This book tells the amazing story of WWII pilot 2nd Lt. John W. Herb who died when his P-51 plane crashed in Germany on April 13, 1945. His body was not found at that time and he was declared missing. But he was NOT FORGOTTEN by a German man, Manfred Romer, who saw his place crash when he was five years old. Years later, after his retirement, Manfred dedicated himself to finding the body. His efforts, along with others who became involved, resulted in the burial of John W. Herb 70 years later in 2015 at Arlington National Cemetery.
The torch song has long been a vehicle for expression—perhaps American song's most sheerly visceral one. Two artists in particular have built upon this tradition to express their own unique outlooks on their lives and the world around them. Joni Mitchell, Elvis Costello, and the Torch Song Tradition combines biographical material, artist commentary, critical interpretation, and selected exemplars of the writers' work to reveal the power of authorship and the creative drive necessary to negotiate an artistic vision in the complicated mechanisms of the commercial music industry. Author Larry David Smith, as in his Bob Dylan, Bruce Springsteen, and American Song, considers the complicated intersection of biography, creative philosophy, artistic imperative, and stylistic tendencies in the work of both Joni Mitchell and Elvis Costello—two songwriters with seemingly nothing in common, one famously confessional and one famously confrontational. Yet, as Smith shows so incisively, they are two personalities that prove fascinatingly complementary. Mitchell and Costello both yielded bodies of work that are cohesive, coherent, and rich in meaning. Both have made historic contributions to the singer-songwriter model, two rebellious respones to the creative and commercial compromises associated with their chosen field, and two distinct thematic responses to the torch song tradition. Smith examines these responses, offering a unique and invaluable exploration of the craft of two of the last century's most towering musical figures.
On January 29, 1991, Saddam Hussein hurled three crack armored divisions into Saudi Arabia, determined to stop the American attempt to liberate Kuwait before it began. Caught without warning in the path of the Iraqi juggernaut were small groups of U.S. Marines and Special Forces soldiers, their weapons no match for the Iraqi tanks bearing down on them. Based on scores of firsthand reports and newly declassified documents, Storm on the Horizon is a riveting account of how these elite fighting men not only escaped the Iraqi onslaught but fought their way to victory with true American grit. From the ferocious desert attacks to the desperate street fighting in Khafji, Marine David Morris captures the ordeal through the eyes of men who fought it, giving readers a front-row seat to the bloodiest battle of the Gulf War.
In Working Class Heroes, David Simonelli explores the influence of rock and roll on British society in the 1960s and '70s. At a time when social distinctions were becoming harder to measure, rock musicians appeared to embody the mythical qualities of the idealized working class by perpetuating the image of rebellious, irreverent, and authentic musicians.
The experts’ secrets for success, in their own words The Master’s Fly Box brings together comprehensive interviews with fifteen premier practitioners of the sport about how to catch trout across North America. With more than 100 full-color photographs of their flies with complete pattern recipes, as well as photographs of the anglers, it provides a range of insights into the secrets of the masters of the art. Each chapter describes the given angler’s approach to fly design, as well as his favorite fishing techniques, plus indispensable advice on where and when to fish and on fly selection. By giving readers information about both fly tying and fishing, The Master’s Fly Box is a treasure-trove of practical information for any fly angler, anywhere.
Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher.
The 1960s continue to be the subject of passionate debate and political controversy, a touchstone in struggles over the meaning of the American past and the direction of the American future. Amid the polemics and the myths, making sense of the Sixties and its legacies presents a challenge. This book is for all those who want to take it on. Because there are so many facets to this unique and transformative era, this volume offers multiple approaches and perspectives. The first section gives a lively narrative overview of the decade's major policies, events, and cultural changes. The second presents ten original interpretative essays from prominent historians about significant and controversial issues from the Vietnam War to the sexual revolution, followed by a concise encyclopedia articles organized alphabetically. This section could stand as a reference work in itself and serves to supplement the narrative. Subsequent sections include short topical essays, special subjects, a brief chronology, and finally an extensive annotated bibliography with ample information on books, films, and electronic resources for further exploration. With interesting facts, statistics, and comparisons presented in almanac style as well as the expertise of prominent scholars, The Columbia Guide to America in the 1960s is the most complete guide to an enduringly fascinating era.
