THEATRE ROYAL, DRURY LANE, 24 April 1708. A performance of Macbeth is under way when disaster strikes and the stage becomes a scene of elemental chaos – and for Widow Trotter and her friends at the Bay-Tree Chocolate House, a new adventure begins, involving murder, poison, fire, and a rogue elephant . . . Devoted fans of Chocolate House Treason will welcome this second novel in the Chocolate House Mysteries series, which captures all the energies of the early eighteenth-century theatre. We move among the eccentric characters of the Theatre Royal company, in Drury Lane and at the exuberant May Fair where the actors moonlight in the fairground booths. The puritanical reformers are determined to close the theatre and abolish the Fair, and ‘accidents’ begin to happen – but Mary Trotter and her friends at the Bay-Tree are determined to expose the conspiracy, and the action reaches its climax at the Fair when the players are faced with the ultimate act of terror. Once again, David Fairer offers the delights of the classic eighteenth-century novel, intricately weaving a murder mystery with authentic history, and bringing the London of Queen Anne to life.
The wildly entertaining story of progressive rock, the music that ruled the 1970s charts—and has divided listeners ever since. The Show That Never Ends is the definitive story of the extraordinary rise and fall of progressive (“prog”) rock. Epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, along with such successors as Rush, Marillion, Asia, Styx, and Porcupine Tree, prog sold hundreds of millions of records. It brought into the mainstream concept albums, spaced-out cover art, crazy time signatures, multitrack recording, and stagecraft so bombastic it was spoofed in the classic movie This Is Spinal Tap. With a vast knowledge of what Rolling Stone has called “the deliciously decadent genre that the punks failed to kill,” access to key people who made the music, and the passion of a true enthusiast, Washington Post national reporter David Weigel tells the story of prog in all its pomp, creativity, and excess. Weigel explains exactly what was “progressive” about prog rock and how its complexity and experimentalism arose from such precursors as the Beach Boys’ Pet Sounds and the Beatles’ Sgt. Pepper. He traces prog’s popularity from the massive success of Procol Harum’s “Whiter Shade of Pale” and the Moody Blues’ “Nights in White Satin” in 1967. He reveals how prog’s best-selling, epochal albums were made, including The Dark Side of the Moon, Thick as a Brick, and Tubular Bells. And he explores the rise of new instruments into the prog mix, such as the synthesizer, flute, mellotron, and—famously—the double-neck guitar. The Show That Never Ends is filled with the candid reminiscences of prog’s celebrated musicians. It also features memorable portraits of the vital contributions of producers, empresarios, and technicians such as Richard Branson, Brian Eno, Ahmet Ertegun, and Bob Moog. Ultimately, Weigel defends prog from the enormous derision it has received for a generation, and he reveals the new critical respect and popularity it has achieved in its contemporary resurgence.
A journey through the English town where the Brontë sisters lived and wrote—for visitors or armchair travelers. Includes photos and two dozen maps. This lighthearted but deeply researched book offers interest and guidance to walkers, social historians, and lovers of the Brontë family, their lives and works. Set in and around the town of Haworth, it allows you to explore this unique area of Yorkshire and walk in the footsteps of those who knew and loved this town and its moorlands two hundred years ago. With guided tours around special buildings as well as outdoor walks and the history of people and places who lived and worked in Haworth over centuries, it offers an insight into life and death in the melee of the Industrial Revolution. Its authors have combined their lifelong interests in Victorian literature and social history with writing, walking, photography, and cartography, and have included quotes from Brontë poetry and novels.
The authoritative compendium of facts, statistics, photographs, and analysis that defines baseball in its formative first decades This comprehensive reference work covers the early years of major league baseball from the first game—May 4, 1871, a 2-0 victory for the Fort Wayne Kekiongas over the visiting Cleveland Forest City team—through the 1900 season. Baseball historian David Nemec presents complete team rosters and detailed player, manager, and umpire information, with a wealth of statistics to warm a fan’s heart. Sidebars cover a variety of topics, from oddities—the team that had the best record but finished second—to analyses of why Cleveland didn’t win any pennants in the 1890s. Additional benefits include dozens of rare illustrations and narrative accounts of each year’s pennant race. Nemec also carefully charts the rule changes from year to year as the game developed by fits and starts to formulate the modern rules. The result is an essential work of reference and at the same time a treasury of baseball history. This new edition adds much material unearthed since the first edition, fills gaps, and corrects errors, while presenting a number of new stories and fascinating details. David Nemec began the lifetime labor that helped produced this work in 1954 and admits it may never end, as there always will be some obscure player whose birth date has not yet been found. Until perfection is achieved, this work offers state-of-the-art accuracy and detail beyond that supplied by even modern baseball encyclopedias. As Casey Stengel, who was born during this era, was wont to say, “you could look it up.” Now you can.
