor, Chickamauga in Cherokee meant ñRiver of Death.î The name lived up to that grim sobriquet in September 1863 when the Union Army of the Cumberland and Confederate Army of Tennessee waged a sprawling bloody combat along the banks of West Chickamauga Creek. This installment of PowellÍs tour-de-force depicts the final day of battle, when the Confederate army attacked and broke through the Union lines, triggering a massive rout, an incredible defensive stand atop Snodgrass Hill, and a confused retreat and pursuit into Chattanooga. Powell presents all of this with clarity and precision by weaving nearly 2,000 primary accounts with his own cogent analysis. The result is a rich and deep portrait of the fighting and command relationships on a scale never before attempted or accomplished. His upcoming third volume, Analysis of a Barren Victory, will conclude the set with careful insight into the fighting and its impact on the war, PowellÍs detailed research into the strengths and losses of the two armies, and an exhaustive bibliography. PowellÍs magnum opus, complete with original maps, photos, and illustrations, is the culmination of many years of research and study, coupled with a complete understanding of the battlefieldÍs complex terrain system. For any student of the Civil War in general, or the Western Theater in particular, PowellÍs trilogy is a must-read.
In Suburb in the City, David Contosta tells the story of how Chestnut Hill, Pennsylvania, once a small milling and farming town, evolved to become both a suburban enclave for wealthy Philadelphians and a part of the city itself." "In 1854, the railroad connected Philadelphia and Chestnut Hill and the village was annexed by the city. Attuned to the romantic currents of the age, the wealthy men and women who moved to Chestnut Hill believed that the village's semi-rural surroundings might uplift them physically, spiritually, emotionally, and morally. At the same time, they wanted to continue to enjoy the best that the city had to offer while escaping from its more unpleasant aspects: dirt, crime, disease, and other shortcomings. They thus cultivated a dual identity with both suburb and city." "Ironically, this led to a sense of division as prosperous suburbanites held themselves aloof from the resident shopkeepers and domestic servants who provided so many of their creature comforts. Being a suburb in the city also meant that Chestnut Hill could not control its political destiny, as communities outside the municipal limits could. In response, residents developed a number of civic organizations that became a sort of quasi government." "Contosta's study of Chestnut Hill thus illuminates the divided and often ambivalent feelings that Americans hold about their great cities. He includes anecdotes gleaned from dozens of interviews with men and women of many backgrounds - lawyers, nuns, debutantes, grocers, craftsmen, and former servants - who tell of their lives in Chestnut Hill. More than one hundred photographs, many never before published, further enliven this analysis of suburban America."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Winner of the Laney Book Prize from the Austin Civil War Round Table: “The post-battle coverage is simply unprecedented among prior Chickamauga studies.” —James A. Hessler, award-winning author of Sickles at Gettysburg This third and concluding volume of the magisterial Chickamauga Campaign trilogy, a comprehensive examination of one of the most important and complex military operations of the Civil War, examines the immediate aftermath of the battle with unprecedented clarity and detail. The narrative opens at dawn on Monday, September 21, 1863, with Union commander William S. Rosecrans in Chattanooga and most of the rest of his Federal army in Rossville, Georgia. Confederate commander Braxton Bragg has won the signal victory of his career, but has yet to fully grasp that fact or the fruits of his success. Unfortunately for the South, the three grueling days of combat broke down the Army of Tennessee and a vigorous pursuit was nearly impossible. In addition to carefully examining the decisions made by each army commander and the consequences, Powell sets forth the dreadful costs of the fighting in terms of the human suffering involved. Barren Victory concludes with the most detailed Chickamauga orders of battle (including unit strengths and losses) ever compiled, and a comprehensive bibliography more than a decade in the making. Includes illustrations
The authors of this volume set themselves one task, to trace the extra-biblical primary texts that are relevant for understanding Jesus' trial and crucifixion. With that goal in mind, the book is built on three major themes: (1) Jesus' trial / interrogation before the Sanhedrin, (2) Jesus' trial before Pontius Pilatus, and (3) crucifixion as a method of execution in antiquity. In chronologically sequential order (where possible), the authors select and arrange an overwhelming amount of extra-biblical primary texts -- 462 to be exact -- underneath these three categories (75, 46, and 341 texts respectively)."--Brian J. Wright in Religious Studies Review
The idea for publishing these books on the mechanism of action and on the biosynthesis of antibiotics was born of frustration in our attempts to keep abreast of the literature. Gone were the years when we were able to keep a biblio graphy on antibiotics and feel confident that we could find everything that was being published on this subject. These fields of investigation were moving for ward so rapidly and were encompassing so wide a range of specialized areas in microbiology and chemistry that it was almost impossible to keep abreast of developments. In our naivete and enthusiasm, however, we were unaware that we were toying with an idea that might enmesh us, that we were creating an entity with a life of its own, that we were letting loose a Golom who instead of being our servant would be our master. That we set up ideals for these books is obvious; they would be current guides to developments and information in the areas of mechanism of action and bio synthesis of antibiotics. For almost every subject, we wished to enlist the aid of an investigator who himself had played a part in determining the nature of the phenomena that were being discussed. One concept for the books was that they include only antibiotics for which a definitive, well-documented mechanism of action or biosynthetic pathway was known.
This book tells the story of a life spent on the road recording the rich diversity of music in America when it was a major part of our lives, not just digital background noise. For music fans, there was a golden era of live music, stretching from the 1960s through the 1980s, and even evolving into the 1990s, if you want to be generous. In the pre-digital era, music fans spent a large part of their free time (and money) listening to their favorite artist’s recordings. It was an analog world so if they wanted to hear the music, they actually had to listen to the radio, buy the records, and go to the concerts. Popular artists had long performed live concerts in the major markets, but it took rock 'n' roll to make national touring a viable business. Touring sound systems grew from scratch to keep up with larger and larger venues. Likewise, the ability to record those shows had to grow as well. The rudimentary collection of semi-professional gear grew into full-blown remote recording studios to keep up with the demand for live records, films, and broadcasts. The truly wonderful thing about the remote recording business was the author experienced so many different musical cultures. Where else could you go from recording a tour with the Rolling Stones to a TV special with Mohamed Ali at the Apollo Theater? How about the season opening of Carnegie Hall on PBS TV (with a different major orchestra every year) to Frank Zappa’s annual Halloween Show? Or maybe a Yoko Ono tour behind the 1980s Iron Curtain to the Eagles in modern Australia? Then there are worldwide live broadcasts like the Academy Awards and the Grammy Awards to intimate jazz settings with Miles Davis or Wynton Marsalis. Compare the grandeur of the Metropolitan Opera to the irreverent comedy of Saturday Night Live. On the Road contains the stories of recording all that music live in its natural habitat, the clubs, theaters, concert halls, and arenas. There were only a few companies that succeeded in the rough and tumble business of live recording. The author was one of the most successful live recording engineers and the constructor of remote recording studios during that era, with thousands of live shows to his credit.
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