David Solkin's Books

Conversational Enlightenment

The Reconception of Rhetoric in Eighteenth-Century Thought

By: David Randall

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Conversational Enlightenment

The Reconception of Rhetoric in Eighteenth-Century Thought

By: David Randall

Traces the spread of the concept of conversation during the Enlightenment, including the project of politeness, the fine arts, philosophy and public opinion. The book narrates this triumph of conversational style and thought partly as a succession to the oratorical rhetoric that characterized the Renaissance and partly as the victory of the only mode of speech that recognized women as women, and not as imitation men. It also rewrites Jürgen Habermas' history of the public sphere as the history of rational conversation.

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Page Count

296

Publisher

Edinburgh University Press

Published Date

ISBN 10

1474448682

ISBN 13

9781474448680

Readers in a Revolution

Bibliographical Change in the Nineteenth Century

By: David McKitterick

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Readers in a Revolution

Bibliographical Change in the Nineteenth Century

By: David McKitterick

The mid-nineteenth century brought a revolution in popular and scholarly understandings of old and second-hand books. Manuals introduced new ideas and practices to increasing numbers of collectors, exhibitions offered opportunities previously unheard of, and scholars worked together to transform how the history of printing was understood. These dramatic changes would have profound consequences for bibliographical study and collecting, accompanied as they were by a proliferation in means of access. Many ideas arising during this time would even continue to exert their influence in the digitised arena of today. This book traces this revolution to its roots in commercial and personal ties between key players in England, France and beyond, illuminating how exhibitions, libraries, booksellers, scholars and popular writers all contributed to the modern world of book studies. For students and researchers, it offers an invaluable means of orientation in a field now once again undergoing deep and wide-ranging transformations.

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Page Count

447

Publisher

Cambridge University Press

Published Date

ISBN 10

1009200879

ISBN 13

9781009200875

A Striking Likeness

The Life of George Romney

By: David A Cross

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A Striking Likeness

The Life of George Romney

By: David A Cross

This title was first published in 2000: In their stunning simplicity, George Romney's portraits of eighteenth-century gentry and their children are among the most widely recognised creations of his age. A rival to Reynolds and Gainsborough, Romney was born in 1734 on the edge of the Lake District, the landscape of which never ceased to influence his eye for composition and colour. He moved in 1762 to London where there was an insatiable market for portraits of the landed gentry to fill the elegant picture galleries of their country houses. Romney's sitters included William Beckford and Emma Hart, later Lady Hamilton. An influential figure, one of the founding fathers of neo-classicism and a harbinger of romanticism, Romney yearned to develop his talents as a history painter. Countless drawings bear witness to ambitious projects on elemental themes which were rarely executed on canvas. Richly illustrated, this is the first biography of Romney to explore the full diversity of his oeuvre.

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345

Publisher

Routledge

Published Date

ISBN 10

1351785044

ISBN 13

9781351785044

Fashioning Adultery

Gender, Sex and Civility in England, 1660–1740

By: David M. Turner

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Fashioning Adultery

Gender, Sex and Civility in England, 1660–1740

By: David M. Turner

This 2002 book provides a major survey of representations of adultery in later seventeenth- and early eighteenth-century England. Bringing together a wide variety of literary and legal sources - including sermons, pamphlets, plays, diaries, periodicals, trial reports and the records of marital litigation - it documents a growing diversity in perceptions of marital infidelity in this period, against the backdrop of an explosion in print culture and a decline in the judicial regulation of sexual immorality. In general terms the book charts and explains a gradual transformation of ideas about extra-marital sex, whereby the powerfully established religious argument that adultery was universally a sin became increasingly open to challenge. The book charts significant developments in the idiom in which sexually transgressive behaviour was discussed, showing how evolving ideas of civility and social refinement and new thinking about gender difference influenced assessments of immoral behaviour.

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253

Publisher

Cambridge University Press

Published Date

ISBN 10

1139435558

ISBN 13

9781139435550

Exhibiting Authenticity

By: David Phillips

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Exhibiting Authenticity

By: David Phillips

The first study on medieval women to treat young women or 'maidens' separately and at length. The book makes a contribution to gender studies through its study of medieval girls' acquisition of appropriate roles and identities, and their own attitudes towards these roles. Examines the experiences and voices of young womanhood. Provides insights into ideals of feminine gender roles and identities at different social levels.

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260

Publisher

Manchester University Press

Published Date

ISBN 10

0719047978

ISBN 13

9780719047978

The Politics of Parody

A Literary History of Caricature, 1760–1830

By: David Francis Taylor

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The Politics of Parody

A Literary History of Caricature, 1760–1830

By: David Francis Taylor

This engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century British public make sense of political issues, outrages, and personalities. The first in-depth exploration of the relationship between literature and visual satire in this period, David Taylor’s book explores how great texts, seen through the lens of visual parody, shape how we understand the political world. It offers a fascinating, novel approach to literary history.

