The British and Irish Short Story Handbook guides readers through the development of the short story and the unique critical issues involved in discussions of short fiction. It includes a wide-ranging analysis of non-canonical and non-realist writers as well as the major authors and their works, providing a comprehensive and much-needed appraisal of this area. Guides readers through the development of the short story and critical issues involved in discussions of short fiction Offers a detailed discussion of the range of genres in the British and Irish short story Includes extensive analysis of non-canonical writers, such as Hubert Crackanthorpe, Ella D’Arcy, T.F. Powys, A.E. Coppard, Julian Maclaren-Ross, Mollie Panter-Downes, Denton Welch, and Sylvia Townsend Warner Provide a wide-ranging discussion of non-realist and experimental short stories Includes a large section on the British short story in the Second World War
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could—and should—be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world.
Cold War Space and Culture in the 1960s and 1980s: The Bunkered Decades studies the two periods in which Americans were actively encouraged to excavate their own backyards while governments the world over exhausted their budgets on fortified super-shelters and megaton bombs. The dreams and nightmares inspired by the spectre of nuclear destruction were expressed in images and forms from comics, movies, and pulp paperbacks to policy documents, protest movements, and survivalist tracts. Illustrated with photographs, artwork, and movie and television stills of real and imagined fallout shelters and other bunker fantasies, award-winning author David L. Pike's continues his decades-long exploration of the meanings of modern undergrounds. Ranging widely across disciplines, this volume finds unexpected connections between cultural icons and forgotten texts, plumbs the bunker's stratifications of class, region, race, and gender, and traces the often unrecognized through-lines leading from the 1960s and the less-studied 1980s into the present. Although the Cold War ended over 30 years ago, its legacy looms large in anxieties around security, borders, and all manners of imminent apocalypse. Treating the bunker in its concrete presence and in its flightiest fantasies while attending equally to its uniquely American desires and pathologies and to its global impact, Cold War Space and Culture in the 1960s and 1980s proposes a new way to understand the outsized afterlife of the bunkered decades.
Insurgent Labor tracks the trials and tribulations of bringing a formerly stagnant labor union into national relevance with an unapologetically left-wing agenda. David Van Deusen charts the rise of the UNITED! ticket to create a progressive and militant labor union. He chronicles the many victories throughout his tenure including expanding union democracy into the rank and file, moving power away from single individuals and into democratic structures, supporting farm workers, supporting Black self-determination, and supporting Black Lives Matter. Van Deusen also managed to include support for the revolutionary efforts in Rojava. The boldest step undertaken by the Vermont AFL-CIO—and marker of years of steady progress in labor organizing and raising of political consciousness in Vermont—was authorizing a call for a general strike throughout Vermont as a possible response to the November coup threat This book should be of interest to anyone, whether they have merely thought of joining a union or are an old union hand. Most importantly, Insurgent Labor offers a blueprint for militant labor’s advances in an era of capitalist polycrisis and offers hope for a brighter future based around equality, justice, and true democracy.
