Dope-Darling is a story of sex, drugs, and music set just before the outbreak of the First World War. Claire is the talk of the town when she meets Roy at a London nightclub. Leaving his fiancée Beatrice, Roy marries the bohemian starlet in only three weeks, entering a world of excess and excitement beyond his wildest dreams. As the cocaine and booze begin to wear him down, and as Britain prepares for war with Germany, he begins to wonder if enlistment could provide him a means of escape. With a beautifully designed cover and professionally typeset manuscript, this edition of David Garnett’s Dope-Darling is a classic 1918 work of British literature reimagined for modern readers.
Dark, edgy and riveting, the stories by John David Wells are white knuckles for the mind, capturing the incomprehensible depths of madness, cruelty and despair in modern society. Written from the gut these stories rise up from the same lyrical dark well as Bukowski, Shelby Jr.. and Burroughs." Robert T. Allen A narcissistic, confused college student is brutally raped and murdered; a "bony-headed psychopath" makes his two step-sons clear out rats in the basement; a traveling American finds horror in a Casablanca opium den; a young man is driven insane by the voice of English writer Daniel Defoe; three college students have a drug-fueled menage 'a trios in the back of a Range Rover with disastrous results, and a drummer in a rock band hallucinates the Apostle John from the Book of Revelation flashing out of an MTV video. Reading Solitary Eyes on Fire and Other Stories is like having a veil lifted from your eyes, revealing a world more intense, terrifying, and imaginary than you ever knew. Traveling through the book, we meet a vivid unforgettable cast of characters driven to all sorts of depravitydrugs, sex, murder, madnessas they hurl ninety-miles-an hour down dangerous dead-end streets. Solitary Eyes on Fire and Other Stories reveals in stark detail the omnipresence of the grotesque in everyday life. Mired in dystopia, these characters have lost their their fragile hold on sanity, entering a world where reality is up for grabs, bizarre, and repulsively ugly. Often they innocent victims torn between the heartless demands of society and the desire to maintain their sense of identity and freedom.
David Levine and Mathew Bowker explore cultural and political trends organized around the conviction that the world we live in is a dangerous place to be, that it is dominated by hate and destruction, and that in it our primary task is to survive by carrying on a life-long struggle against hostile forces. Their method involves the analysis of public fantasies to reveal their hidden meanings. The central fantasy explored is the fantasy of a destroyed world, which appears most commonly in the form of post-apocalyptic and dystopian narratives. Their special concern in the book is with defenses against the painful consequences of the dominance of this fantasy in the inner world, especially defenses involving the use of guilt to assure that something can be done to repair the destroyed world. Topics explored include: the formation of internal fortresses and their projection into the world outside, forms of guilt including bystander guilt and survivor guilt, the loss of and search for home, and manic forms of reparation.
The first book-length study of an influential voice in contemporary queer American literature Since the early 1980s, Jim Grimsley has received increasing acclaim for his achievements in a variety of dramatic and literary genres. Through his novels, plays, and short stories, Grimsley portrays an unrelenting search for happiness and interrogates themes of corruption, technology, poverty, domestic abuse, sexuality, and faith in the contemporary United States. Through unique characters and a multitude of forms, the award-winning author explores the complexities of southern culture, his own troubled childhood, and larger pieces of the human experience. In Understanding Jim Grimsley, David Deutsch offers the first book-length study of Grimsley's diverse work and argues for his vital role in shaping the contemporary queer American literary scene. Deutsch helps readers navigate the intricacies of Grimsley's influential drama, fiction, and fantasy science fiction—including his most popular novel, Dream Boy—by weaving together discussions of common themes. Placing Grimsley's plays, novels, and short stories in conversation with one another, Deutsch reveals Grimsley's development throughout a career in which he has investigated hope and hardship, youth and maturity, experimentation and convention. Deutsch also provides vital historical and cultural contexts for understanding how Grimsley engages, expands, and challenges literary and theatrical traditions. Deutsch demonstrates a deep, critical understanding of Grimsley's hard-earned, pragmatic optimism. Intertwining Grimsley's major fiction and plays and contextualizing these within a broader American landscape, this volume brings his work more completely into the conversation on southern queer literature.