Who were the beats? Not the sandle-clad "beatniks" of popular lore but dedicated writers, experimenters, skit improvisers, theorizers, hedonists, close friends, bisexual free lovers, shapers of the future. The beats hung out at Columbia university and cheap Times Square cafeterias, devouring ideas. David Creighton shows how the world has taken up their message. In Ecstasy of the Beats he gives a fresh portrait of Carolyn Cassady, "Queen of the Beats," and of the four major Beat writers. Jack Kerouac’s On the Road gave a pattern of adventure to restless youth, Allen Ginsberg donned a prophet’s robe by writing Howl, William Burroughs warned against control mechanisms in Naked Lunch, and Neal Cassady’s high-energy life made him an icon of freedom. Travelling widely to see where they lived, Creighton enriches the meaning of On the Road and other Beat classics. He invites the reader on the Beats’ journey toward ever-deeper levels of understanding and provides interesting insight into Kerouacs French-Canadian roots.
Argues that as public schools became integral to the maintenance of American lifestyles, they increasingly reflected the primary tensions between democratic rhetoric and the reality of a class-divided system.
John Mellencamp's numerous hits, awards, and recognitions—including his induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame—puts him in such celebrated company as Bruce Springsteen, Neil Young, and Bob Dylan. In Mellencamp, David Masciotra explores the life and career of this important talent, persuasively arguing for his space among the most distinguished songwriters of our time. Beginning with Mellencamp's modest start in Seymour, Indiana, Masciotra details the artist's road to fame, examines his struggles with the music industry, and celebrates the success he found by remaining true to his midwestern roots. With themes that range from small-town life, race, and religion to poverty and the struggles of adulthood, Mellencamp's songs remain central to the social and historical context of contemporary America. Acting as an artistic archivist, he has never forgotten the hardships faced by workers and Black Americans, and in line with his tributes to 1960s rock and Americana folk, he tells a story his audience and his country need to hear. From a cultural critic whose work has also appeared in the Washington Post, Atlantic, and Los Angeles Review of Books, this thoughtful analysis—now with a new foreword describing the author's interview with Mellencamp at his private recording studio in Nashville, Indiana—highlights four decades of the artist's music, showing how it has consistently elevated the dignity of everyday people, and spanned the genres of folk, soul, and rock and roll to amplify the struggle of democracy.
Most Americans see the Supreme Court as the ultimate arbiter of constitutional freedoms. They are not wrong to do so: most of the major changes we have seen to our constitutional rights in the past 200 years--ending segregation, prohibiting sex discrimination, protecting political association--have come about because of decisions made by the Supreme Court. But as the award-winning constitutional scholar David Cole argues in The Spirit of Liberty, while the Supreme Court may be the final decision maker, it is not the true source of constitutional change. Citizen activists are. Many times in this nation's history, citizens have fought to get their causes on the Court's docket--and have successfully waged parallel battles in the court of public opinion, which often guides the Supreme Court's decisions. Through the stories of three successful campaigns--for same-sex marriage, against gun control, and for civil liberties in the War on Terror--Cole reveals how advocates and interest groups sway the Supreme Court and, in the process, rewrite constitutional law. "--
Richard Belzer and David Wayne are back to set the record straight after Dead Wrong; this time they’re going to uncover the truth about the many witness deaths tied to the JFK assassination. For decades, government pundits have dismissed these “coincidental” deaths, even regarding them as “myths” as “urban legends.” Like most people, Richard and David were initially unsure about what to make of these ‘coincidences’. After all, events don’t “consult the odds” prior to happening; they simply happen. Then someone comes along later and figures out what the odds of it happening were. Some of the deaths seemed purely coincidental; heart attacks, hunting accidents. Others clearly seemed noteworthy; witnesses who did seem to know something and did seem to die mysteriously. Hit List is a fair examination of the evidence of each case, leading to (necessarily) different conclusions. The findings were absolutely staggering; as some cases were clearly linked to a “clean-up operation” after the murder of President Kennedy, while others were the result of ‘other forces’. The impeccable research and writing of Richard Belzer and David Wayne show that if the government is trying to hide anything, they’re the duo who will uncover it.
This reference covers newsmakers of the prior year. Combines biographical and bibliographical information on political and military leaders, artists, businesspeople, writers and more. Photos and cumulative index in each volume.
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