This book develops tools to handle C*-algebras arising as completions of convolution algebras of sections of line bundles over possibly non-Hausdorff groupoids. A fundamental result of Gelfand describes commutative C*-algebras as continuous functions on locally compact Hausdorff spaces. Kumjian, and later Renault, showed that Gelfand's result can be extended to include non-commutative C*-algebras containing a commutative C*-algebra. In their setting, the C*-algebras in question may be described as the completion of convolution algebras of functions on twisted Hausdorff groupoids with respect to a certain norm. However, there are many natural settings in which the Kumjian–Renault theory does not apply, in part because the groupoids which arise are not Hausdorff. In fact, non-Hausdorff groupoids have been a source of surprising counterexamples and technical difficulties for decades. Including numerous illustrative examples, this book extends the Kumjian–Renault theory to a much broader class of C*-algebras. This work will be of interest to researchers and graduate students in the area of groupoid C*-algebras, the interface between dynamical systems and C*-algebras, and related fields.
A highly readable introduction to and overview of the postwar social sciences in the United States, The Americanization of Social Science explores a critical period in the evolution of American sociology’s professional identity from the late 1940s through the early 1960s. David Paul Haney contends that during this time leading sociologists encouraged a professional secession from public engagement in the name of establishing the discipline’s scientific integrity. According to Haney, influential practitioners encouraged a willful withdrawal from public sociology by separating their professional work from public life. He argues that this separation diminished sociologists’ capacity for conveying their findings to wider publics, especially given their ambivalence towards the mass media, as witnessed by the professional estrangement that scholars like David Riesman and C. Wright Mills experienced as their writing found receptive lay audiences. He argues further that this sense of professional insularity has inhibited sociology’s participation in the national discussion about social issues to the present day.
This book explores the societal construction of "black-on-black" referring to the 1980s when violence among African American perpetrators and victims increased. Massive job losses, debased identities, and rampant physical decay made American blacks seem ripe for explosive behavior. Many people blamed black lifestyle, values, and culture. David Wilson shows how America imbued a process of violence with race and accepted it as one of the country's most vexing ills during the Reagan era and afterward. Based on statistics, ethnographies, anecdotal accounts, and national reportage the findings are hard to dispute. Wilson tells of prominent conservative and liberal writers, reporters and politicians who collectively nurtured this issue, then parlayed it into "truth" in the public mind. Mixing memoirs, critical geographical studies, and race theory, the book shows how vulnerable groups of society can become pawns in an acute process of racial demonization. And how, in America, this allowed blacks to be marginalized.
A law professor and former prosecutor reveals how inconsistent ideas about violence, enshrined in law, are at the root of the problems that plague our entire criminal justice system—from mass incarceration to police brutality. We take for granted that some crimes are violent and others aren’t. But how do we decide what counts as a violent act? David Alan Sklansky argues that legal notions about violence—its definition, causes, and moral significance—are functions of political choices, not eternal truths. And these choices are central to failures of our criminal justice system. The common distinction between violent and nonviolent acts, for example, played virtually no role in criminal law before the latter half of the twentieth century. Yet to this day, with more crimes than ever called “violent,” this distinction determines how we judge the seriousness of an offense, as well as the perpetrator’s debt and danger to society. Similarly, criminal law today treats violence as a pathology of individual character. But in other areas of law, including the procedural law that covers police conduct, the situational context of violence carries more weight. The result of these inconsistencies, and of society’s unique fear of violence since the 1960s, has been an application of law that reinforces inequities of race and class, undermining law’s legitimacy. A Pattern of Violence shows that novel legal philosophies of violence have motivated mass incarceration, blunted efforts to hold police accountable, constrained responses to sexual assault and domestic abuse, pushed juvenile offenders into adult prisons, encouraged toleration of prison violence, and limited responses to mass shootings. Reforming legal notions of violence is therefore an essential step toward justice.
