In Vienna, Austria, after WW II, an American poet and mystic sets out with single- minded determination to unite the peoples of the earth through meditation, telepathy, and the collective subconscious to bring them to the knowledge of the one true God of humanity. He finds unlikely help from an English artist, a Turkish dervish and an Austrian bureaucrat. “... a terrific concept (a god for Cain) and a philosophically challenging one. Absorbing.”— Peter Rankin. “. . .a compelling book, a cry for peace at a time of widespread anarchy and unfettered violence,” Marcus van Steen, Expositor.
Library detective Rudyard Mack, with the help of outspoken library union leader Arbuthnott Vine, leads us through the corridors of power in one of the country's showplaces, the New York Public Library, in pursuit of the biggest stamp theft in history. The centrepiece is the 'Inverted Jenny', the rare 24 cent 1918 airmail stamp, in which the mail plane was printed upside down. ”... excels like the best of detective fiction,” Canadian Stamp News
... a fascinating group of people--by turns loving, needing, watchful, treacherous. These and other aspects of love are artfully hidden by the protagonists until forced into the light...” —Peter Rankin. “The dampness of London, the bright sunlight and warmth of San Bernardino, the metropolitan atmosphere of Paris, and the greenness of summer at the lake are all well evoked.... Easy reading for a long holiday weekend,” —Joanna Manning, The Downtowner
Volume One, 501p. Birth in Hamilton, family, education, life in Europe, love in Vienna, marriage to Anglo-Burmese and work in New York City, struggles to publish, tragedy, library school. Volume Two, 507p. The New York Public Research Libraries, union organizing, presidency, writing, literati, publications, Viola’s insights and phenomenal scholarship, return to Canada.
“You will find a lovely little book that explores through the eyes of a young man what a few of us have already learned and the rest of us will learn over the rest of our lives. That life really is like a river, and that the adventures to be had around each turn are as much a part of that river as are the rocks and the water. So when you hang your literal paddles up for the season, pick up this book and enjoy a little literary paddle. Lynne White, The Ripple. “If you have kids interested in adventure, this will make a fine gift, and you’ll probably like it too,“ Joe Slater, the Paddler.
150 p., 154 illus. 74 in color, Soft cover. ISBN 0-915317-10-9 $10 “This eminently readable, vivid account of the American artist, Clay Edgar Spohn (1898-1977) provides numerous revelations about modern art, isms, and art institutions.... By 1948 Abstract Expressionism became a recognized "School" and Marcel Duchamp's anti-art was being transcended by Spohn's Assemblage-art, and ‘Discovered Objects.’... This portrait mirrors again the fate of artists who "follow their own direction" without compromise to the establishment of the day or the market, and present a challenge to contemporary society,” Maria Maryniak. “... Spohn’s, The Ballet of the Elements (front cover). San Francisco art critic Tom Albright described this painting exhibited with the best works of West Coast painters, “...with its stripe-like allusions to landscape under a ‘sky’ of fluid, shorthand squiggles, is altogether unique in this context (i.e. the projection still of the fervor, the desperation, the iconoclasm and ethical commitment etc. that went into them) and perhaps for that reason stands out as the exhibition’s most monumental single masterpiece.
Eleven short stories dealing with a Church community in Ontario, loneliness in London, England, an English pub, a Spanish Don Juan, cuckolding in a provincial town in France, and a mother searching for her lost daughter and grandchild, plus an essay on theatre and one on old Ibiza.
Sarah’s Journey, won the best fiction award for Hamilton and Region. This true story tells of Sarah Lewis, born a slave in Virginia, and her escape with three small children to Upper Canada in 1820. She arrives in Simcoe in 1822 and keeps house for a young Scotsman, by whom she has a son, who eventually becomes the richest man in New York City. The events of the time such as the rebellion of 1837 and the threats of bounty hunters affect the black community and Sarah’s family. “I would recommend this novel to mature readership at the high school level or above because of the increased degree of appreciation of the story if one is acquainted with the social and economic and political issues surrounding and shaping the environment into which Sarah was born.” —Grietje R. McBride, UE, B.Sc.. “Sarah's Journey is a real page-turner,”— Liana Metal, Rambles.
Written and organized for easy access, the reader is guided step-by-step through library rules and methods of operation, the effective use of various cataloguing systems, and the location of materials.