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379

Publisher

Yale University Press

Published Date

ISBN 10

0300235593

ISBN 13

9780300235593

Theatric Revolution

Drama, Censorship, and Romantic Period Subcultures 1773-1832

By: David Worrall

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Theatric Revolution

Drama, Censorship, and Romantic Period Subcultures 1773-1832

By: David Worrall

This book uncovers the role of stage censorship during the Romantic period, an era otherwise associated with freedom of expression. Theatric Revolution examines this censorship and those who struggled against it.

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416

Publisher

Oxford University Press, USA

Published Date

ISBN 10

0199276757

ISBN 13

9780199276752

Institutions and Ideologies

A SOAS South Asia Reader

By: David Arnold,Peter Robb

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Institutions and Ideologies

A SOAS South Asia Reader

By: David Arnold,Peter Robb

Informative, timely and accessible introduction to the study of South Asia by leading scholars in the field.

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Page Count

322

Publisher

Routledge

Published Date

ISBN 10

1136102426

ISBN 13

9781136102424

Hogarth and His Times

Serious Comedy

By: David Bindman

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Hogarth and His Times

Serious Comedy

By: David Bindman

The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century.

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Page Count

216

Publisher

Univ of California Press

Published Date

ISBN 10

0520213009

ISBN 13

9780520213005

Paul Mellon's Legacy

A Passion for British Art : Masterpieces from the Yale Center for British Art

By: John Baskett,Jules David Prown,Duncan Robinson,Brian Allen,William S. Reese,William J. Reese,Yale Center for British Art,Royal Academy of Arts (Great Britain)

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Paul Mellon's Legacy

A Passion for British Art : Masterpieces from the Yale Center for British Art

By: John Baskett,Jules David Prown,Duncan Robinson,Brian Allen,William S. Reese,William J. Reese,Yale Center for British Art,Royal Academy of Arts (Great Britain)

Paul Mellon (1907--1999) was an unparalleled collector of British art. His collection, now at Yale in the museum and study center he founded to house it, rivals those in Britain’s national museums and is unquestionably the most comprehensive representation of British art held outside of the United Kingdom. This book and the exhibition that it accompanies celebrate the centenary of his birth. Five introductory essays examine Mellon’s extraordinary collecting activity, as well as his role in creating both the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art in London as gifts to his alma mater (Yale 1929). A lavishly illustrated catalogue section showcases 148 of the most exquisite and important paintings, watercolors, drawings, prints, sculpture, rare books, and manuscript material in the Yale Center’s collection, including major works by Thomas Gainsborough, Joshua Reynolds, George Stubbs, John Constable, and J. M. W. Turner.

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360

Publisher

Yale University Press

Published Date

ISBN 10

0300117469

ISBN 13

9780300117462

William Hodges 1744-1797

The Art of Exploration

By: William Hodges,David Attenborough

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William Hodges 1744-1797

The Art of Exploration

By: William Hodges,David Attenborough

William Hodges is well known as the artist who accompanied Cook's second voyage to the South Pacific as official landscape painter. This book forms a major reappraisal of his career and reputation, arguing a central place for him in the development of British art. The nine essays included in this catalogue are by some of the foremost scholars in the area. They consider Hodges's work comparatively, in terms of the rise of ethnology, the investigation of Indian history, the encounter with peoples 'without history' and the development of empirical science and rationalism.

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236

Publisher

Yale University Press

Published Date

ISBN 10

030010376X

ISBN 13

9780300103762

The World in Paint

Modern Art and Visuality in England, 1848-1914

By: David Peters Corbett

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The World in Paint

Modern Art and Visuality in England, 1848-1914

By: David Peters Corbett

Familiar narratives about the nature of English modernism, &"tradition,&" and &"periodization,&" together with the &"literary&" character of English art from the mid-nineteenth to the early twentieth centuries, are abandoned in this innovative and important book. In their stead, David Peters Corbett proposes a new way of looking at this painting from the Pre-Raphaelites to the Vorticists. Arguing that art history has been too reluctant to confront the fundamental question of how and what the consistency and application of paint signifies, Corbett investigates the work of English artists&—among them Rossetti, Burne-Jones, Leighton, Watts, Whistler, Sickert, and the modernists of 1914 &—through a historical examination of the meanings of the visual in English culture. By revealing that for many artists and thinkers the visual promised to deliver a more profound understanding of the world than language, the book offers a new reading of the art of the period between 1848 and the First World War.