When the first edition of David Madden's A Primer of the Novel: For Readers and Writers was published more than twenty-five years ago, there were no other books of its kind available. Since then, many authors and editors have produced works that attempt the same comprehensive coverage of the genre. However, these works tend to be either written solely for writers or solely for readers. More often than not, those written for readers tend to be aimed at advanced students or critics of the novel. In this revised edition, David Madden, Charles Bane and Sean Flory have produced an updated work that is intended for a general readership including writers, teachers, and students who are just being introduced to the genre. This unique handbook provides a definition and history of the novel, a description of early narratives, and a discussion of critical approaches to this literary form. A Primer of the Novel also identifies terms, definitions, commentary, and examples in the form of quotations for almost 50 types of novels and 15 artistic techniques. A chronology of narrative in general and of the novel in particular—from 850 B. C. to the present—is also included, along with indexes to authors, titles, novel types and techniques, as well as a selective bibliography of criticism. Although all novel types present in the first edition are still represented, many have become more clearly defined. This revised edition also cites several types of novels that did not appear in the first edition, such as the graphic novel and the novel of Magical Realism. As well as keeping all of the original examples from representative texts, the authors have added new examples of more recent works. While this book was conceived for a general audience, it will be a valuable resource for students, teachers, and libraries. It may be used in any English literature courses at any level, including graduate, and is suited for creative writing courses as well. With its clear and immediately accessible features, this handbo
Communications and Mobility is a unique, interdisciplinary look at mobility, territory, communication, and transport in the 21st century with extended case studies of three icons of this era: the mobile phone, the migrant, and the container box. Urges scholars in media and communication to return to broader conceptions of the field that include mobility of all kinds—information, people, and commodities Embraces perspectives from media studies, science and technology studies, sociology, media anthropology, and cultural geography Discusses ideas of virtual and embodied mobility, network geographies, de-territorialization, sedentarism, nomadology, connectivity, containment, and exclusion Integrates the often-neglected transport studies into contemporary communication studies and theories of globalization
The Hebrew Bible is the main legislative and literary influence on European Poor Law and on literature on poverty and the poor. No extant literature from the ancient world placed more importance upon social welfare and the duty of the better-off toward the poor. It is the founding text for liberation movements. This book assesses why the Bible is so unambiguously positive in its view of the poor, unlike most later literary and legislative works. It seeks to understand what historical circumstances brought about this elevated perception of the poor, by exploring the clash of ideals and realities in the depiction of the poor in the Hebrew Bible and in European culture. Most legal and literary portrayals of the poor tend to be critical, associating the poor with laziness, crime or fraud: why is this not the case in the Bible? Most societies have tended to accept poverty as a natural condition, but not the Bible. The idea of ending poverty starts in the Bible – the Psalms above all inspired a daily struggle to limit the gap between rich and poor. Much of the Bible sees life - most unusually in the history of civilizations - through the eyes of the poor. The book argues that the popular appeal of the Bible in largely impoverished societies lies in its persistent relevance to, and support of, the poor. Yet, in many ways, biblical teachings were incompatible with social and political circumstances centuries and millennia later. Written in a clear, accessible style, the book shows how the Hebrew Bible, in its legislation and impassioned prophetic poetry, inspired the battle to 'make poverty history', to give dignity and hope to the poor and fight inequality. It will appeal to students and scholars of Jewish Studies, the Bible and Comparative Literature, and Development Studies.
Look, I'm hardly pretty, he seems to say. I sound like gravel; I look rough and tough; and, honest, I don't give you the soft, foolish answers the pretty boys will give you. You may not like what I say, but you better believe it." He became a legend as "Bogie," the world-weary, wisecracking outsider, but in reality Humphrey Bogart was plagued by doubts and demons. He was born upper-class yet made his name playing mavericks, drank with the Rat Pack, and met four wives on set—including his great love, Lauren Bacall—yet always mistrusted stardom. Here David Thomson, one of film's most provocative writers, reveals the man behind cinema's greatest icon.
Now in paperback, the updated and expanded edition: David Graeber’s “fresh . . . fascinating . . . thought-provoking . . . and exceedingly timely” (Financial Times) history of debt Here anthropologist David Graeber presents a stunning reversal of conventional wisdom: he shows that before there was money, there was debt. For more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors. Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.
David Markson was a writer like no other. In his novels, which have been called "hypnotic," "stunning," and "exhilarating" and earned him praise from the likes of Kurt Vonnegut and David Foster Wallace, Ann Beattie and Zadie Smith. Markson created his own personal genre. With crackling wit distilled into incantatory streams of thought on art, life, and death, Markson's work has delighted and astonished readers for decades. Now for the first time, three of Markson's masterpieces are compiled into one page–turning volume: This Is Not a Novel, Vanishing Point, and The Last Novel. In This Is Not a Novel, readers meet an author, called only "Writer," who is weary unto death of making up stories, and yet is determined to seduce the reader into turning pages and getting somewhere. Vanishing Point introduces us to "Author," who sets out to transform shoeboxes crammed with note cards into a novel. In The Last Novel, we find an elderly author (referred to only as "Novelist") who announces that, since this will be his final effort, he possesses "carte blanche to do anything he damn well pleases." United by their focus on the trials, calamities, absurdities and even tragedies of the creative life, these novels demonstrate David Markson's extraordinary intellectual richness—leaving readers, time after time, with the most indisputably original of reading experiences.
