How Can I Keep from Singing? is the compelling story of how the son of a respectable Puritan family became a consummate performer and American rebel. Updated with new research and interviews, unpublished photographs, and thoughtful comments from Pete Seeger himself, this is an inside history of the man Carl Sandburg called “America’s Tuning Fork.” In the only biography on Seeger, David Dunaway parts the curtains on his life. Who is this rail-thin, eighty-eight-year-old with the five-string banjo, whose performances have touched millions of people for more than seven decades? Bob Dylan called him a saint. Joan Baez said, “We all owe our careers to him.” But Seeger’s considerable musical achievements were overshadowed by political controversy when he became perhaps the most blacklisted performer in American history. He was investigated for sedition, harassed by the FBI and the CIA, picketed, and literally stoned by conservative groups. Still, he sang. Today, Seeger remains an icon of conscience and culture, and his classic antiwar songs, sung by Bruce Springsteen and millions of others, live again in the movement against foreign wars. His life holds lessons for surviving repressive times and for turning to music to change the world. “This biography is a beauty. It captures not only the life of the bard but the world of which he sings.” –Studs Terkel “A fine and meticulous biography . . . Dunaway has taken [Seeger’s] materials and woven them into a detailed, interesting, and well-written narrative of a most fascinating life.” –American Music “An extraordinary tale of an extraordinary man [that] will intrigue not only his legions of followers but everyone interested in one man’s battles and victories.” –Chicago Sun-Times
Who is this skinny, 78-year-old man with the five-string banjo, whose performances over five decades have touched millions of people? Entertainer? Composer? Communist? Bob Dylan once called him a "saint." Joan Baez has said, "We all owe our careers to him." But Pete Seeger's considerable musical achievements have been overshadowed by political controversy. He was investigated for sedition by the House Committee on Un-American activities, harassed by the FBI and CIA, blacklisted, picketed, and even stoned by conservative groups. How Can I Keep from Singing is an inside history of Pete Seeger, whose life has remained a closely guarded secret until now. In this ASCAP award-winning book, David Dunaway parts the curtain through interviews with Pete, his family, friends, and fellow musicians to present a rich, compelling portrait of one of the most remarkable performers, composers, and activists of this century.
Best-selling author Aldous Huxley's American years have been a period literary historians discounted. His reputation suffered after his exile to California, which he undertook partly for the sake of his failing sight, partly out of disappointment with the European peace movement, and partly in search of new spiritual direction. With his move to California, Huxley became part of Hollywood's Golden Age, working alongside such noted figures as Charlie Chaplin, Greta Garbo, F. Scott Fitzgerald, Bertolt Brecht and Christopher Isherwood. During this time Huxley published nineteen books. His writing and life underwent many transformations, and many crucial unanswered questions remained about his sojourn. Were the writings of the American years as self-indulgent as critics claimed? How did cinematic conventions influence his art? Did he ever reach that unitary mystical experience he sought throughout the last decades of his life? Prominent oral historian and biographer David Dunaway responds to these questions, using interviews with co-workers, family, and friends and an analysis of Huxley's FBI files and little-known scripts for 'Jane Eyre' and 'Pride and Prejudice,' to provide us with intimate glimpses into Huxley's development as an author and a man. For the oral and literary historian, an extended introduction and appendix describe in detail the methods, processes, and challenges of doing oral literary history research.
Wandering into Brave New World explores the historical contexts and contemporary sources of Aldous Huxley’s 1932 novel which, seventy years after its initial publication remains the best known and most discussed dystopian work of the twentieth century. This new study addresses a number of questions which still remain open. Did his round-the-world trip in 1925-1926 provide material for the novel? Did India’s caste system contribute to the novel’s human levels? Is there an overarching pattern to the names of the novel/s characters? Has the role of Hollywood in the novel been underestimated? Is Lenina Crown a representative 1920s “flapper”? Did Huxley have knowledge of and sources for his Indian reservation characters and scenes quite independent of and more accurate than those of D. H. Lawrence’s writings? Did Huxley’s visit to Borneo contribute anything to the novel? New research allows substantive answers and even explains why Huxley linked such figures as Henry Ford and Sigmund Freud. It also shows how the novel overcomes its intense grounding in 1920s political turmoil to escape into the timelessness of dystopian fiction.