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344

Publisher

Penn State Press

Published Date

ISBN 10

0271023619

ISBN 13

9780271023618

History of Modern Design

Graphics and Products Since the Industrial Revolution

By: David Raizman

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History of Modern Design

Graphics and Products Since the Industrial Revolution

By: David Raizman

An exploration of the parallel development of product and graphic design from the 18th century to the 21st. The effects of mass production and consumption, man-made industrial materials and extended lines of communication are also discussed.

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406

Publisher

Laurence King Publishing

Published Date

ISBN 10

1856693481

ISBN 13

9781856693486

Love and Terror in the God Encounter

The Theological Legacy of Rabbi Joseph B. Soloveitchik

By: David Hartman

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Love and Terror in the God Encounter

The Theological Legacy of Rabbi Joseph B. Soloveitchik

By: David Hartman

The intellectual legacy of one of the twentieth century’s greatest religious thinkers—explained by a leading theologian of our day. “It is only through experiencing the contradictions in human existence, through being overwhelmed by the divine presence, through the finite human being feeling terror-stricken by the infinite majesty of God that one can develop an authentic religious personality.” —David Hartman (From Chapter 6) Rabbi Joseph B. Soloveitchik (1903–1993) profoundly influenced modern Orthodox Judaism in the United States—and Judaism as a whole—by opening up a discourse between the tradition of Torah study and Western philosophical thought. The future of both religious Zionism in Israel and of Orthodoxy in America hangs to a great extent on how we interpret his intellectual legacy. Dr. David Hartman’s penetrating analysis of Rabbi Soloveitchik’s work reveals a Judaism committed to intellectual courage, integrity, and openness. A renowned theologian and philosopher, Hartman meticulously explores the subtlety and complexity of Rabbi Soloveitchik’s theological thought, exposing a surprising intersection of halakhic tradition and modern Western theology—a confrontation that deepens and expands our spiritual understanding. Hartman’s provocative interpretation bears witness to the legitimacy of remaining loyal to the Judaic tradition without sacrificing one’s intellectual freedom and honesty.

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231

Publisher

Turner Publishing Company

Published Date

ISBN 10

1580235921

ISBN 13

9781580235921

Wordsworth's Historical Imagination (Routledge Revivals)

The Poetry of Displacement

By: David Simpson

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Wordsworth's Historical Imagination (Routledge Revivals)

The Poetry of Displacement

By: David Simpson

Traditionally, Wordsworth’s greatness is founded on his identity as the poet of nature and solitude. The Wordsworthian imagination is seen as an essentially private faculty, its very existence premised on the absence of other people. In this title, first published in 1987, David Simpson challenges this established view of Wordsworth, arguing that it fails to recognize and explain the importance of the context of the public sphere and the social environment to the authentic experience of the imagination. Wordsworth’s preoccupation with the metaphors of property and labour shows him to be acutely anxious about the value of his art in a world that he regarded as corrupted. Through close examination of a few important poems, both well-known and relatively unknown, Simpson shows that there is no unitary, public Wordsworth, nor is there a conflict or tension between the private and the public. The absence of any clear kind of authority in the voice that speaks the poems makes Wordsworth’s poetry, in Simpson’s phrase, a ‘poetry of displacement’.

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262

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Routledge

Published Date

ISBN 10

1317620313

ISBN 13

9781317620310

The Frame of Art

Fictions of Aesthetic Experience, 1750–1815

By: David Marshall

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The Frame of Art

Fictions of Aesthetic Experience, 1750–1815

By: David Marshall

Marshall asks what it means for these authors to view the world through the frame of art.

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284

Publisher

JHU Press

Published Date

ISBN 10

0801882338

ISBN 13

9780801882333

Dark Eden

The Swamp in Nineteenth-Century American Culture

By: David Miller

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Dark Eden

The Swamp in Nineteenth-Century American Culture

By: David Miller

An important though little understood aspect of the response of nineteenth-century Americans to nature is the widespread interest in the scenery of swamps, jungles, and other wastelands. Dark Eden focuses on this developing interest in order to redefine cultural values during a transformative period of American history. Professor Miller shows how for many Americans in the period around the Civil War nature came to be regarded less as a source of high moral insight and more as a sanctuary from an ever more urbanised and technological environment. In the swamps and jungles of the South a whole range of writers and artists found a set of strange and exotic images by which to explore changing social realities of the times and the deep-seated personal pressures that accompanied them.

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368

Publisher

Cambridge University Press

Published Date

ISBN 10

0521375533

ISBN 13

9780521375535

History of Modern Design Third Edition

By: David Raizman

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History of Modern Design Third Edition

By: David Raizman

This unparalleled and wide-ranging book surveys the history of applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social and commercial contexts in which this relationship has developed. In this extensively revised and expanded third edition, David Raizman addresses international questions more fully with the addition of six Global Inspiration sections that examine the contributions of non-Western traditions, rendering the very notion of a 'national' design debatable. The text also pays closer attention to issues of gender, race, and climate change, and their impact on design. With over 580 illustrations, mostly in colour, History of Modern Design is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study.

