A haunting and intimately observed new collection from David St. John, a poet of soaring imagination and passionate candor In The Last Troubadour, David St. John has given us a collection of new and selected poems of astonishing beauty, precise and keenly observed but also touched with sensuality and deep feeling. Nothing is too small to escape notice (in “Guitar” St. John reflects on the beauty of that word) or too large to be explored-the suicide of a friend, the illness of a lover, or the texture of longing and desire. A sharp observer of landscapes within and without, St. John directs his empathetic gaze and vivid, inventive voice to investigating both the darkest and the most inspiring parts of being human, the small moments between friends and lovers as well as the groundswells that alter lives. At times lyrical, sometimes conversational, occasionally wry and playful, St. John’s poetry reveals an expansive vision animated by “intimacy and subtlety, and by a disturbing force, the work of an urgent sensibility and a true ear.” (W.S. Merwin) The beauty, music, and artistry of David St. John’s widely admired work is fully on display in this masterful collection.
A twelve year old Jewish girl is kidnapped by a gang of boys on Good Friday. They tell her the Bible claims all Jews are responsible for the crucifixion of Jesus Christ. They seek revenge and tie her to a cross of Jesus in a church courtyard. She is stripped naked and sexually assaulted. Her father is a history professor and is horrified by what happened to his daughter. He searches for the reasons for the hatred of Jews and finds it in the words of the Gospel of John in the New Testament. He writes a book accusing St. John of lying about the Jews and being the source of anti-Semitism that led to the massacres of Jews throughout the centuries culminating in the Holocaust. An extreme Christian organization does not want a book published that criticizes the Holy Bible. Kidnapping and attempted murder are used to stop the publication of the book. Embedded in the exciting story is a fictional trial of St. John. John and others in the story defend the Gospel of John. They deny that John’s words are responsible for the Holocaust. Both sides are fairly represented. You decide if John is guilty or innocent of the murder of the Jews since the birth of Christianity. This is a provocative story with memorable characters and an intriguing plot. This controversial book is destined to trigger an intense national debate.
David L. Goicoechea presents his fourth volume in a series on agape. The book focuses on the complementarity of agape (Christian love) and bhakti (Hindu love). First, he shows how the Jesuit Spirituality at Loyola in Chicago and the Franciscan Spirituality at St. Francis in Joliet, Illinois, helped him to appreciate mystical love. Secondly, he shows how agape with all nine of its characteristics is central to the Gospel of Mark. Then, especially with the help of the work of Dr. Raj Singh, he shows how bhakti developed throughout the history of India. Finally, Goicoechea shows how Georges Bataille, especially with the help of St. John of the Cross, looks deeply into the Inner Experience of the Mystical Ways.
This volume contains commentary on the Gospel of John chapters 1-10. These classic commentaries by Calvin laid the basis for later scholarly exegesis of the Bible. The commentary is verse-by-verse, with anywhere from a paragraph to a whole page of commentary per verse. This is a completely new translation into modern English of Calvin's Commentaries on the New Testament.
David J. Schlafer, acclaimed preacher, teacher, and writer, weaves words and ideas like a Celtic braid. He places us in the company of some of the people who appear in the Gospel of John—Nicodemus, the woman at the well, the woman taken in adultery, Martha and Mary, the man born blind, the bride and groom at Cana—and examines them in two unusual sources of light: ·The classic line from C. S. Lewis: “Every idea we form of God, God must, in mercy, shatter.” ·John Newton's hymn “Amazing Grace”. Schlafer offers refreshment: He helps us refresh our ideas of God. He refreshes the meaning of the well-worn phrase “Amazing Grace,” giving it new life and urgency. He refreshes our grasp of John's Gospel by centering on Jesus' interpersonal encounters rather than on the famous discourses, which are too often considered only in the abstract and at the expense of the dramas John narrates. The Shattering Sound of Amazing Grace is an inspired meeting with Jesus and the people of John's Gospel.
Few people can appreciate the joy that being owned by a cat brings better than David St John Thomas — the latest in a long line of publishers and authors to pay homage to the very special cats who have entered their busy lives. This is a book for everyone who really cares about cats. Vividly written, sometimes serious, sometimes light-hearted, anyone who has fallen for a cat, however much against their better judgement, is bound to find it uplifting. While cat people are nice (Hitler couldn’t stand them!), the real heroes in this book are naturally the cats themselves. A rich portfolio of feline characters — including the author’s own cats — step off the page, or perhaps lie curled in seductive curves on it, so vividly that you can feel their fur and hear their purr! Rich in entertaining anecdotes and asides, For the Love of a Cat will enhance every cat owner’s understanding of their feline friend and remind them again and again just how lucky they are to share their lives with this most fascinating of creatures.