This second selection of essays by David Fallows draws the focus towards individual composers of the 'long' fifteenth century and what we can learn about their songs. In twenty-one essays on the secular works of composers from Ciconia and Oswald von Wolkenstein via Binchois, Ockeghem, Busnoys and Regis to Josquin, Henry VIII and Petrus Alamire, one repeated theme is how a consideration of the songs can help the way to a broader understanding of a composer's output. Since there are more song sources and more individual pieces now available for study, there are more handles for dating, for geographical location and for social alignment. Another theme concerns the various different ways in which particular songs have their impact on the next generations. Yet another concerns the authorshop of poems that were set to music by Binchois and Ciconia in particular. A group of essays on Josquin were parerga to the author's edition of his four-voice secular music for the New Josquin Edition (2005) and to his monograph on the composer (2009).
Informed by an amalgamation of psychoanalytic and attachment theories, the techniques offered in this book can be employed alongside a variety of therapeutic modalities, such as evidenced-based cognitive-behavioral treatment; social learning, family systems, emotion-focused, Ericksonian, and solution-focused approaches; gestalt, psychodynamic, and narrative therapies; as well as play therapy and the therapies of the creative arts. "Evocative strategies" have been developed for the purpose of engaging children in an emotionally meaningful process. David A. Crenshaw illustrates that in order to create moments of transformation and change in and through the therapy process, we have to learn the language of the heart-where children in their essence live.
Karl Tycho, a divorced, low-keyed economist in his 50's, is employed by a commercial bank in Manhattan, and finds it hard to adjust to the competitive nature of his new assignment. When he loses an important account, he is promptly fired. Just how he lost his most important customer, however, is a mystery; and the story behind it is one of financial deal-making, broken friendships, and conflicting personalities. Among them are Laura, the blunt boss who fires Karl without remorse; Roy, the wealthy and eccentric client whose money means everything to Karl's department at the bank; and Tim, the archetypal aggressive Wall Street executive. And many others. There are also Karl's conflicting love interests interwoven in the plot: Harriet, a musician who knows nothing about the stock market, and who gets Karl's attention; and Sarah, a witty ex-academician, about whom he has reservations. Look at Wall Street through the eyes of an economist, who struggles to maintain his identity in a world obsessed with competition and money making, in Different Accounts.
Ballads are a fascinating subject of study not least because of their endless variety. It is quite remarkable that ballads taken down or recorded from singers separated by centuries in time and by hundreds of kilometres in distance, should be both different and yet recognizably the same. In The English Traditional Ballad, David Atkinson examines the ways in which the body of ballads known in England make reference both to ballads from elsewhere and to other English folk songs. The book outlines current theoretical directions in ballad scholarship: structuralism, traditional referentiality, genre and context, print and oral transmission, and the theory of tradition and revival. These are combined to offer readers a method of approaching the central issue in ballad studies - the creation of meaning(s) out of ballad texts. Atkinson focuses on some of the most interesting problems in ballad studies: the 'wit-combat' in versions of The Unquiet Grave; variable perspectives in comic ballads about marriage; incest as a ballad theme; problems of feminine motivation in ballads like The Outlandish Knight and The Broomfield Hill; murder ballads and murder in other instances of early popular literature. Through discussion of these issues and themes in ballad texts, the book outlines a way of tracing tradition(s) in English balladry, while recognizing that ballad tradition is far from being simply chronological and linear.
A History of Modern Drama: Volume II explores a remarkable breadth of topics and analytical approaches to the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 through to the dawn of the new millennium. Features detailed analyses of plays and playwrights, examining the influence of a wide range of writers, from mainstream icons such as Harold Pinter and Edward Albee, to more unorthodox works by Peter Weiss and Sarah Kane Provides global coverage of both English and non-English dramas – including works from Africa and Asia to the Middle East Considers the influence of art, music, literature, architecture, society, politics, culture, and philosophy on the formation of postmodern dramatic literature Combines wide-ranging topics with original theories, international perspective, and philosophical and cultural context Completes a comprehensive two-part work examining modern world drama, and alongside A History of Modern Drama: Volume I, offers readers complete coverage of a full century in the evolution of global dramatic literature.
