This book examines the charged but mostly overlooked presence of the sensational Jew in antebellum literature. This stereotyped character appears primarily in the pulpy sensation fiction of popular writers like George Lippard, Ned Buntline, Emerson Bennett, and others. But this figure also plays an important role in the sometimes sensational work of canonical writers such as Nathaniel Hawthorne, Edgar Allan Poe, and Walt Whitman. Whatever the medium, this character, always overdetermined, does consistent cultural work. This book contends that, as the figure who embodies money and capitalism in the antebellum imagination, the sensational Jew is the character who most fully represents a felt anxiety about the increasingly unstable nature of a range of social categories in the antebellum US, and the sense of loss and self-hatred so often lurking in the background of modern Gentile identity. Each chapter examines a different form of sensationalism (urban gothic; sentimental city mysteries; anti-Tom plantation narratives; etc.), and a different set of anxieties (threats to class status; collapsing regional identity; the uncertain status of Whiteness and other racial categories; etc.). Throughout, the sensational Jew acts both as a figure of proteophobia (fear of disorder and ambivalence), and as the figure who embodies in uncanny form a more fulfilling and socially coherent form of identity that predates the modern liberal selfhood of the post-Enlightenment world. The sensational Jew is therefore a revealing figure in antebellum culture, as well as an important antecedent to contemporary antisemitism in the US.
Asks: how did ancient Cynic philosophy come to provide a name for its modern, unphilosophical counterpart, and what events caused such a dramatic reversal of cynicism's former meanings? This work traces the concept of cynicism from its origins as a philosophical way of life in Greek antiquity.
Until the end of the eighteenth century, almost everyone believed that the empirical world of science could produce evidence for a wise and loving God. By the twenty-first century this comforting certainty has almost vanished. What caused such a cataclysmic change in attitudes to science and to the world? Science and Spirituality offers a new history of the interaction between Western science and faith, which explores their volatile connection, and challenges the myth of their being locked in inevitable conflict. Journeying from the French Revolution to the present day, and taking in such figures as Francis Bacon, René Descartes, Charles Darwin, Immanuel Kant, Albert Einstein, Mary Shelley and Stephen Hawking, David Knight shows how science evolved from medieval and Renaissance forms of natural theology into the empirical discipline we know today. Focusing on the overthrow of Church and State in revolutionary France, and on the crucial nineteenth century period when a newly emerging scientific community rendered science culturally accessible, Science and Spirituality shows how scientific disenchantment has provided some of our most flexible and powerful metaphors for God, such as the hidden puppet-master and the blind watchmaker, and illustrates how questions of moral and spiritual value continue to intervene in scientific endeavour.
Companion to Celebrity presents a multi-disciplinary collection of original essays that explore myriad issues relating to the origins, evolution, and current trends in the field of celebrity studies. Offers a detailed, systematic, and clear presentation of all aspects of celebrity studies, with a structure that carefully build its enquiry Draws on the latest scholarly developments in celebrity analyses Presents new and provocative ways of exploring celebrity’s meanings and textures Considers the revolutionary ways in which new social media have impacted on the production and consumption of celebrity
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