For almost twenty years, from the publication of his seminal and highly influential collection of poems Hush to the appearance of the stunning Study for the World's Body: New and Selected Poems, David St. John has been considered one of the most accomplished and innovative of all American poets. Here, for the first time, David St. John has selected from essays and reviews written over the course of his career--about many of the major figures of our time: W. S. Merwin, Philip Levine, Mark Strand, Charles Wright, Donald Hall, Marvin Bell, Donald Justice, Jorie Graham, and dozens of others--and brought them together with six uncompromising and refreshingly candid interviews about the craft of poetry and the state of poetry today. Always passionate about the poets he loves and always provocative in his poetic judgements, David St. John has given us a lucid and exciting volume of prose that all readers of poetry can turn to for both pleasure and instruction."-- Back cover.
John Trevisa (ca.1342-1402), perhaps the greatest of Middle English prose translators of Latin texts into English, was almost an exact contemporary of Geoffrey Chaucer. Trevisa was born in Cornwall, studies at Oxford, and was instituted vicar of Berkeley, a position he held until his death. Over a period of thirty-five years eminent medievalist David Fowler has pieced together an account of Trevisa’s life and times by diligently seeking out documents bearing on his activities and translations. This has resulted in a cultural history of fourtheenth-century England that ranges from the administrative, geographical, and linguistic status of Cornwall to the curriculum of medieval university education, and from religious and secular conflicts to the administration of a substantial provincial household and the role of its aristocratic keepers in the Hundred Years War. Fowler provides an analysis of Trevis’s known translations the “Gospel of Nicodemus”, “Dialogus inter Militem et Clericum”, FitzRalph’s “Defensio Curatorum”, the “Polychronicon”, “De Regimine Principum” and “De Proprietatibus Rerum.” He also advances the hypothesis that Trevisa was one of the scholars responsible for the first complete translation of the scriptures into English: the Wycliffite Bible. An appendix contains a collection of biographical and historical references designed to illustrate Fowler’s contention that Trevisa may have been responsible for the revisions of “Piers the Plowman” now known as the B and C texts.
A haunting and inventive book length sequence of poems from the distinguished author of Study for the World's Body. The Face is both fiercely lyrical and intimately conversational. Coming to terms with the failure of a great love, the speaker descends into his own dark night of the soul. Here are poems that explore the drama of the shattered self in a variety of voices, calling on memory to speak and imagination to make beauty from the shards. Slowly, the speaker reassembles his life and again finds faith in himself and the world. These poems reveal a swirling cinematic poetry of visionary scope; meditative and confessional in some moments, ironic and playful in others. Deeply passionate and raw in its candour, The Face may be for this generation of poets what Lowell's Life Studies and Ashbery's Self–Portrait in a Convex Mirror were.
Possibly read more than any other railway book, The Country Railway has sold over 170,000 copies. This is a redesigned edition of the original text and photographs. Everyone loved the country railway with its neat stations and colourful gardens, the shining brasswork of its tank engines, viaducts daringly built over gushing rivers, embankments carpeted with flowers, and guards whose appearance and voice as well as the traffic they carried in their vans reflected exactly the character of the terrain being served. Basing his work on deep historical research and rich personal experience, David St John Thomas lovingly portrays the branch and cross-country railway in all its nostalgic, technical and commercial aspects. He tells of the days of high expectation when the local promoters first met and chose the architectural style for their stations, sees the navvies at work hacking through the countryside, reports the arrival of the first trains, recalls the troubled realisation when traffic receipts failed to provide enough for dividends. Stations, signalboxes, engines and their men, coaches and trucks, cattle docks and railway pubs, junctions and termini, varied landscapes, special occasions and disasters... In words and pictures here is a unique study for railway enthusiasts and for those who just miss the passing of the country railway.
Traditionally the Reformation has been viewed as responsible for the rupture of the medieval order and the foundation of modern society. Recently historians have challenged the stereotypical model of cataclysm, and demonstrated that the religion of Tudor England was full of both continuities and adaptations of traditional liturgy, ritual and devoti
This work covers 840 intentional suicide cases initially reported in Daily Variety (the entertainment industry's trade journal), but also drawing attention from mainstream news media. These cases are taken from the ranks of vaudeville, film, theatre, dance, music, literature (writers with direct connections to film), and other allied fields in the entertainment industry from 1905 through 2000. Accidentally self-inflicted deaths are omitted, except for a few controversial cases. It includes the suicides of well-known personalities such as actress Peg Entwistle, who is the only person to ever commit suicide by jumping from the top of the Hollywood Sign, Marilyn Monroe and Dorothy Dandridge, who are believed to have overdosed on drugs, and Richard Farnsworth and Brian Keith, who shot themselves to end the misery of terminal cancer. Also mentioned, but in less detail, are the suicides of unknown and lesser-known members of the entertainment industry. Arranged alphabetically, each entry covers the person's personal and professional background, method of suicide, and, in some instances, includes actual statements taken from the suicide note.
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