The analysis of the mortgage market is a specialised field but examines a financial market with extremely wide-ranging implications; it affects the stability of the whole economy. The key thing about this analysis is the increasing importance of the secondary mortgage market – which in the US is now several times larger than the market for government debt. The UK secondary mortgage market is also growing and the book will provide a timely resource to those active and interested in this important financial market. The 1990s saw an enormous growth of mortgage market analysis as an academic subject and there is a vast literature scattered among the key real estate journals. There is now a great need to not only bring this very complex subject area together, but also to abstract the main issues and to render them intelligible. The book will provide an organised research resource and also inform and motivate further research into the microeconomics of mortgage markets.
This bibliography of 20th century literature focuses on slavery and slave-trading from ancient times through the 19th century. It contains over 10,000 entries, with the principal sections organizing works by the political/geographical frameworks of the enslavers.
Since the publication of the first edition of Chemistry of Protein Conjugation and Cross-Linking in 1991, new cross-linking reagents, notably multifunctional cross-linkers, have been developed and synthesized. The completion of the human genome project has opened a new area for studying nucleic acid and protein interactions using nucleic acid cross
The role of the social worker is to be found lying interestingly between society and the individuals they work with. As a result, social workers often feel pulled between the demands and challenges that each presents. The Compleat Social Worker explores the many debates the profession enjoys, including those between nature and nurture, care and control, thought and feeling, art and science, facts and values. In examining these ideas and the discussions they sponsor it celebrates social work's rich heritage of scientific thought and human relationships. It is out of these many divisions and disagreements and their resolution that the idea of the well-rounded, compleat social worker emerges. For those wishing to explore and enjoy, argue and acknowledge what it is to be a good social worker, this elegant book will prompt lively interest and debate.
New from the author of CONFLICT OF INTEREST and THE HOLDING COMPANY: Law professor David Crump's latest courtroom drama features Houston trial lawyer Robert Herrick, in a case that hits close to home. When his paralegal Brianna Edwards gets arrested for the strangest crime on the books in Texas—Remuneration—Herrick has to work the law and reality of murder for hire in the Lone Star State ... in the toney city of Sugar Land, no less. Pitted against the toughest prosecutor around, who has marching orders to stamp out any threat of violent crime in the affluent community, Herrick will have to use all his courtroom wits and experience to make legal sense of the tangled law that Brianna faces.
This engaging and accessible introduction to social work encourages reflective learning in preparation for practice. Direct linking of key concepts to professional standards ensures that students are able to build up an understanding through context and reflective points, and with an emphasis on diversity, ideology, and preparing for practice, students will benefit from both practical and theoretical guidance. Sections are designed to work as both integrated and standalone resources and the flexible methodology will support a range of courses and learning techniques.
Supporting People with Dementia at Home details a groundbreaking study of an intensive care management scheme designed for older people with dementia that are at risk of entry into residential care. The authors use a quasi-experimental approach to compare how the individuals on the mental health team in one community were matched to a similar community without the service. They analyze the evidence focusing on the eventual placement of the individual suffering, the quality of care they receive, and also the needs of their carers. This book offers valuable evidence about the factors which can maximize the independence and well being of older people with dementia, from the perspective of older people and their carers. For those who commission services, it is highly relevant to service models for the National Dementia Strategy in England.
What could've driven billionaire Warburton Powers to shoot himself, his wife, and his son? Robert Herrick, Houston lawyer and friend of the Powers family, explores the tragedy against his better judgment and finds himself dragged deeper and deeper into the mass of tentacles of the holding company. Opposing lawyer Jimmy Coleman is a ruthless courtroom adversary. Accurate law in a legal thriller.
The history of modern crime control is usually presented as a narrative of how the state wrested control over the governance of crime from the civilian public. Most accounts trace the decline of a participatory, discretionary culture of crime control in the early modern era, and its replacement by a centralized, bureaucratic system of responding to offending. The formation of the 'new' professional police forces in the nineteenth century is central to this narrative: henceforth, it is claimed, the priorities of criminal justice were to be set by the state, as ordinary people lost what authority they had once exercised over dealing with offenders. This book challenges this established view, and presents a fundamental reinterpretation of changes to crime control in the age of the new police. It breaks new ground by providing a highly detailed, empirical analysis of everyday crime control in Victorian provincial cities - revealing the tremendous activity which ordinary people displayed in responding to crime - alongside a rich survey of police organization and policing in practice. With unique conceptual clarity, it seeks to reorient modern criminal justice history away from its established preoccupation with state systems of policing and punishment, and move towards a more nuanced analysis of the governance of crime. More widely, the book provides a unique and valuable vantage point from which to rethink the role of civil society and the state in modern governance, the nature of agency and authority in Victorian England, and the historical antecedents of pluralized modes of crime control which characterize contemporary society.