Today when travel has become impersonal we find in this book a personal account. Here are fresh and highly individualistic impressions of the Turkish people living in the wilderness of the Isfendyar mountains on the coast of the black Sea. Starting in complete ignorance and with no preconceptions David Beasley, and through him the reader, experience the warmth, generosity and touching enthusiasm of the Turks for contact with a foreigner. Through Paphlagonia With A Donkey is an awakening of a Westerner to an Eastern culture on the one hand, and an amusing, sometimes sympathetic appreciation for the independent personality of the donkey, Bobby, on the other.
Rudyard Mack, Library detective, investigates the political kidnapping of his girlfriend, Arbuthnott Vine, Library Union leader, who was planning a union action against City Hall. It leads him through the underworld of unions, city politics, pay offs and international conspiracy to the heart of a global conspiracy.
Japanese Armies invaded an almost defenseless Burma in 1942, sending tens of thousands fleeing over the mountains to India. Violet's Flight narrates the experiences of a young Anglo-Burmese girl and her relatives growing up happily under the British and their ordeal either escaping the Japanese or living under the occupation or fighting in the resistance. The battles won by the allied armies coming out of India to retake Burma in 1944-45 are seen through the eyes of Japanese officers. The Anglo- Burmese girl leaves post-war Burma for the West. “... not a read to be missed, highly recommended,”—The Midwest Book Review.
Beautiful paintings by a dedicated botanical artist done around 1880. Noted Canadian botanist Jim Cruise writes, “Charlotte Beasley was, without question, an extremely gifted painter. Her flowers are drawn with such accuracy and care as to make identification in most cases positive.” “The reader is in for a treat with these paintings. A little bit art appreciator, a little bit detective, I found myself puzzling over Charlotte’s materials and methods. Some of the pieces are transparent watercolor, like the Convolvulus japonica, showing a delicacy of washes and blending. Others, like the Trillium sp., show an application of watercolor as solid as acrylic paint, with an abstract depiction of the garden floor. What we may lose in scientific precision, we gain in exuberance of color and mass. I appreciate her adventurous compositions, as in “Convolvulus, Purple Wake Robins” in which she pushed the subject off the edge of the page in three directions, and the almost abstract “Indian Pipe,” a stark white plant shown against a winered background. The last nine pages of the portfolio present a special treat. Paintings of butterflies, bees, dragonflies and spiders are carefully rendered and reminiscent of the early sketches by Charlotte’s contemporary, Beatrix Potter. My first impression of the portfolio was that the paintings were somewhat primitive, lacking the sophisticated perspective and technique of other artists. As I looked more carefully, I saw beautiful paintings by a self-trained artist with a genuine appreciation for her subjects. This book is moving tribute to a dedicated botanical artist, and an inspiration to remember why we do this work.”—Susan Rubin, The Botanical Artist
Set in the Rockies... revolving around the social interaction of the hotel staff [and] customers.... crystallizes a moment in time where passions flair briefly and die as quickly when the summer season ends. “...an easy read ... to make the reader stop occasionally to contemplate the way certain times of life are set aside in memory.” When Canadian students are entrained from the East to work as caddies, bellhops, waitresses, drivers, cabin girls etc. in a resort in the Canadian Rocky Mountains for the summer, and the rich guests are looking for entertainment, there is bound to be sexual combustion. Bellhop D'Arcy Morgan, full-blooded Canadian boy, responds to the needs of his guests as does a host of others in this rambunctious and funny tale of life as it has been lived summer after summer for over a century in a North-American paradise.
The central character of this story, Richard Beasley, was indeed a man of some prominence in the years just before and the decades after the creation of this province. A descendant has cast his ancestor's biography as a personal narrative - a drama with famous players indeed: Richard Cartwright, Major John Butler, Chief Joseph Brant and Isaac Brock as well as Family Compact members John Strachan and John Beverley Robinson along with radicals Robert Gourlay and William Lyon Mackenzie. Readers who enjoy fictionalized scenes with imaginatively created dialogue, all based on extensive research, will welcome this volume and its fresh approach to an important historical period.—OHS BULLETIN .
Rudyard Mack comes out of retirement to solve a cold case—a woman murdered in the library stacks—and finds it is connected to big banking, Israeli and other secret services, and operatives in the United Nations. He is helped by his girlfriend, Arbuthnott Vine, retired librarian, to track down agents in drug and weapons smuggling and money-laundering, which leads them to men of wealth and power, who run shadow governments more influential than the real government. This is the third volume in a trilogy: The Jenny, The Grand Conspiracy, Overworld/Underworld
Annotation A retired research librarian chronicles the mercurial career of Canadian-born Rankin (1844-1914), an innovator of the early US theater. Rankin was a leading actor, playwright, and creator of a school of acting in New York and a notable repertory theater in San Francisco. Period photographs show Rankin in his heyday, as well as other actorse.g., the Barrymoreswith whom he was associated. Appendices list his progeny and plays. Annotation c. Book News, Inc., Portland, OR (booknews.com).