How Can I Keep from Singing? is the compelling story of how the son of a respectable Puritan family became a consummate performer and American rebel. Updated with new research and interviews, unpublished photographs, and thoughtful comments from Pete Seeger himself, this is an inside history of the man Carl Sandburg called “America’s Tuning Fork.” In the only biography on Seeger, David Dunaway parts the curtains on his life. Who is this rail-thin, eighty-eight-year-old with the five-string banjo, whose performances have touched millions of people for more than seven decades? Bob Dylan called him a saint. Joan Baez said, “We all owe our careers to him.” But Seeger’s considerable musical achievements were overshadowed by political controversy when he became perhaps the most blacklisted performer in American history. He was investigated for sedition, harassed by the FBI and the CIA, picketed, and literally stoned by conservative groups. Still, he sang. Today, Seeger remains an icon of conscience and culture, and his classic antiwar songs, sung by Bruce Springsteen and millions of others, live again in the movement against foreign wars. His life holds lessons for surviving repressive times and for turning to music to change the world. “This biography is a beauty. It captures not only the life of the bard but the world of which he sings.” –Studs Terkel “A fine and meticulous biography . . . Dunaway has taken [Seeger’s] materials and woven them into a detailed, interesting, and well-written narrative of a most fascinating life.” –American Music “An extraordinary tale of an extraordinary man [that] will intrigue not only his legions of followers but everyone interested in one man’s battles and victories.” –Chicago Sun-Times
Selling Folk Music: An Illustrated History highlights commercial sources that reveal how folk music has been packaged and sold to a broad, shifting audience in the United States. Folk music has a varied and complex scope and lineage, including the blues, minstrel tunes, Victorian parlor songs, spirituals and gospel tunes, country and western songs, sea shanties, labor and political songs, calypsos, pop folk, folk-rock, ethnic, bluegrass, and more. The genre is of major importance in the broader spectrum of American music, and it is easy to understand why folk music has been marketed as America's music. Selling Folk Music presents the public face of folk music in the United States via its commercial promotion and presentation throughout the twentieth century. Included are concert flyers; sheet music; book, songbook, magazine, and album covers; concert posters and flyers; and movie lobby cards and posters, all in their original colors. The 1964 hootenanny craze, for example, spawned such items as a candy bar, pinball machine, bath powder, paper dolls, Halloween costumes, and beach towels. The almost five hundred images in Selling Folk Music present a new way to catalog the history of folk music while highlighting the transformative nature of the genre. Following the detailed introduction on the history of folk music, illustrations from commercial products make up the bulk of the work, presenting a colorful, complex history.
Even before there was a road, there was a route. Buffalo trails, Indian paths, the old Santa Fe trace—all led across the Great Plains and the western mountains to the golden oasis of California. America’s insatiable westering urge culminated in Route 66, the highway that ran from Chicago to Los Angeles. Opened in 1926, Route 66 became the quintessential American road. It offered the chance for freedom and a better life, whether you were down-and-out Okies fleeing the Dust Bowl in the 1930s or cool guys cruising in a Corvette in the 1960s. Even though the interstates long ago turned Route 66 into a bylane, it still draws travelers from around the world who long to experience the freedom of the open road. A Route 66 Companion gathers fiction, poetry, memoir, and oral history to present a literary historical portrait of America’s most storied highway. From accounts of pioneering trips across the western plains to a sci-fi fantasy of traveling Route 66 in a rocket, here are stories that explore the mystique of the open road, told by master storytellers ranging from Washington Irving to Raymond Chandler, Joan Didion, Sylvia Plath, Leslie Marmon Silko, and John Steinbeck. Interspersed among them are reminiscences that, for the first time, honor the varied cultures—Native American, Mexican American, and African American, as well as Anglo—whose experiences run through the Route 66 story like the stripe down the highway. So put the top down, set the cruise control, and “make that California trip” with A Route 66 Companion.
