In this brilliantly told short story collection, critically acclaimed author David Updike skillfully portrays the multi-faceted nature of love and of the heart. From a father's painful realization his son has discovered the dark heart of racism still beats, to a quiet love affair that needs an audience to bloom; from the bumbling of a professor who unwittingly falls for one of his students to the wistful memories of a bittersweet affair tinged in regret, Updike portrays the intricacies of loving someone with candor. Full of sparkling wonder and poignant melancholy alike, Old Girlfriends is a clear-eyed vision of the world we live in. Drifting from the unrequited to the secretive, the familial to the first poetic moments, this soulful collection leaves no avenue of expression untouched.
John Updike's Early Years first examines his family, then places him in the context of the Depression and World War II. Relying upon interviews with former classmates, the next chapters examine Updike's early life and leisure activities, his athletic ability, social leadership, intellectual prowess, comical pranks, and his experience with girls. Two chapters explore Updike's cartooning and drawing, and the last chapter explains how he modeled his characters on his schoolmates. Lists of Updike's works treating Pennsylvania, and a compilation of contributions to his school paper are included, along with profiles of all students, faculty and administrators during his years at Shillington High School.
Essay from the year 2011 in the subject Didactics for the subject English - Literature, Works, grade: 2.1, Churchill College, Cambridge (-), language: English, abstract: An exploration of Updike's shortest and most popular work, which argues that it appears at a seminal moment in American cultural history and this accounts for it continued popularity. The story's strong links with other American texts such as 'The Adventures of Huckleberry Finn' are also explored.
In Wallace Stevens among Others, David Jarraway explores the extraordinary achievement of Wallace Stevens, but in contexts that are not usually thought about in connection with Stevens's work - gay literature, contemporary fiction, Hollywood film, and avant-garde architecture, among others. By viewing the poet among these "other" contexts, Jarraway considers the nature of self-reflection and pays special attention to the discrediting of self-presence as the principle of identity in American writing - a theme that reflects American authors’ abiding concern for subjectivities that engage the world from spaces of distance and difference. By returning to the work of Stevens, Jarraway seeks to refurbish this preoccupation by linking it to the literary theory of French philosopher Gilles Deleuze, whose work applies to American writers from Melville and Whitman to Fitzgerald and Cummings. Jarraway forges the link between Deleuze and Stevens by drawing out the female subjectivity found in each writer’s work to rethink the more static masculinist premises of being. Informed by a deep knowledge of and fluency with the work of Stevens and Deleuze, Jarraway uses these writers as a means of entry into American literature and culture, Wallace Stevens among Others is a sophisticated analysis that will open new directions for future scholarship.
“My ideas of romance came from the movies,” said Woody Allen, and it is to the movies—as well as to novels, advice columns, and self-help books—that David Shumway turns for his history of modern love. Modern Love argues that a crisis in the meaning and experience of marriage emerged when it lost its institutional function of controlling the distribution of property, and instead came to be seen as a locus for feelings of desire, togetherness, and loss. Over the course of the twentieth century, partly in response to this crisis, a new language of love—“intimacy”—emerged, not so much replacing but rather coexisting with the earlier language of “romance.” Reading a wide range of texts, from early twentieth-century advice columns and their late twentieth-century antecedent, the relationship self-help book, to Hollywood screwball comedies, and from the “relationship films” of Woody Allen and his successors to contemporary realist novels about marriages, Shumway argues that the kinds of stories the culture has told itself have changed. Part layperson’s history of marriage and romance, part meditation on intimacy itself, Modern Love will be both amusing and interesting to almost anyone who thinks about relationships (and who doesn’t?).
In the tradition of the instant bestsellers The Intellectual Devotional and The Intellectual Devotional: American History comes the third installment in this indispensable series. In The Intellectual Devotional: Modern Culture, authors David S. Kidder and Noah D. Oppenheim explore the fascinating world of contemporary culture to offer 365 daily readings that provide the essential references needed to navigate the world today. Quench your intellectual thirst with an overview of the literature, music, film, personalities, trends, sports, and pop references that have defined the way we live. From the Slinky to Star Wars; Beatlemania to Babe Ruth; flappers to fascism—refreshing your memory and dazzling your friends has never been easier, or more fun. Whether you're a trivia genius, pop-culture buff, or avid reader, you'll be riveted by this comprehensive journey through contemporary culture.
