Baptists have a long and rich heritage of congregational song. The hymns Baptists have sung and the books from which they have sung them have been shaping forces for Baptist theology, worship, and piety. Baptist authors and composers have provided songs that have made an impact not only among Baptists in America but also across denominational and geographic lines. Congregational singing continues to be a key component of Baptist worship in the twenty-first century. Beginning with an overview of the British background, this book is a survey of the history of Baptist hymnody in America from Baptist beginnings in the New World to the present. Its intent is to help the reader better understand the background against which current Baptist congregational song practices operate. Unlike earlier writings on the subject, this book provides both comprehensive coverage and a continuous narrative. It gives thorough attention to the major Baptist bodies in America as well as calling attention to the contributions of significant smaller groups. The British Baptist background is dealt with in an introductory section. The book also includes many texts and tunes as illustrations of the topics being discussed and focuses on some of the contributions of Baptist authors and composers to the repertory of congregational song. Book jacket.
For every Hamlet, there is a supporting cast; for every Mrs. Dalloway, an entire realm of subordinate portraits. Yet if literary criticism cares at all about significant detail, emergent patterns, and the subtleties in narrative, flat and minor characters are crucial to an understanding of the fictional process itself. Beginning with E. M. Forster's landmark study of flat and round characters, this book is both a critical and writerly examination of the species: Why are certain minor characters so salient in readers' minds, and why are flat characters often so comic? Is a name enough to create a character, and if so, what is the vanishing point of characterization? The walking allegory, the narrator, the disrupter, the doppelg&änger&—how are they used, and to what effect? The Supporting Cast first explores the theoretical limits of character, from structuralist taxonomies to reader-response concerns, with examples culled from a wide range of literature. The author then applies these concepts, in chapters of sustained analysis, to works of Conrad, Forster, and Woolf. The work also provides comments on flat and minor characters in other media and a full-scale character index of Woolf's Jacob's Room.
This book provides an extensive introduction and theoretical background to the field, situating psychoanalysis itself in contemporary culture. It shows the relevance of psychoanalysis beyond the consulting room to the understanding of human affairs in general.
The Longman Compact Anthology of British Literature" is a concise and thoughtfully arranged survey of British literature. Within its pages, canonical authors mingle with newly visible writers; English accents are heard next to Anglo-Norman, Welsh, Gaelic, and Scottish ones; female and male voices are set in dialogue; literature from the British Isles is integrated with post-colonial writing; and major works are illuminated by clusters of shorter texts that bring literary, social, and historical issues vividly to life. Readers interested in British Literature.
Featuring a major synthesis and critique of interdisciplinary narrative theory, Story Logic marks a watershed moment in the study of narrative. David Herman argues that narrativeøis simultaneously a cognitive style, a discourse genre, and a resource for writing. Because stories are strategies that help humans make sense of their world, narratives not only have a logic but also are a logic in their own right, providing an irreplaceable resource for structuring and comprehending experience. Story Logic brings together and pointedly examines key concepts of narrative in literary criticism, linguistics, and cognitive science, supplementing them with a battery of additional concepts that enable many different kinds of narratives to be analyzed and understood. By thoroughly tracing and synthesizing the development of different strands of narrative theory and provocatively critiquing what narratives are and how they work, Story Logic provides a powerful interpretive tool kit that broadens the applicability of narrative theory to more complex forms of stories, however and wherever they appear. Story Logic offers a fresh and incisive way to appreciate more fully the power and significance of narratives.
First published in 1989, Chronicles of Darkness is about images of Africa seen through the eyes of writers, visitors, residents, and native-born. They range from Joseph Conrad and Olive Schreiner, through Laurens van der Post, Karen Blixen and Evelyn Waugh, to more recent writers like Nadine Gordimer, Andre Brink and J.M. Coetzee. Such writers have frequently been faced with feelings of alienation, marginality, exile, self-consciousness, and egoism. It is only in this sense- that the eyes which see are shadowed and troubled- that Africa is a ‘dark continent’ and that these writings are ‘chronicles of darkness’. In some cases, Africa, even if merely a backdrop painted in crude and garish colors, becomes a way of revealing or admitting something about ‘Europe’ which might be concealed when a writer performs in a different theatre. This is an interesting read for scholars and researchers of English literature and African studies.
