A young man struggles to reconcile God, faith, and sex as he stumbles toward finding himself in this "brave and irreverent" (Details) memoir. Since childhood, David Schickler has been torn between his intense desire to become a Catholic priest and his equally fervent desire for the company of women. Things don't get any clearer for Schickler at college, where he initiates serious conversations about becoming a Jesuit just as he enters a passionate relationship with a vivacious, agnostic young woman. Setting out on a journey to understand the balance between a life of faith and life in the real world, Schickler comes to terms with this dichotomy and learns that the answers he seeks aren't clear-cut--no matter how long he treads the dark path. Candid and funny, lyrical and blunt, The Dark Path is an evocative portrayal of one man's struggle with faith and women . . . both of which he tries to love with bold, bracing honesty.
“Fascinating and hilarious,” “relentlessly clever,” and “truly haunting” are all phrases that have been used to describe David Schickler’s unique talent. And all apply to this brash, brilliant novel featuring two of the most memorable characters in contemporary fiction: Grace McGlone and Henry Dante. Sexy and willful, Grace McGlone is saving herself for the right man. When Henry Dante pulls into the small Wisconsin town where she works at the car wash, she instantly knows he’s the one. He knows it too. But when Grace discovers Henry has “The Planets”—a stolen set of famous Spanish diamonds—stashed in the back seat of his truck, she’s having none of it. She’s “trying for heaven,” and the ill-gotten jewels must go. And so they do, in a race across the American landscape from Chicago to Yellowstone, purusued by a savage gangster obsessed by the diamonds he thought were his. Passionate, criminal, comical, and possessing all the dark enchantment of a fairy tale, Sweet and Vicious is a modern love story shot straight from the heart of David Schickler’s miraculous imagination.
Hilarious, sexy, and deeply tender, Kissing in Manhattan was one of the most celebrated debuts in recent years. Acclaimed author David Schickler’s collection of linked stories follows a troupe of love-hungry urbanites through a charmed metropolis and into the Preemption--a mythic Manhattan apartment building. The Preemption sets the stage for a romantic fantasy as exuberant, dark, and dazzling as the city it occupies. Behind closed doors, the paths of an improbable cast of tenants--a seductive perfume heiress; a crabby, misunderstood actor; a preternaturally sharp-sighted priest--tangle and cross, while a perilous love triangle builds around three characters: James Branch, a shy young accountant with an unusual love for the Preemption’s antique elevator, and a strange destiny... Patrick Rigg, a Wall Street lothario who soothes his pain by seducing beautiful women, carrying a gun, and attending the nightly sermons of a foreboding priest... Rally McWilliams, a fetching, hopeful young writer who roams the city at night, searching for the soulmate she believes in but can’t find... Charged with joy and a deadly sense of humor, Kissing in Manhattan is a daring new writer’s vision of a world where men and women, good and evil, love and sex, meet, battle, and embrace on every street corner.
Imaginez un très vieil immeuble de l'Upper West Side, le Preemption, une de ces tours mythiques, presque gothiques, avec gargouilles, clochetons et mâchicoulis. Tous ceux qui l'habitent - un comptable timide qui parle aux ascenseurs, un acteur raté, un étrange séducteur, une jeune fille à la recherche de l'amour... - participent, sans le savoir, d'une même conspiration.
The book of 2001 is Kissing in Manhattan: a twisted series of intertwining New York fairytales by an outstandingly original, funny and talented new writer. It features the Pre-emption, a fantastically grand and old-fashioned apartment building in New York, and some extraordinary recurring characters: Patrick, the charismatic and satanic millionaire with a penchant for nude restraint; Rally, the travel writer lying tied up in Patrick's bedroom during an Breakfast at Tiffany's-style party; Jacob and Rachel, whose secret nightly bath is suddenly headline news; Hannah, the nymphomaniac perfume heiress; and Douglas, the teacher who is invited to dinner by his star pupil's parents, and propositioned. With its extraordinary combination of old-world glamour and new world deviance, Kissing in Manhattan is a breathtaking and unimaginably stylish debut.