Picking up the trail with the incredibly influential films of Basil Rathbone and Nigel Bruce, Volume II goes on to explore the antiheroic Sherlock Holmes films of the 1970s, and then the somewhat rocky journey of Holmes into the medium of television (actors Alan Wheatley, Douglas Wilmer, and Peter Cushing all declared their respective TV series as the worst experience of their professional careers). Television finally found its "definitive" Holmes in Jeremy Brett's portrayal for Granada Television, and then the BBC's "Sherlock" had flashed brilliantly across the cultural sky before crashing and burning in spectacular fashion. Still, despite its ignominious end, Benedict Cumberbatch's version of Sherlock Holmes quite literally changed the face of Sherlockian fandom overnight, as studious middle-aged white men now found themselves sharing uneasy ground with a younger, more diverse, and more female audience. Now a full-fledged transmedia phenomenon, Sherlock Holmes can be any gender, ethnicity, or species, and is celebrated in fan fiction and fanvids, as well as conventions that are far more inclusive than Sherlock Holmes societies of the past. Vincent Starrett's poetic notion that Sherlock Holmes is a character "who never lived and so can never die" has never been more true, and the Digital Age promises any number of new versions of Sherlock Holmes to come.
Emergency physicians assess and manage a wide variety of problems from patients presenting with a diversity of severities, ranging from mild to severe and life-threatening. They are expected to maintain their competency and expertise in areas where there is rapid knowledge change. Evidence-based Emergency Medicine is the first book of its kind in emergency medicine to tackle the problems practicing physicians encounter in the emergency setting using an evidence-based approach. It summarizes the published evidence available for the diagnosis and treatment of common emergency health care problems in adults. Each chapter contextualizes a topic area using a clinical vignette and generates a series of key clinically important diagnostic and treatment questions. By completing detailed reviews of diagnostic and treatment research, using evidence from systematic reviews, RCTs, and prospective observational studies, the authors provide conclusions and practical recommendations. Focusing primarily on diagnosis in areas where evidence for treatment is well accepted (e.g. DVTs), and treatment in other diseases where diagnosis is not complex (e.g. asthma), this text is written by leading emergency physicians at the forefront of evidence-based medicine. Evidence-based Emergency Medicine is ideal for emergency physicians and trainees, emergency department staff, and family physicians specialising in the acute care of medical and injured patients.
In Persecution you'll enter the hotly contested battle for the soul of our public schools. Here are appalling - but true - stories of how anti-Christian social engineers not only prohibit school prayer and forbid students from wearing Christian symbols, like a simple cross, but even expunge the real story of Christianity in America from history textbooks. Worse still, in the name of "diversity," "tolerance," "multiculturalism," and "sex education," the social engineers actively inculcate hatred of Christianity as ignorant, repressive, and offensive. Not exactly the agenda of most parents whose tax dollars support the public schools." "Looking honestly at the dominant influence of Christianity in America's colonial culture and schools, where the Bible was routinely used as a textbook, Limbaugh makes a compelling case that the education students receive today is not what the Founders would have endorsed. Indeed, they would have been outraged at what is taught - and what the courts say - in their name, under the pretext of the non-constitutional and woefully misunderstood phrase "separation of church and state.""--BOOK JACKET.
There are many differences of opinion between sociologists about how best to investigate social issues and about the quality of the answers that different questions produce. This book looks at a range of sociological theories from the last 200 years, taking a thematic approach that helps students to better integrate the material and to understand the significance of the individual theorists. With illustrations from the work of John Stuart Mill, Emile Durkheim, Talcott Parsons, Karl Marx, Karl Mannheim, Michel Foucault, Anthony Giddens and Erving Goffman, this book provides an accessible and comprehensive guide for introductory students of sociology and social theory.
How does community arise in and exist through communication? Blending theory and case studies, Civic Communion looks at community-building in rural America and how civic-minded people come together through a variety of ways, such as hosting and attending festivals, addressing conflict, planning the community, and maintaining heritage museums. David E. Procter's insightful work reveals a specific and significant form of community 'talk' that serves to build and sustain community.