The First World War was an epic event of huge proportions that lasted over four years and involved the armies of more than twenty nations, resulting in 30 million casualties, including more than 8 million killed. Set against the backdrop of this massive carnage, The Search for Negotiated Peace is the gripping story of the events that moved high profile American and European citizens, particularly women, into the international peace movement. This small, transatlantic network put forth proposals for changing the international system of negotiation. They supported non-annexationist war aims and attempted to discredit nations’ secret diplomacy, militarism and narrowly nationalistic practices. Instead, they wanted to develop a ‘new diplomacy.’ David Patterson skillfully develops the interactions of many of the notable leaders of the movement, including Jane Addams, Aletta Jacobs, and Rosika Schwimmer, into an absorbing narrative that brings together the various strands of women's history, international diplomatic history, and peace history for the first time. The Search for Negotiated Peace is an essential read for anyone interested in the social history of World War I and the foundations of citizen activism today.
In the early 1970s, Sir Maurice Oldfield of the British Secret Service, MI6, embarked upon a decade-long campaign to derail the political career of Charles Haughey. The English spymaster believed Haughey was a Provisional IRA godfather, therefore, a threat to Britain. Oldfield was assisted by unscrupulous British agents and by a shadowy group of conspirators inside the Irish state's security apparatus, all sharing his distrust of Haughey. Escaping scrutiny for their actions until now, Enemy of the Crown examines more than a dozen instances of their activities. Oldfield was conspiratorial by nature and lacked a moral compass. Involved in regime change plots and torture in the Middle East, in the Republic of Ireland he engaged with convicted criminals as agent provocateurs as well as the exploitation of pedophile rings in Northern Ireland. He and his spies engaged in dirty tricks as they ran vicious smear campaigns in Ireland, Britain and the US. MI6 and IRD intrigues were deployed to impede Haughey's bid to secure a position on Fianna Fáil's front bench and any return to respectability. London's hateful drive against Haughey saw no let-up after Fianna Fáil's triumphal return to power in 1977 which saw them win a large majority of seats in the Dáil. When Haughey sought a place at Cabinet, Oldfield and his spies devised more dirty tricks to impede him. While Haughey was suspicious of MI6 interference, he had no inkling of the full extent of London's clandestine efforts to destroy him. By circulating lurid stories about him, they played a major part in trying to prevent him succeed Jack Lynch as Taoiseach in 1979. This book attempts to shed light on some of the anti-Haughey conspiracies which took place during the period of the late 1960s right through to the early 1980s.
The thrilling stories of those who looked to the skies and dared to dream of flight 'Gripping… dazzling tales of madness and derring do.' Brian Clegg In a world without aircraft, to believe flight might be possible required a certain kind of character. You had to be starry-eyed, a possessor of practical ingenuity, nerves of steel and a level of sanity that would be best described as deficient. In Mayday!, David Darling tells the stories of the unconventional aviators across history who have been willing to risk all to further their craft. Meet Sophie Blanchard, a balloonist of nervous disposition whom Napoleon charged with organizing balloon displays at all major ceremonies in France. Then there’s the daredevil stuntman Lincoln Beachey, the dogfighter aces of WWI, the man who performed the dance of death – switching planes in mid-air, the real 'X-Men' who flew at the edge of space, and the BASE jumpers who want to fly without wings. The cast are eccentric, reckless and extraordinary, and Mayday! is made up of their riveting tales, bizarre contraptions, magnificent achievements and, sometimes, startling folly.
