Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.
Quint Hayes is a Preacher in Abilene, Kansas who came home one night to find his wife and son murdered and then was shot and left for dead by the same outlaws that killed his family. After recovering from his gunshot wounds he turns in his Bible and picks up his old revolver and then leaves Abilene to seek vengeance against the outlaws that killed his family. Emmett Sanders escaped from Yuma Territorial Prison after his dying cellmate, Macallum, told him where four bags of gold c
The horror and psychological denial of our mortality, along with the corruptibility of our flesh, are persistent themes in drama. Body horror films have intensified these themes in increasingly graphic terms. The aesthetic of body horror has its origins in the ideas of the Marquis de Sade and the existential philosophies of Arthur Schopenhauer and Friedrich Nietzsche, all of whom demonstrated that we have just cause to be anxious about our physical reality and its existence in the world. This book examines the relationship between these writers and the various manifestations of body horror in film. The most characteristic examples of this genre are those directed by David Cronenberg, but body horror as a whole includes many variations on the theme by other figures, whose work is charted here through eight categories: copulation, generation, digestion, mutilation, infection, mutation, disintegration and extinction.
A leading figure in modern southern literature, described by Newsweek as "one of the best American storytellers," Peter Taylor secured a national following through his long relationship with the New Yorker and his widely read volumes from the 1980s, The Old Forest and Other Stories and A Summons to Memphis. The Pulitzer Prize-winning author's portrayals of the battles of strong-willed fathers and mothers with their equally strong-willed sons are at the center of his achievement in fiction. David Robinson presents Taylor as a writer deeply concerned with the interworkings of family relationships, and emphasizes his role as chronicler of the shifts in southern culture in this century. World of Relations provides an important critical assessment of the work of one of the South's greatest writers, and includes the first extensive critical discussion of Taylor's last two works, The Oracle of Stoneleigh Court (1993) and In the Tennessee Country (1994).
When gods fight, no mortal wins. The gods of the west, Kronos and Cholas, foresee grave danger to their mortal subjects and choose to protect them from the unmerciful eastern deity, Sibelius. Suspecting that Sibelius intends to raise up a Sorcerer to subjugate the west, the western gods plant early seeds of deliverance.
Book four in the nationally best-selling Manticore Ascendant series, set in the world of David Weber’s multiple New York Times best-selling Honorverse series. Yesterday, the Star Kingdom of Manticore was a small, unimportant interstellar backwater. A quiet little star nation, only recently recovered from the devastating blow of the Plague Years. More affluent than some, perhaps, but with little to attract trade or interstellar commerce, it had little need for a navy . . . and even less interest in paying for one. But Manticore has now become a target. The Star Kingdom isn't certain who is attacking it, or why, or what its mysterious foe can possibly want, but Queen Elizabeth I knows she has to find out. And she knows that whatever some of her subjects think, Manticore does need a navy. And it needs allies, friends like the dynamic Republic of Haven and the Andermani Empire. It needs their trade . . . and to learn from their more experienced and powerful navies. It is the job of officers like Travis Long and his wife, Lisa, to acquire that experience. Of utterly inexperienced diplomats like Travis's brother Gavin, Earl Winterfall, to build those alliances. They have been sent to the powerful Andermani Empire to do just that, for the Imperial Navy is one of the most potent and experienced fleets in the galaxy. But the Andermani have problems of their own. Their Emperor's death is the trigger for insurrection, and now that powerful and experienced navy is locked in civil war. The Manticoran visitors find themselves squarely in the path of the storm, and before Travis, Lisa, and Gavin can accomplish anything else, they first have to survive. At the publisher's request, this title is sold without DRM (Digital Rights Management). About A Call to Arms: “The plotting is as solid as ever, with smaller scenes building to an explosive, action-packed crescendo, and the authors strike a nice balance between technical details of space flight and the human cost of war.”—Publishers Weekly Praise for prequel A Call to Duty: “This exciting book marks the first collaboration of two powerhouses . . . fans of both writers should be quite pleased with the result. Like Robert A. Heinlein and Orson Scott Card, Weber and Zahn are telling a story about a teenage character but writing for readers of all ages.”—Booklist “A new series set in the universe of Weber's popular heroine Honor Harrington gets off to a solid start. . . . Cowriters Zahn and Weber do an excellent job alluding to events known to longtime fans. . . . [T]his astronautical adventure is filled with . . . intrigue and political drama.”—Publishers Weekly About the Honor Harrington series: “Weber combines realistic, engaging characters with intelligent technological projection and a deep understanding of military bureaucracy in this long-awaited Honor Harrington novel . . . Fans of this venerable space opera will rejoice to see Honor back in action.”—Publishers Weekly “. . . everything you could want in a heroine. . . . Excellent . . . plenty of action.”—Science Fiction Age “Brilliant! Brilliant! Brilliant!”—Anne McCaffrey “Compelling combat combined with engaging characters for a great space opera adventure.”—Locus “Weber combines realistic, engaging characters with intelligent technological projection . . . Fans of this venerable space opera will rejoice . . .”—Publishers Weekly About Timothy Zahn: “Zahn keeps the story moving at a breakneck pace, maintaining excitement.”—Publishers Weekly“[Y]ou can count on Timothy Zahn for three things: clean, sparse prose; good pacing; and great action scenes. The first book in the Cobra War series hits all those marks in admirable style and makes for a quick, entertaining sci-fi novel.” —Blogcritics “[Conqueror’s Heritage] is another finely wrought space adventure . . . [with] social, political and emotional complications, all of which Zahn treats with his usual skill.”—Booklist “Zahn paints every detail [in Angelmass] with gleamy realism . . . scientific dialogue that streams with starship hardware and military trooper talk . . . immensely appealing.”—Kirkus Review
Benjamin Britten was one of the outstanding British composers of the 20th century. He shot to international fame with his operas, performed by his own English Opera Group, and a series of extraordinary instrumental works. His music won a central place in the repertoire and the affection of successive generations of listeners. David Matthews brings to this biography his special insight as a fellow composer, former assistant and life-long friend of Britten to produce a uniquely personal, sensitive and authoritative account.