On a farm in the North East of England a family gathers. Five brothers and four generations feature in an epic play about hope, love, fear and the very end of time. A Thousand Stars Explode in the Sky is a refreshingly subtle and compassionate vision of the world on the edge of apocalypse. Within a cosmological context, the focus is on a single family, their relations with each other and their unreconciled regrets, soon to become permanent. With an ensemble of strong, engaging characters, there are knotty, realistic family dynamics and a palimpsest of recent family history. The characters and dialogue are naturalistic but the serious themes are elucidated and alleviated with humour and quirky, surreal touches. The play represents a unique collboration between three of the UK's pre-eminent stage writers. The ambition of the partnership is matched by the ambition of the play's sweeping scope. Whilst the three voices collide, they also ring out individually without sacrificing the piece's coherent wholeness, and the play represents a rare, fascinating study in stage collaboration.
The author relates about growing up on a farm and his life in the army while being deployed to Europe. He tells about some of the experiences during his teaching career. The experience of his daughters divorce in another state is described in some detail. More importantly, he recounts his passion in witnessing for the Lord as a volunteer Chaplin in prison.
With the right training, anyone can lead. With the right tools, anyone can motivate and inspire their workforce. In this book, author David Rye presents the tools managers need to identify and understand the four types of employees: Power Players; Team Players; Diplomatic Players; and Party Players. Using a personality typing system based on the classic Myers-Briggs classifications, managers learn how to motivate and inspire their employees. They move beyond management to leadership--leading their teams to profitability and success.
America and Canada both saw historic sports milestones in 1993. While the Dallas Cowboys and Chicago Bulls reigned supreme, the Toronto Blue Jays won a second consecutive World Series on a walk-off homer, and the Montreal Canadiens emerged as the last Canadian team to win a Stanley Cup. While stars like Michael Jordan, Wayne Gretzky and Joe Montana overcame physical and emotional challenges to make history, teams were performing unprecedented feats, from the Buffalo Bills' unrivaled comeback on Wild Card Weekend to the Baltimore Orioles' unveiling of their transformative ballpark design during All-Star Week. Drawing on original interviews with dozens of former players and coaches, this book revisits an exceptional sports year for fans across North America, with memorable stories involving some of the most iconic sports figures of the 1990s.
The cucurbits (Cucurbitaceae, or gourd family), which include squash, pumpkin, melon, cucumber, and watermelon, have long been of economic significance. As sources of vegetables, fruit, and seeds rich in oils and protein, they have the potential of making an even larger contribution toward meeting the needs of humankind. This book, consisting of 37 papers by 50 cucurbit specialists, emphasizes the practical importance of cucurbit investigation, and also provides a broad overview of the family.
In this stunning debut, David Rowell depicts disparate lives united in the extraordinary days that followed an American tragedy. On June 8, 1968, as the train carrying Robert F. Kennedy’s body travels from New York City to Washington D.C., the nation mourns the loss of a dream. As citizens congregate along the tracks to pay their respects, Michael Colvert, a New Jersey sixth grader, sets out to see his first dead body. Delores King creates a tangle of lies to sneak away from her controlling husband. Just arrived in the nation’s capitol to interview for a nanny position with the Kennedy family, Maeve McDerdon must reconcile herself to an unknown future. Edwin Rupp’s inaugural pool party takes a backseat to the somber proceedings. Jamie West, a Vietnam vet barely out of high school, awaits a newspaper interview meant to restore his damaged self-esteem. And Lionel Chase arrives at Penn Station for his first day of work—a staggering assignment as a porter aboard RFK’s funeral train.
What if real life scenarios were far more horrific than fantasy? What if you could visit the dark, unsettling mind of one man and experience the disturbing stories that originate there? These stories are unconnected, but they all include a similar trait: Fear. They are all based on aspects of life that are haunting yet very real. Experiencing these stories will induce a terror that will stay with you long after the final page is turned...
