Here in 12 stories--one each for the 12 days of Christmas--David Valdes Greenwood elfishly captures the spirit of the holiday and the outrageous unpredictability of family celebrations. A hilarious, delectable stocking stuffer of Christmas stories for the holiday lover in the family. Perseus Books
In this “sweet, funny, true tale of same-sex romance” (PUBLISHERS WEEKLY), David Valdes Greenwood sets the record straight on gay marriage-and reminds us what really matters to any couple. Here he charts the ups and downs of an all-too-human relationship: going on that first “non-date”; learning to share duties (and mince words) in the kitchen; dealing with a wandering eye; and realizing that life as a couple is all about discovering “just how many things you can approach differently without actually killing each other.” When along comes baby, David and his husband find out just how outrageous and maddeningly wonderful the ties of love can be. This is a radiant, whimsical testament to love and commitment by today's “gay Erma Bombeck” (NPR).
Ride a bull. Chat up a Senator. And get your homework in on time. It’s all in a day’s work for a festival queen. If you assume all pageant queens are airheads who can’t handle geography, or vain girls who like to parade around in bathing suits, then welcome to the alternative universe of America’s festival queens. With titles like Catfish Queen and Swine Queen, and royal duties ranging from leading parades to kissing frogs to doing PR for local industries, these hardworking girls represent the best of what America has to offer: local cultures, unique traditions, and the kind of can-do community spirit that makes Main Street sparkle with promise. The Rhinestone Sisterhood takes us deep into the world of small-town festival queens to capture the true story of four “sisters of the sash”—the Frog, Fur, Cotton, and Cattle Queens of Louisiana—and their quest to win the ultimate crown, Queen of Queens. Traveling across the state, David Valdes Greenwood introduces us to local queens with lives full of public speaking, pig chases, and pageant politics. We ride with the girls during their one-year reign, where families and boyfriends can be as complicated as judge’s panels, and a queen’s dreams may be at the mercy of a Category 4 hurricane. High-spirited yet down-home, suspenseful and genuinely moving, The Rhinestone Sisterhood is, at heart, a story of female friendship and rivalry, of triumph and disappointment—not to mention a Frog Queen who just wouldn’t quit. Anyone who has ever wanted to be a princess will feel right at home.
Ride a bull. Chat up a Senator. And get your homework in on time. It’s all in a day’s work for a festival queen. If you assume all pageant queens are airheads who can’t handle geography, or vain girls who like to parade around in bathing suits, then welcome to the alternative universe of America’s festival queens. With titles like Catfish Queen and Swine Queen, and royal duties ranging from leading parades to kissing frogs to doing PR for local industries, these hardworking girls represent the best of what America has to offer: local cultures, unique traditions, and the kind of can-do community spirit that makes Main Street sparkle with promise. The Rhinestone Sisterhood takes us deep into the world of small-town festival queens to capture the true story of four “sisters of the sash”—the Frog, Fur, Cotton, and Cattle Queens of Louisiana—and their quest to win the ultimate crown, Queen of Queens. Traveling across the state, David Valdes Greenwood introduces us to local queens with lives full of public speaking, pig chases, and pageant politics. We ride with the girls during their one-year reign, where families and boyfriends can be as complicated as judge’s panels, and a queen’s dreams may be at the mercy of a Category 4 hurricane. High-spirited yet down-home, suspenseful and genuinely moving, The Rhinestone Sisterhood is, at heart, a story of female friendship and rivalry, of triumph and disappointment—not to mention a Frog Queen who just wouldn’t quit. Anyone who has ever wanted to be a princess will feel right at home.
Ah, the sweet memories of Christmas. Gifts under the tree. Cookies for Santa. And, of course, the annual fruitcake. For young David Valdes Greenwood, the indomitable “little fruitcake” at the center of these tales, nothing is sweeter than the promise of the holidays. A modern-day Tiny Tim, he holds fast to his ideal of what Christmas should be, despite the huge odds against him: Sub-zero Maine winters. A host of eccentric relatives. And his constant foil: a frugal, God-fearing Grammy who seems determined to bring an end to all his fun. A book that's “fa-la-la-licious” (Louisville Courier Journal) and filled with funny, charming Yuletide memories (from building a Lego® manger to hunting for the perfect Christmas tree), A Little Fruitcake will inspire even the biggest Grinches around.