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Page Count

975

Publisher

Laurence King Publishing

Published Date

ISBN 10

1529419751

ISBN 13

9781529419757

The Modernity of English Art, 1914-30

By: David Peters Corbett

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The Modernity of English Art, 1914-30

By: David Peters Corbett

The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --

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Page Count

260

Publisher

Manchester University Press

Published Date

ISBN 10

0719037336

ISBN 13

9780719037337

Painting for Money

The Visual Arts and the Public Sphere in Eighteenth-century England

By: David H. Solkin

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Painting for Money

The Visual Arts and the Public Sphere in Eighteenth-century England

By: David H. Solkin

The book opens by examining the attempts by artists in the early eighteenth century to represent commercial prosperity as a source of moral as well as material well-being. Lavishly illustrated and written in a lively style, the book is compulsory reading for anyone interested in eighteenth-century British art, culture and social history.

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Page Count

312

Publisher

Paul Mellon Ctr for Studies

Published Date

ISBN 10

0300067208

ISBN 13

9780300067200

Principles of Art History Writing

By: David Carrier

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Principles of Art History Writing

By: David Carrier

Principles of Art History Writing traces the changes in the way in which writers about art represent the same works. These differ in such deep ways as to raise the question of whether those at the beginning of the process even saw the same things as those at the end did. Carrier uses four case studies to identify and explain changing styles of restoration and the history of interpretation of selected works by Piero, Caravaggio, and van Eyck." -- Back cover

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Page Count

268

Publisher

Penn State Press

Published Date

ISBN 10

0271038489

ISBN 13

9780271038483

Realism, Rationalism, Surrealism

Art Between the Wars

By: Fer,Francis Haskell,Briony Fer,David Batchelor,Paul Wood

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Realism, Rationalism, Surrealism

Art Between the Wars

By: Fer,Francis Haskell,Briony Fer,David Batchelor,Paul Wood

This book begins by considering responses by French artists to the First World War, showing how Purism, Dada, and early Surrealism are related to the ethos of post-war reconstruction. The authors then discuss the language of construction in places as dissimilar as France, Germany, and the Soviet Union; the contrasting demands of the utility and decoration of objects and paintings; and the relationship of surrealism to questions of sexuality and gender and to Freudian theory. The book concludes by addressing the widespread debate over realism in art: whether it represents an alternative to the elitism of the avant-garde or whether avant-garde art should play a role in the development of a modern realism.

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354

Publisher

Yale University Press

Published Date

ISBN 10

0300055196

ISBN 13

9780300055191

Disability in Eighteenth-century England

Imagining Physical Impairment

By: David M. Turner

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Disability in Eighteenth-century England

Imagining Physical Impairment

By: David M. Turner

This study examines physical disability in 18th century England. It assesses the ways in which meanings of physical difference were formed within different cultural contexts and examines how disabled men and women used, appropriated, or rejected these representations in making sense of their own experiences.

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Page Count

230

Publisher

Routledge

Published Date

ISBN 10

0415886449

ISBN 13

9780415886444

Hogarth

By: David Bindman

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Hogarth

By: David Bindman

Hogarth was one of the great 18th-century painters, a marvellous colourist and innovator at all levels of artistic expression. Art historian David Bindman surveys the works of this artist whose wry humour and sharp wit were reflected in his prolific paintings and prints including The Rakes Progress and Marriage-A-la-Mode. Hogarth was also a master of pictorial satire, highlighting the moral and political hypocrisies of the day with delightful detail and comedy themes that resonate deeply with our times. The artist was a keen observer of class and society; this new edition has been specially updated to include a discussion of Hogarths many representations of Black people in 18th-century Britain, a subject that has long been overlooked. Now revised with additional material and illustrated in colour throughout, this is a vivid and incisive study of the man and his art.

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313

Publisher

Thames & Hudson

Published Date

ISBN 10

0500776318

ISBN 13

9780500776315

Art Collecting and Middle Class Culture from London to Brighton, 1840–1914

By: David Adelman

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Art Collecting and Middle Class Culture from London to Brighton, 1840–1914

By: David Adelman

This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period 1840–1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815–84), Henry Hill (1813–82), Henry Willett (1823–1905) and Harriet Trist (1816–96) and her husband John Hamilton Trist (1812–91). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history.

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Page Count

337

Publisher

Taylor & Francis

Published Date

ISBN 10

1040052169

ISBN 13

9781040052167

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