The popular author of How to Be an Adult in Relationships reveals how past trauma can negatively impact our present-day relationships—and offers guidance on what to do about it We all have a tendency to transfer potent feelings, needs, expectations, and beliefs from childhood or from former relationships onto the people in our daily lives, whether they are our intimate partners, friends, or acquaintances. When the Past Is Present helps us to become more aware of the ways we slip into the past so that we can identify our emotional baggage and take steps to unpack it and put it where it belongs. Drawing on decades of experience as a psychotherapist, Richo helps readers to: • Understand how the wounds of childhood become exposed in adult relationships—and why this is a gift • Identify and heal the emotional wounds we carry over from the past so that they won’t sabotage present-day relationships • Recognize how strong attractions and aversions to people in the present can be signals of our own unfinished business • Use mindfulness to stay in the present moment and cultivate authentic intimacy Full of practical guidance, When the Past is Present will teach you how to free yourself from old wounds and destructive behavioral partners so you can foster healthier, happier relationships.
The Battle of Hastings, fought in A.D. 1066, was, without question, the most important event in British history. The conquering of England by William, Duke of Normandy, changed the way the inhabitants of the Isle of Mist had lived since the Roman Armies left their shores 650 years previously in A.D. 410. Seeking the throne of England, which he believed was rightfully his, William stormed the south coast of England with an army consisting of Norman, French and Belgian forces. Following his victory over King Harold William was crowned King of England on Christmas Day, 1066. He appointed Odo, his half-brother, as his Bishop, not because he felt the need of religion or Gods help, but because he felt those who served him would be more faithful to his cause if God was on their side. The fictional side of this story revolves around a Saxon family who operated a sheep ranch in Senlac, a small yet important village about seven miles from Hastings. Bruce, a widower, raised a daughter and three sons, each one involved in the operation of the ranch. This close knit family is shattered when the invading Normans ravish their farm looking for food to feed their 10,000 man army.
The range of topics covered in Beyond Pain is very wide, and one is likely to find almost any question about pain that one has ever puzzled over explored somewhere in its pages." -From the Foreword by Oliver Sacks With its gripping firsthand stories of patients and their ailments, Beyond Pain opens the door to our understanding of the mysteries of pain. Beyond Pain delves into the condition of chronic pain to help us better understand its complexities, showing pain to be both a sensory experience and an interaction between mind and body. Based on author Angela Mailis-Gagnon's extensive research and daily practice at a major urban hospital pain clinic, Beyond Pain uses case studies drawn from both her own practice and her personal experience. Mailis-Gagnon describes the latest treatments and options for sufferers of chronic pain; techniques used to block pain; the effects of chronic pain; and cultural, gender, and genetic differences in the perception of pain. She shares her cutting-edge findings and observations, describes current treatments and options for sufferers of chronic pain, and examines the effects of chronic pain on the individuals who live with it. Accessibly and engagingly written, the book will appeal to chronic pain sufferers and their families, as well as to health care practitioners who work with patients' pain.
This book lists nearly 3,000 original choral works written by 76 composers active in the United States from roughly 1920 until the present. Styles range from the lush Romanticism of Charles Wakefield Cadman to the stark, dissonant harmonies of Morton Feldman.
A “bony-headed psychopath” makes his two step-sons clear out rats in the basement; a traveling American finds horror in a Casablanca opium den; a young man is driven insane by the voice of English writer Daniel Defoe; a former black player in the Negro Leagues tells the awful truth about why he quit playing; a grieving family tries to understand why a loved one committed suicide; and a drummer in a rock band hallucinates the Apostle John from the Book of Revelation flashing out of an MTV video. Reading Glitteration in the Night and Other Stories is like having a veil lifted from your eyes, revealing a world more intense, terrifying, and imaginary than you ever thought possible. Traveling through the book we meet an unforgettable cast of characters driven to all sorts of depravity---drugs---sex---suicide---madness---as they hurl ninety miles an hour down dangerous dead-end streets. Glitteration in the Night and Other Stories reveals in stark detail the omnipresence of the grotesque in everyday life. Mired in dystopia, these people have lost their fragile hold on sanity, entering a world where reality is up for grabs, bizarre and brutally ugly. Often they are innocent victims torn between the heartless demands of society and the desire to maintain their sense of identity and freedom.
