The American war of independence is entering a new phase. Gone are the days when the British forces could assume an easy victory followed by a heroic return to their homeland. The rebels have established themselves as a scrappy and resilient bunch who will not roll over for the highly trained but incompetently led redcoats. After a sound defeat and humiliating surrender at Saratoga, Captain Jamie Skoyles and the rest of the surviving members of his British regiment are sequestered in Cambridge, prisoners of war living under the watchful gaze of the rebel army. Frustration is mounting due to both their mistreatment at rebel hands and the indignity of their thrashing on the battlefield. What's more, Skoyles remains a man divided; while he's been loyal to the crown for decades, his allegiance is increasingly pulled in the direction of the courageous and steadfast American forces and their noble cause. Though he's bound by the accords signed upon the surrender to remain with his men and await shipment back to London, a restless Skoyles escapes and makes his way as a double-agent toward Valley Forge, where the rebel commander General George Washington puts his trust in him. As Skoyles skillfully plays both sides against each other, he is soon faced with a tremendous choice: Will he fulfill his mission and bring down the rebel leader, perhaps turning momentum toward his British countrymen? Or will Skoyles allow his rebel sympathies to control his actions, and squander Britain's best chance to bring the rebellion to its knees?
In this study of the role of taverns in the development of Massachusetts society, David Conroy brings into focus a vital and controversial but little-understood facet of public life during the colonial era. Concentrating on the Boston area, he reveals a popular culture at odds with Puritan social ideals, one that contributed to the transformation of Massachusetts into a republican society. Public houses were an integral part of colonial community life and hosted a variety of official functions, including meetings of the courts. They also filled a special economic niche for women and the poor, many of whom turned to tavern-keeping to earn a living. But taverns were also the subject of much critical commentary by the clergy and increasingly restrictive regulations. Conroy argues that these regulations were not only aimed at curbing the spiritual corruption associated with public houses but also at restricting the popular culture that had begun to undermine the colony's social and political hierarchy. Specifically, Conroy illuminates the role played by public houses as a forum for the development of a vocal republican citizenry, and he highlights the connections between the vibrant oral culture of taverns and the expanding print culture of newspapers and political pamphlets in the eighteenth century.
In Ultra-Talk, David Kirby poses a simple question: What makes a cultural phenomenon truly great? Exploring a wide variety of "king-sized cultural monuments," Kirby argues that one qualification for greatness is that a phenomenon be embraced by both the elite and the general public. Further, he argues, it must be embraced repeatedly over time. Kirby turns his critical eye to subjects that have been studied and written about, sought after avidly, discussed passionately, and even resisted vigorously around the world. Auto racing, Dante, folk music, food, Leonardo da Vinci, films, poetry, religion, striptease, television, and the internet are just some of the topics he examines. In Rome, heads of state kneel before Bernini's statue of Saint Teresa in ecstasy, says Kirby, and so do people who can't read. And everyone watches TV. Ultra-Talk pays homage to the work of two towering writers and critics. Johann Wolfgang von Goethe and Giacomo Leopardi both stated that a book was valid only if it had been accepted by both an intellectual elite and a vast public. Kirby would have added a second requirement: that the book's--or cultural monument's--popularity must have traction over time. By standing on the shoulders of Goethe and Leopardi, Kirby offers a way to read, see, and savor a post-theoretical worldview that everybody can share.
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