In Light without Heat, David Carroll Simon argues for the importance of carelessness to the literary and scientific experiments of the seventeenth century. While scholars have often looked to this period in order to narrate the triumph of methodical rigor as a quintessentially modern intellectual value, Simon describes the appeal of open-ended receptivity to the protagonists of the New Science. In straying from the work of self-possession and the duty to sift fact from fiction, early modern intellectuals discovered the cognitive advantages of the undisciplined mind. Exploring the influence of what he calls the "observational mood" on both poetry and prose, Simon offers new readings of Michel de Montaigne, Francis Bacon, Izaak Walton, Henry Power, Robert Hooke, Robert Boyle, Andrew Marvell, and John Milton. He also extends his inquiry beyond the boundaries of early modernity, arguing for a literary theory that trades strict methodological commitment for an openness to lawless drift.
Why do 'Jaws', 'Field of Dreams', 'The Big Lebowski', and 'The Godfather' remain strikingly popular in this age of fragmented audiences and ever-faster spin cycles? "Hollywood Blockbusters: The Anthropology of Popular Movies" argues that these films continue to captivate audiences because they play upon underlying tensions and problems in American culture, much like the myths that anthropologists study in non-Western contexts. In making this argument, the authors employ and extend anthropological theories about ritual, kinship, gift giving, power, egalitarianism, literacy, metalinguistics, stereotypes, and the mysteries of the Other. The results - original insights into modern film classics, American culture, and anthropological theory - will appeal to students of Film, Media, Anthropology, Sociology, and Cultural Studies.
A compelling account of the diplomatic and military actions that led to Kosovo's independence and their implications for future U.S. and UN interventions. Kosovo, after its incorporation into the Serbian Republic of Yugoslavia, became increasingly restive during the 1990s as Yugoslavia plunged into internal war and Kosovo's ethnic Albanian residents (Kosovars) sought autonomy. In March 1999, NATO forces began airstrikes against targets in Kosovo and Serbia in an effort to protect Kosovars against persecution. The bombing campaign ended in June 1999, and Kosovo was placed under transitional UN administration while negotiations on its status ensued. Kosovo eventually declared independence in 2008. Despite internal political tension and economic problems, the new nation has been recognized by many other countries and most of its inhabitants welcome its separation from Serbia. In Liberating Kosovo, David Phillips offers a compelling account of the negotiations and military actions that culminated in Kosovo's independence. Drawing on his own participation in the diplomatic process and interviews with leading participants, Phillips chronicles Slobodan Milosevic's rise to power, the sufferings of the Kosovars, and the events that led to the disintegration of Yugoslavia. He analyzes how NATO, the United Nations, and the United States employed diplomacy, aerial bombing, and peacekeeping forces to set in motion the process that led to independence for Kosovo. He also offers important insights into a critical issue in contemporary international politics: how and when the United States, other nations, and NGOs should act to prevent ethnic cleansing and severe human-rights abuses.
The twentieth-century journey to understand the human heart was a saga on a par with the race to the moon. Physicians have evolved from fearing to even touch a living human heart to rebuilding and transplanting hearts. Today heart attacks can often be sto
breadth of range attention to the psychological meanings of various forms of the Gothic inclusion of material on some of the best-known Gothic texts, including Frankenstein and Dracula.
A portrait of America's thirtieth president looks at the conservative policies that marked his leadership, including cutting taxes, balancing the federal budget, and promoting corporate productivity, as well as his innovative use of public relations.