Right from the origins of cinema, countless films and television dramas have offered sensational and seductive representations of young people's lives. Youth is typically associated with energy, idealism and physical beauty, but it is often represented as both troubled and troubling. These representations are almost always created by adults, implicitly reflecting an adult perspective on how young people 'come of age'. Youth on Screen provides a historical account of representations of youth in Britain and the United States, stretching back over seventy years. From Blackboard Jungle to This is England, and from Jailhouse Rock to Skins, it covers a range of classics, as well as some intriguing obscurities. Engagingly written and clearly organized, it offers a perfect introduction for students and general readers.
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
INTRODUCTION My name is David Albert Francis. However, I am known in the music world as “Panama” Francis, a name that was given to me by Roy Eldridge when I joined his band in 1939. I was born in Miami, Florida, on December 21, 1918, four days short of becoming a Christmas present to my parents. I must tell you that I am a stutterer. Sometime, when I get excited or try to make a point, my voice goes up about two octaves. I come across to some people as being angry but, believe me, this [what?] is how I get the words to flow. My facial expression might appear to you to be an angry expression. What is happening is that I am concentrating on getting the words to come out, without interruptions. I am sick now from twenty years of life on the board, riding on a bus for hours on end, eating unhealthy (and sometimes unsanitary?) food, and traveling 300 to 500 miles at a time without a bathroom break. The current health of bodies of my fellow musicians and I bear witness to the pain and suffering we experienced on the road. I am among many, many musicians who are paying now for these deplorable conditions on the road. We have serious health ailments that are directly attributable to what we experienced on the road and have negatively impacted the very days of our lives when we should be reaping the benefits of our long years of hard work. We are paying the price.
On December 31, 1939, nationwide radio audiences listened as 17-year-old Josephine Owaissa Cottle, a Texas schoolgirl, won Gateway to Hollywood's new talent competition. Her prize was a movie contract at RKO and a memorable stage name--"Gale Storm." One of the United States' most beloved entertainers, she appeared in 35 films, starred in two hit television series (one was My Little Margie) and earned a gold record for "I Hear You Knockin'." Drawing on interviews with family, friends and colleagues, this biography provides many unpublished details of her life and career. An annotated filmography encompasses Storm's time at Monogram Pictures, her roles in westerns and her appearances in classics such as It Happened on 5th Avenue. Her TV career is covered, including complete production histories and episode guides.
Over the last couple of decades, minor league baseball games have shown substantial attendance figures, with more than forty-one million spectators in both 2010 and 2011. With all the high-tech, live-streaming, fast-paced entertainment available to consumers, what is it about minor league baseball that still holds appeal with today’s audiences? With access to major league games broadcast on countless cable networks, what draws fans to small stadiums to watch obscure players struggle to make the big time? Sports historian David M. Sutera set out to answer these questions by visiting fourteen minor league baseball parks around the country. In Vaudeville on the Diamond, Sutera discusses the lure of minor league baseball with fans, players, and team representatives, examining how teams have survived and thrived in today’s competitive entertainment world. Combining interviews with game-day observations, Sutera argues that minor league baseball’s key to survival lies in the creation of on- and off-field attractions that invoke the traditions of vaudeville with their unique and quirky spectacle. From inviting fans to participate in dizzy bat competitions and races against the mascot to featuring Star Wars theme nights and monkeys riding border collies, teams have created a multifaceted form of entertainment that transcends the game itself. Part study and part travelogue, Vaudeville on the Diamond features numerous photographs of on-field entertainment, showcasing the vaudevillian side of minor league baseball. A light-hearted and engaging look at the minor leagues, this book will appeal not only to scholars and students of popular culture, sports and leisure studies, and sports management but to all fans of baseball and minor league sports.