“I was somewhere else yesterday. Today I am here, and tomorrow I will be somewhere else again. By this action of yours my time is wasted perhaps more than yours, as I have to go a great deal further than you.” Joseph didn’t want to go to war. He wasn’t a conscientious objector, but neither was he garlanded with battle honours. He resembles none of our burnished archetypes and he isn’t the sort of man books are normally written about. He fought only because a military tribunal forced him to. That tribunal sat in Westminster, many miles away, and it was led by the Marquess of Salisbury. The Westminster decision so enraged Joseph’s friends and neighbours that his own, local tribunal went on strike. Drawing on legal records and vibrant newspaper reports of the time, Joseph, 1917 raises an interesting question – if you put a man in harm’s way then realise you made a mistake, shouldn’t you at least try to make amends? The book also offers some thoughts on tribunals and the law they applied and about the different ways they let Joseph down. But it is also interested in the events and characters of the time and the strange story of the place Joseph called home. Joseph, 1917 is a book that is different in its subject and its scope from almost every other one published about the war and would serve as the perfect complement to those books. It combines several genres in which there is currently great interest – not only is it a military history, it is a life story and it contains a good deal of social history (and even genealogy) and legal and political history. It is likely to appeal not only to devotees of Richard Holmes, but also to people who enjoy Who Do You Think You Are? and The Secret History of My Family and to readers of History Today. David Hewitt is a lawyer and writer and, like some of the people in Joseph, 1917, he sits on judicial tribunals. He was born and brought up in the place in which the book is set and he is interested in the law and what it does to people. He is also interested in lost stories, especially those that shed fresh light on great events, and he enjoys bringing those stories back into the light.
Takes readers around Liverpool’s oldest streets, providing insight on their initial development, how they have changed and the construction of notable buildings.
Addresses the biological effects of the large number of compounds that have been recognized as endocrine disrupters. This book presents the relevant fundamentals of the endocrine systems of animals and humans, the toxicology, developmental toxicology, ecology, and risk assessment methods, and lays out the state of understanding for the field.
In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997 respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental film-makers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to re-invigorate such time-honoured subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain - a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, A History of Artists' Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organisations that have supported the art-form's development. In so doing it greatly enlarges the scope of any understanding of 'British cinema' and demonstrates the crucial importance of the moving image to British art history.
This book offers both a philosophical and psychological theory of an aspect of human love, first noted by Plato and used by Freud in developing psychoanalysis (transference love), namely, lovers as mirrors for one another, enabling them thus better to see and understand themselves and others. Shakespeare’s art makes the same appeal—theater as a communal mirror—expressing the artist holding a loving mirror for his culture at a point of transitional crisis between a shame and guilt culture. The book shows how Shakespeare’s plays offer better insights into the behavior of violent men than Freud’s, based on close empirical study of violent criminals; develops a theory of violence rooted in the moral emotions of shame and guilt; and a cultural psychology of the transition from shame to guilt cultures. The work argues that violence is, contra Freud, not an ineliminable instinct in the nature of things, requiring autocracy, but arises from patriarchally inflicted cultural injuries to the love of equals that undermine democracy, and that only a therapy based on love can address such injuries, replacing retributive with restorative justice, and populist fascist autocracy with constitutional democracy. Love, thus understood, underlies a range of disparate phenomena: the appeal of Shakespeare’s theater as a communal art; the role of love in psychoanalysis; in Augustine’s conception of love in religion (disfigured by his patriarchal assumptions); in Kant’s anti-utilitarian ethics of dignity; in a naturalistic ethics that roots ethics in facts of human psychology; the role of law in democratic cultures as a mirror and critique of such cultures; and the basis of an egalitarian theory of universal human rights (inspired by Kant and developed, more recently, by John Rawls). In all these domains, uncritically accepted forms of culture (the initiation of men and women into patriarchy) traumatize the love of equals, and thus disfigure and distort our personal and political lives.
The crime-infested intersection of West Fayette and Monroe Streets is well-known--and cautiously avoided--by most of Baltimore. But this notorious corner's 24-hour open-air drug market provides the economic fuel for a dying neighborhood. David Simon, an award-winning author and crime reporter, and Edward Burns, a 20-year veteran of the urban drug war, tell the chilling story of this desolate crossroad. Through the eyes of one broken family--two drug-addicted adults and their smart, vulnerable 15-year-old son, DeAndre McCollough, Simon and Burns examine the sinister realities of inner cities across the country and unflinchingly assess why law enforcement policies, moral crusades, and the welfare system have accomplished so little. This extraordinary book is a crucial look at the price of the drug culture and the poignant scenes of hope, caring, and love that astonishingly rise in the midst of a place America has abandoned.