In this “sweet, funny, true tale of same-sex romance” (PUBLISHERS WEEKLY), David Valdes Greenwood sets the record straight on gay marriage-and reminds us what really matters to any couple. Here he charts the ups and downs of an all-too-human relationship: going on that first “non-date”; learning to share duties (and mince words) in the kitchen; dealing with a wandering eye; and realizing that life as a couple is all about discovering “just how many things you can approach differently without actually killing each other.” When along comes baby, David and his husband find out just how outrageous and maddeningly wonderful the ties of love can be. This is a radiant, whimsical testament to love and commitment by today's “gay Erma Bombeck” (NPR).
Shy foster kid Jonas and self-assured vlogger Shani met online, and so far, that's where their relationship has stayed, sharing memes and baring their souls from behind their screens. Shani is eager to finally meet up, but Jonas isn't so sure--he's not confident Shani will like the real him . . . if he's even sure who that is. Jonas knows he's trapped himself in a lie with Shani--and wants to dig himself out. But Shani, who's been burned before, may not give him a chance: she talks her best friend Ash into playing spy and finding out the truth. When Ash falls for Jonas, too, he keeps that news from Shani, and soon they're all keeping secrets. Will it matter that their hearts are in the right place? Coming clean will require them to figure out who they really are, which is no easy task when all the pieces of your identity go beyond easy boxes and labels. Lauded writer David Valdes offers a heartfelt, clever, and thought-provoking story about how we figure out who we want to be--online and IRL--for fans of David Levithan and Adam Silvera.
From lauded writer David Valdes, a sharp and funny YA novel that's Back to the Future with a twist, as a gay teen travels back to his parents' era to save a closeted classmate's life. All Luis Gonzalez wants is to go to prom with his boyfriend, something his “progressive” high school still doesn't allow. Not after what happened with Chaz Wilson. But that was ages ago, when Luis's parents were in high school; it would never happen today, right? He's determined to find a way to give his LGBTQ friends the respect they deserve (while also not risking his chance to be prom king, just saying...). When a hit on the head knocks him back in time to 1985 and he meets the doomed young Chaz himself, Luis concocts a new plan-he's going to give this guy his first real kiss. Though it turns out a conservative school in the '80s isn't the safest place to be a gay kid. Especially with homophobes running the campus, including Gordo (aka Luis's estranged father). Luis is in over his head, trying not to make things worse-and hoping he makes it back to present day at all. In a story that's fresh, intersectional, and wickedly funny, David Valdes introduces a big-mouthed, big-hearted, queer character that readers won't soon forget.
Postimperialism is a theory of political and social change inspired by the explosive growth of transnational corporate enterprise during the latter 20th century. Its foundations are derived from two primary sources: political theories of the modern business corporation and class-analytical theories of society. However, the postimperialist theory of class formation is predicated on power relations, a departure from conventional class analysis that renders the theory applicable universally to countries at different stages of economic development. Postimperialist thinkers contend that the formation of a global bourgeoisie, resulting from transnational class coalescence, coincides with the evolution of institutions and public policies that are compatible with socialist as well as capitalist principles. This book provides theoretical contributions to postimperialist theory as well as case studies of both individual countries (Britain, Cuba, the United States) and regions of the world (Africa, postcommunist Europe). It also contains historical analyses of the origins of postimperialist thought in Mexico and the United States. Topics considered include the transfer of cultural and ideological values, multilateral legal responses to transnational oligopolies, the problems of predatory corporate behavior and perceived neoimperial threats, working-class responses to the challenges of transnational enterprise, the effects of resistance to market-based economic reforms, opposition to imperial spheres of influence, and postimperialism's contributions to theories of international politics.
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