On 1 July 2010, Raoul Moat was released from Durham Prison. Within forty-eight hours he had shot his ex-partner Samantha Stobbart and brutally murdered her new boyfriend, Chris Brown. In the early hours of 4 July, Police Constable David Rathband was gunned down while sitting in his patrol car in East Denton, just outside Newcastle upon Tyne. PC Rathband was blinded for life and one of the biggest manhunts in police history began, culminating in Moat's death six days later in the small Northumberland town of Rothbury. Tango 190 is David's personal account of the attack, and of his painful attempts to rebuild his life in the wake of the terrible injuries he sustained. David Rathband died on 29 February 2012. This is his story.
This is PC David Rathband's own very personal account of his wounding by gunman Raoul Moat in the summer of 2010 and the events surrounding it, including his attendance at the trials of Moat's henchmen.
On 1 July 2010, Raoul Moat was released from Durham Prison. Within forty-eight hours he had shot his ex-partner Samantha Stobbart and brutally murdered her new boyfriend, Chris Brown. In the early hours of 4 July Police Constable David Rathband was gunned down while sitting in his patrol car in East Denton, just outside Newcastle upon Tyne. PC Rathband was blinded for life and one of the biggest manhunts in police history began, culminating in Moat's death six days later in the small Northumberland town of Rothbury. For the first time, this is PC David Rathband's story in his own words...The extraordinary events that followed PC Rathband's shooting, as police tracked Moat through towns and countryside, dominated the headlines and became one of the biggest and most controversial news stories of recent times. Often bordering on the ridiculous, it featured unexpected cameos from TV survival expert Ray Mears and former England footballer Paul Gascoigne. It ended with a stand-off between Moat and armed police on the banks of the River Coquet in Rothbury. In the middle of it all was PC David Rathband, a dignified presence throughout. Tango 190 is his personal account of the attack and the events surrounding it. It is also the story of his physical recuperation and the gradual and courageous rebuilding of his life, with the help of his family, in the wake of terrible injuries sustained in the line of duty. PC David Rathband's courage, fortitude and good humour in the light of his horrifying ordeal are extraordinary. This book tells David's own story, and it is truly a remarkable one.
On 1 July 2010, Raoul Moat was released from Durham Prison. Within forty-eight hours he had shot his ex-partner Samantha Stobbart and brutally murdered her new boyfriend, Chris Brown. In the early hours of 4 July, Police Constable David Rathband was gunned down while sitting in his patrol car in East Denton, just outside Newcastle upon Tyne. PC Rathband was blinded for life and one of the biggest manhunts in police history began, culminating in Moat's death six days later in the small Northumberland town of Rothbury. Tango 190 is David's personal account of the attack, and of his painful attempts to rebuild his life in the wake of the terrible injuries he sustained. David Rathband died on 29 February 2012. This is his story.
In Greeks, Romans, and Pilgrims David Lupher examines the availability, circulation, and uses of Greek and Roman culture in the earliest period of the British settlement of New England. This book offers the first systematic correction to the dominant assumption that the Separatist settlers of Plymouth Plantation (the so-called “Pilgrims”) were hostile or indifferent to “humane learning”— a belief dating back to their cordial enemy, the May-pole reveler Thomas Morton of Ma-re Mount, whose own eccentric classical negotiations receive a chapter in this book. While there have been numerous studies of the uses of classical culture during the Revolutionary period of colonial North America, the first decades of settlement in New England have been neglected. Utilizing both familiar texts such as William Bradford’s Of Plimmoth Plantation and overlooked archival sources, Greeks, Romans, and Pilgrims signals the end of that neglect.
Writers abounded in seventeenth-century New England. From the moment of colonization and constantly thereafter, hundreds of people set pen to paper in the course of their lives, some to write letters that others recopied, some to compose sermons as part of their life work as ministers, dozens to attempt verse, and many more to narrate a remarkable experience, provide written testimony to a civil court, participate in a controversy, or keep some sort of records—and of these everyday forms of writing there was no limit. Every colonial writer knew of two different modes of publication, each with its distinctive benefits and limitations. One was to entrust a manuscript to a printer who would set type and impose it on sheets of paper that were bound up into a book. The other was to make handwritten copies or have others make copies, possibly unauthorized. Among the colonists, the terms "publishing" and "book" referred to both of these technologies. Ways of Writing is about the making of texts in the seventeenth century, whether they were fashioned into printed books or circulated in handwritten form. The latter mode of publishing was remarkably common, yet it is much less understood or acknowledged than transmission in print. Indeed, certain writers, including famous ones such as John Winthrop and William Bradford, employed scribal publication almost exclusively; the Antimonian controversy of 1636-38 was carried out by this means until manuscripts relating to the struggle began to be printed in England. Examining printed texts as well as those that were handwritten, David D. Hall explores the practices associated with anonymity, dedications, prefaces, errata, and the like. He also surveys the meaning of authority and authenticity, demonstrating how so many texts were prepared by intermediaries, not by authors, thus contributing to the history of "social" or collaborative authorship. Finally, he considers the political contexts that affected the transmission and publication of many texts, revealing that a space for dissent and criticism was already present in the colonies by the 1640s, a space exploited mainly by scribally published texts.