From Abbas Combe to Zennor, this dictionary gives the meaning and origin of place names in the British Isles, tracing their development from earliest times to the present day.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.
After their adventures on The Earth That Was, the crew of the Serenity are reunited under the leadership of Captain Kaylee. Unfortunately with food, credits, and morale low, the crew takes on a heist which proves too much for their moral code and quickly turns into a recovery mission. And it’s not long before their current dilemma puts Captain Kaylee, Mal, Zoe, Simon, River, Leonard, and Emma on a collision course with the mysterious past of the crew member who dragged them into this mess in the first place. That’s right, the Hero of Canton himself, one Jayne Cobb. Rising star writer David M. Booher (Canto) and artist Jordi Pérez (Queen of Bad Dreams) set course for an all-new era that charts the future of the Serenity while delving into the previous unrevealed secret past of one of the most enigmatic characters in the beloved and bestselling Firefly franchise. Collects All-New Firefly #1-4.
Robert Herrick is the lawyer for the little guy in Houston, Texas. His courtroom experiences have been realistically recounted in David Crump's previous novels CONFLICT OF INTEREST, THE HOLDING COMPANY, and MURDER IN SUGAR LAND. Now Herrick faces an international enemy of unbridled arrogance and ruthlessness: the drug kingpin El Jefe, whose petty grudge against a local reporter was expressed in a family bloodbath. Can a civil lawsuit against El Jefe's bank bring some measure of justice? A mass murder wipes out three generations of a family, all hacked with machetes. It’s a horrific crime, and obviously drug-related. But it's not possible that the perpetrators all live south of the border, because a drug enterprise needs partners in the United States for money laundering, financing, and transport. The survivors want justice. Robert Herrick is their choice to get it. He tells them No, because lawyers aren’t trained to locate defendants who come and go like shadows—or to try lawsuits against drug lords in foreign countries. But circumstances and sympathies get the best of Herrick. He finds himself—quickly, and against the protests of his family—handling the strangest case of his life, drawn into a web of international intrigue that entangles him with the National Security Agency, the Mexican Army, the courts of two nations, and hired assassins. All the while, he's attempting to focus on the usual parts of the legal process: pretrial papers, deposition questioning, jury selection, and trial. The mundane gears of law don't seem up to the task of bringing to justice drug kingpins and their enabling American banks. Just when Herrick thinks the stakes can’t get any higher, they do—and he realizes that he will have to fight with primitive energy if he wants to win this case . . . or if he wants to save his family from . . . THE TARGET DEFENDANT.
The book concludes with my life achievements, then discusses my expanded work experience, my published articles, my published books and citations of my articles.
Urban design enables better places to be created for people and is thus seen in Urban Design in the Real Estate Development Process as a place-making activity, rather than the application of architectural aesthetics. Urban design policy can change the 'decision environment' of developers, financiers, designers and other actors in the real estate development process to make them take place-making more seriously. This book reports diverse international experience from Europe and North America on the role and significance of urban design in the real estate development process and explores how higher quality development and better places can be achieved through public policy. The book is focused on four types of policy tool or instrument that have been deployed to promote better urban design: those that seek to shape, regulate or provide stimulus to real estate markets along with those aim to build capacity to achieve these. Urban design is therefore seen as a form of public policy that seeks to steer real estate development towards policy-shaped rather than market-led outcomes. The editors set the examples, case studies and evidence from international contributors within a substantive discussion of the impact of urban design policy tools and actions in specific development contexts. Contributions from leading urban design theorists and practitioners explore how: Masterplanning and infrastructure provision encourage high quality design Design codes reconcile developers' needs for certainty and flexibility Clear policy combined with firm regulation can transform developer behaviour Intelligent parcelisation can craft the character of successful new urban districts Powerful real estates interests can capture regulatory initiatives Stimulus instruments can encourage good design Development competitions need careful management Design review can foster developer commitment to design excellence Speculative housebuilders respond in varied ways to the brownfield design challenge Physical-financial models could help in assessing the benefits of design investment Urban design can add value to the benefit of developers and cities as a whole.