What has Jesus Christ to do with English literature?" ask David Lyle Jeffrey and Gregory Maillet in this insightful survey. First and foremost, they reply, many of the world's best authors of literature in English were formed--for better or worse--by the Christian tradition. Then too, many of the most recognized aesthetic literary forms derive from biblical exemplars. And finally, many great works of literature demand of readers evaluative judgments of the good, the true and the beautiful that can only rightly be understood within a Christian worldview. In this book Jeffrey and Maillet offer a feast of theoretical and practical discernment. After an examination of literature and truth, theological aesthetics, and the literary character of the Bible, they turn to a brief survey of literature from medieval times to the present, highlighting distinctively Christian themes and judgments. In a concluding chapter they suggest a path for budding literary critics through the current state of literary studies. Here is a must-read for all who are interested in a Christian perspective on literary studies.
From the late 1940s through the JFK years, America was the home office of literary innovation. Writers forged new styles with the rapidly changing times, and generated new ideas that fit the challenges of late modernity. Beyond the Gray Flannel Suit shows how particular landmark books took on the hot-button subjects of the 1950s: race and religious difference; social class and the suburbs; the youth culture; conformity and groupthink; and much else.
Through the perspectives of selected best-selling novels from the end of World War II to the end of the 20th century--including The Catcher in the Rye, To Kill a Mockingbird, The Godfather, Jaws, Beloved, The Silence of the Lambs, and Jurassic Park--this book examines the crucial issues the U.S. was experiencing during those decades. These novels represent the voices of popular conversations, as Americans considered issues of family, class, racism and sexism, feminism, economic ambition, sexual violence, war, law, religion and science. Through the windows of fiction, the book surveys the Cold War and anti-communism, the prefeminist era of the 1950s and the sexual revolution of the 1970s, forms of corporate power in the 1960s and 1980s, the traumatic legacies of slavery and Vietnam, the American fascination with lawyers, cops and criminals, alternate styles of romance in the era of late capitalism, our abiding distrust of science, and our steadfast wonder about the Great Mysteries.
The essays in The Story About the Story Vol. II chart a trajectory that digs deep into the past and aims toward a future in which literature can play a new and more profound role in how we think, read, live, and write. In the second volume of The Story About the Story, editor J. C. Hallman continues to argue for an alternative to the staid five-paragraph-essay writing that has inoculated so many against the effects of good books. Writers have long approached writing about reading from an intensely personal perspective, incorporating their pasts and their passions into their process of interpretation. Never before collected in a single volume, the many essays Hallman has compiled build on the idea of a "creative criticism," and offers new possibilities for how to write about reading. The Story About the Story Vol. II documents not only an identifiable trend in writing about books that can and should be emulated, it also offers lessons from a remarkable range of celebrated authors that amount to an invaluable course on both how to write and how to read well. Whether they discuss a staple of the canon (Thomas Mann on Leo Tolstoy), the merits of a contemporary (Vivian Gornick on Grace Paley), a pillar of genre-writing (Jane Tompkins on Louis L’Amour), or, arguably, the funniest man on the planet (David Shields on Bill Murray), these essays are by turns poignant, smart, suggestive, intellectual, humorous, sassy, scathing, laudatory, wistful, and hopeful—and above all deeply engaged in a process of careful reading. The essays in The Story About the Story Vol. II chart a trajectory that digs deep into the past and aims toward a future in which literature can play a new and more profound role in how we think, read, live, and write.
Michel Tournier is a writer who explores complex philosophical questions in the guise of concrete, imagistic narratives. This comprehensive study privileges the notion of literary reference, by which the world of text is understood or experienced in metaphorical relation to the world outside of it. Metaphor, in the context of Tournier’s fiction, shows how the fantastic merges with the real to provide new perspectives on many diverse aspects of the modern world: the Crusoe myth, Nazism, the value to society of art and religion, and the nature of education. This book elucidates an aesthetic of Tournier’s fiction that encompasses the writer’s stated ambition to ‘go beyond literature’.
This collection of fifty-two sermons shows beloved New Testament scholar David Bartlett at his best. Bartlett, who died in 2017, spent his career teaching and mentoring preachers at The University of Chicago Divinity School, Yale Divinity School, Union Presbyterian Seminary, and Columbia Theological Seminary, as well as serving as a pastor in American Baptist churches. Thus, he has generations of friends and former students who knew him for his quick wit, passion for justice, and deep knowledge of the Bible. Those traits show through in these sermons. As Nora Tisdale says in the foreword: All of the sermons in this volume give witness to Davids passion for preaching that is solidly grounded in the biblical text. Most of them actually begin, as Karl Barth urged preachers to begin, with the biblical text. If they dont begin there, they always get there fairly quickly. And Davids interpretations of texts often surprise the reader with their freshness and clarity. In addition to individual sermons, several multiweek sermon series, including a series on Who Is Jesus? and Great Words of the Faith, are included.
