Daily Mail Showbiz Memoir of the Year 'A beautiful book' Chris Evans 'Terrifically entertaining' Mail on Sunday 'An arresting photographic voyage through the life and loves of this enigmatic English star' S magazine 'Though not a conventional autobiography, we learn what makes the national treasure tick' Daily Express In the early days of my career, I didn't think I stood a hope in hell. Look at me: I'm short, stocky, slightly overweight, deep of voice, passionate, dark haired, olive skinned, hardly your typical Englishman. What chance did I have, going into the world of British theatre? David Suchet has been a stalwart of British stage and screen for fifty years. From Shakespeare to Oscar Wilde, Freud to Poirot, Edward Teller to Doctor Who, Harold Pinter to Terence Rattigan, Questions of Faith to Decline and Fall, right up to 2019's The Price, David has done it all. Throughout this spectacular career, David has never been without a camera, enabling him to vividly document his life in photographs. Seamlessly combining photo and memoir, Behind the Lens is the story of David's remarkable life, showcasing his wonderfully evocative photographs and accompanied by his insightful and engaging commentary. In Behind the Lens, David discusses his London upbringing and love of the city, his Jewish roots and how they have influenced his career, the importance of his faith, how he really feels about fame, his love of photography and music, and his processes as an actor. He looks back on his fifty-year career, including reflections on how the industry has changed, his personal highs and lows, and how he wants to be remembered. And, of course, life after Poirot and why he's still grieving for the eccentric Belgian detective. An autobiography with a difference, this is David Suchet as you've never seen him before - from behind the lens. 'The book offers more insight into the mind and philosophy of this remarkable man than a more conventional biographical approach could have achieved' Country Life
In the summer of 2013 David Suchet will film his final scenes as Hercule Poirot. After 24 years in the role, he will have played the character in every story that Agatha Christie wrote about him (bar one, deemed unfilmable) and he will bid adieu to a role and a character that have changed his life. In Poirot and Me, David Suchet tells the story of how he secured the part, with the blessing of Agatha Christie's daughter, and set himself the task of presenting the most authentic Poirot that had ever been filmed. David Suchet is uniquely placed to write the ultimate companion to one of the world's longest running television series. Peppered with anecdotes about filming, including many tales of the guest stars who have appeared over the years, the book is essential reading for Poirot fans all over the world.
A must-read book for those intrigued by the ever-shifting landscape of unconventional warfare and its profound impact on contemporary global dynamics. Throughout history, conflicts have given rise to unconventional forms of warfare, often propelled by personal, religious, tribal, or national ambitions. Historian David Rooney highlights pivotal figures such as the Maccabees, Napoleon, the Boer Wars, Michael Collins, Mao Tse Tung, T. E. Lawrence, Castro, Guevara, the Guerrillas of World War II, and Al Qaeda's Osama Bin Laden, illustrating the evolution of guerrilla theories. In today's era of swiftly forsaking convention and tradition for immediate results, the adoption of unconventional strategies by twenty-first-century warriors appears more prevalent than ever. Public discourse surrounding this topic is vibrant, and understanding its evolution is vital for increased awareness. Dive into the riveting exploration of unconventional warfare throughout the ages with historian David Rooney's insightful narrative. This compelling account not only unveils the trailblazing leaders who reshaped military strategies but also delves into the timely relevance of non-conventional approaches in today's fast-paced world. A must-read for those intrigued by the ever-shifting landscape of unconventional warfare and its profound impact on contemporary global dynamics
THREE FULL-LENGTH NOVELS. THE EYE OF MAKARIOS - 1974: From the USA to Russia, from the Middle East to Europe, the chase is on to find The Eye of Makarios before the world explodes into chaos. THE MESRINE CONCLUSION - 1978: Can French Public Enemy Number One Jacques Mesrine retrieve the stolen dark secret of the British Royal House of Windsor before his hunters track him down? THE WINDSOR SECRET - 1997: The dark secret of the British Royal House of Windsor leads to the death of Princess Diana in Paris. Who did it? And why? PLUS BONUS SHORT STORY: SHADE - There are no such things as ghosts...