Riverhead Books is proud to present our Fall 2013 Insider, which gives readers a peek inside the inspiration, or more information about, the titles on our Fall 2013 list. Included in the Riverhead Books Fall 2013 Insider are: "Black and White and Red All Over" - an essay by Ivan Doig, author of Sweet Thunder "Self-Recognition" - an essay by Najla Said, author of Looking for Palestine "A Changing Landscape" - an essay by Patrick Flanery, author of Fallen Land "My Faulty Faith" - an essay by David Schickler, author of The Dark Path "Behind the Scenes of America's Best High School Theater Program" - a note from Michael Sokolove, author of Drama High "How to Get a Friend to Face a Fear" - a manual by Patty Chang Anker, author of Some Nerve "Captivity Narratives" - an essay by Daniel Alarcón, author of At Night We Walk in Circles "A Detail Map of Palau" - a note from Wil S. Hylton, author of Vanished "The Appeal of the Forbidden" - an essay by Dana Goodyear, author of Anything That Moves "What is an N-Gram?" - a chart by Erez Aiden and Jean-Baptiste Michel, authors of Uncharted
New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the seventy-five-year marriage between a preeminent publication and its preeminent context with this collection of forty-four of its best stories from (so to speak) home. East Side? Philip Roth's chronically tormented alter ego Nathan Zuckerman has just moved there, in "Smart Money." West Side? Isaac Bashevis Singer's narrator mingles with the customers in "The Cafeteria" (who debate politics and culture in four or five different languages) and becomes embroiled in an obsessional romance. And downtown, John Updike's Maples have begun their courtship of marital disaster, in "Snowing in Greenwich Village." Wonderful Town touches on some of the city's famous places and stops at some of its more obscure corners, but the real guidebook in and between its lines is to the hearts and the minds of those who populate the metropolis built by its pages. Like all good fiction, these stories take particular places, particular people, and particular events and turn them into dramas of universal enlightenment and emotional impact. Each life in it, and each life in Wonderful Town, is the life of us all. Including these stories from the magazine's most iconic writers: “The Five-Fourty-Eight” by John Cheever “Distant Music” by Ann Beattle “Sailor off the Bremen” by Irwin Shaw “Physics” by Tama Janowitz “The Whore of Mensa” by Woody Allen “What it was Like, Seeing Chris” by Deborah Eisenberg “Drawing Room B” by John O’Hara “A Sentimental Journey” by Peter Taylor “The Balloon” by Donald Barthelme “Another Marvellous Thing” by Laurie Colwin “The Failure” by Jonathan Franzen “Apartment Hotel” by Sally Benson “Midair” by Frank Conroy “The Catbird Seat” by James Thurber “I See You, Bianca” by Maeve Brennan “You’re Ugly, Too” by Lorrie Moore “Signs and Symbols” by Vladimir Nabokov “Poor Visitor” by Jamaica Kincaid “In Greenwich, There Are Many Gravelled Walks” by Hortense Calisher “Some Nights When Nothing Happens Are the Best Nights in this Place” by John McNulty “Slight Rebellion Off Madison” by J. D. Salinger “Brownstone” by Renata Adler “Partners” by Veronica Geng “The Evolution of Knowledge” by Niccolo Tucci “The Way We Live Now” by Susan Sontag “Do the Windows Open?” by Julie Hecht “The Mentocrats” by Edward Newhouse “The Treatment” by Daniel Menaker “Arrangement in Black and White” by Dorothy Parker “Carlyle Tries Polygamy” by William Melvin Kelley “Children Are Bored on Sunday” by Jean Stafford “Notes from a Bottle” by James Stevenson “Man in the Middle of the Ocean” by Daniel Fuchs “Me Spoulets of the Splendide” by Ludwig Bemelmans “Over by the River” by William Maxwell “Baster” by Jeffrey Eugenides “The Second Tree from the Corner” by E. B. White “Rembrandt’s Hat” by Bernard Malamud “Shot: A New York Story” by Elizabeth Hardwick “A Father-To-Be” by Saul Bellow “Farewell, My Lovely Appetizer” by S. J. Perelman “Water Child” by Edwidge Danticat “The Smoker” by David Schickler
A young man struggles to reconcile God, faith, and sex as he stumbles toward finding himself in this "brave and irreverent" (Details) memoir. Since childhood, David Schickler has been torn between his intense desire to become a Catholic priest and his equally fervent desire for the company of women. Things don't get any clearer for Schickler at college, where he initiates serious conversations about becoming a Jesuit just as he enters a passionate relationship with a vivacious, agnostic young woman. Setting out on a journey to understand the balance between a life of faith and life in the real world, Schickler comes to terms with this dichotomy and learns that the answers he seeks aren't clear-cut--no matter how long he treads the dark path. Candid and funny, lyrical and blunt, The Dark Path is an evocative portrayal of one man's struggle with faith and women . . . both of which he tries to love with bold, bracing honesty.
I was expatriated by a man with an axe. The man and the axe were alike visionary and unreal, though it needed a very considerable effort of the will to hold them at mental arm's length. I had work on hand which imperatively demanded to be finished, and I was so broken down by a long course of labour that it was a matter of actual difficulty with me when I sat down at my desk of a morning to lay hold of the thread of last night's work, and to recall the personages who had moved through my manuscript pages for the past three or four months. The day's work always began with a fog, which at first looked impenetrable, but would brighten little by little until I could see my ideal friends moving in it, and could recognise their familiar lineaments. Then the fog would disperse altogether, and a certain indescribable, exultant, feverish brightness would succeed it, and in this feverish brightness my ideal friends would move and talk as it were of their own volition.
