From the Greek Revival grandeur of Belle Helene, to the Moorish fantasy of Longwood, to the simplicity of Rosella, the plantation homes of Louisiana and the Natchez area powerfully recall the brief flowering of the unique civilization of the Old South. In their noble façades, sculptured interiors, and scattered outbuildings can be seen the feudal splandor of the great cotton and sugar planters, and the doomed glory of the Confederate war effort. In these 120 resonant full-color photographs, David King Gleason fully captures the aura of Louisiana's plantation homes -- some beautiful in the morning light, some shaded by trees and hanging moss, some crumbling in decay and neglect. Taking each house on its own terms, Gleason's photographs present the buildings and their environs sharply and without deception. Accompanying the photographs are captions that give a brief architectural evaluation of each house and provide notes on its construction, history, and present condition. Gleason has organized his book as a journey along the waterways that were the lifeline of Louisiana's plantations, their link to New Orleans and to the markets and factories of the North. Beginning in the vicinity of New Orleans and the lower Mississippi, Gleason presents such houses as Evergreen, with its columns and twin circular staircases; the exuberant San Francisco; and Oak Alley, set at the end of a spectacular avenue of 28 oak trees. Continuing along the bayous that lead into the western part of the state, he shows us the palatial Madewoood, constructed from seasoned timbers and 60,000 slave-made bricks; the meticulously restored Shadows-on-the-Teche; the ramshackle Darby House; and Bubenzer, which served as a Union army headquarters during the Civil War.From Cane River country and north Louisiana, the photographs portray Magnolia, burned by Union troops and then rebuilt to its original specifications; Melrose, built in the early 1830s by a freed slave; and Oakland, the location for the Civil War movie The Horse Soldiers. Moving overland towards Natchez; the elaborate, octagonal Longwood; Rosemont, the boyhood home of Jefferson Davis; Oakley, where John James Audubon was once engaged as a tutor; and Rosedown, with its elaborate gardens.Continuing south of Baton Rouge along the River Road, Gleason closes his tour with homes including Mount Hope, built in the eighteenth century; Nottoway, the largest plantation home in the South, completed on the eve of the Civil War; Indian Camp, a leprosarium for most of its existence; and the pillared galleries of Belle Helene. The plantation homes of Louisiana were highly personal expressions of pride and faith in the future. Yet the building of these spectacular monuments was a brief phenomenon. In the wake of the Civil War, the South's economy was devoted to survival, not luxury. A tribute to the plantation home, David King Gleason's photographs reveal the beauty, grandeur, and poignance of these monuments.
In Over New Orleans, photographer David King Gleason creates a breathtaking aerial mosaic of the Crescent City—a composite portrait that is at once panoramic and intimate, dramatic and subtle. Working from the skies, Gleason reveals every aspect of the city from the familiar streetcars and wrought-iron balconies to less celebrated views of the Faubourg Marigny, the Dixie Brewery on Tulane Avenue, and the palatial residences that overlook Lake Pontchartrain. From high overhead, Gleason's camera captures the dynamism of the Central Business District and the broad sweep of the docks that lie along the great bend of the Mississippi. Closing in, he reveals the lush courtyards of the French Quarter and the great mansions of the Garden District. Mapping the city's environs, Gleason shows the turbid Mississippi where it meets the clear blue waters of the Gulf of Mexico, the Lake Pontchartrain Causeway leading off into the morning mist, and the cluster of chemical plants that have found their place on the river amid the swampland and graceful antebellum plantation homes. These photographs reveal the diverse urban fabric of New Orleans with a drama that can seldom be approached at street level. The narrow streets of the French Quarter give way to the bustle of Canal Street and the bluntly modern towers of Poydras Street; the Iberville Housing Project is revealed wedged in a netherworld between the Saint Louis No. 2 Cemetery and the sculptured terrain of Louis Armstrong Park; the Superdome sits at the hub of a network of highways; and the Mississippi, girded with shipping, is seen as the city's backbone—its presence felt in nearly every image. Cities are usually seen from above only fleetingly, from airplane windows, or partially, from the upper floors of tall buildings. In Over New Orleans, David King Gleason offers us the opportunity to linger above one of the world's most fascinating cities, to contrast its charms and raw vigor, to see it whole in all its complexity.
