The Tony Award–winning playwright of Hurlyburly “confronts the timely topic of assisted suicide . . . an affirmation of dignity that rings clear and true” (Variety). David Rabe is one of America’s finest dramatists. In A Question of Mercy, he explores the controversial and emotional issue of euthanasia, delving deep into the ties that bind friends and lovers. Thomas and Anthony are lovers struggling with Anthony’s final, exhausting battle with AIDS. Joined by their friend Susanah and a retired doctor, whose help Thomas has requested, they fashion a heartbreaking friendship as they work through the stages of a plan to relieve Anthony of his illness and his life. Rabe creates a passionate depiction of four people confronted with the reality of a loved one’s fight with death and a compelling dramatic event that poses the question: “What would you do?” “A moving and enlightening experience.” —Backstage “Completely gripping. This life and death tale questions the moral implications involved with assisted suicide, and the honor behind the action. A serious and provocative night at the theatre.” —Theasy Praise for David Rabe “Few contemporary dramatists have dealt with violence, physical and psychological, more impressively than Rabe.” —Kirkus Reviews “A remarkable storyteller.” —Chicago Tribune “Rabe’s mastery of dialogue is the equal of Pinter and Mamet put together . . . full of a measured Mafia formality played against Jacobean terrors, blood lust, horror and revenge raised to an unlikely poetry dazed by equally unlikely insights.” —The Boston Globe
Two plays exploring the struggle of mental illness by the Tony Award–winning “giant of American theater” and author of Hurlyburly (Chicago Tribune). Good for Otto, which premiered in October 2015 at the Gift Theatre in Chicago, is a “sprawling drama of mental illness” in which “Mr. Rabe digs into his subject with a depth that almost feels bottomless.” Drawing on material from Undoing Depression by psychotherapist Richard O’Connor, it explores the lives of a therapist and his many patients, all trying to navigate personal trauma (Charles Isherwood, The New York Times). Visiting Edna, which premiered in September 2016 at the Steppenwolf Theatre in Chicago, is a drama of “deeply searing power” about the bond between mother and son. As Edna faces a short future plagued by her many illnesses—and a cancer that looms so large it becomes another character—she and her adult son struggle to communicate about their shared past as they contemplate the future (Variety). Taken together, the plays offer a satisfying glimpse into “Rabe’s theatrical universe . . . at once vivid and mysterious, a pageant and a puzzle” of contemporary American life (John Lahr, The New Yorker). “Many would list [Rabe] among the very greatest of living playwrights.” —Chris Jones, Chicago Tribune
The landmark American play—and its prequel—from the Tony Award–winning author of Sticks and Bones and In the Boom Boom Room. Nominated for the Tony Award when it was first produced in 1984, Hurlyburly was immediately hailed as a classic American drama. This edition is the definitive version of David Rabe’s most celebrated work, reflecting his continued exploration of the play through several productions—in particular the one he directed in 1988 at the Westwood Playhouse in Los Angeles—and his latest thoughts regarding the text. With Those the River Keeps, the prize-winning playwright embarks on an intense psychological exploration of Hurlyburly’s most dangerous and enigmatic character. This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction. “Fresh, glittering, entertaining, full of wit and blisteringly funny. A stunning comic drama of contemporary life in the Hollywood hills and beyond.” —USA Today “Powerfully written . . . dazzling.” —The New Republic “Offers some of Rabe’s most inventive writing.” —The New York Times “Compelling . . . Those the River Keeps’ strength is its dialogue, which ranges from staccato nonsense to amorphous bursts of palooka philosophy and raw anguish . . . masterfully rendered.” —The Boston Phoenix Praise for David Rabe “Few contemporary dramatists have dealt with violence, physical and psychological, more impressively than Rabe.” —Kirkus Reviews “A remarkable storyteller.” —Chicago Tribune “Rabe’s mastery of dialogue is the equal of Pinter and Mamet put together.” —The Boston Globe
