This classic biography is not a religious text designed to either celebrate or denigrate Islam. It looks at Mohammed as a towering figure of culture and politics, a man who achieved the extraordinary: uniting disparate Arab tribes into a more cohesive whole. This book remains an important work for anyone wishing to understand the roots of one of the most intractable sociopolitical divides-between East and West, Muslim and Christian-still haunting the world today. Author David S. Margoliouth (1858-1940), a professor of Arabic at Oxford University, worked from primary Arabic texts and omitted "all anecdotes that are obviously or most probably fabulous," resulting in a clear-headed history of a highly contentious moment in time.
A delightful artifact of the fascination with the Middle East that gripped the Western intelligentsia in the early 20th century, this charming 1907 work is a showcase for the lovely paintings of renowned English artist WALTER TYRWHITT (1859-1932). The paintings include scenes in the ancient cities of Cairo, Jerusalem, and Damascus. The accompanying text, by English scholar DAVID SAMUEL MARGOLIOUTH-a professor of Arabic at Oxford University-is based on original sources from the region and the works of other celebrated historians, and serves as an enchanting primer to the history of these storied cities. Hard to find in print today, this replica edition makes a wonderful gift for fans of English art and armchair travelers alike. Author David S. Margoliouth (1858-1940), a professor of Arabic at Oxford University, worked from primary Arabic texts and omitted "all anecdotes that are obviously or most probably fabulous," resulting in a clear-headed history of a highly contentious moment in time.
Adapted from a series of lectures delivered at the University of London in 1913, this is a strikingly clearheaded and articulate discussion of one of the great faiths of the world from a historical and sociological perspective. Discover... the Koran as the basis of Islam the Koran as legal code the status cults in the Islamic faith the development of Islamic ethics asceticism and pantheism in Islam Islamic philosophy and more... Author David S. Margoliouth (1858-1940), a professor of Arabic at Oxford University, worked from primary Arabic texts and omitted "all anecdotes that are obviously or most probably fabulous," resulting in a clear-headed history of a highly contentious moment in time.
A delightful artifact of the fascination with the Middle East that gripped the Western intelligentsia in the early 20th century, this charming 1907 work is a showcase for the lovely paintings of renowned English artist WALTER TYRWHITT (1859-1932) of scenes in the ancient cities of Cairo, Jerusalem, and Damascus. The accompanying text, by English scholar DAVID SAMUEL MARGOLIOUTH (1858-1940)-a professor of Arabic at Oxford University-is based on original sources from the region and the works of other celebrated historians, and serves as an enchanting primer to the history of these storied cities. Hard to find in print today, this replica edition makes a wonderful gift for fans of English art and armchair travelers alike.
Far too ignorant of the histories of the rest of the world, being aware of only the accomplishments of Greece, Rome and Europe, Westerners have been made to believe that their societies represent the most superior examples of civilization. However, the Western value system stems from a misconception that, as in nature, human society too is evolving. The idea derives from the hidden influence of secret societies, who followed the belief in spiritual evolution of the Kabbalah, which taught that history would attain its fulfillment when man would become God, and make his own laws. Therefore, the infamous Illuminati gave its name to the Enlightenment of the eighteenth century, which claimed that human progress must abandon "superstition," meaning Christianity, in favor of "reason." Thus the Illuminati succeeded in bringing about the French and American revolutions, which instituted the separation of Church and State, and from that point forward, the Western values of Humanism, seen to include secularism, human rights, democracy and capitalism, have been celebrated as the culmination of centuries of human intellectual evolution. This is the basis of the propaganda which has been used to foster a Clash of Civilizations, where the Islamic world is presented as stubbornly adhering to the anachronistic idea of "theocracy." Where once the spread of Christianity and civilizing the world were used as pretexts for colonization, today a new White Man's Burden makes use of human rights and democracy to justify imperial aggression. However, because, after centuries of decline, the Islamic world is incapable of mobilizing a defense, the Western powers, as part of their age-old strategy of Divide and Conquer, have fostered the rise of Islamic fundamentalism, to both serve as agent-provocateurs and to malign the image of Islam. These sects, known to scholars as Revivalists, opposed the traditions of classical Islamic scholarship in order to create the opportunity to rewrite the laws of the religion to better serve their sponsors. Thus were created the Wahhabi and Salafi sects of Islam, from which were derived the Muslim Brotherhood, which has been in the service of the West ever since. But, the story of the development of these Islamic sects involves the bizarre doctrines and hidden networks of occult secret societies, being based on a Rosicrucian myth of Egyptian Freemasonry, which see the Muslim radicals as inheritors of an ancient mystery tradition of the Middle East which was passed on to the Knights Templar during the Crusades, thus forming the foundation of the legends of the Holy Grail. These beliefs would not only form the cause for the association of Western intelligence agencies with Islamic fundamentalists, but would fundamentally shape much of twentieth century history.
Of all the characters bequeathed to us by the Hebrew Bible, none is more compelling or complex than David. Divinely blessed, musically gifted, brave, and eloquent, David's famous slaying of Goliath also confirms that he is a redoubtable man of war. Yet, when his son Absalom rebels, David is dogged by the accusation than he will lose his kingdom because he is not merely a man of war, but a man of 'bloods' - guilty of shedding innocent blood. In this book, for the first time, this language of 'innocent blood' and 'bloodguilt' is traced throughout David's story in the books of Samuel and 1 Kings. The theme emerges initially in Saul's pursuit of David and resurfaces regularly as David rises and men like Nabal, Saul, Ishbosheth, and Abner fall. Innocent blood and bloodguilt also turn out to be central to David's reign. This is seen in a surprising way in David's killing of Uriah, but also in the subsequent deaths of his sons, Amnon and Absalom, his general, Amasa, and even in David's encounters with Shimei. The problem rears its head again when the innocent blood of the Gibeonites shed by Saul comes back to haunt David's kingdom. Finally, the problem reappears when Solomon succeeds David and orchestrates the executions of Joab and Shimei, and the exile of Abiathar. Attending carefully to the text and drawing extensively on previous biblical scholarship, David J. Shepherd suggests that innocent blood is not only a pre-eminent concern of David, and his story in Samuel and 1 Kings, but also shapes the entirety of David's history.
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