David King Gleason provides a grand tour of Virginia’s distinctive plantation homes. As the architectural historian Calder Loth states in his prefatory note, “Gleason’s elegant photographs provide a seductive image of life in ‘Old Virginia.’ He presents one inviting house after another, complete with handsome interiors, and spacious grounds dotted with boxwoods and venerable trees.” Unlike those in the Deep South, most of Virginia’s plantation homes were built before the antebellum period and mainly reflect colonial, English Georgian, and Jeffersonian styles of architecture. Gleason has photographed the homes in all seasons, framing some in the pink blossoms of springtime dogwoods, showing others surrounded by the golden hues of autumn, and presenting still others blanketed in January snows. Many of the photographs provide aerial perspectives that encompass not only the homes themselves but outbuildings and dependencies, great lawns and terraced gardens. The book begins with homes in the Tidewater region, where Bacon’s Castle, built in 1665 on the south bank of the James River, still stands. It is the oldest surviving house not only in Virginia but in all of English-settled North America. Other houses from the Tidewater region include Westover, considered one of the most beautiful Georgian residences in the United States; Brandon, at one time the home of Benjamin Harrison; Appomattox Manor, where Ulysses S. Grant headquartered for a period during the Civil War; and Carter’s Grove, near Williamsburg. In northern Virginia and the Shenandoah valley are Gunston Hall, near Alexandria; Woodlawn, in Fairfax County; Washington’s Mount Vernon; and Melrose, a castellated manor inspired by the romantic literature of Sir Walter Scott. In the Piedmont, Gleason photographed such houses as Ash Lawn, the home of James Monroe; Edgemont, an exquisitely proportioned house showing Thomas Jefferson’s influence; and Estouteville, whose great center hall opens onto identical Tuscan porticos framing magnificent views of the Virginia countryside. Gleason’s photographs of a mist-shrouded Monticello are among the most beautiful in the book. In all, Gleason has photographed more than eighty of Virginia’s finest plantation homes. Extensive captions provide concise histories of each house, including its original builder and subsequent owners, and its occupants, either friendly or hostile, during the Revolutionary or Civil wars.
From its beginnings as a tiny rail-line settlement in 1837 to its emergence as the designated host city for the 1996 Summer Olympic Games, Atlanta has been on the move. Its dramatic and ever-changing skyline attests to the fact that it is one of America’s most dynamic cities—the epitome of what has come to be known as the “New South.” Yet for all its striking modern architecture, Atlanta is much more than a collection of soaring skyscrapers, as David King Gleason makes clear in this beautiful new book, featuring some 150 color photographs of Georgia’s capital city in all its splendid variety. Here are Atlanta’s impressive business towers, familiar to travelers from all over the world, but here too are its bucolic neighborhoods and parks, its decades-old landmarks and educational institutions, its sporting and entertainment facilities, its museums and theaters. With his camera Gleason roams from downtown, where the nineteenth-century ornateness of the gold-domed State Capitol contrasts with the ultramodern designs of recently built skyscrapers, to the outskirts of this sprawling city, were the winding Chattachoochee River and the mammoth carved granite dome of Stone Mountain attract visitors year-round. He discloses the diversity of Atlanta’s many neighborhoods in shots of the rejuvenated Midtown section, whose well-established residential enclaves now sit almost cheek by jowl with new office buildings, and farther to the north, in photographs of the thriving Buckhead area, the site of some of the city’s most impressive mansions of the past as well as of more recent vintage. Reflecting Atlanta’s importance as an educational center, Gleason includes photographs of such institutions as Emory University, Georgia Tech, and the various colleges (Morehouse, Spelman, and others) that make up the Atlanta University Center. Photographs of Martin Luther King, Jr.’s birthplace and of the Carter Presidential Center are just two reminders that Georgians have often been at the forefront of political progress in America. The city’s interest in culture and recreation is represented in images of the High Museums of Art, the Atlanta Botanical Garden, Underground Atlanta, and the many sporting venues where both college and professional teams compete. An introduction by the Atlanta poet and physician John Stone and captions by newspaper journalist Don O’Briant complement Gleason’s evocative photographs. Anyone—longtime resident, newcomer, and visitor alike—will find this a book to keep and treasure.