The most complete record of a contemporary American dramatist available, David Mamet: A Resource and Production Sourcebook is the result of ten years' research by a widely published drama and theatre scholar and a university bibliographic specialist. Presenting a complete overview of all reviews and scholarshp on Mamet, the authors challenge assumptions about the playwright, such as the charge that he is an antifeminist writer. This comprehensive sourcebook is an essential purchase for Mamet scholars and students of American drama alike. David Mamet: A Resource and Production Sourcebook reflects the revolution underway in the study of drama, in which not only previous scholarship but performance reviews are a necessary part of research. It gives a complete listing and overview of over 250 scholarly articles and chapters of books on Mamet's plays. It also presents the complete production history of each play, including review excerpts. The authors have produced an invaluable guide to research into this key contemporary dramatist.
Originally published in 1987. David Higgs's Nobles in Nineteenth-Century France: The Practice of Inegalitarianism provides a history of the nobility against the backdrop of changing French political conditions following the French Revolution. Since Jean Juarès, the influential historian of the French Revolution, many writers have argued that the French Revolution marked the political triumph of a capitalist bourgeoisie over a landed aristocracy. However, beginning with Alfred Cobban, some historians began to question this account by focusing on the continued presence of the nobility in France. This book contributes to this body of work by giving a panorama of the French nobility and three detailed case studies of noble families; the author then concludes with an examination of the nobility in political life, the church, and the private sphere. Professor Higgs finds that French nobles changed with their century, but given their small numbers in the national population, they maintained a grossly disproportionate presence in politics, in culture, among the wealthiest landowners, and in economic life.
A specialist in Napoleonic history reveals the legendary leader’s influence on the City of Light in this illustrated visitor’s guide. Historian David Buttery explores the many connections between Napoleon and Paris, where many remarkable buildings and monuments date from his time in power. Many of the city’s most famous sites were built or enhanced on Napoleon’s instructions, while others are closely associated with him and the First French Empire. Buttery explores the Napoleonic history of the Arc de Triomphe, the Louvre, the Hôtel des Invalides, Musée de l’Armée, Notre Dame Cathedral, Père-Lachaise Cemetery, and other fascinating sites. Full of evocative detail and practical information, Napoleon’s Paris is essential reading for every history buff who visits the French capital.
The curiosity, entertained by all civilized nations, of inquiring into the exploits and adventures of their ancestors, commonly excites a regret that the history of remote ages should always be so much involved in obscurity, uncertainty, and contradiction. Ingenious men, possessed of leisure, are apt to push their researches beyond the period in which literary monuments are framed or preserved; without reflecting that the history of past events is immediately lost or disfigured when intrusted to memory or oral tradition; and that the adventures of barbarous nations, even if they were recorded, could afford little or no entertainment to men born in a more cultivated age. The convulsions of a civilized state usually compose the most instructive and most interesting part of its history; but the sudden, violent, and unprepared revolutions incident to barbarians are so much guided by caprice, and terminate so often in cruelty, that they disgust us by the uniformity of their appearance; and it is rather fortunate for letters that they are buried in silence and oblivion. The only certain means by which nations can indulge their curiosity in researches concerning their remote origin, is to consider the language, manners, and customs of their ancestors, and to compare them with those of the neighbouring nations. The fables which are commonly employed to supply the place of true history ought entirely to be disregarded; or if any exception be admitted to this general rule, it can only be in favour of the ancient Grecian fictions, which are so celebrated and so agreeable, that they will ever be the objects of the attention of mankind. Neglecting, therefore, all traditions, or rather tales, concerning the more early history of Britain, we shall only consider the state of the inhabitants as it appeared to the Romans on their invasion of this country: we shall briefly run over the events which attended the conquest made by that empire, as belonging more to Roman than British story: we shall hasten through the obscure and uninteresting period of Saxon annals: and shall reserve a more full narration for those times when the truth is both so well ascertained and so complete as to promise entertainment and instruction to the reader. All ancient writers agree in representing the first inhabitants of Britain as a tribe of the Gauls or Celtae, who peopled that island from the neighbouring continent. Their language was the same; their manners, their government, their superstition, varied only by those small differences which time or communication with the bordering nations must necessarily introduce. The inhabitants of Gaul, especially in those parts which lie contiguous to Italy, had acquired, from a commerce with their southern neighbours, some refinement in the arts, which gradually diffused themselves northwards, and spread but a very faint light over this island. The Greek and Roman navigators or merchants (for there were scarcely any other travellers in those ages) brought back the most shocking accounts of the ferocity of the people, which they magnified, as usual, in order to excite the admiration of their countrymen. The south-east parts, however, of Britain had already, before the age of Caesar, made the first, and most requisite step towards a civil settlement; and the Britons, by tillage and agriculture, had there increased to a great multitude [a]. The other inhabitants of the island still maintained themselves by pasture: they were clothed with skins of beasts. They dwelt in huts, which they reared in the forests and marshes, with which the country was covered: they shifted easily their habitation, when actuated either by the hopes of plunder, or the fear of an enemy: the convenience of feeding their cattle was even a sufficient motive for removing their seats: and as they were ignorant of all the refinements of life, their wants and their possessions were equally scanty and limited.