Crossing Over provides a unique view of patients, families, and their caregivers in the face of incurable illness. Twenty richly-detailed narratives bring vividly to life the experiences of dying and bereavement, weaving together emotions, physical symptoms, spiritual concerns, and the stresses of family life, as well as the professional and personal challenges of providing hospice and palliative care. Drawing on a variety of qualitative research methods, including participant-observation, interviews, and journal keeping, the narratives depict the sights, sounds, tastes, and smells of daily life in patients' homes and in the palliative care unit. Crossing Over moves far beyond conventional case reports in medicine, which typically concentrate narrowly on symptoms and treatments, and beyond clichés about "dying with dignity." It provides intimate views of the anger and fear, tenderness and reconciliation, jealousy and love, unexpected courage and unshakable faith, social support and "falling through the cracks," which are all part of facing death in North American society. It provides an extraordinary portrait of the processes of giving and receiving hospice and palliative care in the real world, as opposed to idealized versions in many textbooks. This edition of Crossing Over has been thoroughly revised and updated to reflect changes in hospice and palliative care and in North American society since the first edition in 2000. Chief among these are the expansion of hospice and palliative care as a field, the ravages of the COVID-19 pandemic, the wider availability of medical aid in dying, and a heightened awareness of how structural racism, classism, and other forms of discrimination shape individuals' and families' experiences right up to the close of life.
Winnie Lightner (1899–1971) stood out as the first great female comedian of the talkies. Blessed with a superb singing voice and a gift for making wisecracks and rubber faces, she rose to stardom in vaudeville and on Broadway. Then, at the dawn of the sound era, she became the first person in motion picture history to have her spoken words, the lyrics to a song, censored. In Winnie Lightner: Tomboy of the Talkies, David L. Lightner shows how Winnie Lightner's hilarious performance in the 1929 musical comedy Gold Diggers of Broadway made her an overnight sensation. She went on to star in seven other Warner Bros. features. In the best of them, she was the comic epitome of a strident feminist, dominating men and gleefully spurning conventional gender norms and moral values. So tough was she, the studio billed her as “the tomboy of the talkies.” When the Great Depression rendered moviegoers hostile toward feminism, Warner Bros. tried to craft a new image of her as glamorous and sexy. Executives assigned her contradictory roles in which she was empowered in the workplace but submissive to her male partner at home. The new persona flopped at the box office, and Lightner's stardom ended. In four final movies, she played supporting roles as the loudmouthed roommate and best friend of actresses Loretta Young, Joan Crawford, and Mona Barrie. Following her retirement in 1934, Lightner faded into obscurity. Many of her films were damaged or even lost entirely. At long last, this biography gives Winnie Lightner the recognition she deserves as a notable figure in film history, in women's history, and in the history of show business.
A NEW YORK TIMES NOTABLE BOOK Once in a great while a writer comes along who can truly capture the drama and passion of the life of a family. David James Duncan, author of the novel The River Why and the collection River Teeth, is just such a writer. And in The Brothers K he tells a story both striking and in its originality and poignant in its universality. This touching, uplifting novel spans decades of loyalty, anger, regret, and love in the lives of the Chance family. A father whose dreams of glory on a baseball field are shattered by a mill accident. A mother who clings obsessively to religion as a ward against the darkest hour of her past. Four brothers who come of age during the seismic upheavals of the sixties and who each choose their own way to deal with what the world has become. By turns uproariously funny and deeply moving, and beautifully written throughout, The Brothers K is one of the finest chronicles of our lives in many years. Praise for The Brothers K “The pages of The Brothers K sparkle.”—The New York Times Book Review “Duncan is a wonderfully engaging writer.”—Los Angeles Times “This ambitious book succeeds on almost every level and every page.”—USA Today “Duncan’s prose is a blend of lyrical rhapsody, sassy hyperbole and all-American vernacular.”—San Francisco Chronicle “The Brothers K affords the . . . deep pleasures of novels that exhaustively create, and alter, complex worlds. . . . One always senses an enthusiastic and abundantly talented and versatile writer at work.”—The Washington Post Book World “Duncan . . . tells the larger story of an entire popular culture struggling to redefine itself—something he does with the comic excitement and depth of feeling one expects from Tom Robbins.”—Chicago Tribune