From the stately Gothic Revival and Regency-style houses of Savannah to the majestic, multicolumned plantation homes that punctuate rolling farmlands throughout the state, David King Gleason presents a splendid pictorial record of Georgia's fines pre-Civil War residences.The book begins with the town houses of Savannah, which include such landmark residences as the Andrew Low House, built in 1848 in the style of an early Victorian Renaissance villa, and the imposing Gree-Heldrim House, a Gothic Revival mansion that was the most expensive house built in Savannah prior to the Civil War. Wild Heron, located just south of Savannah on the Little Ogeechee River, is the oldest plantation house still standing in Georgia. A one-and-a-half story farmhouse built in the style of a West India cottage, it is being restored to reflect the period of the early 1800s.Farther to the interior, in the area around Augusta, are such homes as Fruitlands, now the clubhouse of the Augusta national Golf Club; Meadow Garden; Ware's Folly; and Montrose, built in 1849 and one of the Loveliest Greek Revival houses in the area. Houses photographed along the Plantation Trail, from Athens to Macon, include the white-columned President's House, home since 1949 to the presidents of the University of Georgia; the Howell Cobb House, in Athens; Whitehall, in Covington; Glan Mary, in Sparta; and the Woodruff House, in Macon.Gleason devotes considerable attention to the homes of the western side of the state, from Chickamauga to Thomasville. The Gordon-Lee House, constructed in 1847, was headquarters fro the Union army during the battle of chickamauga. Other houses in this part of Georgia are valley View, which overlooks the Etowah River, west of Cartersville; the Archibald Howell House, near downtown Marietta; Lovejoy, in Clayton Country; The oaks, in the vicinity of LaGrange; and Greenwood and Pebble Hill, near Thomasville.In all, Gleason captures more than one hundred of Georgia's most beautiful antebellum homes, including many lesser-known houses. In addition to exterior photographs, Antebellum Homes of Georgia contains a number of interior views as well as aerial photographs that show the relationship between the houses and their environs: outbuildings, formal gardens, and recd clay fields that were once white with cotton. Captions provide brief histories of the houses and their owners as weel as notes on construction and outstanding architectural details.
The heart of David Weinstein's book examines DuMont's programs and personalities, including Dennis James, Captain Video, Morey Amsterdam, Jackie Gleason and The Honeymooners, Ernie Kovacs, and Rocky King, Detective. Weinstein uses rare kinescopes, archival photographs, exclusive interviews, trade journal articles, and corporate documents to tell the story of a "forgotten network" that helped invent the very business of network television."--Jacket.
