This book documents the history of the Lindsey family over nearly three centuries from the 1700s to the late 1900s. David Lindsey has drawn on a wide range of source materials including the diary of his great-great-great grandfather Samuel Watson written in 1852, the diary of Samuel's grandaughter Sarah Lindsey written between 1874-1911 and that of her son Charlie. It is also informed by a large amount of personal research. The Lindseys established and grew a truss and surgical appliance business in London, Brighton, Portsmouth and across the South East of England. They were involved in the church and in politics, becoming members of prestigious societies and establishing the Royal Surgical Aid Society. Lindsey Street in EC1 in the City of London was named after Mark John Lindsey who died in 1906. Many other families' stories are woven through the book including family trees for the Brackett, Harman, Fenwick, Starling, Tressider and Watson families.
Ross Marteau is the toast of the international art world for his sensual sculptures of rich and famous women, but when a long-term relationship ends badly, he retreats to his Texas hometown -- only to have his newfound peace of mind permanently, and profoundly, shattered. One afternoon over lunch, Ross is approached by a woman to whom he feels an irresistible attraction. She introduces herself as Celeste Lacan and asks him to take on a new commission: a sculpture of her younger sister, Leda. She promises that the job will present artistic challenges unlike any he has encountered before. Though reluctant, Ross can't help but be intrigued -- by Celeste herself and by a photo of Leda's face, a portrait of incomparable beauty. When he meets her, Ross is stunned to discover that Leda's body is as startlingly unique as her face is beautiful. Just as Celeste predicted, he becomes consumed with portraying the duality of her body . . . and, perhaps, her soul.
“A multilayered thriller that races to an explosive conclusion.”—People Captain Marcus Graver, working out of the Houston P.D.’s Criminal Intelligence Division, has made a career of collecting other people’s secrets. But it takes a bullet to the brain of one of his own investigators to reveal the darkest secrets of all. Officially the death of Arthur Tisler is a suicide. But Graver’s seen the files of Tisler’s last case and he refuses to bury his questions with the corpse. His instincts tell him that Tisler was onto something big—big enough to cost the investigator his life. And the more Graver digs, the more he’s convinced that the trail of corruption leads back to his own command. Now he must do the most dangerous thing any cop can do: go outside the department. He must enter a shadowy labyrinth of lies and deception where he can trust no one, not even his closest friends and colleagues. And waiting at the center of the maze is a mysterious, sadistic genius, a pair of beautiful assassins, and a thread of clues that will lead to a dark rendezvous with the truth—and death. “Relentlessly paced and adroitly imagined . . . sure to win [David] Lindsey numerous new fans—and thoroughly satisfy his current ones.”—Publishers Weekly
REVENGE CAN BE ECSTASY. Irina Ismaylova is a sexual assassin, luring men and women to her bed...and their death. From St. Petersburg to Paris, she kills not for money or for pleasure, but under orders from the Russian mafioso who holds her in thrall. Desperate to buy back what is left of her shattered life, Irina must carry out one last mission.... Cate Cuevas is a special agent in Houston's FBI office. Devastated by her husband's death--and his betrayal--she has plunged into the most dangerous assignment of her career. But to succeed, she must form a secret and profoundly intimate alliance with the enemy: Irina Ismaylova. Two women. One a cop. The other a killer. For these two there is no right, no wrong, no rules. Only the truth...and terror.
From the bestselling author of The Color of Night, the gripping story of a man forced to give up everything he's worked for his entire life, or face the horrifying consequences. "The plot grabs you and just won't let go."--James Patterson.
When a mysterious woman arrives at the home of Paul Bern, a forensic artist who lives in Austin, Texas, she brings him two things: a human skull that she smuggled out of Mexico and an incredible secret that brings Paul face to face with the unimaginable. Clearing up the gruesome murder of an American in the shadows of Mexico City's underworld, Paul Bern of Austin, Texas, finds himself facing the unimaginable. A forensic artist by trade, an expert at reconstructing the features of the mangled dead, Paul discovers a mirror image of himself. Separated at birth, Paul's twin went on to work at the other end of the forensic spectrum and has paid for his choice. Now, Paul is being blackmailed into standing in for the brother he never knew, committing acts of violence he never thought possible. Long-dormant instincts and talents awaken as he is submerged in this terrifying new life. Struggling to survive, Paul will come to know his lost brother even more intimately than if they'd grown up together.
Why do states still need diplomats? Despite instantaneous electronic communication and rapid global travel, the importance of ambassadors and embassies has in many ways grown since the middle of the nineteenth century. However, in theories of international relations, diplomats are often neglected in favor of states or leaders, or they are dismissed as old-fashioned. David Lindsey develops a new theory of diplomacy that illuminates why states find ambassadors indispensable to effective intergovernmental interaction. He argues that the primary diplomatic challenge countries face is not simply communication—it is credibility. Diplomats can often communicate credibly with their host countries even when their superiors cannot because diplomats spend time building the trust that is vital to cooperation. Using a combination of history, game theory, and statistical analysis, Lindsey explores the logic of delegating authority to diplomats. He argues that countries tend to appoint diplomats who are sympathetic to their host countries and share common interests with them. Ideal diplomats hold political preferences that fall in between those of their home country and their host country, and they are capable of balancing both sets of interests without embracing either point of view fully. Delegated Diplomacy is based on a comprehensive dataset of more than 1,300 diplomatic biographies drawn from declassified intelligence records, as well as detailed case studies of the U.S. ambassadors to the United Kingdom and Germany before and during World War I. It provides a rich and insightful account of the theory and practice of diplomacy in international relations.