In this “engrossing,” (The New Yorker) vivid, and intensively researched volume, esteemed Napoleon scholar David Chandler outlines the military strategy that led the famous French emperor to his greatest victories—and to his ultimate downfall. Napoleonic war was nothing if not complex—an ever-shifting kaleidoscope of moves and intentions, which by themselves went a long way towards baffling and dazing his conventionally minded opponents into that state of disconcerting moral disequilibrium which so often resulted in their catastrophic defeat. The Campaigns of Napoleon is a masterful analysis and insightful critique of Napoleon's art of war as he himself developed and perfected it in the major military campaigns of his career. Napoleon disavowed any suggestion that he worked from formula (“Je n'ai jamais eu un plan d'opérations”), but military historian David Chandler demonstrates this was at best only a half-truth. To be sure, every operation Napoleon conducted contained unique improvisatory features. But there were from the first to the last certain basic principles of strategic maneuver and battlefield planning that he almost invariably put into practice. To clarify these underlying methods, as well as the style of Napoleon's fabulous intellect, Chandler examines in detail each campaign mounted and personally conducted by Napoleon, analyzing the strategies employed, revealing wherever possible the probable sources of his subject's military ideas. “Writing clearly and vividly, [Chandler] turns dozens of persons besides Napoleon from mere wooden soldiers into three- dimensional characters” (The Boston Globe) and this definitive work is “a fine book for the historian, the student, and the intelligent reader” (The New York Review of Books).
In 1989, David Tsumura published a monograph entitled The Earth and the Waters in Genesis 1 and 2: A Linguistic Evaluation, in which he demonstrated that the oft-recited claim that the early chapters of Genesis betrayed a background or adaptation by Israel of mythological terms and/or motifs from other ancient Near Eastern literature could not be supported by a close examination of the linguistic data. Despite the book’s positive reception, the notion that the Chaoskampf motif lies behind the early chapters of Genesis continues to be rehearsed in the literature as if the data were incontrovertible. In this revised and expanded edition of the 1989 book, Tsumura carries the discussion forward. In part 1, the general thesis of the original work is restated in a significantly revised and expanded form; in the second part of this monograph, he expands the scope of his research to include a number of poetic texts outside the Primeval History, texts for which scholars often have posited an ancient Near Eastern mythological substratum. Among the questions asked are the following: What are the functions of “waters” and “flood” in biblical poetry? Do the so-called chaos dragons in the Old Testament, such as Leviathan, Rahab, and Yam, have anything to do with the creation motif in the biblical tradition? What is the relationship between these poetic texts and the Ugaritic myths of the Baal-Yam conflict? Are Psalms 18 and 29 “adaptations” of Canaanite hymns, as suggested by some scholars? Among the conclusions that Tsumura reaches are these: (1) The phrase tohû wabohû has nothing to do with the idea of a chaotic state of the earth. (2) The term tehôm in Gen 1:2 is a Hebrew form derived from the Proto-Semitic *tiham-, “ocean,” and it usually refers to the underground water that was overflowing and covering the entire surface of the earth in the initial state of creation. (3) The earth-water relationship in Gen 2:5–6 is different from that in Gen 1:2. In Gen 1:2, the earth was totally under the water; in Gen 2:5–6, only a part of the earth, the land, was watered by the ’ed-water, which was overflowing from an underground source. (4) The biblical poetic texts that are claimed to have been influenced by the Chaoskampf-motif of the ancient Near East in fact use the language of storms and floods metaphorically and have nothing to do with primordial combat.
This book makes a compelling case for ‘performance fieldwork’ as a vital new approach to interdisciplinary collaboration. Refocussing the histories and practices of field research, it shows how creative methods and artistic processes can contribute to an embodied and situated knowledge of complex landscapes and environments. The book brings together case studies of innovative research in the fields of ecology, clubbing, heritage, mobility and deep time, which took place in the United Kingdom between 2009 and 2021. These accessible and engaging field notes connect to international and intercultural contexts, with attention to alternative experiences and perspectives throughout. Together, they provide a critically informed ‘toolbox’ of playful and exploratory strategies for working with a diverse range of urban and rural sites – including a river, a museum, a nightclub, a motorway and a cave. This is a timely methodology that reaches across disciplines to demonstrate how performance continually plays out ‘in the field’.