With sweeping revisions throughout, the new edition of Urologic Surgical Pathology equips you to accurately diagnose specimens of the entire urinary tract and male reproductive system plus the adrenal glands. Comprehensive in scope, this title begins with a look at normal anatomy and histology for each organ system...followed by discussions of the pathology of congenital anomalies, inflammations, non-neoplastic diseases and neoplasia. Practical guidance in daily urological pathology sign-out and the latest recommended diagnostic approaches - with an emphasis on clinicopathologic and radiographic-pathologic correlations - makes this a true diagnostic decision-making medical reference. A consistent format enables you to locate critical information quickly, and more than 1600 high-quality illustrations - most in full color - make diagnosis even easier. "A great update of a well know textbook. Uropathology colleagues find it useful". Reviewed by: PathLab.org, June 2014 Rely on the practice-proven experience of today's authorities to identify and diagnose with confidence. Confirm your diagnostic suspicions by comparing your findings to more than 1600 color images and color graphics. Quickly locate the specific information you need through an abundance of tables, diagrams and flowcharts; boxed lists of types and causes of diseases; differential diagnosis; characteristic features of diseases; complications; classifications; and staging. Access the fully searchable text and images online at Expert Consult. Stay current with the latest information on: differential diagnosis for all tumor types encountered in urological surgical pathology practice; urologic tumor specimen handling and reporting guidelines; new entities and updated classification schemes; and newer immunohistochemical and genetic diagnostic methods. Develop targeted therapy specific to a particular patient's problem based on key molecular aspects of disease, especially in relevance to targeted therapy/personalized medicine. Provide the clinician with the most accurate diagnostic and prognostic indicators, by incorporating the latest classification and staging systems in your reports. Deepen your understanding of new diagnostic biomarkers and their utility in differential diagnosis. Your purchase entitles you to access the web site until the next edition is published, or until the current edition is no longer offered for sale by Elsevier, whichever occurs first. If the next edition is published less than one year after your purchase, you will be entitled to online access for one year from your date of purchase. Elsevier reserves the right to offer a suitable replacement product (such as a downloadable or CD-ROM-based electronic version) should access to the web site be discontinued.
Completely revised with practical guidance in daily urological pathology sign-out and the latest recommended diagnostic approaches, the new edition of this comprehensive reference equips you to accurately diagnose specimens of the entire urinary tract and male reproductive system plus the adrenal glands. It begins with a look at normal anatomy and histology for each organ system...followed by discussions of the pathology of congenital anomalies, inflammations, non-neoplastic diseases and neoplasia. An emphasis on clinicopathologic and radiographic-pathologic correlations makes this a true diagnostic decision-making guide. A consistent format enables you to locate critical information quickly, and morethan 1500 high-quality illustrations — most in full color — make diagnosis even easier. Presents the practice-proven experience of today’s authorities to enable you to diagnose with confidence. Limits coverage of general mechanisms of disease and anatomy to the most relevant information needed to fully comprehend the clinical picture. Includes boxed lists of types and causes of diseases, differential diagnosis, characteristic features of diseases, complications, classifications, and staging that help you quickly locate the specific information you need. Presents two brand-new chapters covering urinary cytology and fine needle aspiration to keep you up to date. Covers newly described entities and application of ancillary study for precise diagnosis. Features integration of new molecular techniques and immunohistochemical analysis for differential diagnosis. Equips you with the latest recommended diagnostic approaches help you make the most informed decisions. Provides you with a critical review of the current classifications of cancer and disease. Features more than 1500 high-quality illustrations-in full color—providing a complete visual perspective of the conditions encountered in pathology.
Lifelong residents, newcomers, and visitors alike will be enthralled by the images of Baton Rouge they will encounter in this book. David King Gleason here presents 170 vivid full-color photographs of Baton Rouge and its environs, revealing a bustling and vibrant metropolitan area that still recalls its small-town roots.
This chronologically organized book is the first to provide comprehensive coverage of forfeits and successful protests of major league baseball games, educating the reader on the rules and prevailing styles of play at the time that each of the games was played. In addition to the date, location, and source information, this work provides capsule biographies of many of the principal characters involved (including, for instance, the obscure one-game umpire who perpetrated the first forfeited game in major league history in 1871).
