There's a delightful melody in the ancient voices as they travel through time's narrow door. I hear them best on my front-porch rocker that faces an ocean marsh. There, beneath curious stars, the orchestration emerges, mingling with moonlight tides. Sometimes Socrates sings the high notes while Thucydides pulls the bass line. Aristophanes rallies his chorus, and Caesar charges over a hilltop near the dark Teutoburg Forest. There are times when I struggle with the faint lyrics, but with patience, the scenes begin to breathe again. Hurry! It's midnight, and the curtain is opening. The actors twirl their swords and fluff their flowing robes. Sophocles is quieting the theater, requesting our attention. Oedipus, now an aged actor, leans upon his daughter Antigone. His face glowers from twenty years of wandering beneath ghastly burdens and past failures. Slowly, they climb a rocky path that leads to the edge of a forest. His words still resonate for us today with a vibrant relevance, as do all thirty-three ancient authors in Meditations from the Classics.
Paradise Planned is the definitive history of the development of the garden suburb, a phenomenon that originated in England in the late eighteenth century, was quickly adopted in the United State and northern Europe, and gradually proliferated throughout the world. These bucolic settings offered an ideal lifestyle typically outside the city but accessible by streetcar, train, and automobile. Today, the principles of the garden city movement are once again in play, as retrofitting the suburbs has become a central issue in planning. Strategies are emerging that reflect the goals of garden suburbs in creating metropolitan communities that embrace both the intensity of the city and the tranquility of nature. Paradise Planned is the comprehensive, encyclopedic record of this movement, a vital contribution to architectural and planning history and an essential recourse for guiding the repair of the American townscape.
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