Six months after the Declaration of Independence, the American Revolution was all but lost. A powerful British force had routed the Americans at New York, occupied three colonies, and advanced within sight of Philadelphia. Yet, as David Hackett Fischer recounts in this riveting history, George Washington--and many other Americans--refused to let the Revolution die. On Christmas night, as a howling nor'easter struck the Delaware Valley, he led his men across the river and attacked the exhausted Hessian garrison at Trenton, killing or capturing nearly a thousand men. A second battle of Trenton followed within days. The Americans held off a counterattack by Lord Cornwallis's best troops, then were almost trapped by the British force. Under cover of night, Washington's men stole behind the enemy and struck them again, defeating a brigade at Princeton. The British were badly shaken. In twelve weeks of winter fighting, their army suffered severe damage, their hold on New Jersey was broken, and their strategy was ruined. Fischer's richly textured narrative reveals the crucial role of contingency in these events. We see how the campaign unfolded in a sequence of difficult choices by many actors, from generals to civilians, on both sides. While British and German forces remained rigid and hierarchical, Americans evolved an open and flexible system that was fundamental to their success. The startling success of Washington and his compatriots not only saved the faltering American Revolution, but helped to give it new meaning.
The Swiss Reformed Theologian Emil Brunner was one of the key figures in the early 20th century theological movement of Dialectical Theology. In this monograph David Gilland offers an account of Bruner's earlier theology in relation to one of the central themes of the Protestant Reformation: Law and Gospel.He examines Brunner's early relationship with fellow Swiss Reformed theologian, Karl Barth and provides a detailed reading of a variety of Brunner's essays from the early to mid-1920s, centering on Brunner's efforts to use the law-gospel relationship to establish a basis for Christian theology. After analyzing the influence this has on Brunner's theological method, Gilland examines Brunner's earliest text on Christology, The Mediator (1927). In light of the preceding analysis, the fourth chapter provides a careful reading of Brunner's controversial polemic against Karl Barth, Nature and Grace (1934).The monograph concludes with reflections on Brunner's earlier theological work and his turbulent relationship with Karl Barth.
Aimed at both the amateur enthusiast and those wishing to pursue their interest and undertake professional training, this basic introduction to the craft is full of valuable adviceThe basic skills that every actor needs to develop are covered in this guide, including breathing, voice control, the use of body language, timing, and handling the audience. The importance of understanding a text and the interaction of the characters within it is considered, as is the relationship between the actor/actress and director. Auxiliary activities such as actors' exercises and warm-ups are evaluated and general advice is provided. Specific skills are discussed, such as learning lines, mime, mastering dialects and accents, period manners, and how to ensure that makeup is suitable to the role. Summaries are provided of the ideas of famous theorists, directors, and actors, such as Stanislawski, Lee Strasberg, Michael Chekhov and Dorothy Heathcote, Peter Brook and Peter Hall, as well as John Gielgud, Laurence Olivier, Simon Callow, Ian McKellen, Judi Dench, Alec Guinness, Michael Caine, and Dirk Bogarde. Other topics considered are the differences between stage and screen acting; the problems of acting in the open air; and the particular demands of certain playwrights, such as Shakespeare and Brecht.