Offering comprehensive coverage of this fast-changing field for more than 20 years, Urologic Surgical Pathology is an expert guide to all common and rare entities in the genitourinary system. The 4th Edition keeps you fully up to date with discussions of newly recognized tumors and terminologies, the latest classification schemes, current grading approaches, molecular alterations, and commonly used ancillary diagnostic techniques. With its clinical focus on day-to-day urological pathology sign-out and an emphasis on clinicopathologic and radiographic-pathologic correlations, this thoroughly revised uropathology reference is an excellent resource for diagnostic decision making. - Includes expanded coverage of differential diagnosis for all tumor types encountered in urological surgical pathology practice. - Incorporates the latest TNM staging and WHO classification systems, as well as new diagnostic biomarkers and their utility in differential diagnosis, newly described variants and new histologic entities. - Discusses advances in molecular diagnostic testing, its capabilities, and its limitations, including targeted therapy/personalized medicine. - Covers new developments in immunohistochemistry and the latest diagnostic tumor markers. - Features more than 1,600 high-quality images – all in color – including gross pictures, histopathologic and cytopathologic images, special stains, other ancillaries, drawings, and illustrations. - Helps you find information quickly with a consistent chapter format; an abundance of tables, diagrams and flowcharts; boxed lists of types and causes of diseases; differential diagnosis; characteristic features of diseases; complications; classifications; and staging. - Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.
For the few hundred television viewers in 1946, a special treat on the broadcast schedule was the variety show called Hour Glass. It was the first TV program to go beyond talking heads, cooking demonstrations, and sporting events, featuring instead dancers, comics, singers, and long commercials for its sponsor, Chase and Sanborn coffee. Within two years, another variety show, Texaco Star Theatre, became the first true television hit and would be credited with the sales of thousands of television sets. The variety show formula was a staple of television in its first 30 years, in part because it lent itself to a medium where everything had to be live and preferably inside a studio. Most of the early television stars--including Jackie Gleason, Milton Berle, Sid Caesar, Ed Sullivan, Red Skelton, Dinah Shore, and Arthur Godfrey--rose to prominence through weekly variety shows. In the 1960s, major stars such as Jerry Lewis, Dean Martin, Judy Garland and Danny Kaye were hosting variety shows. By the 1970s, the format was giving way to sitcoms and dramas, but pop music stars Sonny and Cher, Tony Orlando and Dawn, and Donny and Marie Osmond hosted some of the last of the species. This book details 57 variety shows from the 1940s through the 1990s. A history of each show is first provided, followed by a brief look at each episode. Air date, guest stars, sketches performed, and a listing of songs featured are included.
Quite simply, a tour de force--a wonderful synthesis of history and criticism."--Daniel Czitrom, author of Media and the American Mind "A cooly sophisticated analysis . . . of American televsion."--American Studies International In Demographic Vistas, David Marc shows how we can take television seriously within the humanist tradition while enjoying it on its own terms. To deal with the barrage of messages from television's chaotic history, Marc adapts tools of theatrical and literary criticism to focus on key personalities and genres in ways that reward serious students and casual viewers alike. This updated edition includes a new foreword by Horace Newcomb and a new introduction by the author that discusses the ways in which the nature of television criticism has changed since the book's original publication in 1984. A new final chapter explores the paradox of the diminishing importance of over-the-air broadcasting during the period of television's greatest expansion, which has been brought about by complex technologies such as cable, videocassette recorders, and online services. From reviews of the first edition-- "Demographic Vistas analyzes television in the tradition of a Gilbert Seldes or Michael Arlen. Exhibiting fluency in television history, theories of culture, and American literature, the book offers a thoughtful, idiosyncratic interpretation of television's life so far in American culture."--Critical Studies in Mass Communication "Marc does a good job of drawing links between the American literary tradition and television themes, which illustrate that television texts are not isolated from the critical mainstream of American creative efforts. . . . These links illustrate that television texts offer themselves to much the same analytical forms as any other literary endeavor."--Southern Speech Communication Journal David Marc is Adjunct Professor, Annenberg School for Communication, University of Southern California, and Visiting Professor, School of Theater, Film and Television, University of California, Los Angeles.