Baseball fans may know the story of the Brooklyn Dodgers, but they don't know the whole story. With a foreword by Branch Barrett Rickey (grandson of Branch Rickey), this book fills the void in Dodgers scholarship, exploring their impact on popular culture and revealing lesser-known details of the team's history. Personal stories are included from the fans who embraced Jackie Robinson, Pee Wee Reese, Carl Erskine, Roy Campanella and other icons of Ebbets Field. Drawing on archival documents, contemporary press accounts and fan interviews, the author brings to life the magic of the Dodgers, chronicling in detail the genesis, glory and demise of the team that changed baseball--and America.
As our society grows ever more reliant on computers, so it also becomes more vulnerable to computer crime. Cyber attacks have been plaguing computer users since the 1980s, and computer security experts are predicting that smart telephones and other mobile devices will also become the targets of cyber security threats in the future. Developed from the author's successful Springer guide to Foundations of Computer Security, this accessible textbook/reference is fully updated and enhanced with resources for students and tutors. Topics and features: examines the physical security of computer hardware, networks, and digital data; introduces the different forms of rogue software (or malware), discusses methods for preventing and defending against malware, and describes a selection of viruses, worms and Trojans in detail; investigates the important threats to network security, and explores the subjects of authentication, spyware, and identity theft; discusses issues of privacy and trust in the online world, including children's privacy and safety; includes appendices which discuss the definition, meaning, and history of the term hacker, introduce the language of "l33t Speak", and provide a detailed virus timeline; provides numerous exercises and examples throughout the text, in addition to a Glossary of terms used in the book; supplies additional resources at the associated website, http://www.DavidSalomon.name/, including an introduction to cryptography, and answers to the exercises. Clearly and engagingly written, this concise textbook is an ideal resource for undergraduate classes on computer security. The book is mostly non-mathematical, and is suitable for anyone familiar with the basic concepts of computers and computations.
For four years at Annapolis he prepared for this, pledging his youth, his ambition, and even his life. But when junior officer Dan Lenson finally gets his commission, it's an aging World War II destroyer. Now, with a mix of pride and fear, he heads into the world's most dangerous seas. As the Ryan plunges into the dark waters of the Arctic Circle at the height of storm season, Lenson and the crew pursue a mysterious and menacing enemy. But he soon discovers a foe even more dangerous within the Ryan, advancing a shocking agenda that drives the ship closer and closer to disaster-testing Lenson's life and loyalty to their very limit.
The only collection of Rattray's prose: essays that offer a kind of secret history and guidebook to a poetic and mystical tradition. In order to become one of the invisible, it is necessary to throw oneself into the arms of God... Some of us stayed for weeks, some for months, some forever. —from How I Became One of the Invisible Since its first publication in 1992, David Rattray's How I Became One of the Invisible has functioned as a kind of secret history and guidebook to a poetic and mystical tradition running through Western civilization from Pythagoras to In Nomine music to Hölderlin and Antonin Artaud. Rattray not only excavated this tradition, he embodied and lived it. He studied at Harvard and the Sorbonne but remained a poet, outside the academy. His stories “Van” and “The Angel” chronicle his travels in southern Mexico with his friend, the poet Van Buskirk, and his adventures after graduating from Dartmouth in the mid-1950s. Eclipsed by the more mediagenic Beat writers during his lifetime, Rattray has become a powerful influence on contemporary artists and writers. Living in Paris, Rattray became the first English translator of Antonin Artaud, and he understood Artaud's incisive scholarship and technological prophecies as few others would. As he writes of his translations in How I Became One of the Invisible, “You have to identify with the man or the woman. If you don't, then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I translated Artaud because I wanted to turn my friends on and pass a message that had relevance to our lives. Not to get a grant, or be hired by an English department.” Compiled in the months before his untimely death at age 57, How I Became One of the Invisible is the only volume of Rattray's prose. This new edition, edited by Robert Dewhurst, includes five additional pieces, two of them previously unpublished.
