David Pryce-Jones believes that France has done more damage to the Middle East than any other country. France encouraged the mass immigration of Arabs and that huge and growing minority in the country now believes that it has rights and claims which have not been met. This minority also believes that Israel should not exist. Middle East geo-politics are spreading from French soil to an increasingly Islamized Europe.
Born in Vienna in 1936, David Pryce-Jones is the son of the well-known writer and editor of the Times Literary Supplement Alan Pryce-Jones and Therese “Poppy” Fould-Springer. He grew up in a cosmopolitan mix of industrialists, bankers, soldiers, and playboys on both sides of a family, embodying the fault lines of the title: “not quite Jewish and not quite Christian, not quite Austrian and not quite French or English, not quite heterosexual and not quite homosexual, socially conventional but not quite secure.” Graduating from Magdalen College, Oxford, David Pryce-Jones served as Literary Editor of the Financial Times and the Spectator, a war correspondent for the Daily Telegraph, and Senior Editor of National Review. Fault Lines is a memoir that spans Europe, America, and the Middle East and encompasses figures ranging from Somerset Maugham to Svetlana Stalin to Elie de Rothschild. As seen on Channel 4's My Grandparents' War, with Helena Bonham Carter, the memoir has the storytelling power of Pryce-Jones’s numerous novels and non-fiction books, and is perceptive and poignant testimony to the fortunes and misfortunes of the present age.
David Pryce-Jones weaves a vivid life story through vignettes of the many famous authors—friends, acquaintances, interview subjects—who gave him personally inscribed books. In Signatures he offers a window onto the lives and work of these extraordinary people. As a child, Pryce-Jones spent time at Isaiah Berlin’s house. As a teenager, lunching with Bernard Berenson at I Tatti, he prompted an outburst about Parisian anti-Semitism. W. H. Auden found him at Oxford to praise his competition poem, and he later visited Auden in his loft studio in Austria. Svetlana Alliluyeva reminisced about her father, Joseph Stalin, while staying at the Pryce-Jones house in Wales. A highbrow salon gathered in the home of Arthur Koestler, who strove to be an English gentleman and who was with Pryce-Jones in Reykjavik covering the Fischer-Spassky chess match. Saul Bellow spoke of an old friend, now a capo famiglia, promising to deal with student rioters in 1968 Chicago. After swapping houses with Pryce-Jones one summer, Jessica Mitford insisted that he would have been a Communist in the 1930s. Robert Graves challenged a quotation from Virgil, and told the Queen that she was a descendant of Muhammad. We meet V. S. Naipaul, a free spirit who understood that “the world is what it is.” Muriel Spark would come round for lunch with the Pryce-Joneses in Florence, enjoying conspiratorial stories about Italian politics. At his sepulchral home in Heidelberg, Albert Speer demonstrated his way of “admitting a little to deny a great deal.” In Isaac Singer we see generosity, candor, and mischievous humor. This is only a small sampling of the remarkable personalities who have left their signatures on a fascinating life.
Treason of the Heart is an account of British people who took up foreign causes. Not mercenaries, then, but ideologues. Almost all were what today we would call radicals or activists, who thought they knew better than whichever bunch of backward or oppressed people it was that they had come to save. Usually they were applying to others what they saw as the benefits of their culture, and so obviously meritorious was their culture that they were prepared to be violent in imposing it. Some genuinely hated their own country, however, and saw themselves promoting abroad the values their own retrograde government was blocking. The book deals with those like Thomas Paine who saw American independence as the surest means to hurt England; the many who hoped to spread the French revolution and then have Napoleon conquer England; historic characters like Lord Byron and Lawrence of Arabia who fought for the causes that brought them glory; finally those who took up Communism or Nazism. Treason of the Heart is nothing less than the tale of intellectuals deluded about the effect of what they are doing – and therefore with immediate reference to today’s world.
You can't be too careful, not in a universe that began with a random Big Bang and whose only certainty is accident. A collection of cautionary tales of all the unexpected ways people die, these are succinct items whose very matter-of-factness seems to reinforce the utterly bewildering nature of life and death. Illustrations throughout.
A biography of the historian and public intellectual Sir Lewis Namier from his origins in a secular Jewish family in Poland to recognition as the most important historian of his day, whose ‘revolutionary’ method was enshrined in the verb to Namierise.
The capital of the Nazi movement was not Berlin but Munich, according to Hitler himself. In examining why, historian David Clay Large begins in Munich four decades before World War I and finds a proto-fascist cultural heritage that proved fertile soil later for Hitler's movement. An engrossing account of the time and place that launched Hitler on the road to power. Photos.