In Over New Orleans, photographer David King Gleason creates a breathtaking aerial mosaic of the Crescent City—a composite portrait that is at once panoramic and intimate, dramatic and subtle. Working from the skies, Gleason reveals every aspect of the city from the familiar streetcars and wrought-iron balconies to less celebrated views of the Faubourg Marigny, the Dixie Brewery on Tulane Avenue, and the palatial residences that overlook Lake Pontchartrain. From high overhead, Gleason's camera captures the dynamism of the Central Business District and the broad sweep of the docks that lie along the great bend of the Mississippi. Closing in, he reveals the lush courtyards of the French Quarter and the great mansions of the Garden District. Mapping the city's environs, Gleason shows the turbid Mississippi where it meets the clear blue waters of the Gulf of Mexico, the Lake Pontchartrain Causeway leading off into the morning mist, and the cluster of chemical plants that have found their place on the river amid the swampland and graceful antebellum plantation homes. These photographs reveal the diverse urban fabric of New Orleans with a drama that can seldom be approached at street level. The narrow streets of the French Quarter give way to the bustle of Canal Street and the bluntly modern towers of Poydras Street; the Iberville Housing Project is revealed wedged in a netherworld between the Saint Louis No. 2 Cemetery and the sculptured terrain of Louis Armstrong Park; the Superdome sits at the hub of a network of highways; and the Mississippi, girded with shipping, is seen as the city's backbone—its presence felt in nearly every image. Cities are usually seen from above only fleetingly, from airplane windows, or partially, from the upper floors of tall buildings. In Over New Orleans, David King Gleason offers us the opportunity to linger above one of the world's most fascinating cities, to contrast its charms and raw vigor, to see it whole in all its complexity.
Entertaining and scrupulously researched, Chicago '68 reconstructs the 1968 Democratic Convention in Chicago—an epochal moment in American cultural and political history. By drawing on a wide range of sources, Farber tells and retells the story of the protests in three different voices, from the perspectives of the major protagonists—the Yippies, the National Mobilization to End the War, and Mayor Richard J. Daley and his police. He brilliantly recreates all the excitement and drama, the violently charged action and language of this period of crisis, giving life to the whole set of cultural experiences we call "the sixties." "Chicago '68 was a watershed summer. Chicago '68 is a watershed book. Farber succeeds in presenting a sensitive, fairminded composite portrait that is at once a model of fine narrative history and an example of how one can walk the intellectual tightrope between 'reporting one's findings' and offering judgements about them."—Peter I. Rose, Contemporary Sociology
Organized at Indianapolis in December 1861, the 47th Indiana Volunteer Infantry's Civil War service spanned the Mississippi Valley and the Gulf South. From Louisville to New Orleans and on to Mobile, General James R. Slack and the 47th Indiana took the war to the inland waterways and southern bayous, fighting in many of the Civil War's most famous campaigns, including Vicksburg, Red River and Mobile. This chronicle of the 47th Indiana follows the regiment's odyssey through the words of its officers and men. Sources include Chaplain Samuel Sawyer's account of their exploits in the Indianapolis Daily Journal, soldiers' accounts in Indiana newspapers, stories of war and intrigue from newspapermen of the "Bohemian Brigade," and General Slack's own story in letters to his wife, Ann, including his postwar command on the Rio Grande. Numerous photographs, previously unpublished battle and area maps, and a full regimental roster complete this detailed account.
With the kingdom finally secure, King Locke is summoned to the coast for what may be a new threat. The past catches up with the king as well, and once again the Surin Knights are called to defend all they hold dear!
A handbook for newlyweds that offers all manner of advice on etiquette, homemaking, and personal care. Includes a large section of recipes and cooking tips.
New authors, new entries and a new perspective on this historic city with an upbeat style. From traditional to enticing to zany, discover Atlanta's allure with the help of longtime locals who obviously know the way to Atlanta's brightest and best.
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