Rarely does an author so thoroughly entertain and anger his readers as Edward Abbey does. This book focuses on Abbey's aesthetic and philosophy of paradox as they are reflected in his writings, and explores his literary technique of blurring traditional genres regarding fiction and nonfiction. Until now, no study has sufficiently treated the full complexity of Abbey's writing throughout his career - making this particular work not only original, but important.
Literature and Poverty offers an engaging overview of changes in literary perceptions of poverty and the poor. Part I of the book, from the Hebrew Bible to the French Revolution, provides essential background information. It introduces the Scriptural ideal of the ‘holy poor’ and the process by which biblical love of the poor came to be contested and undermined in European legislation and public opinion as capitalism grew and the state took over from the Church; Part II, from the French Revolution to World War II, shows how post-1789 problems of industrialization, population growth, war, and urbanization came to dominate much European literature, as poverty and the poor became central concerns of major writers such as Dickens, Dostoyevsky, and Hugo. David Aberbach uses literature – from the Bible, through Shakespeare, Wordsworth, Zola, Pushkin, and Orwell – to show how poverty changed from being an endemic and unavoidable fact of life, to a challenge for equality that might be attainable through a moral and rational society. As a literary and social history of poverty, this book argues for the vital importance of literature and the arts in understanding current problems in International Development.
In 1975, David Thomson published his Biographical Dictionary of Film, and few film books have enjoyed better press or such steady sales. Now, thirty-three years later, we have the companion volume, a second book of more than 1,000 pages in one voice—that of our most provocative contemporary film critic and historian. Juxtaposing the fanciful and the fabulous, the old favorites and the forgotten, this sweeping collection presents the films that Thomson offers in response to the question he gets asked most often—“What should I see?” This new book is a generous history of film and an enticing critical appraisal written with as much humor and passion as historical knowledge. Not content to choose his own top films (though they are here), Thomson has created a list that will surprise and delight you—and send you to your best movie rental service. But he also probes the question: after one hundred years of film, which ones are the best, and why? “Have You Seen . . . ?” suggests a true canon of cinema and one that’s almost completely accessible now, thanks to DVDs. This book is a must for anyone who loves the silver screen: the perfect confection to dip into at any point for a taste of controversy, little-known facts, and ideas about what to see. This is a volume you’ll want to return to again and again, like a dear but argumentative friend in the dark at the movies.