‘I know no place where firm and paternal government would sooner produce beneficial results then in the Solomons … Here is an object worthy indeed the devotion of one’s life’. Charles Morris Woodford devoted his working life to pursuing this dream, becoming the first British Resident Commissioner in 1897 and remaining in office until 1915, establishing the colonial state almost singlehandedly. His career in the Pacific extended beyond the Solomon Islands. He worked briefly for the Western Pacific High Commission in Fiji, was a temporary consul in Samoa, and travelled as a Government Agent on a small labour vessel returning indentured workers to the Gilbert Islands. As an independent naturalist he made three successful expeditions to the islands, and even climbed Mt Popomanaseu, the highest mountain in Guadalcanal. However, his natural history collection of over 20,000 specimens, held by the British Museum of Natural History, has not been comprehensively examined. The British Solomon Islands Protectorate was established in order to control the Pacific Labour Trade and to counter possible expansion by French and German colonialists. It remaining an impoverished, largely neglected protectorate in the Western Pacific whose economic importance was large-scale copra production, with its copra considered the second-worst in the world. This book is a study of Woodford, the man, and what drove his desire to establish a colonial protectorate in the Solomon Islands. In doing so, it also addresses ongoing issues: not so much why the independent state broke down, but how imperfectly it was put together in the first place.
Over 50 years after his first appearance on the theatre scene, Edward Bond remains a hugely significant figure in the history of modern British playwriting. His plays are the subject of much debate and frequent misinterpretation, with his extensive use of allegory and metaphor to comment on the state of society and humanity in general leading to many academics, theatre practitioners and students trying - and often failing - to make sense of his plays over the years. In this unique collection, David Tuaillon puts these pressing questions and mysteries to Edward Bond himself, provoking answers to some of his most elusive dramatic material, and covering an extraordinary range of plays and subjects with real clarity. With a particular focus on Bond's later plays, about which much less has been written, this book draws together very many questions and issues within a thematic structure, while observing chronology within that. Edward Bond: The Playwright Speaks is potentially the most comprehensive, precise and clear account of the playwright's work and time in the theatre to date, distilling years and schools of thought into one single volume. Published to mark the 50th anniversary of the first performance of Edward Bond's Saved at the Royal Court Theatre in 1965.
The murders, the arrest, the trial. First world publication of the full story. David Yallop is the investigative writer whose previous books, including the bestselling To Encourage the Others and Beyond Reasonable Doubt?, have solved four murder mysteries. In this, his new book, he turns to the most infamous murderer in the world today - the Yorkshire Ripper. This is the story of a man who killed his women victims with grotesque cruelty. Who eluded one of the greatest hunts in history. And it is the story of the numbing fear that gripped northern England where, if you were a woman, you might suddenly die a violent and obscene death. Following two years intensive research with police officers, the victims' relatives, pathologists, prostitutes and many others, David Yallop has produced an investigative account of murder that captures in full the evil reality of the man they called the Yorkshire Ripper. And, most remarkable of all, he identified before the arrest where the solution to the murders lay.
Most Australians despise what Pauline Hanson stands for, yet politics in this country is now orbiting around One Nation. In this timely Quarterly Essay, David Marr looks at Australia’s politics of fear, resentment and race. Who votes One Nation, and why? How much of this is due to inequality? How much to racism? How should the major parties respond to anti-immigrant and anti-Muslim voices? What damage do Australia’s new entrepreneurs of hate inflict on the nation? Written with drama and wit, this is a ground-breaking look at politics and prejudice by one of Australia’s best writers. “This woman went to prison, danced the cha-cha on national television for a couple of years, and failed so often at the ballot box she became a running joke. But the truth is she never left us. She was always knocking on the door. Most of those defeats at the polls were close-run things. For twenty years political leaders appeased Hanson’s followers while working to keep her out of office. The first strategy tainted Australian politics. The second eventually failed. So she’s with us again – the Kabuki make-up, that mop of red hair and the voice telling us what we already know: ‘I’m fed up.’” —David Marr, The White Queen
Goodnight and Good Riddance: How Thirty-Five Years of John Peel Helped to Shape Modern Britain is a social history, a diary of a nation's changing culture, and an in-depth appraisal of one of our greatest broadcasters, a man who can legitimately be called the most influential figure in post-war British popular music. Without the support of John Peel, it's unlikely that innumerable artists - from David Bowie to Dizzee Rascal, Jethro Tull to Joy Division - would have received national radio exposure. But Peel's influence goes much deeper than this. Whether he was championing punk, reggae, jungle or grime, he had a unique relationship with his audience that was part taste-maker, part trusted friend. The book focuses on some 300 shows between 1967 and 2004, giving a thorough overview of Peel's broadcasting career and placing it in its cultural and social contexts. Peel comes alive for the reader, as do the key developments that kept him at the cutting edge - the changes in his tastes; the changes in his thinking. Just like a Peel show, Goodnight and Good Riddance is warm, informative and insightful, and wears its enthusiasm proudly.