A dark and deep dive into the “Jack the Stripper” murders that “rips open sixties London and leaves her swinging from a lamp-post for all to finally see” (David Peace, author of the Red Riding Quartet). Between 1959 and 1965, eight prostitutes were murdered in West London by a serial killer. The killer’s motive and identity were the subject of endless speculation by the media, who dubbed him “Jack the Stripper.” Links to the Profumo scandal, boxer Freddie Mills and the notorious Kray twins were rumored. By the time the body of the eighth victim was found in February 1965, a massive police operation was underway to catch the killer. The whole country waited to see what would happen next. The police had staked everything on the murderer striking again. But he didn’t . . . David Seabrook, the author of All the Devils Are Here, interviewed surviving police officers, witnesses and associates of the victims and examined the evidence, the rumors and the half-truths. He reconstructs every detail of the investigation and recreates the dark, brutal world of prostitutes and pimps in 1960s West London. He questions the theory that the police’s prime suspect was Jack the Stripper and confronts the disturbing possibility that the killer is still at large. “Seabrook taps away at the darker recesses of the metropolitan mind, relishing the fact that his subject is so heroically unglamorous.”—The Guardian “The genius of this one is how it teases horror from the banal . . . A terrifying portrait of the dark side of Notting Hill and Shepherd’s Bush at the time, with its stew of sex, drugs, immigration, violence, and a residual white working-class.”—The Telegraph
DIVAn ex-con risks his freedom and his life to rekindle an old love affair/divDIV/divDIVThey call him Bad Dan, the Man Who Can. A talented photographer who makes his living smuggling premium Thai marijuana into the States, he meets Shel at a Las Vegas blackjack table, and falls instantly in love. After two years of whirlwind passion, they are living in California and plotting a final score. But in his haste to escape the con life, Dan makes a fatal mistake. The score goes sour, and Dan agrees to a ten-year stint to buy a light sentence for the woman he loves./divDIV /divDIVWhen he emerges from jail, Dan’s freewheeling spirit is gone. His parole bars him from consorting with known felons, but no power on earth can keep him away from Shel. Attempting to reconnect with her draws them both back into the smuggling game, where the only things hotter than their passion are the tempers of the men who want them dead./div
From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying—along with Rauschenberg—for artists’ rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist’s story in his own words—captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.
As former D.C cop Mace Perry investigates a mysterious high-profile homicide in a last-ditch attempt to get her badge back, she finds herself on a collision course with the dark side of national security in this New York Times bestseller. Mason "Mace" Perry was a firebrand cop on the D.C. police force until she was kidnapped and framed for a crime -- and then spent two years in prison. Now she's back on the outside and focused on one mission: to be a cop once more. Her only shot to be a true blue again is to solve a major case on her own. But even with her police chief sister on her side, she'll have to work in the shadows: A vindictive U.S. attorney will stop at nothing to send Mace back to jail. Enter Roy Kingman . . . A young D.C. lawyer, Roy meets Mace after the murder of one of the firm's female partners. Soon Roy and Mace are investigating together -- and uncovering surprising secrets from both the private and public sectors of the nation's capital.
Death on a Summer's Day" tells the extraordinary story of one of the most appalling and shocking public executions ever to take place in Britain. The only ever murder to be recorded live by dozens of journalists and TV crew members, the tragic assassination of innocent Town Planner, Harry Collinson by embittered and deranged landowner, Albert Dryden, shocked a nation and led to a national media frenzy in which opinions were strongly divided about whether or not it was a case of simple murder or if more was afoot - a support group for the murderer was even formed!At last, author David Blackie, who witnessed the crime and was consulted by the police about the case as a firearms expert, tells the full story from both sides. Also included is an exhaustive interview with Albert Dryden, who is serving a life-sentence for murder in Britain's toughest jails.This is a staggering, shocking and moving book that leaves readers to draw their own conclusions about one of Britain's most famous murders. Essential true crime reading.
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