J. G. Ballard once declared that the most truly alien planet is Earth and in his science fiction he abandoned the traditional imagery of rocket ships traveling to distant galaxies to address the otherworldliness of this world. The Empires of J. G. Ballard is the first extensive study of Ballard's critical vision of nation and empire, of the political geography of this planet. Paddy examines how Ballard s self-perceived status as an outsider and exile, the Sheppertonian from Shanghai, generated an outlook that celebrated worldliness and condemned parochialism. This book brings to light how Ballard wrestled with notions of national identity and speculated upon the social and psychological implications of the post-war transformation of older models of empire into new imperialisms of consumerism and globalization. Presenting analyses of Ballard s full body of work with its tales of reverse colonization, psychological imperialism, the savagery of civilization, estranged Englishmen abroad and at home, and multinational communities built on crime, The Empires of J. G. Ballard offers a fresh perspective on the fiction of J. G. Ballard. The Empires of J.G. Ballard: An Imagined Geography offers a sustained and highly convincing analysis of the imperial and post-imperial histories and networks that shape and energise Ballard's fictional and non-fictional writings. To what extent can Ballard be considered an international writer? What happens to our understanding of his post-war science fictions when they are opened up to the language and logics of post-colonialism? And what creative and critical roles do the spectres of empire play in Ballard's visions of modernity? Paddy follows these and other fascinating lines of enquiry in a study that is not only essential reading for Ballard students and scholars, but for anyone interested in the intersections of modern and contemporary literature, history and politics. (Jeanette Baxter, Anglia Ruskin University) Shanghai made my father. Arriving in England after WW2, he was a person of the world who d witnessed extremes of human experience, and remained the outsider observing life from his home in Shepperton. 1930s Shanghai, Paris of the East , was a mix of international sophistication and violence, unfettered capitalism and acute poverty, American cars, martinis and Coca Cola, a place marked by death and war. It had a profound influence on my father and his imagination. Dr Paddy s fascinating book explores my father s fiction within an international context and offers a profound reading of a man who always kept his eyes and mind open to the world. (Fay Ballard)
In Waves of Decolonization, David Luis-Brown reveals how between the 1880s and the 1930s, writer-activists in Cuba, Mexico, and the United States developed narratives and theories of decolonization, of full freedom and equality in the shadow of empire. They did so decades before the decolonization of Africa and Asia in the mid-twentieth century. Analyzing the work of nationalist leaders, novelists, and social scientists, including W. E. B. Du Bois, José Martí, Claude McKay, Luis-Brown brings together an array of thinkers who linked local struggles against racial oppression and imperialism to similar struggles in other nations. With discourses and practices of hemispheric citizenship, writers in the Americas broadened conventional conceptions of rights to redress their loss under the expanding United States empire. In focusing on the transnational production of the national in the wake of U.S. imperialism, Luis-Brown emphasizes the need for expanding the linguistic and national boundaries of U.S. American culture and history. Luis-Brown traces unfolding narratives of decolonization across a broad range of texts. He explores how Martí and Du Bois, known as the founders of Cuban and black nationalisms, came to develop anticolonial discourses that cut across racial and national divides. He illuminates how cross-fertilizations among the Harlem Renaissance, Mexican indigenismo, and Cuban negrismo in the 1920s contributed to broader efforts to keep pace with transformations unleashed by ongoing conflicts over imperialism, and he considers how those transformations were explored in novels by McKay of Jamaica, Jesús Masdeu of Cuba, and Miguel Ángel Menéndez of Mexico. Focusing on ethnography’s uneven contributions to decolonization, he investigates how Manuel Gamio, a Mexican anthropologist, and Zora Neale Hurston each adapted metropolitan social science for use by writers from the racialized periphery.
Former private investigator and New York Times notable author David Corbett offers a unique and indispensable toolkit for creating characters that come vividly to life on the page and linger in memory. Corbett provides an inventive, inspiring, and vastly entertaining blueprint to all the elements of characterization-from initial inspiration to realization-with special insights into the power of secrets and contradictions, the embodiment of roles, managing the "tyranny of motive," and mastering crucial techniques required for memorable dialogue and unforgettable scenes. This is a how-to guide for both aspiring and accomplished writers that renders all other books of its kind obsolete.