Organized crime was born in the back of a fruit store in Marion. Before America saw headlines about the Capone Mob, the Purple Gang and Murder Inc., the specter of the Black Hand terrorized nearly every major city. Fears that the Mafia had reached our shores and infiltrated every Italian immigrant community kept police alert and citizens on edge. It was only a matter of time before these professed Robin Hoods formed a band. And when they did, the eyes of the world turned to Ohio, particularly when the local Black Hand outfit known as the Society of the Banana went on trial. Authors David Meyers and Elise Meyers Walker unfold this first and nearly forgotten chapter on crime syndicate history.
Behind simplified economic and political perceptions of the forces of globalization is a much more complex spiritual evolutionary process whereby the world and all creation is being drawn into being the presence of Christ a Christogenesis.
This book is an authoritative history of the NSW Parliament from its establishment in 1856 to 2003. It gives comprehensive accounts of both the Legislative Assembly and the Legislative Council, including analyses of their performance based on contrasting 'liberal' and 'executive' models of Parliament.The history of the Parliament is contextualised by the changing political background in which it operated over 150 years. It is enlivened by portraits of colourful Members, such as WP 'Paddy' Crick, drunken brawler and master of Parliamentary procedure, and accounts of incidents such as George Fuller's seven hour Government and the siege by trade unionists in 2003.On a broader level, the book is a dissertation on the nature of State politics and Parliaments and on the theoretical study of parliamentary institutions. A NSW Sesquicentenary of Responsible Government publication.
David Burke uncovers the clandestine activities of Patrick Crinnion, a Garda intelligence officer who secretly served MI6 during the early years of the Troubles. As the Garda Síochána launched a manhunt for the Chief-of-Staff of the IRA, Crinnion found himself playing a crucial role in the effort to track him down. Before his disappearance, Crinnion's actions exposed a web of secrets including those of another British spy in the Irish police, damaging intelligence leaks, gunrunning by Irish politicians, and a cover-up related to the murder of a Garda. Burke reveals MI6's shady dealings, from attempts to smear Irish politicians to plans for using criminals as assassins and the secret surveillance of a key IRA member. Crinnion fled into exile. The Puppet Masters not only reveals what became of him but also provides an insightful look into a turbulent period marked by covert operations, betrayal, and the power struggle that shaped modern Irish history.
In 1932, England’s cricket team, led by the haughty Douglas Jardine, had the fastest bowler in the world: Harold Larwood. Australia boasted the most prolific batsman the game had ever seen: the young Don Bradman. He had to be stopped. The leg-side bouncer onslaught inflicted by Larwood and Bill Voce, with a ring of fieldsmen waiting for catches, caused an outrage that reverberated to the back of the stands and into the highest levels of government. Bodyline, as this infamous technique came to be known, was repugnant to the majority of cricket-lovers. It was also potentially lethal – one bowl fracturing the skull of Australian wicketkeeper Bert Oldfield – and the technique was outlawed in 1934. After the death of Don Bradman in 2001, one of the most controversial events in cricketing history – the Bodyline technique - finally slid out of living memory. Over seventy years on, the 1932-33 Ashes series remains the most notorious in the history of Test cricket between Australia and England. David Frith’s gripping narrative has been acclaimed as the definitive book on the whole saga: superbly researched and replete with anecdotes, Bodyline Autopsy is a masterly anatomy of one of the most remarkable sporting scandals.