The Lexicon brings together lexical material from a wide range of published and non-published sources to create an extensive compilation of the vocabulary of Fulfulde as it is spoken in that part of central Mali known as Masina (in Fulfulde, Maasina). The Lexicon is intended primarily for non-Fulfulde speakers who are learning the language at the intermediate or advanced levels and who need access to a comprehensive reference source on Fulfulde vocabulary. Scholars, development workers, and others whose research or fieldwork involves use of the Fulfulde of Masina may find it helpful as well in clarifying nuances of meaning and standardized spelling for the less familiar terms they might encounter. It is also intended that the present work, beyond the matter of organizing vocabulary, will contribute significantly to the expanding lexicographical and linguistic investigations of Fulfulde.
- NEW chapters cover the most important, emerging information on current diagnostic, treatment, and preventive challenges in today's veterinary practice. - A new section on feline and canine nutrition covers important issues in nutritional health. - 50 new chapter authors join hundreds of expert international contributors, all of whom are leading authorities in their fields. - NEW! Availability as Pageburst ebook allows you digital access to this volume along with your library of other Elsevier references.
Researching British Probates is a guide to the over 20,000 microfilm rolls of British wills and related documents in the Family History Library of the Church of Jesus Christ of Latter-day Saints. Housed in Salt Lake City, Utah, the collection is available through 1,700 branch libraries across the country and worldwide. Few depositories in Britain itself can compete with the collection's comprehensiveness: the microfilm spans six centuries and brings together bonds, wills, property inventories, guardianship papers and other documents that lie scattered throughout England. Now, by using this work, social historians and genealogists can obtain the exact rolls of microfilm they need.
Special Agent Vin Cooper is feeling reckless. He volunteers for the dumbest and most dangerous job going: personal security operations in Afghanistan protecting bent politicians. But when his principal is killed in a suicide bomb attack, Cooper is reassigned to a cushy job nursing a couple of needy African-American entertainers putting on a show for US military advisors at a secret base in Rwanda. Or so he thinks. Things go horribly wrong when their United Nations chopper is forced down in the Democratic Republic of Congo in the middle of an all-out firefight by opposing forces. The nightmare only intensifies when some of Cooper's people, including one of the entertainers, are captured. While risking his life to rescue his principals, Cooper spies a US DoD advisor in the enemy encampment, which is awash with American weaponry. It seems that their forced landing in this inhospitable place was no accident...
DeJuan Walker is tired of settling for two-bit hustles on Chicago's south side. When he decides to relocate to Florida, he reinvents himself as "Dee Walk" and sets up his own organization for selling drugs and funnelling the money into the community. Things get tense when a rival sets him up for the murder of a SWAT team.
This is a dictionary of the language of the law as used in America today. Most of this dictionary is written in ordinary English. Most of the words that lawyers use in writing and talking about the law are the ordinary words that fill the dictionaries of the English language. They have a place in this dictionary when the law gives them a specialized sense; or to emphasize that there is none. Too often an apparent change in sense results not from the law but from bad grammar or redundancy; or from an unsorted host of possible meanings jumbled together and left to the vagaries of interpretation. At the other extreme, individual cases, each walled in by its own distinctive facts and law, may give an immaculately narrowed sense, but neither generalized definition nor standards for the gradation of sense that is the essence of clear usage. A small number of citations to cases of special relevance to word usage are included in this dictionary. The citation count does not measure the indebtedness of this dictionary to old and current sources of American legal usage. The definitions and examples of usage in this dictionary have roots in the law reports of thousands of litigated cases; in law writings formal and informal, profound and trivial; in the talk of lawyers and judges in court and out--the formal and the informal--colloquial and slangy, talk that is precise and talk that is mush; in a long line of dictionaries past and present--law dictionaries, and dictionaries of English and its usage. Drawing from all those sources, the definitions and examples are shaped by more than a half-century of personal immersion in the oral and written language of the law, as law student, practicing lawyer, professor, and writer. And something has been added. This dictionary is designed to sort out the words used in the law, and to identify the different senses in which each is used, and can be used. With cross-reference, it tells how words are related to each other and separated for each other, so that discrimination and choice of usage are possible. Words are grouped together as identical, similar, disparate, departing from or paralleling the usages of ordinary English. Where usage is not uniform, the dictionary comments on what is better, best, and worst. The dictionary concentrates on general legal usage for a profession practicing in the American common law tradition . . . The dictionary does not detail the multitude of other jurisdictional variations, but calls attention to the fact of variation. Although the distinction is often difficult to make, this is a word dictionary, not a short legal encyclopedia. Technicalities in general legal usage are included, but not the intricacies of learning in specialized fields of the law. There is no standard legal pronunciation. Pronunciation is included here when it is unusual, exotic, controversial, or needed to prevent confusion. Pronunciation is rendered in simplified phonetics. American law dictionaries go back to 1839. This one is new and different. --David Mellinkoff, from the Preface
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