Wellington's clash with Massena was one of the most remarkable contests between two commanders in the Peninsular War. These two formidable generals carried on a campaign of maneuver, battle and attrition across Spain and Portugal in 1810 and 1811 which had a decisive impact on the outcome of the war. Wellington's reputation was enhanced, Massena's was ruined.David Buttery's close analysis of this extraordinary encounter offers a penetrating insight into the personalities of these two outstanding soldiers. Using a variety of sources, in particular eyewitness accounts from both sides, he reassesses the famous confrontations at Ciudad Rodrigo, Almeida, Busaco, the lines of Torres Vedras and the final bitterly fought battle at Fuentes de Ooro.He sheds new light on this pivotal episode in the Napoleonic Wars and his account corrects the one-sided view of the campaign that has survived to the present day. In particular he reconsiders the true cost of the scorched earth policy that was employed against the French
No Olympic event can rival the rich history and grand spectacle of the marathon. Created for the first modern Olympic Games in Athens in 1896 as a commemoration of the legendary run by the Greek messenger Philippides, the race has endured like no other, producing a century of awe-inspiring competition and unforgettable stories. The Olympic Marathon brings the high drama and rich details of the past 24 Olympic marathon races to life in a way no other book ever has. This definitive resource, written by world-renowned Olympic marathon experts David Martin and Roger Gynn, goes beyond statistics to offer readers a vivid chronicle of the athletes and their memorable marathon performances. Fans will relive the compelling moments that have made the Olympic marathon legendary: Spiridon Louis winning the first modern Olympic marathon in Athens in 1896, Emil Z "topek's dramatic triple-gold performance in 1952, Ethiopian Abebe Bikila winning a gold medal while running barefoot, Joan Benoit Samuelson earning her place in history as winner of the first Olympic women's marathon in 1984, and many other fascinating stories. For each race, The Olympic Marathon provides the following: -A summary of the geographical setting and political climate surrounding the Olympic Movement -A course map and detailed street description -A step-by-step narrative of how the race was run -Biographical sketches of the top three finishers -A "Looking Ahead" section, which summarizes marathon highlights leading up to the next Olympic marathon Generously illustrated, often with rare and never-before-published photos, a pictorial glimpse is provided into the contemporary atmosphere and dynamics of each race. Plus, for readers who want complete statistics on each race, the book provides a comprehensive appendix. Included are chronological and alphabetical race results for all men and women who participated in the event and listings of the fastest men's and women's Olympic marathon performances. The Olympic Marathon is the authoritative book on the race that has captured the imagination of the world. It's a one-of-a-kind resource that every fan of running and the Olympics will treasure.
One of the great exponents of the direct cinema style, Quebecois poet, essayist, and film-maker Pierre Perrault (1927-1999) began his documentary career in radio before joining the more traditional Ren’e Bonni’ere filming life in the lower St. Lawrence. In the 1960s he joined the National Film Board of Canada to shoot films in the new direct style, taking a small two-man crew into communities to reveal their beliefs and allegiances as they coped with social change. His legendary trilogy on the Ile-aux-Coudres opened with his most famous work, Pour la suite du monde (1963). Ostensibly a look at the local people’s effort to revive a traditional beluga hunt, it is actually the beginning of a lifelong inquiry into the relationship between community and national identity. This relationship emerges most clearly in the highly poetic Un pays sans bon sens! (1970), which brought Perrault into conflict with the NFB. The film was sidelined for many years. After a trip outside Quebec to Moncton to document francophone student unrest, Perrault made a second trilogy, this one in northwestern Quebec, showing the collapse of traditional farming communities relocated to the Abitibi during the Great Depression. Further explorations took Perrault to the northern interiors of Quebec, the hunting woods of Maniwaki, and to the tall ships retracing Jacques Cartier’s voyages of discovery. The triology culminated in the desolate arctic landscapes of the mysterious muskox, and two of his most haunting creations. The first major publication on Perrault in English, Pierre Perrault and the Poetic Documentary discusses not only the world that Perrault’s cinema revealed but a revolution in film-making from a great poet. Co-written and edited by David Clandfield, Principal of New College in the University of Toronto, Pierre Perrault and the Poetic Documentary also features contributions from scholar Jerry White, as well as translations of some of Perrault’s writings on film. Published by the Toronto International Film Festival. Distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.
Known collectively as the 'Great War', for over a decade the Napoleonic Wars engulfed not only a whole continent but also the overseas possessions of the leading European states. A war of unprecedented scale and intensity, it was in many ways a product of change that acted as a catalyst for upheaval and reform across much of Europe, with aspects of its legacy lingering to this very day. There is a mass of literature on Napoleon and his times, yet there are only a handful of scholarly works that seek to cover the Napoleonic Wars in their entirety, and fewer still that place the conflict in any broader framework. This study redresses the balance. Drawing on recent findings and applying a 'total' history approach, it explores the causes and effects of the conflict, and places it in the context of the evolution of modern warfare. It reappraises the most significant and controversial military ventures, including the war at sea and Napoleon's campaigns of 1805-9. The study gives an insight into the factors that shaped the war, setting the struggle in its wider economic, cultural, political and intellectual dimensions.