As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and tr
“A probing biography of the enfant terrible of 1960s and 1970s film-making . . . exhaustive and endlessly intriguing.” —Booklist Written by the film critic and historian David Weddle, this fascinating account does critical justice to an important body of cinema as it spins the tale of David Samuel Peckinpah’s dramatic, overcharged life and the turbulent times through which he moved. Sam Peckinpah was born into a clan of lumberjacks, cattle ranchers, and frontier lawyers. After a hitch with the Marines, he made his way to Hollywood, where he worked on a string of low-budget features. In 1955 he began writing scripts for Gunsmoke; in less than a year he was one of the hottest writers in television, with two classic series, The Rifleman and The Westerner, to his credit. From there he went on to direct a phenomenal series of features, including Ride the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch. Peckinpah was both a hopeless romantic and a grim nihilist, a filmmaker who defined his era as much as he was shaped by it. Rising to prominence in the social and political upheaval of the late sixties and early seventies, Peckinpah and his generation of directors—Stanley Kubrick, Arthur Penn, Robert Altman—broke with convention and turned the traditional genres of Western, science fiction, war, and detective movies inside out. No other era in Hollywood has matched it for sheer energy, audacity, and originality; no one cut a wider path through that time than Sam Peckinpah. “Groundbreaking.” —Michael Sragow, The Atlantic
The unmatched guide—and perfect gift—for stymied scribes and working wordsmiths everywhere, now expanded and updated. A singular and indispensable reference tool, The Describer's Dictionary—now expanded and updated—has served for over twenty years as the go-to resource for writers who are determined to capture the world in just the right words. The dictionary uses a unique reverse definition-to-term format that makes it easy to zero in on the term you're seeking. Turn to the new section on sensory impressions, for example, to find vivid terms for "loud or jarring," such as "grating," "harsh," "piercing," "blaring," "thunderous," "cacophonous," and "raucous." And at the end of each section dozens of illustrative passages by notable fiction and nonfiction authors—including Donna Tartt, Michael Lewis, Zadie Smith, Khaled Hosseini, and Paul Theroux—bring the terminology to life. New in this edition: • Hundreds of additional definitions, terms, and synonyms • Brand-new categories, including "Physical States and Symptoms," "Temperament and Behavior," "Rooms and Interior Spaces," "Weather and Forces of Nature," and "The Solar System" • Over 400 new quotations from books, periodicals, and digital media by established and rising literary stars • An index of the more than 600 authors quoted in the book
Anyone with a computer has heard of viruses, had to deal with several, and has been struggling with spam, spyware, and disk crashes. This book is intended as a starting point for those familiar with basic concepts of computers and computations and who would like to extend their knowledge into the realm of computer and network security. Its comprehensive treatment of all the major areas of computer security aims to give readers a complete foundation in the field of Computer Security. Exercises are given throughout the book and are intended to strengthening the reader’s knowledge - answers are also provided. Written in a clear, easy to understand style, aimed towards advanced undergraduates and non-experts who want to know about the security problems confronting them everyday. The technical level of the book is low and requires no mathematics, and only a basic concept of computers and computations. Foundations of Computer Security will be an invaluable tool for students and professionals alike.
DNA in the nucleus of plant and animal cells is stored in the form of chromatin. Chromatin and the chromatin remodelling enzymes play an important role in gene transcription. - Genetic assays of chromatin modification and remodeling - Histone modifying enzymes - ATP-dependent chromatin remodeling enzymes
Now in four convenient volumes, Field’s Virology remains the most authoritative reference in this fast-changing field, providing definitive coverage of virology, including virus biology as well as replication and medical aspects of specific virus families.