Featuring Contributions by: Tracy J. Revels, Arthur Hall, Robert Stapleton, Mark Mower, Jeffrey Lockwood, Tim Newton Anderson, Dan Rowley and Don Baxter, Daniel Lenois, Roger Riccard, Alan Dimes, Daniel D. Victor, Ian Ableson, Craig Stephen Copland, David Marcum, Mike Adamson, Paul Hiscock, Marcia Wilson, Martin Daley, and Brett Fawcett, with a poem by Alisha Shea and forewords by Daniel Stashower, Roger Johnson, Emma West, Steve Emecz, and David Marcum 63 New Traditional Canonical Holmes Adventures Collected in Three Companion Volumes In 2015, the first three volumes of The MX Book of New Sherlock Holmes Stories arrived, containing over 60 stories in the true traditional Canonical manner, revisiting Holmes and Watson in those days where it is "always 1895" . . . or a few decades on either side of that. That was the largest collection of new Holmes stories ever assembled, and originally planned to be a one-time event. But readers wanted more, and the contributors had more stories from Watson's Tin Dispatch Box, so the fun continued. Now, with the release of Parts XLIII, XLIV, and XLV, the series has grown to over 900 new Holmes adventures by over 200 contributors from around with world. Since the beginning, all contributor royalties go to the Undershaw school for special needs children, at one of Sir Arthur Conan Doyle's former homes, and to date the project has raised over $120,000 for the school. As has become the tradition, this new collection of 63 adventures features Holmes and Watson carrying out their masterful investigations from Holmes's life before meeting Watson, to the early days of their friendship in Baker Street, all the way to World War I. Along the way, they are involved in some fascinating mysteries that progress along completely unexpected lines. Join us as we return to Baker Street and discover more authentic adventures of Sherlock Holmes, described by the estimable Dr. Watson as "the best and wisest . . . whom I have ever known.
Openings & Outings brings together over forty pieces from the long and distinguished career of the writer and commentator David Pryce-Jones. Taking us from a meeting with Rudolf Hess’s widow, to the slums of Tangier, to the front lines of the Israeli–Palestinian conflict, with many stops in between, Openings & Outings presents over fifty years of insight, from a writer with endless scope and perspective.
Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ‘completely knocked the stuffiness out of that veritable institution.' So why, since he died in 1991, has his name become a byword for reactionary conservatism? The answer is that from the outset of his career, Rothenstein refused to bow to the patriarchs of the avant-garde. In the 1920s, while they were busy decrying the figurative tradition, Rothenstein was championing a brilliant generation of artists whose work remained firmly rooted within it. In the 1930s, while they advocated a geometrical art of the utmost austerity, Rothenstein used his first curatorial positions to promote a new wave of exciting young British realists. Pitted against the progressives of Hampstead and Bloomsbury and inspired by the anti-vanguardism of his father and Wyndham Lewis, this book charts Rothenstein's earliest efforts to champion modern realistic painting in an age of abstraction. Along the way, it uncovers his selfless and pioneering patronage of artists as diverse as Stanley Spencer, Edward Bawden, Evelyn Dunbar, Paul Nash, Charles Mahoney, and Eric Ravilious. In so doing, it also establishes his importance in the reassessment of twentieth-century figuration going on today.
Emerging from modern history as a remarkable and much-loved family, the Mitfords have remained largely unrepentant concerning theirs and particularly Unity's enthusiastic support of Hitler, the Nazis, Oswald Mosley and British fascism. However, having initially encouraged and supported Unity's affair with Hitler, they subsequently insisted that she had in fact been a rather unintelligent, clumsy lump of a girl, whose virginal relationship with one of the most terrifying dictators of all time was a mere unrequited romantic obsession. As this book will show, nothing could be further from the truth. Following further research and reexamination of the family's, friends' and journalists' often contradictory evidence, plus new information supplied by the author's own family and friends, Hitler's Valkyrie will reveal that while Unity was, like Hitler, an extreme fantasist, there was very little of the juvenile romantic about her. On the contrary, she was highly intelligent, free-spirited and athletic. She was also the only Englishwoman who came close to being capable of changing the course of the Second World War. Here David R.L. Litchfield untangles the decades-old web of intrigue surrounding Unity Mitford and one of the most dangerous men of all time, creating a fascinating book of unparalleled importance to the Mitford legacy.