Analyzes the ways in which the Hudson River has become a key battleground in the emergence of modern environmentalism in the United States since Consolidated Edison announced plans to construct a pumped storage power plant at Storm King Mountain in 1962"--Provided by publisher.
Presents the life of the acclaimed blues musician, known for songs whose topics ranged from his African American roots to space exploration, and focuses on his eccentric style of guitar playing and his lasting influences in music.
The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could—and should—be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world.
Los Angeles is the labyrinth at the end of the American Dream, a city often celebrated, often condemned—rarely understood. In this fascinating and unusual collection David Reid has gathered together the novelists, journalists, and cultural critics who could best debunk the myths, define the truths, and decipher the strange iconography of this “bronzed paradise” of fourteen million inhabitants. Here are reports and reflections on: the new Latin-American and Asian populations of South Central and the East Side and the old establishment in the West Side’s hidden hilltop enclaves; Downtown with its heavily mortgaged office towers held by Canadian and Japanese landlords; the shuttered factories, thriving sweatshops, and gerrymandered “rotten boroughs” of post-industrial L.A.; architecture from Irving Gill to Frank O. Gehry; avatars and messiahs from Krishnamurti to L. Ron Hubbard; rituals of power and abjection in Movieland; and yoga and lust in Beverly Hills, Los Angeles Times and Nation columnist Alexander Cockburn; Mike Davis, author of City of Quartz; L.A. Weeklywriters Lynell George and Rubén Martínez; novelists Carolyn See, Eve Babitz, and David Thomson; architectural historian Thomas S. Hines; and Academy Award-winning screenwriter Jeremy Larner are among those who investigate the mysteries of the city which, as Cockburn writes, is “the only megalopolis of the First World growing at a rate comparable to those supercities—Sao Paulo, Cairo, and Canton—of the Third World.”
The Real Nick and Nora is a assemblage of anecdotes featuring some of the most talented writers and the brightest lights of American stage and screen. The work was arduous, the parties luminous. On any given night, guests singing and acting out scripts at a party might include F. Scott Fitzgerald and Sheilah Graham, S. J. Perelman, Oscar Levant, Ogden Nash, Judy Garland, Abe Burrows, Hoagy Carmichael, Johnny Mercer, Ira Gershwin, George Burns and Gracie Allen, Pat O'Brien, Dick Powell and June Allyson, Dashiell Hammett, Lillian Hellman, James Cagney, and Dorothy Parker. Featuring twenty-one illustrations, The Real Nick and Nora is a behind-the-scenes pass into the Hollywood and Broadway of yesteryear."--BOOK JACKET.
An oral history of North American folk music revivals that draws on more than 150 interviews to explore the musical, political, and social aspects of the folk revival movement.
Pete Seeger is one of the most recorded artists in American history, and his recording catalog tells us not just the story of his career but the story of our culture and its political and social history. A Pete Seeger Discography: Seventy Years of Recordings is a comprehensive listing of the 45s, 78s, LPs, and CDs recorded by Seeger in his various incarnations: with the Almanac Singers, with the Weavers, as a solo artist, and with other musicians and contributors. David King Dunaway provides information, with easy to use cross-references, on rare recordings and archival collections. The discography offers details on Seeger's recording history, including the album title, song(s), other artists on the recording, the publisher and number, and the year or exact recording date if known, as well as the original release date and the re-releases of each recording. Structured to make locating details easy for readers, the recordings are organized chronologically and categorized by albums, singles, private pressings, and foreign releases. Readers can easily cross-reference through album and song title indexes and a contributing artist index. An appendix listing the unreleased archival holdings of the Smithsonian Folkways collection under Moe Asch completes the volume, and a photospread with more than 30 of Seeger's album covers convey a pictorial recording history of this well-loved artist. The authors gratefully acknowledge Furthermore: a program of the J.M. Kaplan Fund, for their funding assistance in preparing this discography.
The companion volume to "Mother Knew Best", this book offers a joyous celebration of fatherhood. Shedding light on the roles fathers have played in the formative years of famous people's lives, "Father Knew Best" offers 101 insightful quotations and stories from the fathers of such people as Oprah Winfrey, John Wayne, Michael Jordan and Mickey Mantle.