How partisan balance between the U.S. presidency and Congress is essential to successful government With three independent branches, a legislature divided into two houses, and many diverse constituencies, it is remarkable that the federal government does not collapse in permanent deadlock. Yet, this system of government has functioned for well over two centuries, even through such heated partisan conflicts as the national health-care showdown and Supreme Court nominations. In Partisan Balance, noted political scholar David Mayhew examines the unique electoral foundations of the presidency, Senate, and House of Representatives in order to provide a fresh understanding for the government's success and longstanding vitality. Focusing on the period after World War II, and the fate of legislative proposals offered by presidents from Harry Truman to George W. Bush, Mayhew reveals that the presidency, Senate, and House rest on surprisingly similar electoral bases, with little difference in their partisan textures as indexed by the presidential popular vote cast in the various constituencies. Both congressional chambers have tilted a bit Republican, and while White House legislative initiatives have fared accordingly, Mayhew shows that presidents have done relatively well in getting their major proposals enacted. Over the long haul, the Senate has not proven much more of a stumbling block than the House. Arguing that the system has developed a self-correcting impulse that leads each branch to pull back when it deviates too much from other branches, Mayhew contends that majoritarianism largely characterizes the American system. The wishes of the majority tend to nudge institutions back toward the median voter, as in the instances of legislative districting, House procedural reforms, and term limits for presidents and legislators.
“Fascinating and hilarious,” “relentlessly clever,” and “truly haunting” are all phrases that have been used to describe David Schickler’s unique talent. And all apply to this brash, brilliant novel featuring two of the most memorable characters in contemporary fiction: Grace McGlone and Henry Dante. Sexy and willful, Grace McGlone is saving herself for the right man. When Henry Dante pulls into the small Wisconsin town where she works at the car wash, she instantly knows he’s the one. He knows it too. But when Grace discovers Henry has “The Planets”—a stolen set of famous Spanish diamonds—stashed in the back seat of his truck, she’s having none of it. She’s “trying for heaven,” and the ill-gotten jewels must go. And so they do, in a race across the American landscape from Chicago to Yellowstone, purusued by a savage gangster obsessed by the diamonds he thought were his. Passionate, criminal, comical, and possessing all the dark enchantment of a fairy tale, Sweet and Vicious is a modern love story shot straight from the heart of David Schickler’s miraculous imagination.
David and Alfred Smart were the Chicago-based founders of Esquire magazine, launched in 1933. One of the first men's fashion magazines, Esquire was also distinguished by the high quality of its literary and editorial features: the first issue included pieces by Ernest Hemingway and Jon Dos Passos, and Dashiell Hammett. The Smart brothers' other ventures included Coronet Films, the nation's leading producer of educational and training films during the Cold War era—many of which are now cult favorites. This fully illustrated biography chronicles their lives and innovations in the film and magazine publishing business.
England's Islands in a Sea of Troubles examines the jurisdictional disputes and cultural complexities in England's relationship with its island fringe from Tudor times to the eighteenth century, and traces island privileges and anomalies to the present. It tells a dramatic story of sieges and battles, pirates and shipwrecks, prisoners and prophets, as kings and commoners negotiated the political, military, religious, and administrative demands of the early modern state. The Channel Islands, the Isle of Wight, the Isles of Scilly, the Isle of Man, Lundy, Holy Island and others emerge as important offshore outposts that long remained strange, separate, and perversely independent. England's islands were difficult to govern, and were prone to neglect, yet their strategic value far outweighed their size. Though vulnerable to foreign threats, their harbours and castles served as forward bases of English power. In civil war they were divided and contested, fought over and occupied. Jersey and the Isles of Scilly served as refuges for royalists on the run. Charles I was held on the Isle of Wight. External authority was sometimes light of touch, as English governments used the islands as fortresses, commercial assets, and political prisons. London was often puzzled by the linguistic differences, tangled histories, and special claims of island communities. Though increasingly integrated within the realm, the islands maintained challenging peculiarities and distinctive characteristics. Drawing on a wide range of sources, and the insights of maritime, military, and legal scholarship, this is an original contribution to social, cultural, and constitutional history.
The State of the Parties 2022 brings together leading scholars of parties, elections, and interest groups to provide an indispensable overview of American political parties today. The 2020 presidential election was extraordinary. What role did political parties play in these events? How did the party organizations fare? What are the implications for the future? Scholars and practitioners from throughout the United States explore the current state of American party organizations, constituencies and resources at the national, state and local level.
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