The Black Monk has been called a singular "collaboration" between two writers: Anton Chekhov and David Rabe. Based on Chekov's novella of the same name, Rabe's brilliant stage adaptation tells the story of Kovrin, the young philosophy student who returns from Moscow to the estate owned by Pesotsky, where he spent his youth. Kovrin and Pesotsky's daughter, Tanya, soon fall in love and plan to marry. But the appearance of an emissary from the unknown -- the black monk -- threatens to have a devastating effect on all of them. Trouble starts in when Teresa tells her brother Joey that this guy Ray did something to her with his dog in bed. Nobody seems to know exactly what happened, but they do know that somebody's got to pay. So what is The Dog Problem? It starts with being born into a world where the wrong thing said to the wrong person ignites a chain reaction of misplaced passions and galloping sentences that race to a deadly conclusion. The playful title is revealed to be a wry pun on the Cartesian mind/body problem, as Uncle Mal, the aging mobster, must face his turn to be the dog in this darkly funny play about men, women, sex, betrayal, and ghosts. Vastly different in their aesthetic, these two recent and highly praised plays embody all of the celebrated hallmarks of David Rabe's writing and art: unflinchingly honest and perceptive themes, starkly luminous dialogue, and the unsettling humor that have made him an icon of the American theater for more than forty years.
In these disquieting tales of confronting the past, the author and playwright showcases his “keen ear for how people talk, think, and behave” (Publishers Weekly). Listening for Ghosts collects some of David Rabe’s most compelling short fiction of the past few years, including three stories that appeared in the New Yorker. In “Things We Worried About When I Was Ten,” a group of seemingly carefree Midwestern boys are revealed to be egregiously uncared for by their parents. “The Longer Grief” is a slow-motion explosion, as one moment in time propels shards of reckoning through the shared history of a brother and sister. In “Uncle Jim Called,” a man cooking stir fry answers a phone call from the dead . “Suffocation Theory” slyly depicts our off-kilter and increasingly apocalyptic world. In the novella, I Have to Tell You, the elderly tenants of a Midwestern apartment complex seek fairness from a conniving landlord. When an emergency stay in the hospital brings a near-octogenarian named Emma face-to-face with looming injustice, she finds herself burdened with two mysteries to solve. She may never get to the bottom of them, but she is determined to do all she can. Also included are “Things We Worried About When I Was Ten,” which won the 2021 O. Henry Prize, and “The Longer Grief,” which won first prize in the 2019 Narrative Story Contest.
Book jacket/back: This extensively revised version of David Rabe's 1973 play returns it to the two-act structure originally intended by the author, as it sharpens and focuses his searing portrait of a young dancer's descent into hell.
Edna has suffered losses as she has aged, and now she faces a late-life cancer diagnosis. Edna’s son, Andrew, is home for a visit. Together they try to bridge the gulf between the love they shared in his childhood and the polite but baffling relationship they now live with. Mother and son stumble toward honesty as they wrestle with the phantoms—both mundane and profound—that keep them from real connection.
In Dinosaurs on the Roof, acclaimed author and playwright David Rabe delivers a singular work that reaffirms his extraordinary range and talent, and introduces a story and a collection of characters whose genuine audacity will echo with readers for years to come. In the town of Belger, Iowa, recently divorced Janet Cawley is attempting to find some peace and quiet, and perhaps a solitary place where she can finally fall apart. She's quit her job teaching fourth grade, though with the money she has, she will probably get along fine for another six months. She still needs to extricate herself from an affair with an ex-colleague that has the neighbors talking, but after that she can spend her time alone, jogging, drinking, and making the occasional trip into town. Her plans are interrupted one morning by the sudden appearance of her now-deceased mother's oldest friend, Bernice, who has an urgent matter to discuss. Bernice's preacher, it seems, has informed his congregation that they are to be visited by the Rapture that very evening -- and Bernice's first question, and most pressing fear, is how her dogs and cats will be fed and cared for after she's gone. Through that night and into the next, the lives of these two women will become inextricably woven together as they struggle to find reason in the incomprehensible and sometimes ludicrous events that unfold, and search for tangible signs of faith in themselves and the world around them. Dinosaurs on the Roof is a magnificent novel that speaks volumes about spirituality in the twenty-first century and explores the intimate, everyday gestures of the strangers closest to us with unforgettable humor and remarkable humanity.