If anyone knows anything about the web, where it's been and where it's going, it's David Weinberger. . . . Too Big To Know is an optimistic, if not somewhat cautionary tale, of the information explosion." -- Steven Rosenbaum, Forbes With the advent of the Internet and the limitless information it contains, we're less sure about what we know, who knows what, or even what it means to know at all. And yet, human knowledge has recently grown in previously unimaginable ways and in inconceivable directions. In Too Big to Know, David Weinberger explains that, rather than a systemic collapse, the Internet era represents a fundamental change in the methods we have for understanding the world around us. With examples from history, politics, business, philosophy, and science, Too Big to Know describes how the very foundations of knowledge have been overturned, and what this revolution means for our future.
Incisive essays from a master wordsmith Why has Don Juan become so pass of late? What's the trouble with Ayn Rand? How did the Doge of Venice come to venerate the counterfeit remains of Siddhartha Gautama? Why does the Bentley family's collection of ancestral relics include a bronzed human thumb? And what, exactly, is the story behind Great Uncle Aloysius, who was born a Quaker but died a pagan? This collection of occasional essays brings us David Bentley Hart at his finest: startlingly clear and deliciously abstruse, coolly wise and burningly witty, fresh and timeless, mystical and concrete -- often all at once. Hart's incisive blend of philosophy, moral theology, and cultural criticism, together with his flair for both the well-told story and the well-turned phrase, is sure to delight.
Partly in a desire to defend divine freedom and partly because it is seen as the only way of preserving a distinctive voice for theology, much contemporary theology has artificially restricted revelation and religious experience, effectively cutting off those who find God beyond the walls of the Church. Against this tendency, David Brown argues for divine generosity and a broader vision of reality that sees God deploying symbols (literary, visual and sacramental) as a means of mediating between the divine world and our own material existence. A sustained argument for divine interaction and more specifically the ways in which God speaks in the wider imaginative world, this volume calls for a careful listening exercise since symbols are richer and more open in their possibilities than their users often suppose. Not only is this true of the imagery of Scripture, even inanimate objects like buildings or hostile but creative artists can have important things to say to the believing Christian. An ideal introduction that also moves the conversation forward, this volume addresses foundations, the multivalent power of symbols, artists as theologians and meaning in religious architecture.
David L. Goicoechea presents his fourth volume in a series on agape. The book focuses on the complementarity of agape (Christian love) and bhakti (Hindu love). First, he shows how the Jesuit Spirituality at Loyola in Chicago and the Franciscan Spirituality at St. Francis in Joliet, Illinois, helped him to appreciate mystical love. Secondly, he shows how agape with all nine of its characteristics is central to the Gospel of Mark. Then, especially with the help of the work of Dr. Raj Singh, he shows how bhakti developed throughout the history of India. Finally, Goicoechea shows how Georges Bataille, especially with the help of St. John of the Cross, looks deeply into the Inner Experience of the Mystical Ways.
This work offers a critical biography and analysis of the varied literary output of novels, short stories, screenplays, poetry, articles and essays of the American writer Terry Southern. The book explores Southern's career from his early days in Paris with friends like Samuel Beckett, to swinging London in such company as the Rolling Stones, to filmmaking in Los Angeles and Europe with luminaries like Stanley Kubrick. His writings are examined in chronological order. David Tully was granted unprecedented access by Terry Southern's family to rare, unpublished work from his private archives. This study offers the first comprehensive examination of the career of this major American writer.
A leading literary critic’s innovative study of how the Nobel Prize–winning author turned life into art. Saul Bellow was the most lauded American writer of the twentieth century—the winner of the Nobel Prize in Literature and the Pulitzer Prize in Fiction, and the only novelist to be awarded the National Book Award in Fiction three times. Preeminently a novelist of personality in all its wrinkles, its glories and shortcomings, Bellow filled his work with vibrant, garrulous, particular people—people who are somehow exceptionally alive on the page. In Bellow’s People, literary historian and critic David Mikics explores Bellow’s life and work through the real-life relationships and friendships that Bellow transmuted into the genius of his art. Mikics covers ten of the extraordinary people who mattered most to Bellow, such as his irascible older brother, Morrie, a key inspiration for The Adventures of Augie March; the writer Delmore Schwartz and the philosopher Allan Bloom, who were the originals for the protagonists of Humboldt’s Gift and Ravelstein; the novelist Ralph Ellison, with whom he shared a house every summer in the late 1950s, when Ellison was coming off the mammoth success of Invisible Man and Bellow was trying to write Herzog; and Bellow’s wife, Sondra Tschacbasov, and his best friend, Jack Ludwig, whose love affair Bellow fictionalized in Herzog. A perfect introduction to Bellow’s life and work, Bellow’s People is an incisive critical study of the novelist and a memorable account of a vibrant and tempestuous circle of midcentury American intellectuals.
This reference covers newsmakers of the prior year. Combines biographical and bibliographical information on political and military leaders, artists, businesspeople, writers and more. Photos and cumulative index in each volume.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.