A fierce mirth characterizes antic Irish comedy. To the degree to which everyone sympathizes with the need to mock repressive authority, everyone is potentially Irish. It is the Irish dramatists themselves, says David Krause, that are the true authors of the profane book of Irish comedy. The body of literature they have produced desecrates the sacred in Ireland and launches a sardonic attack on the queen of Irish nationalism, Cathleen Ni Houlihan, the old sow who, according to Joyce's tragicomic jest, tries to devour her creative farrow. Krause discusses the major works of fourteen Irish playwrights—Samuel Beckett, Brendan Behan, Dion Boucicault, William Boyle, Paul Vincent Carroll, George Fitzmaurice, Lady Gregory, Denis Johnston, Sean O'Casey, Lennox Robinson, Bernard Shaw, George Shields, J. M. Synge, and W. B. Yeats—and shows the ways in which these works are linked, emotionally and thematically, to early Gaelic literature and the tradition of the mythic pagan playboy Oisin or Usheen. As the last great pagan hero of Ireland, Oisin emerges as an archetype for the many playboys and paycocks of Irish comedy. Oisin was the antithesis of St. Patrick, the first great Christian saint of Ireland, who, condemning pleasure and threatening eternal damnation, came to represent all authority. The bearers of this dark and wild Celtic tradition, which Synge and O'Casey associated with a daimonic or barbarous impulse, laugh irreverently at their own creations. This laughter, the laughter of the culture's mythmakers, brings with it emotional relief, comic catharsis.
Are you challenged by the theory of evolution? Do you have a hard time believing in biblical six-day creation? Have you been told by teachers and college professors that dinosaurs existed billions and billions of years ago? Would you be surprised to learn that the dinosaurs and human walked the earth together at the same time? Do you find it astounding that God knew who you were before the earth was formed? Is it true that life begins at conception and that the fetus is a human being? Look at the timeline of the patriarchs in The Creation Book and see that the flood came 1,656 years after Adam was formed. Dr. Krause searches the Scriptures in detail and quotes over 725 verses to give the biblical answers to these and other questions you might have in The Creation Book.
A critical examination of the people and events that led to the gradual recognition of the mining potential of the unique native copper deposits of Michigan's Keweenaw Peninsula, which culminated in the first great mining boom in American history. Annotation copyright by Book News, Inc., Portland, OR
This is the third in a series of short books on probability theory and random processes for biomedical engineers. This book focuses on standard probability distributions commonly encountered in biomedical engineering. The exponential, Poisson and Gaussian distributions are introduced, as well as important approximations to the Bernoulli PMF and Gaussian CDF. Many important properties of jointly Gaussian random variables are presented. The primary subjects of the final chapter are methods for determining the probability distribution of a function of a random variable. We first evaluate the probability distribution of a function of one random variable using the CDF and then the PDF. Next, the probability distribution for a single random variable is determined from a function of two random variables using the CDF. Then, the joint probability distribution is found from a function of two random variables using the joint PDF and the CDF. The aim of all three books is as an introduction to probability theory. The audience includes students, engineers and researchers presenting applications of this theory to a wide variety of problems—as well as pursuing these topics at a more advanced level. The theory material is presented in a logical manner—developing special mathematical skills as needed. The mathematical background required of the reader is basic knowledge of differential calculus. Pertinent biomedical engineering examples are throughout the text. Drill problems, straightforward exercises designed to reinforce concepts and develop problem solution skills, follow most sections.
GTK+ is one of the most influential graphical toolkits for the Linux operating system. It is the technology upon which the GNOME and XFCE desktop environments are based, and its crucial to have clear understanding of its complexities to build even a simple Linux desktop application. Foundations of GTK+ Development guides you through these complexities, laying the foundation that will allow you to cross from novice to professional. Foundations of GTK+ Development is aimed at C programmers and presents numerous real-life examples that you can immediately put to use in your projects. Some familiarity with C programming is assumed, as the book delves into new topics from the beginning. Topics like object inheritance are covered early on to allow for complete understanding of code examples later. And the provided examples are real-life situations that can help you get a head start on your own applications.
This is the first in a series of short books on probability theory and random processes for biomedical engineers. This text is written as an introduction to probability theory. The goal was to prepare students, engineers and scientists at all levels of background and experience for the application of this theory to a wide variety of problems—as well as pursue these topics at a more advanced level. The approach is to present a unified treatment of the subject. There are only a few key concepts involved in the basic theory of probability theory. These key concepts are all presented in the first chapter. The second chapter introduces the topic of random variables. Later chapters simply expand upon these key ideas and extend the range of application. A considerable effort has been made to develop the theory in a logical manner—developing special mathematical skills as needed. The mathematical background required of the reader is basic knowledge of differential calculus. Every effort has been made to be consistent with commonly used notation and terminology—both within the engineering community as well as the probability and statistics literature. Biomedical engineering examples are introduced throughout the text and a large number of self-study problems are available for the reader.
Ada Engle and Hans Krause are born in Torgau, Germany, during the rise of the Nazi party. Ada’s father, Theo Krause, is the assistant pastor of a Lutheran congregation. Jacob Engel, Hans’s father, is drafted and goes to war. Soon, Jacob and Theo are imprisoned for listening to Radio London. When the devastating war ends, Ada and Hans marry and decide to flee from Soviet-occupied East Germany. Ada succeeds in a dramatic flight through the “iron curtain.” In the escape she loses track of Hans. Living alone in West Germany, Ada finds a new church but grieves over the loss of her husband. When President Kennedy visits the Wall, she decides to go to America. With a student visa Ada attends Seton Hall University and becomes a paralegal. While working for two lawyers in Newark, another dramatic incident helps Ada find purpose in life. Will she ever be reunited with Hans?
Dave Krehbiel's fast-moving memoir, Through the Door: A Horn-Player's Journey, relates the adventures of a young musician who uses his musical talents to cover up his scholastic shortcomings. In so doing, he finds himself, miraculously, in the career of his dreams-playing principal horn for Chicago, Detroit, and San Francisco symphony orchestras. When the door opens for him, he finds himself in his first job, playing assistant principal horn for the Chicago Symphony Orchestra where he faces constant intimidation by its maestro, Fritz Reiner. He also finds himself plagued by a crippling performance anxiety so great that on occasion he almost wishes he would be in a traffic accident on his way to Symphony Hall rather than face performing that night. Survival in his new career means learning to control his anxiety. While sharing the innovative ways in which he gains confidence and learns to manage his fear, he leads us on an exhilarating musical adventure where he brings to life the joys and challenges of performing his favorite orchestral works with famous conductors and composers, and develops a memorable bond with Paul Hindemith. The pranks he plays break the tension of constant performing and may be seen as veiled lessons reminiscent of Strauss's fifteenth century folk-hero, Till Eulenspiegel. "I'd rather be scared to death than bored to death," Krehbiel quips, and with intelligent humor he inspires us to face, without fear, whatever lessons are on the other side of the doors the universe opens to us.
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