Mathilde Carré, notoriously known as La Chatte, was remarkable for all the wrong reasons. Like most spies she was temperamental, scheming and manipulative – but she was also treacherous. A dangerous mix, especially when combined with her infamous history of love affairs – on both sides. Her acts of treachery were almost unprecedented in the history of intelligence, yet her involvement in the 'Interallié affair' has only warranted a brief mention in the accounts of special operations in France during the Second World War. But what motivated her to betray more than 100 members of the Interallié network, the largest spy network in France? Was she the only guilty party, or were others equally as culpable? Using previously unpublished material from MI5 files, Double Agent Victoire explores the events that led to her betrayal, who may have 'cast the first stone', and their motivations, as well as how the lives and careers of those involved were affected. It reveals a story full of intrigue, sex, betrayal and double-dealing, involving a rich cast including members of the French Resistance, German Abwehr and British Intelligence.
A badly needed addition to public and military libraries and to the shelves of every military writer … a definitive job." — Army Times Megiddo, Thermopylae, Waterloo, Stalingrad, Vietnam … nothing has dominated man's attention, challenged his energy, produced more heroes — and destruction — than war. This monumental one-volume work traces the long history of that uniquely human activity in vivid, accurate accounts of over 1,500 crucial military conflicts, Spanning more than 3,400 years, it encompasses a panorama of warfare so complete that no single volume like it exists. All the essential details of every major battle in recorded history on land and at sea — from the first battle of Megiddo in 1479 B. C. to Grenada in 1984 — are covered. For added convenience, this work lists the engagements in alphabetical order, from "Aachen," the first entry, to "Zutphen," the last. You'll find painstakingly researched, objectively written descriptions of the Persia-Greek conflicts of the fifth century B. C., Roman Empire wars, Napoleonic Wars, the American Civil War, World Wars I and II, and many more. Also included are penetrating analyses of the roles played by commanders of genius — Alexander, Julius Caesar, Hannibal, Napoleon, Genghis Khan, Tamerlane, Khalid ibn al-Walid, and other momentous figures. Updating this already comprehensive resource, a new Appendix deals with more recent conflicts: the Vietnam War, the Yom Kippur War, the Soviet occupation of Afghanistan, the Iran-Iraq War, the Falkland Islands clash, the Israeli invasion of Lebanon, and the U. S. invasion of Grenada. Each entry includes states, strategic situations, military leaders, troop numbers, tactics, casualties and military/political consequences of the battles. In addition, you'll find cross references at the end of each entry, 99 battle maps and a comprehensive index containing titles and alliances and treaties, famous quotations, slogans, catch phrases … even battle cries. An Encyclopedia of Battles is an entire library of military history in one convenient space-saving volume. Students, historians, writers, military buffs … anyone interested in the subject will find this inexpensive paperbound edition an indispensable reference and a fascinating study of the world's military past.
*Detailed indexes by star, director, genre, country of origin, and theme *Lavishly illustrated with over 450 photos *Comprehensive selection of international cinema from over 50 countries *Over 9,000 films reviewed *Up-to-date information on video availability and pricing *Appendices with award listings, TLA Bests, and recommended films
In the summer of 2013 David Suchet will film his final scenes as Hercule Poirot. After 24 years in the role, he will have played the character in every story that Agatha Christie wrote about him (bar one, deemed unfilmable) and he will bid adieu to a role and a character that have changed his life. In Poirot and Me, David Suchet tells the story of how he secured the part, with the blessing of Agatha Christie's daughter, and set himself the task of presenting the most authentic Poirot that had ever been filmed. David Suchet is uniquely placed to write the ultimate companion to one of the world's longest running television series. Peppered with anecdotes about filming, including many tales of the guest stars who have appeared over the years, the book is essential reading for Poirot fans all over the world.
This 2005 edition of the annual critical guide that focuses on independent and international films as well as the best in the mainstream contains reviews for more than 10,000 films, more than 300 photos, a comprehensive selection of cinema from more than 50 countries, and much more.
Collects together the best articles by key historians, literary critics, and anthropologists on the cultures of colonialism in the British Empire in the nineteenth and twentieth centuries.. A substantial introduction by the distinguished historian, Professor Catherine Hall, discusses new approaches to the history of empire and establishes a narrative frame through which to read the essays which follow.. The volume is clearly divided into three sections: theoretical, emphasising concepts and approaches; the colonisers 'at home', focusing on how empire was lived in Britain; and 'away' - the attempt to construct new cultures through which the colonisers defined themselves and others in varied colonial sites. A useful guide to recent scholarship on the culture of imperialism.
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