All God's People: A Theology of the Church' sets out a corrective understanding of the nature of the church universal with a focus on implications for the church local. The book is divided into three basic sections: A Historical Theology of the Church surveys the history of theology of the church, beginning with the early church, the formative years for all Christian theology; A Biblical Theology of the Church examines the Old Testament, Gospels, and apostolic sense of the people of God; A Systematic Theology of the Church seeks to both systematize the biblical theology and synthesize it with contemporary thought. Finally, A Practical Theology of the Church concludes the work relating the book's lessons to the contemporary church climate.
Richardson (1796-1852) born in Newark, Upper Canada and dying in New York City, laid the foundations of Canadian literature. The author of Wacousta and The Canadian Brothers had an adventurous, energetic life, as this standard biography so well reveals. “Beasley’s whole work teems with such careful, loving research and this makes his biography of Richardson not only a good read but the fulfillment of what's usually called 'an aching void. ’”— James Reaney, poet and playwright. “... whose life was so filled with dramatic events, whose career brought him in contact with important historical figures and episodes, and who first showed that Canadian history was interesting enough to be matter for literature.” —George Woodcock, The Globe and Ma
The central character of this story, Richard Beasley, was indeed a man of some prominence in the years just before and the decades after the creation of this province. A descendant has cast his ancestor's biography as a personal narrative - a drama with famous players indeed: Richard Cartwright, Major John Butler, Chief Joseph Brant and Isaac Brock as well as Family Compact members John Strachan and John Beverley Robinson along with radicals Robert Gourlay and William Lyon Mackenzie. Readers who enjoy fictionalized scenes with imaginatively created dialogue, all based on extensive research, will welcome this volume and its fresh approach to an important historical period.—OHS BULLETIN .
Based on a true story about an incestuous rape which took place in Massachusetts in 1805. “....a page turning meditation that queries political expediency, religious fanaticism, superstition, fate, rage and redemption, issues as relevant today as they were in 1805.”— Brantford Expositor. “Beasley allows us to see, and more importantly to feel, some of the forces that enmesh a man only too easily and drive him to acts otherwise incomprehensible."—Hamilton Spectator.
Eleven short stories dealing with a Church community in Ontario, loneliness in London, England, an English pub, a Spanish Don Juan, cuckolding in a provincial town in France, and a mother searching for her lost daughter and grandchild, plus an essay on theatre and one on old Ibiza.
Volume One, 501p. Birth in Hamilton, family, education, life in Europe, love in Vienna, marriage to Anglo-Burmese and work in New York City, struggles to publish, tragedy, library school. Volume Two, 507p. The New York Public Research Libraries, union organizing, presidency, writing, literati, publications, Viola’s insights and phenomenal scholarship, return to Canada.
Sarah’s Journey, won the best fiction award for Hamilton and Region. This true story tells of Sarah Lewis, born a slave in Virginia, and her escape with three small children to Upper Canada in 1820. She arrives in Simcoe in 1822 and keeps house for a young Scotsman, by whom she has a son, who eventually becomes the richest man in New York City. The events of the time such as the rebellion of 1837 and the threats of bounty hunters affect the black community and Sarah’s family. “I would recommend this novel to mature readership at the high school level or above because of the increased degree of appreciation of the story if one is acquainted with the social and economic and political issues surrounding and shaping the environment into which Sarah was born.” —Grietje R. McBride, UE, B.Sc.. “Sarah's Journey is a real page-turner,”— Liana Metal, Rambles.
Rudyard Mack comes out of retirement to solve a cold case—a woman murdered in the library stacks—and finds it is connected to big banking, Israeli and other secret services, and operatives in the United Nations. He is helped by his girlfriend, Arbuthnott Vine, retired librarian, to track down agents in drug and weapons smuggling and money-laundering, which leads them to men of wealth and power, who run shadow governments more influential than the real government. This is the third volume in a trilogy: The Jenny, The Grand Conspiracy, Overworld/Underworld
Japanese Armies invaded an almost defenseless Burma in 1942, sending tens of thousands fleeing over the mountains to India. Violet's Flight narrates the experiences of a young Anglo-Burmese girl and her relatives growing up happily under the British and their ordeal either escaping the Japanese or living under the occupation or fighting in the resistance. The battles won by the allied armies coming out of India to retake Burma in 1944-45 are seen through the eyes of Japanese officers. The Anglo- Burmese girl leaves post-war Burma for the West. “... not a read to be missed, highly recommended,”—The Midwest Book Review.