Longing and confusion. Hearts pounding, time ticking away. Early 1960s in a Midwestern town. Danny Mueller's working class life is one of fierce loyalty to childhood friends, Jake and Terry. But the bigger world is stirring once he meets Karen, back from college in the east and alluring because of what she knows, and unsettling for that same reason. The grip of Danny's past is intensified by his father, a German immigrant mourning a vanished world of lost prestige. For Pop the question is how to let go of a son and life he never quite had now that the future has shrunk to almost nothing. While Danny hopes to change without betraying the bonds that have sustained him, Karen, a whirl of brilliance, looks to J.D. Salinger for answers and to Danny for a simplicity he does not possess. To fall in love, to have a destiny, to know what it is. That's what they all want, even Benji hanging onto Pop, and Shirley, too, adrift in a way she could not have foreseen. The old look backward and the young look ahead, while we watch from the future they long to inhabit. And it's all about to burn in the heat of whatever's coming. The way it always does.
A successful artist shoots a dog harassing his cows and descends into madness in this dark novel by the Tony Award–winning author of Sticks and Bones. In classic works such as Hurlyburly and Streamers, David Rabe’s depictions of violence and the dark side of the human psyche have won him widespread acclaim. In Recital of the Dog, a painter who has left urban chaos for the country soon finds his hopes of tranquility shattered by a marauding intruder—a dog that torments his small herd of cows. Desperate to restore order to his world, the man shoots the dog, unwittingly unleashing a nightmare on himself. This is a tale of creation and destruction, crime and punishment, rife with insight and black comedy. Praise for Recital of the Dog “So primal, so dark and redeeming it should be considered taboo, and is therefore irresistible. . . . An extraordinary, powerful piece of literature.” —Thomas Moore, author of Care of the Soul “David Rabe has crafted an intense, strange and frightening nightmare. . . . There is violence and intensity and vividness that a reader feels as though inhabiting the mind of a madman.” —The Denver Post “Playwright Rabe’s first novel is a powerful, shocking portrait of a disintegrating psyche . . . fairly crackles with a dark, disturbing, often dazzling energy.” —Library Journal “A gifted prose writer of original vision . . . In both voice and structure, Recital of the Dog owes much both to Albert Camus and James M. Cain. . . . Rabe’s beautiful, tight, fluent prose renders the fragility of reality with enormous power and grace.” —San Francisco Chronicle
An assortment of two hundred recipes for home-style, peasant, and bourgeois dishes presents an array of stews, pasta dishes, roasts, curries, single-pot meals, and family favorites.
This first comprehensive look at California's history of environmental leadership shows why the Golden State has been at the forefront in setting new environmental standards, often leading the rest of the nation.
An updated investigation of alternate pathways for American environmental policymaking made necessary by legislative gridlock. The “golden era” of American environmental lawmaking in the 1960s and 1970s saw twenty-two pieces of major environmental legislation (including the Clean Air Act, the Clean Water Act, and the Endangered Species Act) passed by bipartisan majorities in Congress and signed into law by presidents of both parties. But since then partisanship, the dramatic movement of Republicans to the right, and political brinksmanship have led to legislative gridlock on environmental issues. In this book, Christopher Klyza and David Sousa argue that the longstanding legislative stalemate at the national level has forced environmental policymaking onto other pathways. Klyza and Sousa identify and analyze five alternative policy paths, which they illustrate with case studies from 1990 to the present: “appropriations politics” in Congress; executive authority; the role of the courts; “next-generation” collaborative experiments; and policymaking at the state and local levels. This updated edition features a new chapter discussing environmental policy developments from 2006 to 2012, including intensifying partisanship on the environment, the failure of Congress to pass climate legislation, the ramifications of Massachusetts v. EPA, and other Obama administration executive actions (some of which have reversed Bush administration executive actions). Yet, they argue, despite legislative gridlock, the legacy of 1960s and 1970s policies has created an enduring “green state” rooted in statutes, bureaucratic routines, and public expectations.