Was Pope Pius XII secretly in league with Adolf Hitler? No, says Rabbi David G. Dalin, but there was a cleric in league with Hitler: the grand mufti of Jerusalem, Hajj Amin al-Husseini. As Pope Pius XII worked to save Jews from the Nazis, the grand mufti became Hitler’s staunch ally and a promoter of the Holocaust, with a legacy that feeds radical Islam today. In this shocking and thoroughly documented book, Rabbi Dalin explodes the myth of Hitler’s pope and condemns the mythmakers for not only rewriting history, but for denying the testimony of Holocaust survivors, hijacking the Holocaust for unseemly political ends, and ignoring the real threat to the Jewish people.
Born in Vienna in 1936, David Pryce-Jones is the son of the well-known writer and editor of the Times Literary Supplement Alan Pryce-Jones and Therese “Poppy” Fould-Springer. He grew up in a cosmopolitan mix of industrialists, bankers, soldiers, and playboys on both sides of a family, embodying the fault lines of the title: “not quite Jewish and not quite Christian, not quite Austrian and not quite French or English, not quite heterosexual and not quite homosexual, socially conventional but not quite secure.” Graduating from Magdalen College, Oxford, David Pryce-Jones served as Literary Editor of the Financial Times and the Spectator, a war correspondent for the Daily Telegraph, and Senior Editor of National Review. Fault Lines is a memoir that spans Europe, America, and the Middle East and encompasses figures ranging from Somerset Maugham to Svetlana Stalin to Elie de Rothschild. As seen on Channel 4's My Grandparents' War, with Helena Bonham Carter, the memoir has the storytelling power of Pryce-Jones’s numerous novels and non-fiction books, and is perceptive and poignant testimony to the fortunes and misfortunes of the present age.
This edition collects both volumes of Modernity Britain for the first time Following Austerity Britain and Family Britain, the third volume in David Kynaston's landmark social history of post-war Britain 'Triumphant ... A historian of peerless sensitivity and curiosity about the lives of individuals' Financial Times 'This superb history captures the birth pangs of modern Britain ... It is a part of Kynaston's huge achievement that such moments of insight and pleasure should accompany what has become a monumental history of our recent past' The Times ____________________ David Kynaston's history of post-war Britain has so far taken us from the radically reforming Labour governments of the late 1940s in Austerity Britain and through the growing prosperity of Family Britain's more placid 1950s. Now Modernity Britain 1957–62 sees the coming of a new Zeitgeist as Kynaston gets up close to a turbulent era in which the speed of social change accelerated. The late 1950s to early 1960s was an action-packed, often dramatic time in which the contours of modern Britain began to take shape. These were the 'never had it so good' years, when the Carry On film series got going, and films like Room at the Top and the first soaps like Coronation Street and Z Cars brought the working class to the centre of the national frame; when CND galvanised the progressive middle class; when 'youth' emerged as a cultural force; when the Notting Hill riots made race and immigration an inescapable reality; and when 'meritocracy' became the buzz word of the day. In this period, the traditional norms of morality were perceived as under serious threat (Lady Chatterley's Lover freely on sale after the famous case), and traditional working-class culture was changing (wakes weeks in decline, the end of the maximum wage for footballers). The greatest change, though, concerned urban redevelopment: city centres were being yanked into the age of the motor car, slum clearance was intensified, and the skyline became studded with brutalist high-rise blocks. Some of this transformation was necessary, but too much would destroy communities and leave a harsh, fateful legacy. This profoundly important story of the transformation of Britain as it arrived at the brink of a new world is brilliantly told through diaries, letters newspapers and a rich haul of other sources and published in one magnificent paperback volume for the first time.