East Tennessee isn't typically mentioned among stock car racing's formative hotbeds. But the region from Bristol to Oneida and Chattanooga encapsulates a significant portion of the sport's history. From pioneers like Brownie King and Paul Lewis of Johnson City to former national champions Joe Lee Johnson of Chattanooga and L.D. Ottinger of Newport, East Tennessee has produced many of NASCAR's great drivers. The region is home to one of the world's largest sports stadiums in the Bristol Motor Speedway, but NASCAR also made regular visits to other area tracks. Whether the surface is red clay, asphalt or brushed concrete, East Tennessee still boasts some of the world's fastest, most competitive racing. Join author and racing insider David McGee as he presents a vast array of colorful characters whose passion fueled a sport that has gone from primitive to prime time.
Comprehensive 352-page history with beautiful color photography and detailed illustrations. Includes thorough specification information for each model.
The MGB was a great British success story, a product largely conceived, designed and produced by a small team of dedicated people who genuinely cared about their work. Of course, the MGB came from a proud, successful sports car tradition, and the model it replaced - the revolutionary aerodynamic MGA - had been an unprecedented success - so the new car had big shoes to fill. Launching in 1962 and in production for eighteen years, the MGB became one of the most successful sports cars the world has ever known. This book describes how the MGB arose principally from the ideas of one man, MG's Chief Engineer, Syd Enever, how it was designed and developed, how it survived and thrived, and how it became the classic car still highly regarded today. There have been many previous books about the MGB, and the related MGC and V8 variants, but MGB - The superlative MG reaches a new level of detail together seasoned with fresh insight. David Knowles has been researching and writing about the MGB for more than thirty years. Prepare to be surprised at some of the stories you will have never read before, and new twists on some you possibly thought you knew well.
`This book explores what clients have to say about their experience of the psychotherapeutic process. David Howe observes that, regardless of the therapist′s theoretical orientation, clients say similar things about their experience of being helped (and not being helped). It is the non-specifics of genuineness, a secure trusting atmosphere, empathy and warmth that offer the vehicle for encouraging a dialogue of personal intimate material, and of "making sense" and understanding when we are in pain, puzzled or worried.... This is an easy and gentle read.... For those interested in Attachment Theory, this would be a useful addition to their bookshelf′ - Clinical Psychology Forum There is a growing interest in what clients have to say about their experiences of counselling and psychotherapy. In a powerful analysis of this subject, David Howe identifies a number of clear and potent messages. He explores such questions as why clients say the things they say and why the therapeutic alliance holds out such promise, and, using the client′s experience as a platform, seeks to create a general theory of counselling and psychotherapy. The author draws on a number of new and exciting ideas emerging in developmental psychology, sociology and the brain sciences to discuss the process by which the human infant becomes an individual as well as a competent social being. From the basis that the social and psychological structures which generate the client′s experience underlie all psychotherapeutic encounters, the book then explores how the self forms and then re-forms in social relationships, including those established during counselling and psychotherapy. In conclusion, the reader is invited to consider a number of thought-provoking claims about the universal qualities that characterize good and bad practice in all schools of counselling, therapy and the helping process.
Most scientists and many of the world's farmers have abandoned traditional farming practices and systems in an effort to increase production and to improve the efficiency of land and labor use. The resulting "modern" systems largely ignore many of the sustainable pest management practices that have evolved among farmers over centuries. In this book
_________ ‘Hepworth’s knowledge and understanding of rock history is prodigious ... [a] hugely entertaining study of the LP’s golden age’ The Times _________ The era of the LP began in 1967, with ‘Sgt Pepper’; The Beatles didn’t just collect together a bunch of songs, they Made An Album. Henceforth, everybody else wanted to Make An Album. The end came only fifteen years later, coinciding with the release of Michael Jackson’s ‘Thriller’. By then the Walkman had taken music out of the home and into the streets and the record business had begun trying to reverse-engineer the creative process in order to make big money. Nobody would play music or listen to it in quite the same way ever again. It was a short but transformative time. Musicians became ‘artists’ and we, the people, patrons of the arts. The LP itself had been a mark of sophistication, a measure of wealth, an instrument of education, a poster saying things you dare not say yourself, a means of attracting the opposite sex, and, for many, the single most desirable object in their lives. This is the story of that time; it takes us from recording studios where musicians were doing things that had never been done before to the sparsely furnished apartments where their efforts would be received like visitations from a higher power. This is the story of how LPs saved our lives.