China has bulked large in the imagination of the Catholic Church for 500 years. It had been central to the missionary dream of the Jesuits for almost as long. However, only with this book's appearance has the detailed focus of attention shifted to the substantial and neglected period of catholic and Jesuit engagement with china - the almost 120 years from the second arrival of the Jesuits. Matteo Ricci the polymath, Ferdinand Verbeist and Adam Schall von Bell the astronomers and the exquisite painter who influenced Chinese painting beyond measure, Giuseppe Castiglione, have been written about, made ls of and been the heart and soul of the first stage of Jesuit impact on China - in the 17th and 18th Centuries. They brought Western learning and art to China and took Chinese language and literature to Europe. The Jesuits were the first multinational to be welcomed in China and they came with a specific method of engagement - to make friends build relationships and share their gifts before anything else was transacted, including conversations about Christianity. It remains an unsurpassed method of engagement with a rich and ancient people. But the second arrival - from the 1840's - was very different. It was made possible by the arrival of European governments and traders, many of whom came not just for financial gain but to spread their "superior" religion. This work by David Strong in two volumes is the first major treatment of the period from the arrival of the European and eventually American Jesuit missionaries under the protection of the so called Unequal Treaties through to their expulsion after the Communist victory in the long running civil war in 1949. Volume 1: The French Romance - traces the people, projects, expansion and impact of those who provided the predominant Jesuit presence. At the height of it's engagement with China, the French Government has 19 Consulates and attendant military and navy throughout China. The French Jesuits were afforded access and protection by their government and activated missions in northern and central China - schools, seminaries, universities, parishes, retreat houses, publications - and attracted Chinese nationals to join their number.
Despite its avowed commitment to liberalism and democracy internationally, the United States has frequently chosen to back repressive or authoritarian regimes in parts of the world. In this comprehensive examination of American support of right-wing dictatorships, David Schmitz challenges the contention that the democratic impulse has consistently motivated U.S. foreign policy. Compelled by a persistent concern for order and influenced by a paternalistic racism that characterized non-Western peoples as vulnerable to radical ideas, U.S. policymakers viewed authoritarian regimes as the only vehicles for maintaining political stability and encouraging economic growth in nations such as Nicaragua and Iran, Schmitz argues. Expediency overcame ideology, he says, and the United States gained useful--albeit brutal and corrupt--allies who supported American policies and provided a favorable atmosphere for U.S. trade. But such policy was not without its critics and did not remain static, Schmitz notes. Instead, its influence waxed and waned over the course of five decades, until the U.S. interventions in Vietnam marked its culmination.
Written at an intermediate level in a way that is easy to understand, Fundamentals and Applications of Ultrasonic Waves, Second Edition provides an up-to-date exposition of ultrasonics and some of its main applications. Designed specifically for newcomers to the field, this fully updated second edition emphasizes underlying physical concepts over mathematics. The first half covers the fundamentals of ultrasonic waves for isotropic media. Starting with bulk liquid and solid media, discussion extends to surface and plate effects, at which point the author introduces new modes such as Rayleigh and Lamb waves. This focus on only isotropic media simplifies the usually complex mathematics involved, enabling a clearer understanding of the underlying physics to avoid the complicated tensorial description characteristic of crystalline media. The second part of the book addresses a broad spectrum of industrial and research applications, including quartz crystal resonators, surface acoustic wave devices, MEMS and microacoustics, and acoustic sensors. It also provides a broad discussion on the use of ultrasonics for non-destructive evaluation. The author concentrates on the developing area of microacoustics, including exciting new work on the use of probe microscopy techniques in nanotechnology. Focusing on the physics of acoustic waves, as well as their propagation, technology, and applications, this book addresses viscoelasticity, as well as new concepts in acoustic microscopy. It updates coverage of ultrasonics in nature and developments in sonoluminescence, and it also compares new technologies, including use of atomic force acoustic microscopy and lasers. Highlighting both direct and indirect applications for readers working in neighboring disciplines, the author presents particularly important sections on the use of microacoustics and acoustic nanoprobes in next-generation devices and instruments.