Every Assistance and Protection is the first book presenting an in-depth history of the Australian passport. In charting the development of the passport from its early beginnings to its present form, the book traverses changes in government policy and social history from the early 19th century to the modern era. It shows how the Australian passport evolved from a signifier of British nationality into a badge of membership of one of the most multicultural countries in the world. The book explores the landmark events in this history:the great 19th century diasporas, resulting from relaxation of official controls on the movement of people; the early passport regime regulating the movement of "ticket-of-leave" convicts; the establishment of the centralised passport system during World War I; the enactment of the first passport legislation for the Commonwealth, The Passports Act 1920, and the reaction of some Australians who felt the new law infringed the liberties of the British subject; changes to the laws in 1938 such that possession of a passport was no longer mandatory for an Australian to travel, though still a practical necessity; the use of the government's discretionary power to cancel or withhold passports to inhibit the movement of individual communists; the establishment of Australian citizenship in 1948 - the basis for possession of an Australian passport; the removal of the word "British" from the cover in 1967; the effects of globalisation and heightened security in the late 20th and early 21st century. It also touches on the lives of individuals: boxer Les Darcy, journalist Wilfred Burchett, and General Sir Thomas Blamey, are among the many Australians featuring in these pages. The book is based on an exhaustive examination of hitherto unexamined primary sources of many government departments, including the Departments of External Affairs, the Prime Minister's, the Attorney-General's, Defence, Home and Territories, Immigration and Foreign Affairs. Sponsored by Department of Foreign Affairs and Trade
Written by leading food animal researchers, practitioners, and educators, this comprehensive guide provides quick access to the latest medical and surgical interventions for cattle, sheep, and goats. The concise, quick-reference format and logical body systems organization make it ideal for use in both the clinical setting and the field. You'll easily locate key information on preventing, treating, and managing disease in food animals, as well as expert insights on improving outcomes for individual animals and herd populations. - Authoritative, cutting-edge coverage offers clinically relevant strategies for diagnosing and managing a wide range of diseases and disorders in food animals, with a focus on cattle, sheep, and goats. - Logically organized content is easy-to-follow and provides a practical approach to determining appropriate medical and surgical interventions. - Concise, easy-to-read format helps you find essential information quickly and easily. - Expert editors, consultants, and writers ensure the accuracy, relevance, and timeliness of each topic to keep you on the cutting edge of food animal therapy. - New editors and a new team of section editors bring a fresh perspective and authoritative guidance on caring for food animals. - Completely revised and updated content includes new sections on topics such as: - Genital surgery - Pharmacology and therapeutics - Restraint, anesthesia, and pain management - Cow-calf/small ruminant production medicine - Feedlot production medicine - Coverage of hot topics in the field includes biosecurity in feedlots, therapy in organic livestock medicine, and ethical responsibilities in selecting drugs for use in food animals. - Expanded treatment options incorporate surgical interventions where appropriate, including laparoscopic procedures.
The Avant-Postman explores a broad range of innovative postwar writing in France, Britain, and the United States. Taking James Joyce’s "revolution of the word" in Ulysses and Finnegans Wake as a joint starting point, David Vichnar draws genealogical lines through the work of more than fifty writers up to the present, including Alain Robbe-Grillet, B. S. Johnson, William Burroughs, Christine Brooke-Rose, Georges Perec, Kathy Acker, Iain Sinclair, Hélène Cixous, Alan Moore, David Foster Wallace, and many others. Centering the exploration around five writing strategies employed by Joyce—narrative parallax, stylistic metempsychosis, concrete writing, forgery, and neologising the logos—the book reveals the striking continuities and developments from Joyce’s day to our own.
The throngs at Woodstock, Jane Fonda in Hanoi, I Have a Dream, burning draft cards, fire in the streets--these images of the 1960s are still very much alive today. What happened to the people and principles that dominated that decade? Which leaders from those turbulent years had the most lasting effect on our lives today? How well have the principles for which those leaders fought so strongly withstood the test of time? This thought-provoking biographical dictionary allows the reader to study the leaders, both conservative and liberal, their ideals, and their enduring influence. With major sections on racial democracy, peace and freedom, sexuality and gender, the environment, radical culture, and visions of alternative societies, Leaders from the 1960s includes entries on a wide selection of nationally prominent activists of the 1960s. In addition to those who dominated only the sixties, the volume includes earlier activists who came into prominence in the 1960s and activists of the era who came into prominence since the 1960s. Each entry provides a biographical sketch, but the focus of the entries is on the person's basic concepts or the essence of his or her work and the public response it generated. Included are extensive bibliographies on the individuals and the period.
Canadian literature in English presents a wealth of imaginative experience that belies the colonial status sometimes accorded the world?s second-largest country. This revised and expanded edition of Major Canadian Authors provides an entrance into that realm. Stouck?s carefully integrated essays introduce the life and writings of eighteen foremost Canadian authors, including Robertson Davies, Margaret Laurence, Sinclair Ross, and Alice Munro. The second edition adds a new chapter on Margaret Atwood, updates the text, and expands the reference guide to include more than sixty Canadian authors.
