In this first full-length account of D. H. Lawrence’s rich engagement with a country he found both fascinating and frustrating, Game examines how Australia informed the utopian and regenerative visions that characterize so much of Lawrence’s work. He sheds new light on Lawrence’s attitudes towards Australian Aborigines, women and colonialism, and revisits key aspects of Lawrence’s development as a novelist and thinker.
The first full-length account of D.H. Lawrence’s rich engagement with a country he found both fascinating and frustrating, D.H. Lawrence’s Australia focuses on the philosophical, anthropological and literary influences that informed the utopian and regenerative visions that characterise so much of Lawrence’s work. David Game gives particular attention to the four novels and one novella published between 1920 and 1925, what Game calls Lawrence’s 'Australian period,' shedding new light on Lawrence’s attitudes towards Australia in general and, more specifically, towards Australian Aborigines, women and colonialism. He revisits key aspects of Lawrence’s development as a novelist and thinker, including the influence of Darwin and Lawrence’s rejection of eugenics, Christianity, psychoanalysis and science. While Game concentrates on the Australian novels such as Kangaroo and The Boy in the Bush, he also uncovers the Australian elements in a range of other works, including Lawrence’s last novel, Lady Chatterley’s Lover. Lawrence lived in Australia for just three months, but as Game shows, it played a significant role in his quest for a way of life that would enable regeneration of the individual in the face of what Lawrence saw as the moral collapse of modern industrial civilisation after the outbreak of World War I.
This is the first book devoted entirely to Lawrence's nonfictional writings. It focuses on a selection of representative texts, each of which is placed in an appropriate literary or historical context. These include the 'Study of Thomas Hardy', the two books about the Unconscious, the travel-writing - primarily Twilight in Italy and Sea and Sardinia - the largely autobiographical 'Introduction to Memoirs of the Foreign Legion by M. M' and the late 'thoughts in verse' called Pansies. David Ellis and Howard Mills challenge the automatic relegation to secondary status suffered by these works in the past and suggest a radical reassessment of Lawrence's literary profile of how his writings relate to one another and of where his greatest power and originality lie.
Invading God’s Universe is about David Lawrence’s attempt to adjust to the possibility of God. He seeks his own soul but isn’t even sure that he has a soul. He sees himself as a book written by heaven or maybe not. He is confused and searching. He boldly says that “what God likes about me is that I reject him.” God does not need our belief. He is himself. He is God. David wrestles with God and feels that God likes it that way. He doesn’t want to bother God. He doesn’t want to annoy him by his “selfishness / And demanding prayers.” He feels that God “dislikes religion. / And settles for the spirit.” God is not formulaic. He is love. Love is not codification. It is free spirit. David feels God's presence when he is alone. He does not like gatherings for prayer because he wants to have his own direct connection with God. He does not read the Bible. He is the Bible. He is God’s text. He is written. God is or isn't the pen. He is a Doubting Thomas but he doesn't doubt that he feels a cosmic presence within him.
In a sensitive and provocative study of six great works of British literature, David Rosen traces the evolution of masculinity, inviting readers to contemplate the shifting joys and sorrows men have experienced throughout the last millennium, and the changing but constant tensions between their lives and ideals. Focusing on Beowulf, Sir Gawain and the Green Knight, Hamlet, Paradise Lost, Hard Times, and Sons and Lovers, Rosen shows how the actions of heroes fail to resolve tensions between masculine ideals and male experiences.
The goal of this anthology is to present a wealth of poetry, prose, and drama from the full sweep of the literary history of the British Isles, and to do so in ways that will bring out both the works' original cultural contexts and their lasting aesthetic power.-
In this inspiring memoir, “an unfailing champion for all children . . . shares his ever- committed life story . . . What an example he is for all of us” (Marian Wright Edelman, President of the Children’s Defense Fund). After spending three decades in journalism as a newspaper reporter, editor and publisher, Dave Lawrence dedicated his life to a new mission: making sure every child has a real chance to succeed. A prominent advocate for children across the country, David helped found The Children’s Movement of Florida, an organization that launched in 2010 with the purpose of making Florida’s children, especially in their early years, the top priority for state investment. In A Dedicated Life, David tells his story from his time at the Detroit Free Press and the Miami Herald to his “retirement” at fifty-six, when he transitioned into his new calling and began making significant strides in Florida’s pre-K programs, parent skill-building, and so much more. “This special book is the story of a good man who has lived an impressive, fascinating, full life dedicated to his family, his profession, his faith and his service to others, especially the youngest and most vulnerable among us.” —Jeb Bush, Florida’s 43rd Governor “[A] highly principled man applying his talents and values in a transitioning America.” —Bob Graham, Florida’s 38th Governor and former Senator
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