More than 5,000 brilliant tips on buying, storing and preparing food; boosting flavor; cooking healthfully; saving time; rescuing failed recipes; and much more.
The first collection in the UK by a major American dramatist Containing Rabe''s Vietnam Trilogy, all four plays in this collection focus on what the author calls ''The Eternal Human pageant.'' In THE BASIC TRAINING OF PAVLO HUMMEL (which starred Al Pacino), a young recruit is gradually brutalised, STICKS AND BONES deals with the issue of mixed race partnerships during the war and STREAMERS portrays the absurdity of violence through the characters of two sergeants. Also included is THE ORPHAN, Rabe''s version of THE ORESTEIA. In Rabe''s vision the American dream has tipped over into a furious nightmare in which war is not just a political phenomenon but an elemental force, like love or death. ''The fast explosive dialogue of which Rabe is a master'' Sunday Times ''Rabe sees in modern America a cosmic despair'' Guardian ''David Rabe is remarkable storyteller'' Chicago Tribune
Tales from the Tony Award–winning playwright: “Not only an exhibition of David Rabe’s acclaimed dramatic powers but also proof of his narrative magic” (Billy Collins, former US Poet Laureate). David Rabe, playwright of Hurlyburly and In the Boom Boom Room, brings his intense vision to the world of fiction with a short story collection of astonishing range and versatility. Whether he is writing about a marriage shadowed by the unacknowledged discord of a risky pregnancy, a group of men whose attempt to settle an account launches them toward unexpected violence, or a young journalist who believes he’s escaped his Catholic roots only to be forced again to confront them by a priest who once mentored his writing, Rabe’s strong, true voice tenders an inimitable portrait of America and offers benediction to her lost souls. A Primitive Heart confirms the mastery of a writer and establishes David Rabe as an exciting voice in fiction. “Rabe has a way of implicating the reader—of creating a near-claustrophobic bond with his restless characters, writing so convincingly that the subtext becomes almost palpable, accruing darkly, like a storm. Okay: I’m eating my heart out.” —Ann Beattie, PEN/Malamud Award–winner “These are gripping stories, hard to put aside, that cut so close to primitive emotional truths that they can be painful to read . . . That vivid confusion—the desire to understand something more primitive than thought—makes these stories unforgettable.” —The Seattle Times “David Rabe demonstrates in this new collection of short stories that his talent for dialogue is just as dazzling inside a prose narrative as it is on stage.” —The Baltimore Sun
A Quarter in Half Time: Arab Soul, Jewish Eyes This book is a triology which includes a novel, poetry and essays written by an Arab-Jew (Sephardic). The novel specifically addresses the cultural and physological conflicts of a teenaged Arab-Jew in an alienated Ashkenazic-European Israeli environment. The poetry section includes three parts: the Zionist Movement in Israel, love and universal themes. This section, written with experience and the insight that comes with maturity, emphasizes the deep-rooted birth culture that exists in each individual. The third section is a potpourri of material for both enjoyment and intellectual stimulation.
After sweeping environmental legislation passed in the 1970s and 1980s, the 1990s ushered in an era when new legislation and reforms to existing laws were consistently caught up in a gridlock. In response, environmental groups became more specialized and professional, learning how to effect policy change through the courts, states, and federal agencies rather than through grassroots movements. Without a significantly mobilized public and with a generally uncooperative Congress, presidents since the 1990s have been forced to step into a new role of increasing presidential dominance over environmental policies. Rather than working with Congress, presidents instead have employed unilateral actions and administrative strategies to further their environmental goals. Presidential Administration and the Environment offers a detailed examination of the strategies and tools used by U.S. presidents. Using primary sources from presidential libraries such as speeches and staff communications, David M. Shafie analyzes how presidents such as Bill Clinton and George W. Bush have used alternative executive approaches to pass environmental policies. From there, Shafie presents case studies in land management, water policy, toxics, and climate change. He analyzes the role that executive leadership has played in passing policies within these four areas, explains how this role has changed over time, and concludes by investigating how Obama’s policies compare thus far with those of his predecessors. Shafie’s combination of qualitative content analysis and topical case studies offers scholars and researchers alike important insights for understanding the interactions between environmental groups and the executive branch and the implications for future policymaking in the United States.