The Silent Game traces the history of spy writers and their fiction from creator William Le Queux, of the Edwardian age, to John le Carré, of the Cold War era. David Stafford reveals the connections between fact and fiction as seen in the lives of writers with experience in intelligence, including John Buchan, Compton Mackenzie, Somerset Maugham, Ian Fleming, and Graham Greene. Le Queux used his spy fiction as xenophobic propaganda before and after World War I, and le Carré's novels have provided reflections on the Cold War and the decline of Britain's influence. Anxieties about the decline of the American “empire” have helped stimulate a more vigorous American literature of espionage, providing an index of contemporary American concerns about power relations. As Stafford suggests, the genre of espionage fiction rarely intends to document the real world of intelligence. Rather, it provides a popular vehicle for exploring themes of imperial decline, international crisis, and impending war.
A fascinating exploration of Derbyshire’s historic churches, will be of interest to all those who live in or are visiting this attractive county in England.
Brian Hodgson lived in Nepal from 1820 to 1843 during which time he wrote and published extensively on Nepalese culture, religion, natural history, architecture, ethnography and linguistics. Contributors from leading historians of Nepal and South Asia and from specialists in Buddhist studies, art history, linguistics, ornithology and ethnography, critically examine Hodgson's life and achievement within the context of his contribution to scholarship. Many of the drawings photographed for this book have not previously been published.
After a series of portentous dreams, Richard Moss is drawn to a secluded spot in Ashdown Forest. He witnesses a spacecraft landing and is taken to a distant planet called Terra Nova where inhabitants of Earth migrated 5,125 years ago. Terra Nova is ruled by a 'Great Leader' named Ezra who oppresses his people. Richard is imprisoned but then rescued by a cosmonaut named Noah and he joins the resistance, forcing Ezra out of power. Richard learns he was brought to Terra Nova to equip him to return to Earth to help avert a similar disaster recurring there. He hears a Mayan prediction of an impending cataclysmic event as another cosmic cycle of 5,125 years is about to end. A deadly asteroid is heading for Earth which will lead to the extinction of its inhabitants unless a way can be devised to divert it.
Returning triumphantly from addiction and homelessness to sing, write songs, and act, the author tells of her rise, fall, and redemption in the music business--beginning with her childhood and continuing through her tumultuous relationship with Mick Jagger. 32 photos.
Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans. More than movies, literature, television, or theater, rock music set the stage for the cultural shifts that occurred from 1965 to 1975. Led by The Beatles and Bob Dylan, rock became a self-conscious art form during these years, daring to go places unimaginable to earlier rock and roll musicians. The music and outspokenness of classic rock artists inspired and moved the era's social, cultural, and political developments with a power once possessed by authors and playwrights-and influenced many artists in younger generations of rock musicians. This single-volume work tracks the careers of well-known as well as many lesser-known but influential rock artists from the period, providing readers with a handy reference to the music from a critical, groundbreaking period in popular culture and its enduring importance. The book covers rock artists who emerged or came to prominence in the period ranging 1965–1975 and follows their careers through the present. It also specifically defines the term "classic rock" and identifies the criteria that a song must meet in order to be considered as within the genre. While the coverage naturally includes the cultural importance and legacy of most well-known American and British bands of the era, it also addresses the influence of artists from Western and Eastern Europe, Africa, Asia, and Latin America. Readers will grasp how the music of the classic rock era was notably more sophisticated than what preceded it-an artistic peak from which most of contemporary rock has descended.
In recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.
Magick" as defined by Aleister Crowley is "the Science and Art of causing Change to occur in conformity with Will." This book explores expressions of movie magick in classic occult films like Hammer's adaptation of Dennis Wheatley's The Devil Rides Out and modern occult revival movies. These films are inspired by the aesthetics of fin de siecle decadence, the symbolist writings of Villiers de l'Isle Adam, Wagnerian music drama, the Faust legend, the pseudo-science of theosophy, 1960s occult psychedelia, occult conspiracy theories and obscure aspects of animation.
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