Horror at the Vicarage, ' by David G Hulson, a member of Bugs2writes, comprises eighteen short stories based in and around the crumbling vicarage belonging to the Church of St George. Each of the stories is complete, yet by each sharing the same settings and characters all the narratives are closely linked and related. Jake narrates the supernatural events that occur whilst he and his family attempt to live ordinary lives as good citizens of the parish. However, things are never quite what they seem. Instead, behind a semblance of normality, Jake and his parents are frequently forced to confront demons, ghouls, ghosts and vampires. The devil's fiendish creatures spawn from the darkest of hell and rise to create and dispense evil wherever they go. Filled with confusion, terror, suspense and mystery, the atmosphere surrounding the antiquated vicarage and archaic graveyard evokes the very best of the horror genre. Thick swirling mists, crumbling tomb stones and dank, dark crypts all add to the drama.
Works such as Joseph Conrad's Heart of Darkness and Lord Jim, Virginia Woolf's The Voyage Out, E. M. Forster's A Passage to India, and Evelyn Waugh's A Handful of Dust explore the relationship between Britain and its colonies when the British Empire was at its height. David Adams observes that, because of their structure and specific literary allusions, they also demand to be read in relation to the epic tradition. The elegantly written and powerfully argued Colonial Odysseys focuses on narratives published in English between 1890 and 1940 in which protagonists journey from the familiar world of Europe to alien colonial worlds. The underlying concerns of these narratives, Adams discovers, are often less political or literary than metaphysical: in each of these fictions a major character dies as a result of the journey, inviting reflection on the negation of existence. Repeatedly, imaginative encounters with distant, uncanny colonies produce familiar, insular presentations of life as an odyssey, with death as the home port. Expanding postcolonial and Marxist theories by drawing on the philosophy of Hans Blumenberg, Adams finds in this preoccupation with mortality a symptom of the failure of secular culture to give meaning to death. This concern, in his view, shapes the ways modernist narratives reinforce or critique imperial culture—the authors project onto British imperial experience their anxieties about the individual's relation to the absolute.
“Explores more of the seedy underside of the city that the tourist books don’t tell you about . . . from a 13-year-old church arsonist to a lynching” (Lost Charlotte). Today’s Charlotte is a fast-growing and well-respected city. But the Charlotte of yesteryear is rife with tales of the macabre, tragic and simply unexplainable. Prepare to be surprised and unnerved as the dark side of Charlotte is brought to life by native and longtime writer David Aaron Moore. Learn about Nellie Freeman, who nearly decapitated her husband with a straight razor in 1926. Discover how the ghosts of Camp Green infantrymen, the doughboys of World War I, still scream in the Southern night. Read about the seventy-one passengers who lost their lives as Eastern Airlines Flight 212 fell to the earth one foggy night in 1974. Come along and experience the grisly past of the City of Churches. Includes photos!
The new edition of this highly popular guide, How to Read World Literature, addresses the unique challenges and joys faced when approaching the literature of other cultures and eras. Fully revised to address important developments in World Literature, and generously expanded with new material, this second edition covers a wide variety of genres – from lyric and epic poetry to drama and prose fiction – and discusses how each form has been used in different eras and cultures. An ideal introduction for those new to the study of World Literature, as well as beginners to ancient and foreign literature, this book offers a variety of "modes of entry" to reading these texts. The author, a leading authority in the field, draws on years of teaching experience to provide readers with ways of thinking creatively and systematically about key issues, such as reading across time and cultures, reading works in translation, emerging global perspectives, postcolonialism, orality and literacy, and more. Accessible and enlightening, offers readers the tools to navigate works as varied as Homer, Sophocles, Kalidasa, Du Fu, Dante, Murasaki, Moliere, Kafka, Wole Soyinka, and Derek Walcott Fully revised and expanded to reflect the changing face of the study of World Literature, especially in the English-speaking world Now includes more major authors featured in the undergraduate World Literature syllabus covered within a fuller critical context Features an entirely new chapter on the relationship between World Literature and postcolonial literature How to Read World Literature, Second Edition is an excellent text for undergraduate and postgraduate courses in World Literature. It is also a fascinating and informative read for all readers with an interest in foreign and ancient literature and the history of civilization.
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