The Reverend's Apprentice, the third novel by David N. Odhiambo, is a powerful, tragicomic novel about power, culture, and identity politics in contemporary America, as seen through the eyes of an African student. Jonah Ayot is a graduate student from a fictional central African nation, studying in a fictional American city some time after the US invasion of Iraq in 2003; the novel mirrors Jonah's own struggle as a newcomer to American life, trying to organize his perceptions around an identity that is global rather than parochial. But those perceptions become muddied in the reality of the new war zone - on American soil, where the foreign becomes familiar, and the familiar is no longer what it used to be. Dissonant, frantic, and full of the white noise of a culture at war with itself, The Reverend's Apprentice takes the familiar story of the stranger in a strange land to new, disturbing, breathtaking new levels. The American magazine Black Issues Book Review has said: ''David Odhiambo joins a third guard of African novelists made up of peers like Uganda's Moses Isegawa and Nigeria's Chris Abani. The books of this younger generation of African writers (heirs to the continent's greats from Chinua Achebe to Mark Mathabane) shed the starched language and steep romanticism of Africa's literary tradition to expose the rawer, hipper, more vulgar aspects of life as lived by most Africans today.
This two-volume book offers extensive interviews with persons who have made significant contributions to thanatology, the study of dying, death, loss, and grief. The book’s in-depth conversations provide compelling life stories of interest to clinicians, researchers, and educated lay persons, and to specialists interested in oral history as a means of gaining rich understandings of persons’ lives. Several disciplines that contribute to thanatology are represented in this book, such as psychology, religious studies, art, literature, history, social work, nursing, theology, education, psychiatry, sociology, philosophy, and anthropology. The book is unique; no other text offers such a comprehensive, insightful, and personal review of work in the thanatology field. The salience of thanatology is obvious when we consider several topics, including the aging demographics of most countries, the leading causes of death, the devastation of COVID-19, the realities of how most persons die, the growth both of hospice and of efforts within medicine to ensure that a good death becomes the norm of medical practice, and increases in the number of countries and states permitting physician-assisted suicide. This second volume includes conversations with 16 thanatologists, a rich, extensive bibliography, an index of names and subjects, and a biographical sketch of the author. The experts interviewed in this volume include Danai Papadatou, Holly Prigerson, Jack Jordan, Illene Cupit, Heather Servaty-Seib, Irwin Sandler, Simon Shimshon Rubin, Carla Sofka, Harold Ivan Smith, and Phyllis Kosminsky.
An impassioned, incisive look at the violations of civil liberties in the United States that have accelerated over the past decade—and their direct impact on our lives. How have our rights to privacy and justice been undermined? What exactly have we lost? Pulitzer Prize–winner David K. Shipler searches for the answers to these questions by traveling the midnight streets of dangerous neighborhoods with police, listening to traumatized victims of secret surveillance, and digging into dubious terrorism prosecutions. The law comes to life in these pages, where the compelling stories of individual men and women illuminate the broad array of government’s powers to intrude into personal lives. Examining the historical expansion and contraction of fundamental liberties in America, this is the account of what has been taken—and of how much we stand to regain by protesting the departures from the Bill of Rights. And, in Shipler’s hands, each person’s experience serves as a powerful incitement for a retrieval of these precious rights.
First Published in 1993. Written specifically for students and assuming no prior knowledge of the subject, David Trotter’s The English Novel in History 1895-1920 provides the first detailed and fully comprehensive analysis of early twentieth-century English fiction. Whereas all previous studies have been rigorously selective, Trotter looks at over 140 novelists across the whole spectrum of fiction: from the innovations of Joyce’s Ulysses through to popular mass-market genres such as detective stories and spy-thrillers. By examining the novels in both stylistic and historical terms, David Trotter looks at the ways in which writers responded to contemporary preoccupations such as the spectacle of consumption and the growth of suburbia, or to anxieties about the decline of Empire, racial ‘degeneration’ and ‘sexual anarchy’. He also challenges the view that literature of the period can be interpreted as a neat procession from realism to Modernism.
The Fifth Age Book I: The Quest of the Stone of Power introduces the mythos of the Stone of Power and the chosen family who is to possess it. A god and a goddess make a bet concerning the fate of the world. There are five chances for the human race to prove their worth in the grand plan of the universe and the Fifth Age is their last chance. Join an unlikely hero named Dyvid Tysonia as his destiny lies with finding the Stone of Power. With him are his fellow companions. An Elf named Telwind, a Dwarf named Durmer, a mage named Dyna and a new species called a Grumpas whose name is Pogwash. As they travel on their quest they face danger, adventure, betrayal, magic, evil and war. The book also reveals something of our present as it mirrors society and the political structure of today. As the story ends, the fate of the Fifth Age has just begun in this ten book series.
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