This book describes, using first-person accounts, the history of the development in the Soviet Union and, later, in Russia of an extremely important technical field and how that history was influenced by WWI, WWII, and the Cold War, by government bureaucracy, in both positive and negative ways, by the economic collapse of the Soviet Union, and most importantly, by the dedicated efforts of vast numbers of individuals, including some of the greatest scientific minds of the 20th century. It will make fascinating reading for engineers and scientists who were engaged in similar work in the West, for historians of the Cold War and of the Soviet Union, and for present day researchers who need to learn about Russian scientific contributions.Because of its importance to national security, much of the research and development effort in underwater acoustics was classified during the Cold War, both in the Soviet Union and the United States. This book presents the first declassified accounts of the development of numerous hydroacoustic systems by individuals having first-hand knowledge of the development efforts.
Truth is deadlier than fiction in this “sleek, sophisticated, over-the-top story that’s filled with red herrings, laugh-aloud humor, and plenty of suspense” (Booklist). The author calls himself the Answer Man. He introduces himself to Stewart Hoag—onetime literary darling of the New York scene—with a letter begging for help with his first novel. Hoagy usually ignores such requests, but the Answer Man’s sample chapter grabs his attention. It is a chilling, first-person story about a man who picks up a girl in a pet shop, takes her home, and savagely murders her. The imagery is clear, the prose strong, and the storytelling as truthful as though the author had actually lived it. When he opens the next morning’s paper, Hoagy realizes he was reading nonfiction. A young pet shop employee has been bludgeoned to death, and the crime’s details match those in the manuscript. As the Answer Man keeps killing, he continues writing letters asking Hoagy to collaborate with him. If Hoagy can’t stop him soon, he may find himself starring in the book’s next chapter.
Robert Crumb (b. 1943) read widely and deeply a long roster of authors including Robert Louis Stevenson, Charles Dickens, J. D. Salinger, Jack Kerouac, William S. Burroughs, and Allen Ginsberg, as well as religious classics including biblical, Buddhist, Hindu, and Gnostic texts. Crumb’s genius, according to author David Stephen Calonne, lies in his ability to absorb a variety of literary, artistic, and spiritual traditions and incorporate them within an original, American mode of discourse that seeks to reveal his personal search for the meaning of life. R. Crumb: Literature, Autobiography, and the Quest for Self contains six chapters that chart Crumb’s intellectual trajectory and explore the recurring philosophical themes that permeate his depictions of literary and biographical works and the ways he responds to them through innovative, dazzling compositional techniques. Calonne explores the ways Crumb develops concepts of solitude, despair, desire, and conflict as aspects of the quest for self in his engagement with the book of Genesis and works by Franz Kafka, Jean-Paul Sartre, the Beats, Charles Bukowski, and Philip K. Dick, as well as Crumb’s illustrations of biographies of musicians Jelly Roll Morton and Charley Patton. Calonne demonstrates how Crumb’s love for literature led him to attempt an extremely faithful rendering of the texts he admired while at the same time highlighting for his readers the particular hidden philosophical meanings he found most significant in his own autobiographical quest for identity and his authentic self.
This book examines the antiwar work of one American artist in relation to the cultural history of the Cold War. The study provides new and detailed information on this important artist, while also contributing to the study of masculinity, dissent, art, violence, and war in the last half of the twentieth century. The study clearly reveals that artists' protests against American foreign policy began well before the official U.S. entry in the Vietnam War, and that not all combat veterans looked back fondly on their experience of the Good War. Finally, in drawing attention to the challenges of being a man in a hostile world, Westermann's art enters into a much broader consideration of gender long before this issue became topical in contemporary art. director of the American Studies Program at Rhodes College in Tennessee.
Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.
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