Drawing on the authors' varied experiences working and teaching in the field, Analysis of Multivariate Social Science Data, Second Editionenables a basic understanding of how to use key multivariate methods in the social sciences. With updates in every chapter, this edition expands its topics to include regression analysis, con
In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with an exceptional ability to animate art's philosophical dimensions in a clear, persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse, Strauss comes to their defense in a spirited cri de coeur.Featuring over 35 illustrations, the book examines a wide variety of media and individual examples. It explores the works of sculptors Martin Puryear, Ursula von Rydingsvard, and Donald Lipski; painters Leon Golub and Ron Gorchov; and writers Robert Duncan, Robert Kelly, Guy Davenport, John Berger, and Leo Steinberg. In addition, there are essays on Joseph Beuys's 7000 Oaks in Ireland, contemporary Haida carvers Reg Davidson and Jim Hart, Cecilia Vicuna's "memory of the fingers," and the influence of curators Harald Szeemann and Walter Hopps on the staging of contemporary art exhibitions.Known primarily for his writings on photography and politics, Strauss here focuses on the least mediated arts--painting, sculpture, and writing. His claims are supported by a series of close readings which succeed in recovering the immediacy of the hand and revitalizing contemporary art's connection to the past.
Conservative ideology and brinksmanship -- Brinksmanship and the Far East -- Atomic brinksmanship: Korea, Indochina, and Formosa -- Covert brinksmanship: Iran and Guatemala -- Diplomatic brinksmanship: the Suez Crisis -- Economic brinksmanship: the fall of Anthony Eden.
For those who wonder what relation actual Tantric practices bear to the "Tantric sex" currently being marketed so successfully in the West, David Gordon White has a simple answer: there is none. Sweeping away centuries of misunderstandings and misrepresentations, White returns to original texts, images, and ritual practices to reconstruct the history of South Asian Tantra from the medieval period to the present day. Kiss of the Yogini focuses on what White identifies as the sole truly distinctive feature of South Asian Tantra: sexualized ritual practices, especially as expressed in the medieval Kaula rites. Such practices centered on the exchange of powerful, transformative sexual fluids between male practitioners and wild female bird and animal spirits known as Yoginis. It was only by "drinking" the sexual fluids of the Yoginis that men could enter the family of the supreme godhead and thereby obtain supernatural powers and transform themselves into gods. By focusing on sexual rituals, White resituates South Asian Tantra, in its precolonial form, at the center of religious, social, and political life, arguing that Tantra was the mainstream, and that in many ways it continues to influence contemporary Hinduism, even if reformist misunderstandings relegate it to a marginal position. Kiss of the Yogini contains White's own translations from over a dozen Tantras that have never before been translated into any European language. It will prove to be the definitive work for persons seeking to understand Tantra and the crucial role it has played in South Asian history, society, culture, and religion.
Learn how to create beautiful artwork on your iPad or iPhone. Over 65 expert artists from around the world will show you how they created their original art, from inspiration and conceptualization, to the creation of the final image. Using step-by-step examples and easy-to-follow tutorials, you'll learn how to create stunning images on your iPad or iPhone. Learn more about using the apps you already have, like Brushes, and discover new apps that will enhance your art creation like Sketchbook Mobile, Layers, Collage, Juxtaposer, Hiptamatic, and PhotoFX. Whether you are taking you first steps into digital art, or are an accomplished artist looking to broaden your skill set, Mobile Digital Art covers it all - how to turn photographs into oil paintings, design cartoons from scratch and create beautiful landscape vistas - all on your iPad or iPhone.