David Harrington Watt's Antifundamentalism in Modern America gives us a pathbreaking account of the role that the fear of fundamentalism has played—and continues to play—in American culture. Fundamentalism has never been a neutral category of analysis, and Watt scrutinizes the various political purposes that the concept has been made to serve. In 1920, the conservative Baptist writer Curtis Lee Laws coined the word "fundamentalists." Watt examines the antifundamentalist polemics of Harry Emerson Fosdick, Talcott Parsons, Stanley Kramer, and Richard Hofstadter, which convinced many Americans that religious fundamentalists were almost by definition backward, intolerant, and anti-intellectual and that fundamentalism was a dangerous form of religion that had no legitimate place in the modern world. For almost fifty years, the concept of fundamentalism was linked almost exclusively to Protestant Christians. The overthrow of the Shah of Iran and the establishment of an Islamic republic led to a more elastic understanding of the nature of fundamentalism. In the late 1970s and early 1980s, Americans became accustomed to using fundamentalism as a way of talking about Muslims, Jews, Hindus, Sikhs, and Buddhists, as well as Christians. Many Americans came to see Protestant fundamentalism as an expression of a larger phenomenon that was wreaking havoc all over the world. Antifundamentalism in Modern America is the first book to provide an overview of the way that the fear of fundamentalism has shaped U.S. culture, and it will lead readers to rethink their understanding of what fundamentalism is and what it does.
The Silent Game traces the history of spy writers and their fiction from creator William Le Queux, of the Edwardian age, to John le Carré, of the Cold War era. David Stafford reveals the connections between fact and fiction as seen in the lives of writers with experience in intelligence, including John Buchan, Compton Mackenzie, Somerset Maugham, Ian Fleming, and Graham Greene. Le Queux used his spy fiction as xenophobic propaganda before and after World War I, and le Carré's novels have provided reflections on the Cold War and the decline of Britain's influence. Anxieties about the decline of the American “empire” have helped stimulate a more vigorous American literature of espionage, providing an index of contemporary American concerns about power relations. As Stafford suggests, the genre of espionage fiction rarely intends to document the real world of intelligence. Rather, it provides a popular vehicle for exploring themes of imperial decline, international crisis, and impending war.
The darkly handsome man gazes deeply into her eyes. She finds him irresistible, wants to experience the passion of the moment. He grins--the movie audience can see his lengthened lateral incisors--and bends to her neck. The eroticism is horrible, and compelling. Audiences are drawn to horror cinema much as the surrendering victim. Afraid to watch, but more afraid something will be missed. Since the horror film is the most primal of all movie genres, seldom censored, these films tell us what we are about. From the silent era to the present day, Dark Romance explores horror cinema's preoccupation with sexuality: vampires, beauty and the beast, victimization of women, "slasher" films, and more. Separate chapters focus upon individuals, like Alfred Hitchcock and Barbara Steele. Entertaining, and thought-provoking on the sexual fears and phobias of our society.
British author and essayist George Orwell shot to fame with two iconic novels: the anti-Stalinist satire Animal Farm and the dystopian masterpiece Nineteen Eighty-Four. A few years after his death in 1950, the CIA bankrolled screen adaptations of both novels as Cold War propaganda. Orwell's depiction of a totalitarian police state captivated the media in the 1980s. Today, mounting anxieties about digital surveillance and globalization have made him a hot property in Hollywood. Drawing on interviews with actors, writers, directors and producers, this book presents the first comprehensive study of Orwell on film and television. Beginning with CBS's 1953 live production of Nineteen Eighty-Four that mirrored the McCarthy witch hunts, the author covers 20 wide-ranging adaptations, documentaries and biopics, including two lost BBC dramatizations from 1965.