Like any profound technological breakthrough, the advent of sound recording ushered in a period of explosive and imaginative experimentation, growth and competition. Between the commercial debut of Edison's "talking machine" in 1889 and the first commercial radio broadcast three decades later, the recording industry was uncharted territory in terms of both technology and content. This history of the earliest years of sound recording--the time between the phonograph's appearance and the licensing of commercial radio--examines a newly created technology and industry in search of itself. It follows the story from the earliest efforts to capture sound, to the fight among wire, cylinder and disk recordings for primacy in the market, to the growth and development of musical genres, record companies and business practices that remain current today. The work chronicles the people, events and developments that turned a novel, expensive idea into a highly marketable commodity. Two appendices provide extensive lists of popular genre and ethnic recordings made between 1889 and 1919. A bibliography and index accompany the text.
Acclaimed author duo Marisa de los Santos and David Tague return with a heartwarming middle grade adventure about two misfits discovering the importance of just being themselves, perfect for fans of Counting By 7’s and Hello Universe. When thirteen-year-olds Aaron and Audrey meet at a wilderness camp in the desert, they think their quirks are enough to prevent them from ever having friends. But as they trek through the challenging and unforgiving landscape, they learn that they each have what it takes to make the other whole. Luminous and clever, Connect the Stars takes on some hefty topics of the day—bullying, understanding where you fit in, and learning to live with physical and mental challenges—all in a joyous adventure kids will love!
Pete Seeger is one of the most recorded artists in American history, and his recording catalog tells us not just the story of his career but the story of our culture and its political and social history. A Pete Seeger Discography: Seventy Years of Recordings is a comprehensive listing of the 45s, 78s, LPs, and CDs recorded by Seeger in his various incarnations: with the Almanac Singers, with the Weavers, as a solo artist, and with other musicians and contributors. David King Dunaway provides information, with easy to use cross-references, on rare recordings and archival collections. The discography offers details on Seeger's recording history, including the album title, song(s), other artists on the recording, the publisher and number, and the year or exact recording date if known, as well as the original release date and the re-releases of each recording. Structured to make locating details easy for readers, the recordings are organized chronologically and categorized by albums, singles, private pressings, and foreign releases. Readers can easily cross-reference through album and song title indexes and a contributing artist index. An appendix listing the unreleased archival holdings of the Smithsonian Folkways collection under Moe Asch completes the volume, and a photospread with more than 30 of Seeger's album covers convey a pictorial recording history of this well-loved artist. The authors gratefully acknowledge Furthermore: a program of the J.M. Kaplan Fund, for their funding assistance in preparing this discography.
Explores the history of film around the world, from the earliest shadow show to the blockbusters of today, discussing the transition from the silent era to "talkies" and examining specific genres such as comedy, cowboy pictures, and horror movies.
An oral history of North American folk music revivals that draws on more than 150 interviews to explore the musical, political, and social aspects of the folk revival movement.
Best-selling author Aldous Huxley's American years have been a period literary historians discounted. His reputation suffered after his exile to California, which he undertook partly for the sake of his failing sight, partly out of disappointment with the European peace movement, and partly in search of new spiritual direction. With his move to California, Huxley became part of Hollywood's Golden Age, working alongside such noted figures as Charlie Chaplin, Greta Garbo, F. Scott Fitzgerald, Bertolt Brecht and Christopher Isherwood. During this time Huxley published nineteen books. His writing and life underwent many transformations, and many crucial unanswered questions remained about his sojourn. Were the writings of the American years as self-indulgent as critics claimed? How did cinematic conventions influence his art? Did he ever reach that unitary mystical experience he sought throughout the last decades of his life? Prominent oral historian and biographer David Dunaway responds to these questions, using interviews with co-workers, family, and friends and an analysis of Huxley's FBI files and little-known scripts for 'Jane Eyre' and 'Pride and Prejudice,' to provide us with intimate glimpses into Huxley's development as an author and a man. For the oral and literary historian, an extended introduction and appendix describe in detail the methods, processes, and challenges of doing oral literary history research.
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