This book is a study of Byzantine canon law which, although usually neglected by legal-historical research, Dr Wagschal argues is a fascinating and complex legal system of considerable coherence and sophistication, with many implications for our broader understanding of Christian culture and thought.
Spoken by eighty million people in South Asia and a diaspora that stretches across the globe, Tamil is one of the great world languages, and one of the few ancient languages that survives as a mother tongue for so many speakers. David Shulman presents a comprehensive cultural history of Tamil—language, literature, and civilization—emphasizing how Tamil speakers and poets have understood the unique features of their language over its long history. Impetuous, musical, whimsical, in constant flux, Tamil is a living entity, and this is its biography. Two stories animate Shulman’s narrative. The first concerns the evolution of Tamil’s distinctive modes of speaking, thinking, and singing. The second describes Tamil’s major expressive themes, the stunning poems of love and war known as Sangam poetry, and Tamil’s influence as a shaping force within Hinduism. Shulman tracks Tamil from its earliest traces at the end of the first millennium BCE through the classical period, 850 to 1200 CE, when Tamil-speaking rulers held sway over southern India, and into late-medieval and modern times, including the deeply contentious politics that overshadow Tamil today. Tamil is more than a language, Shulman says. It is a body of knowledge, much of it intrinsic to an ancient culture and sensibility. “Tamil” can mean both “knowing how to love”—in the manner of classical love poetry—and “being a civilized person.” It is thus a kind of grammar, not merely of the language in its spoken and written forms but of the creative potential of its speakers.
Regression Methods for Medical Research provides medical researchers with the skills they need to critically read and interpret research using more advanced statistical methods. The statistical requirements of interpreting and publishing in medical journals, together with rapid changes in science and technology, increasingly demands an understanding of more complex and sophisticated analytic procedures. The text explains the application of statistical models to a wide variety of practical medical investigative studies and clinical trials. Regression methods are used to appropriately answer the key design questions posed and in so doing take due account of any effects of potentially influencing co-variables. It begins with a revision of basic statistical concepts, followed by a gentle introduction to the principles of statistical modelling. The various methods of modelling are covered in a non-technical manner so that the principles can be more easily applied in everyday practice. A chapter contrasting regression modelling with a regression tree approach is included. The emphasis is on the understanding and the application of concepts and methods. Data drawn from published studies are used to exemplify statistical concepts throughout. Regression Methods for Medical Research is especially designed for clinicians, public health and environmental health professionals, para-medical research professionals, scientists, laboratory-based researchers and students.
Have you been told you need to do multilevel modeling, but you can′t get past the forest of equations? Do you need the techniques explained with words and practical examples so they make sense? Help is here! This book unpacks these statistical techniques in easy-to-understand language with fully annotated examples using the statistical software Stata. The techniques are explained without reliance on equations and algebra so that new users will understand when to use these approaches and how they are really just special applications of ordinary regression. Using real life data, the authors show you how to model random intercept models and random coefficient models for cross-sectional data in a way that makes sense and can be retained and repeated. This book is the perfect answer for anyone who needs a clear, accessible introduction to multilevel modeling.
Theodore de Banville (1823-1891) was a prolific poet, dramatist, critic and prose fiction writer whose significant contribution to poetic and aesthetic debates in nineteenth-century France has long been overlooked. Despite his profound influence on major writers such as Baudelaire, Rimbaud, Verlaine and Mallarme, Banville polarised critical opinion throughout his fifty-year career. While supporters championed him as a virtuoso of French verse, many critics dismissed his formal pyrotechnics, effervescent rhythms and extravagant rhymes as mere clowning. This book explores how Banville's remarkably coherent body of verse theory and practice, full of provocative energy and mischievous humour, shaped debates about poetic value and how to identify it during a period of aesthetic uncertainty caused by diverse social, economic, political and artistic factors. It features a detailed new reading of Banville's most infamous and misunderstood text, the Petit Traitede poesie francaise, as well as extended analyses of verse collections such as Les Stalactites, Odes funambulesques, Les Exiles, Trente-six Ballades and Rondels, illuminated by wide reference to Banville's plays, fiction and journalism. Evans elucidates not only aesthetic tensions at the heart of nineteenth-century French verse, but also a centuries-old tension between verse mechanisms and an unquantifiable, mysterious and elusive poeticity which emerges as one of the defining narratives of poetic value from the Middle Ages, via the Grands Rhetoriqueurs and Dada, to the experiments of the OuLiPo and beyond.