Derek Lancy is a forty-six-year-old husband and father of three, who happens to be a retired police officer, turned private investigator that was finally able to go back and finish law school. Echo of Deceit is a look at Derek Lancy’s first case as a lawyer. This mystery-novel is based in the fictional town of Elmsville, Georgia.
David Lynch has been accused for decades of sexism and even misogyny in his work, due largely to frequent depictions of violence against women. Yet others see in Lynch's work the deification of the female, and actresses like Laura Dern and Naomi Watts jump at every opportunity to work with him. "He is the master of the juxtaposition of the creepy and the sweet, the sexual and the chaste," wrote W's Lynn Hirschberg. "And at the heart of this tense, intriguing friction, you will always find Lynch's women." The Women of Lynch is a deep, provocative dive into this paradox, featuring ten essays, thought pieces and impressionistic interpretations of Lynch's depiction of women on screen, by an eclectic array of accomplished female critics, scholars, performers, and writers, each tackling this vexing conundrum in her own unique way. The book also contains an interview with actress MÄdchen Amick (Shelly Johnson in Twin Peaks) where she gives first hand knowledge on what it is like to be a woman of Lynch. Lisa Hession interviews the original woman of Lynch, Charlotte Stewart (Eraserhead, Twin Peaks) about being the actress with longest active span of working with David Lynch. This is the first essay book about the work of David Lynch by all female writers. Readers will enjoy The Women of Lynch: A Collection of Essays. This book contains essays by: x. An Introduction by Philippa Snow 1. The Uncanny Electricity of David Lynch's Women by Leigh Kellmann Kolb 2. Women's Films: Melodrama and Women's Trauma in the Films of David Lynch by Lindsay Hallam 3. A Colorless Sky: On the Whiteness of Twin Peaks by Melanie McFarland 4. Warding off the Darkness with Coffee and Pie by Mallory O'Meara 5. "This is where we talk, Shelly." An Interview with MÄdchen Amick by Lindsey Bowden 6. Welcome to the Bipolar Silencio Club! by Hannah Klein 7. The Triple Goddess by Lauren Fox 8. Isabella Rossellini: The Shocking "Real" in Blue Velvet by Kathleen Fleming 9. Tea And Sympathy: Mrs. Kendal and The Elephant Man by Rebecca Paller 10. Jade: Ornamental Gem or Protective Talisman? A Character Study by Marisa C. Hayes 11. "Mary X Marks The Spot." An Interview with Charlotte Stewart by Lisa Hession 12. Impressions of Lynch: Journaling a Requiem by Mya McBriar Edited by David Bushman Concept by Scott Ryan Front Cover by Blake Morrow Art by Wayne Barnes & Hannah Fortune
In this narrative history, David E. Lindsey gives the reader a ringside seat to a century of policies at the US Federal Reserve. Alternating between broad historical strokes and deep dives into the significance of monetary issues and developments, Lindsey offers a fascinating look into monetary policymaking from the Fed's inception in 1913 to today. Lindsey's three decades of service on the Federal Reserve Board staff allow him to combine the heft of scholarship with an insider's perspective on how the recent chairmen's and current chairwoman's personalities and singular visions have shaped policy choices with far-reaching consequences. He critiques the performances of Chairman Ben Bernanke and Vice Chair Janet Yellen during the prelude, outbreak, and aftermath of the financial crisis of 2008, situating them in the context of the Fed's century-long history. He also quantitatively explores an alternative to the conventional New-Keynesian theory of inflation, replacing so-called "rational expectations" with the Fed's inflation objective. This unique volume is a piece of living history that has much to offer economists and monetary policy and finance professionals.
Time and again, God has sent Mary to earth to warn us about punishments to come. Here, the author details the history and prophecies surrounding Mary's major appearances, including: o Our Lady of Guadalupe: Mexico 1531 o Our Lady of the Miraculous Medal: Paris, France 1830 o Our Lady of Lourdes: France 1858 o Our Lady of the Rosary: F�tima, Portugal 1917 o The Queen of Peace: Medjugorje, Bosnia-Herzegovina 1981-present. Many of Mary's messages foretold what are now elements of our past: the world wars, the rise of communism, the suffering of Pope John Paul II. They also foresee what is still to come: the chastisement, the Antichrist, and the Second Coming. To prepare for these events, Mary suggests praying, heeding her warnings, and following her advice-"Let your only instruments always be love. By love turn everything into good which Satan desires to destroy and possess.
Former intelligence officer Harry Strand learns that a secret agent can never retire--and never surrender. A widower, he has started his life over and fallen in love with Mara Song, a beautiful Asian art collector. But Harry's peaceful world is shattered when he discovers a shocking videotape of his wife's death in Mara's tape collection.
A movie cameraman is brutally killed and Houston homicide detective Stuart Haydon finds himself pitted against a perverse murderer in a case with far-reaching repercussions
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