Civilized Violence provides a social and historical explanation for the popular appeal of cinema violence. There is a significant amount of research on the effects of media violence, but less work on what attracts audiences to representations of violence in the first place. Drawing on historical-sociology, cultural studies, feminist and queer theory, masculinity studies and textual analysis, David Hansen-Miller explains how the exercise of violence has been concealed and denied by modern society at the same time that it retains considerable power over how we live our lives. He demonstrates how discourses of sexuality and gender, even romantic love, are freighted with the micropolitics of violence. Confronted with such contradictions, audiences are drawn to the cinema where they can see violence graphically restored to everyday life. Popular cinema holds the power to narrate and interpret social forces that have become too opaque, diffuse and dynamic to otherwise comprehend. Through detailed engagement with specific narratives from the last century of popular film - The Cabinet of Dr. Caligari, The Sheik, Once Upon a Time in the West, Deliverance - and the pervasive violence of contemporary cinema, Hansen-Miller investigates the manner in which representations can transform our understanding of how violence works.
The Federal Government in the United States is a government "of the people, by the people, and for the people." Presidents are elected by popular vote in the nation (filtered through the electoral college), Senators are elected by popular vote in their states, and Representatives are elected by popular vote in their Congressional districts. Cabinet members and agency heads are appointed by the elected president, as are members of the Supreme Court. But this says nothing about politics. Professor Lauman and Knoke have asked, in this book, how policies were made, in the period 1977-1980, in the areas of energy and health. The question is a very different one from the question of how the positions of president and Congress are filled.
For most bills in American legislatures, the issue of turf—or which committee has jurisdiction over a bill—can make all the difference. Turf governs the flow and fate of all legislation. In this innovative study, David C. King explains how jurisdictional areas for committees are created and changed in Congress. Political scientists have long maintained that jurisdictions are relatively static, changing only at times of dramatic reforms. Not so, says King. Combining quantitative evidence with interviews and case studies, he shows how on-going turf wars make jurisdictions fluid. According to King, jurisdictional change stems both from legislators seeking electoral advantage and from nonpartisan House parliamentarians referring ambiguous bills to committees with the expertise to handle the issues. King brilliantly dissects the politics of turf grabbing and at the same time shows how parliamentarians have become institutional guardians of the legislative process. Original and insightful, Turf Wars will be valuable to those interested in congressional studies and American politics more generally.
Contemporary Catholic Health Care Ethics, Second Edition, integrates theology, methodology, and practical application into a detailed and practical examination of the bioethical issues that confront students, scholars, and practitioners. Noted bioethicists Gerard Magill, Henk ten Have, and David F. Kelly contribute diverse backgrounds and experience that inform the richness of new material covered in this second edition. The book is organized into three sections: theology (basic issues underlying Catholic thought), methodology (how Catholic theology approaches moral issues, including birth control), and applications to current issues. New chapters discuss controversial end-of-life issues such as forgoing treatment, killing versus allowing patients to die, ways to handle decisions for incompetent patients, advance directives, and physician-assisted suicide. Unlike anthologies, the coherent text offers a consistent method in order to provide students, scholars, and practitioners with an understanding of ethical dilemmas as well as concrete examples to assist in the difficult decisions they must make on an everyday basis.
Animation has been part of television since the start of the medium but it has rarely received unbiased recognition from media scholars. More often, it has been ridiculed for supposedly poor technical quality, accused of trafficking in violence aimed at children, and neglected for indulging in vulgar behavior. These accusations are often made categorically, out of prejudice or ignorance, with little attempt to understand the importance of each program on its own terms. This book takes a serious look at the whole genre of television animation, from the early themes and practices through the evolution of the art to the present day. Examining the productions of individual studios and producers, the author establishes a means of understanding their work in new ways, at the same time discussing the ways in which the genre has often been unfairly marginalized by critics, and how, especially in recent years, producers have both challenged and embraced this "marginality" as a vital part of their work. By taking seriously something often thought to be frivolous, the book provides a framework for understanding the persistent presence of television animation in the American media--and how surprisingly influential it has been.
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