It is generally assumed that whatever else has changed about the human condition since the dawn of civilization, basic human emotions - love, fear, anger, envy, shame - have remained constant. David Konstan, however, argues that the emotions of the ancient Greeks were in some significant respects different from our own, and that recognizing these differences is important to understanding ancient Greek literature and culture. With The Emotions of the Ancient Greeks, Konstan reexamines the traditional assumption that the Greek terms designating the emotions correspond more or less to those of today. Beneath the similarities, there are striking discrepancies. References to Greek 'anger' or 'love' or 'envy,' for example, commonly neglect the fact that the Greeks themselves did not use these terms, but rather words in their own language, such as orgê and philia and phthonos, which do not translate neatly into our modern emotional vocabulary. Konstan argues that classical representations and analyses of the emotions correspond to a world of intense competition for status, and focused on the attitudes, motives, and actions of others rather than on chance or natural events as the elicitors of emotion. Konstan makes use of Greek emotional concepts to interpret various works of classical literature, including epic, drama, history, and oratory. Moreover, he illustrates how the Greeks' conception of emotions has something to tell us about our own views, whether about the nature of particular emotions or of the category of emotion itself.
The Politics of Precaution examines the politics of consumer and environmental risk regulation in the United States and Europe over the last five decades, explaining why America and Europe have often regulated a wide range of similar risks differently. It finds that between 1960 and 1990, American health, safety, and environmental regulations were more stringent, risk averse, comprehensive, and innovative than those adopted in Europe. But since around 1990, the book shows, global regulatory leadership has shifted to Europe. What explains this striking reversal? David Vogel takes an in-depth, comparative look at European and American policies toward a range of consumer and environmental risks, including vehicle air pollution, ozone depletion, climate change, beef and milk hormones, genetically modified agriculture, antibiotics in animal feed, pesticides, cosmetic safety, and hazardous substances in electronic products. He traces how concerns over such risks--and pressure on political leaders to do something about them--have risen among the European public but declined among Americans. Vogel explores how policymakers in Europe have grown supportive of more stringent regulations while those in the United States have become sharply polarized along partisan lines. And as European policymakers have grown more willing to regulate risks on precautionary grounds, increasingly skeptical American policymakers have called for higher levels of scientific certainty before imposing additional regulatory controls on business.
Though Americans rarely appreciate it, federalism has profoundly shaped their nation’s past, present, and future. Federalism—the division of government authority between the national government and the states—affects the prosperity, security, and daily life of every American. Some of the most spectacular political conflicts in American history have been fought on the battlefield of federalism, including states’ rights to leave the union, government power to regulate business, and responses to the problems of race, poverty, pollution, abortion, and gay rights. In the second edition of this nuanced and comprehensive text, David Brian Robertson shows that past choices shape present circumstances, and that a deep understanding of American government, public policy, political processes, and society requires an understanding of the key steps in federalism’s evolution in American history. New to the Second Edition Emphasizes that federalism is a battleground that shapes every life inAmerica. Extensively revised and updated, including new coverage of recent controversies like Ferguson, immigration, climate change, Obamacare, gay rights, the minimum wage, political polarization, voter identification, fracking, and marijuana legalization. Brings together the newest developments in history, political science, law,and related disciplines to show how federalism influences government and politics today. Includes chapter-opening vignettes that deal with contemporary cases and policy challenges.
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