This is the third edition of a successful and well-established text. Thoroughly revised and updated, the book provides a comprehensive introduction to the fundamentals of optics, and to a wide variety of more advanced areas of modern optical science. Several new sections have been added, including discussions of super-resolved imaging, phase-retrieval in optical and X-ray diffraction, phase-conjugate imaging and squeezed-light interferometry. Throughout, the subject matter is developed by a combination of unsophisticated mathematics and physical intuition, with particular emphasis being placed on Fourier analysis. The very broad range of subjects treated, together with the inclusion of many problems and over 300 diagrams and photographs, will make the book of great use to undergraduate and graduate students of physics, and to anyone working in the field of optical science.
Orchestral works are the central pillars of classical music. In A Concise Guide to Orchestral Music, 1700 to the Present Day, David Fligg evaluates this great music, and explores why so many masterpieces continue to fascinate music lovers. As well as discussing individual composers, the book places orchestral music within a historical context, providing essential reading for music students, and enthusiasts of all ages.
Artists’ Film offers a lucid, accessible account of artists’ unique contribution to the art of the moving image in the twentieth and early twenty-first centuries. International in scope and accessibly written by a renowned authority on the subject, Artists’ Film is an introductory guide to the exciting and expanding field of artists’ film and an alternative history of the moving image, chronicling artists’ ever-evolving fascination with filmmaking from the early twentieth century to now. From early pioneers to key artists of today, writer and curator David Curtis offers a vivid account of the many creators who have been inspired by the cinematic medium and who have felt compelled to interpret and respond to it in their own way. In doing so, Curtis discusses these artists’ widely differing achievements, aspirations, theories, and approaches. Featuring over four hundred international moving-image makers and drawing on examples from across the arts, including experimental film, video, installation, and multimedia, this generously illustrated account offers an incomparable introduction to this continually evolving art form. A perfect read for anyone with an interest in the intersection of contemporary art and film.
Tells the story of opera from its beginnings in the seventeenth century to modern productions, with summaries of thirty-two of the world's best-known operas, biographical profiles of twenty-four famous performers, and a glossary of musical terms.
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