The first full-length biography of the actor known for his roles in The Invisible Man, Casablanca, and other classics, based on newly released interviews. Given his childhood speech impediments and his origins in a destitute London neighborhood, the ascent of Claude Rains to the stage and screen was remarkable. Rains’s difficulties in his formative years provided reserves of gravitas and sensitivity, from which he drew inspiration for acclaimed performances in The Invisible Man, Mr. Smith Goes to Washington, Casablanca, Notorious, Lawrence of Arabia, and other classic films. In this book, noted Hollywood historian David J. Skal draws on more than thirty hours of newly released Rains interviews to create the first full-length biography of the man nominated multiple times for an Academy Awards for Best Supporting Actor. Skal’s portrait also benefits from the insights of Jessica Rains, who provides firsthand accounts of the enigmatic man behind her father’s refined screen presence and genteel public persona. As Skal shows, numerous contradictions informed the life and career of Claude Rains. He possessed an air of nobility and became an emblem of sophistication, but he never shed the insecurities that traced back to his upbringing in an abusive and poverty-stricken family. Though deeply self-conscious about his short stature, Rains drew notorious ardor from female fans and was married six times. His public displays of dry wit and good humor masked inner demons that drove Rains to alcoholism and its devastating consequences. Skal’s layered depiction of Claude Rains reveals a complex, almost inscrutable man whose nuanced characterizations were, in no small way, based on the more shadowy parts of his psyche. With unprecedented access to episodes from Rains’s private life, Skal tells the full story of the consummate character actor of his generation. “This highly readable biography, written with the help of his daughter, Jessica Rains, reveals the witty, talented man behind this universally respected Hollywood legend.” —Tucson Citizen
“Demonstrates that the intelligence division . . . had a more significant role in WWII . . . making indispensable contributions to the invasion at Normandy.” (Publishers Weekly) The untold story of Bletchley Park's key role in the success of the Normandy campaign Since the secret of Bletchley Park was revealed in the 1970s, the work of its codebreakers has become one of the most famous stories of the Second World War. But cracking the Nazis’ codes was only the start of the process. Thousands of secret intelligence workers were then involved in making crucial information available to the Allied leaders and commanders who desperately needed it. Using previously classified documents, David Kenyon casts the work of Bletchley Park in a new light, as not just a codebreaking establishment, but as a fully developed intelligence agency. He shows how preparations for the war’s turning point—the Normandy Landings in 1944—had started at Bletchley years earlier, in 1942, with the careful collation of information extracted from enemy signals traffic. This account reveals the true character of Bletchley's vital contribution to success in Normandy, and ultimately, Allied victory.
From How Would God Vote? “The Bible commands a style of politics that in the American context could only be described as deeply conservative. Is, then, the politics of God theocratic? “A strong case could be made for theocracy, American-style, if the word were defined not in the conventional way but according to its root meaning. Democracy signifies the rule of the demos, the people. Strictly speaking, theocracy means the rule not of churches or priests but of theos, God. It won’t do to deny that many conservatives, even while unambiguously affirming the traditional American separation of church and state, would add more theos to the democratic mix than is currently the case. I choose not to call myself a theocrat because I know how eager liberal secularists would be to twist the word against me. Dishonestly they would make it appear that I wish to impose a literal biblical theocracy, that I would dumbly imitate word for word the political structure of king, priesthood, and religious high court that existed in biblical antiquity. “Yet, in a subtler sense, are we not all theocrats now?” This startlingly original investigation into the controversies dividing America provides a clear and convincing affirmation of the relevance of the Bible to contemporary politics. With liberals and conservatives alike claiming the authority of the Bible as support for their views on social and moral issues, the need to understand what the Bible actually says has never been more pressing. In How Would God Vote?, journalist and scholar David Klinghoffer illuminates the worldview set forth in the Scriptures and argues that, with some exceptions, the God of the Bible would overwhelmingly support traditionally conservative principles and policies. Klinghoffer considers the ethical and moral heart of contemporary political debates—questions like immigration, gay marriage, abortion, care for the poor, war and peace, censorship, privacy, the place of religion in schools and the community, and much more. There is a pattern here. It’s for a very good reason that conservatives line up as they do, predictably, on a range of issue; as do liberals. The two competing political philosophies derive from radically different ways of looking at the world: one in consonance with the Bible, the other very much not. Klinghoffer, however, is no stereotypical Republican. Controversially, he argues that the Bible would have us emphasize domestic policy, the classic pre-9/11 culture war issues, over a hyped-up “World War IV” against “Islamofascism.” The Bible has a foreign policy, he shows, and it is not neoconservative. He demonstrates support in the Scriptures for a welcoming attitude toward immigrants, for gun control, and for affirmative action. The Bible, Klinghoffer shows, is no mere list of dos and don’ts but a fully coherent and practically relevant portrait of moral reality, compelling and deep enough to guide not only our private but our public lives. Even if we as individuals fail its private tests, that’s no reason to reject its public lessons. To anyone who takes God seriously, every election poses a radical question: Will we vote with Him, or against Him? The Bible is an unapologetically political book, Klinghoffer explains, and an extremely conservative one. Some political views offend God, and those views are mostly liberal. In short, the Bible commands you to be a conservative. Stimulating and provocative, How Would God Vote? is an important contribution to pre-election debates and to setting the path the nation will follow in the future under a new president.
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