From formative years in Toronto and Philadelphia, MacAgy became the catalyst for the advent of American abstraction, the spirit behind the modern art movement, the introducer and interpreter of European and Russian art to America, the head of the National Endowment for the Arts, and the installer of the Hirshhorn Museum and Sculpture Garden. He was on the cutting edge of modern art movements from American abstract expressionism to conceptualism and fought as an independent educator against the forces using art for political ends. “MacAgy has a place in history,”—George Rickey.
150 p., 154 illus. 74 in color, Soft cover. ISBN 0-915317-10-9 $10 “This eminently readable, vivid account of the American artist, Clay Edgar Spohn (1898-1977) provides numerous revelations about modern art, isms, and art institutions.... By 1948 Abstract Expressionism became a recognized "School" and Marcel Duchamp's anti-art was being transcended by Spohn's Assemblage-art, and ‘Discovered Objects.’... This portrait mirrors again the fate of artists who "follow their own direction" without compromise to the establishment of the day or the market, and present a challenge to contemporary society,” Maria Maryniak. “... Spohn’s, The Ballet of the Elements (front cover). San Francisco art critic Tom Albright described this painting exhibited with the best works of West Coast painters, “...with its stripe-like allusions to landscape under a ‘sky’ of fluid, shorthand squiggles, is altogether unique in this context (i.e. the projection still of the fervor, the desperation, the iconoclasm and ethical commitment etc. that went into them) and perhaps for that reason stands out as the exhibition’s most monumental single masterpiece.
A story of Hamilton (Ontario) society in the year following VE day (1945) and of the maturing process through the first person narrative of law student Tom Davis. Composed with youthful vigour, the book is enjoyable, rebellious, and anti-establishment,” —Brantford Expositor.
Based on a true story about an incestuous rape which took place in Massachusetts in 1805. “....a page turning meditation that queries political expediency, religious fanaticism, superstition, fate, rage and redemption, issues as relevant today as they were in 1805.”— Brantford Expositor. “Beasley allows us to see, and more importantly to feel, some of the forces that enmesh a man only too easily and drive him to acts otherwise incomprehensible."—Hamilton Spectator.
A story of Hamilton (Ontario) society in the year following VE day (1945) and of the maturing process through the first person narrative of law student Tom Davis. Composed with youthful vigour, the book is enjoyable, rebellious, and anti-establishment,” —Brantford Expositor.
The meaning of “the millennium”—the thousand-year reign of Christ spoken of in Revelation 20—has been controversial for much of the church’s history, and even the main perspectives on the matter turn out to be more variegated than is often realized. This book takes the oldest of those options, premillennialism, and offers an excellent introduction to a variety of models of premillennialism currently available, including classical dispensationalism, progressive dispensationalism, historic premillennialism, thematic premillennialism, and historic premillennialism in Asian context. The product of collaboration between a systematic theologian and a New Testament scholar, this book provides a fascinating reference tool for anyone interested in what Scripture teaches about the last things of redemptive history, the Parousia, and the millennial kingdom.
“You will find a lovely little book that explores through the eyes of a young man what a few of us have already learned and the rest of us will learn over the rest of our lives. That life really is like a river, and that the adventures to be had around each turn are as much a part of that river as are the rocks and the water. So when you hang your literal paddles up for the season, pick up this book and enjoy a little literary paddle. Lynne White, The Ripple. “If you have kids interested in adventure, this will make a fine gift, and you’ll probably like it too,“ Joe Slater, the Paddler.
From formative years in Toronto and Philadelphia, MacAgy became the catalyst for the advent of American abstraction, the spirit behind the modern art movement, the introducer and interpreter of European and Russian art to America, the head of the National Endowment for the Arts, and the installer of the Hirshhorn Museum and Sculpture Garden. He was on the cutting edge of modern art movements from American abstract expressionism to conceptualism and fought as an independent educator against the forces using art for political ends. “MacAgy has a place in history,”—George Rickey.
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