As featured on the BBC Radio 2 Jeremy Vine Show. David Wilson is one of the 1sts best-known and most innovative criminologists. An insider view of the construction of a news agenda for crime and punishment. This superb read from Professor David Wilson looks at how the news agenda for crime and punishment is constructed. It also contains analysis of media stereotypes, narratives and depictions together with insights connecting these to real life. Media portrayals set the agenda for public discourse and popular debate. Academics in their ivory towers, professionals and other crime experts ignore this at the risk of seeing their more informed understandings side lined. The book builds on the authors experiences of covering high profile cases and populist issues for TV, radio, newspapers and other media. It also contains telling inside accounts of police-media relations at murder scenes in Gloucester, Soham, Whitehaven, Rothbury and Ipswich. A must in grasping the equally hot topic of Public Criminology With a Foreword by the award-winning investigative journalist Donal MacIntyre.
Treacherous Faith is a major study of heresy and the literary imagination from the English Reformation to the Restoration. It analyzes both canonical and lesser-known writers who contributed to fears about the contagion of heresy, as well as those who challenged cultural constructions of heresy and the rhetoric of fear-mongering
The seventeenth century saw a dramatic increase in self-writing-from the private jotting down of personal thoughts in an irregular and spontaneous way, to the carefully considered composition of extended autobiographical narrative and deliberate self-fashioning for public consumption. Recent anthologies of women's writing, drawing to some extent on this rich but relatively little-known archive, have demonstrated the importance of studying such material to gain insight into female lives in that era. Personal Disclosures is innovative in that it stimulates and facilitates comparative analysis of female and male representations of the self, and of gendered constructions of identity and experience, by presenting a broad range of extracts from both women's and men's autobiographical writings. The majority of the extracts have been freshly edited from original seventeenth-century manuscripts and books. Exploiting all kinds of text-diaries, journals, logs, testimonies, memoirs, letters, autobiographies-the anthology also encourages consideration of topics central to current scholarly interest: religious experience, the body, communities, the family, encounters with new lands and peoples, and the conceptualization and writing of the self. A General Introduction discusses early modern autobiographical writing, and there are substantial introductions to each of the six sections, together with detailed suggestions for further reading.
Radical Parliamentarians and the English Civil War charts the way the English civil war of the 1640s mutated into a revolution, in turn paving the way for the later execution of King Charles I and the abolition of the monarchy. Focusing on parliament's most militant supporters, David Como reconstructs the origins and nature of the most radical forms of political and religious agitation that erupted during the war, tracing the process by which these forms gradually spread and gained broader acceptance. Drawing on a wide range of manuscript and print sources, the study situates these developments within a revised narrative of the period, revealing the emergence of new practices and structures for the conduct of politics. In the process, the book illuminates the eruption of many of the period's strikingly novel intellectual currents, including assumptions and practices we today associate with western representative democracy; notions of retained natural rights, religious toleration, freedom of the press, and freedom from arbitrary imprisonment. The study also chronicles the way that civil war shattered English protestantism - leaving behind myriad competing groupings, including congregationalists, baptists, antinomians, and others - while examining the relationship between this religious fragmentation and political change. It traces the gradual appearance of openly anti-monarchical, republican sentiment among parliament's supporters. Radical Parliamentarians and the English Civil War provides a new history of the English civil war, enhancing our understanding of the dramatic events of the 1640s, and shedding light on the long-term political and religious consequences of the conflict.
From childbirth and baptism through to courtship, weddings, and funerals, every stage in the life-cycle of Tudor and Stuart England was accompanied by ritual. Even under the protestantism of the reformed Church, the spiritual and social dramas of birth, marriage, and death were graced with elaborate ceremony. Powerful and controversial protocols were in operation, shaped and altered by the influences of the Reformation, the Revolution, and the Restoration. Each of the major rituals was potentially an arena for argument, ambiguity, and dissent. Ideally, as classic rites of passage, these ceremonies worked to bring people together. But they also set up traps into which people could stumble, and tests which not everybody could pass. In practice, ritual performance revealed frictions and fractures that everyday local discourse attempted to hide or to heal. Using fascinating first-hand evidence, David Cressy shows how the making and remaking of ritual formed part of a continuing debate, sometimes strained and occasionally acrimonious, which exposed the raw nerves of society in the midst of great historical events. In doing so, he vividly brings to life the common experiences of living and dying in Tudor and Stuart England.
A panoramic history of Puritanism in England, Scotland, and New England This book is a sweeping transatlantic history of Puritanism from its emergence out of the religious tumult of Elizabethan England to its founding role in the story of America. Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, David Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished. Hall's vivid and wide-ranging narrative describes the movement's deeply ambiguous triumph under Oliver Cromwell, its political demise with the Restoration of the English monarchy in 1660, and its perilous migration across the Atlantic to establish a "perfect reformation" in the New World. A breathtaking work of scholarship by an eminent historian, The Puritans examines the tribulations and doctrinal dilemmas that led to the fragmentation and eventual decline of Puritanism. It presents a compelling portrait of a religious and political movement that was divided virtually from the start. In England, some wanted to dismantle the Church of England entirely and others were more cautious, while Puritans in Scotland were divided between those willing to work with a troublesome king and others insisting on the independence of the state church. This monumental book traces how Puritanism was a catalyst for profound cultural changes in the early modern Atlantic world, opening the door for other dissenter groups such as the Baptists and the Quakers, and leaving its enduring mark on what counted as true religion in America.
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