On the island continent of Ea it is a dark time of chaos and war. Morjin, immortal fallen angel and Lord of Lies, seeks to enslave the entire world. His dreaded assassins are everywhere and land after land falls under his evil power. The one thing that has the potential to destroy him is an object that has been lost for ages: the fabulous Lightstone that legend tells was crafted by the ancient Star people. A call is sent out by one of the major rulers still free of Morjin's grip to all those who oppose the dreaded sorcerer. It is nothing less than a quest to find the Lightstone and give Men hope after ages of despair. It is a quest that none have seen the like of in ten generations. And most believe is doomed to fail. What hero is man enough, brave enough...or foolish enough to embark on such a mad quest? Valashu Elahad, the seventh and youngest Valeri prince of the royal house of Mesh is such a man. With his faithful companion Maram by his side Valashu will journey to the farthest reaches of Ea to try and reclaim this mystical object, to free the world of Morjin's evil and save his people from sure destruction. Along the way he will discover truths about friendship, courage...and love. And the terrible truth about the being who threatens to sunder his world.
David Zindell crafted a glorious fantasy in The Lightstone, an epic tale of good versus evil...and how far a man will go to save his world without destroying all he loves. The quest continues in The Silver Sword. On the island continent of Ea it is a dark time of chaos and war. Morjin, the evil Lord of Lies, seeks to enslave the entire world. Land after land falls under his evil power. The one thing that has the potential to destroy him is an object that has been lost for ages: the Lightstone. The call to seek this stone was sent out by one of the few major rulers still free of Morjin's grip to all those who oppose the dreaded sorcerer. One who answered this call was Valashu Elahad, the seventh and youngest Valeri prince of the royal house of Mesh. Val and his stalwart companions have braved many dangers and fought many battles in their search for this elusive totem. It looks as if their quest may be at an end and a great victory shimmers on the horizon. But not all images are real. Is the Lightstone within Val's grasp or has he embarked upon a road too horrible to conceive?
DescriptionThe world is under threat from an alien race whose only goal is to extinguish all life capable of standing against them. Their methods are cruel and terrifying, their technology centuries ahead of those of Earth. But there is hope... Two government agents, a psychotic killer, a crime lord and Timothy Bruce, a paranoid neurotic living in constant fear of everyday life, are brought together by a centuries old secret society hidden deep within the Earth. These five strangers are given access to miraculous technologies and unlimited resources with which they can save the world and change it forever. But not everyone within the group is what he appears to be and before they can decide what to do with their new reality, they will need to overcome their own petty ambitions and root out the traitor within. About the AuthorDavid Roscoe was born in Carlisle, Cumbria, in 1970 and has worked hard to live a quiet, stress-free life ever since. He still has his own hair and teeth. In the late nineties he began writing for a radio industry publication and found it the ideal job, being blessed as he was with the perfect face for radio and the perfect voice for writing. He is currently keeping a low profile in Sussex where he works on Book 2 of his Enclave trilogy, further exploring the character of Timothy Bruce, an individual who lives in constant fear of everyday life. And there are aliens too. In the book, not in David Roscoe's life. Enclave is dedicated to the memory of David's parents.
His grandmother can’t go downstairs any more, so Brade brings his victims to the basement. It has all the modern conveniences—pipes fitted with chains, a table to hold his knives, a drain to wash away the blood. It even has a secret exit, for the inevitable day when justice comes to call. But when the bell rings for Brade, it isn’t justice—it’s his conscience, in the form of FBI agent John Becker. More than any other cop, Becker understands what goes on in a serial killer’s mind, and he comes to exact vengeance in blood. An icepick-wielding assassin is loose in New York City, and his target is Yasser Arafat. Bury his icepick in the Palestinian’s ear, and the Mideast will descend into chaos—unless Becker can get the killer’s scent in time to bring him down.
This sweeping survey constitutes the first comprehensive treatment of the men and women who have been chosen to represent Illinois in the United States Senate from 1818 to the present day. David Kenney and Robert E. Hartley underscore nearly two centuries of Illinois history with these biographical and political portraits, compiling an incomparably rich resource for students, scholars, teachers, journalists, historians, politicians, and any Illinoisan interested in the state’s senatorial heritage. Originally published as An Uncertain Tradition: U.S. Senators From Illinois 1818–2003, this second edition brings readers up to date with new material on Paul Simon, Richard Durbin, and Peter Fitzgerald, as well as completely new sections on Roland Burris, Barack Obama, and Illinois’s newest senator, Mark Kirk. This fresh and careful study of the shifting set of political issues Illinois’s senators encountered over time is illuminated by the lives of participants in the politics of choice and service in the Senate. Kenney and Hartley offer incisive commentary on the quality of Senate service in each case, as well as timeline graphs relating to the succession of individuals in each of the two sequences of service, the geographical distribution of senators within the state, and the variations in party voting for Senate candidates. Rigorously documented and supremely readable, this convenient reference volume is enhanced by portraits of many of the senators.
In 1857 President James Buchanan ordered U.S. troops to Utah to replace Brigham Young as governor and restore order in what the federal government viewed as a territory in rebellion. In this compelling narrative, award-winning authors David L. Bigler and Will Bagley use long-suppressed sources to show that—contrary to common perception—the Mormon rebellion was not the result of Buchanan's "blunder," nor was it a David-and-Goliath tale in which an abused religious minority heroically defied the imperial ambitions of an unjust and tyrannical government. They argue that Mormon leaders had their own far-reaching ambitions and fully intended to establish an independent nation—the Kingdom of God—in the West. Long overshadowed by the Civil War, the tragic story of this conflict involved a tense and protracted clash pitting Brigham Young's Nauvoo Legion against Colonel Albert Sidney Johnston and the U.S. Army's Utah Expedition. In the end, the conflict between the two armies saw no pitched battles, but in the authors' view, Buchanan's decision to order troops to Utah, his so-called blunder, eventually proved decisive and beneficial for both Mormons and the American republic. A rich exploration of events and forces that presaged the Civil War, The Mormon Rebellion broadens our understanding of both antebellum America and Utah's frontier theocracy and offers a challenging reinterpretation of a controversial chapter in Mormon annals.
Describes the life of William Randolph Hearst, head of an American publishing empire by the 1930s, strong political presence, and subject of the film "Citizen Kane.
Hearts window depicts how one LOVING heart can change many, many lives and really the only control we have is faith,, Ponder this quote. I will write my laws on their hearts and minds, this will be done. GOD powerful hey. I believe our HEARTS are a spiritual WINDOW looking inward. Our futures view. An internal brail witch once touched echoes emotional thoughts into reality. Like water touching a seed, love sprouts feelings to reach its maximum GLORY. The food source, composted emotional feelings and thoughts derived from blood, sweat and tears. The light source , truth and acceptance.
It's sixty-five million years ago. In the wild treacherous landscape of ancient North America, dinosaurs and many other species struggle daily to survive. Each of these creatures have their own stories, and this collection of tales takes place before and during the events of Bladefoot. Preston the baby troodon, who learns fast to reach adulthood and follows in Bladefoot's footsteps. Axel the young dakotaraptor, who strives to earn his place in the pack. Flo the elasmosaurus, who must navigate an ocean filled with deadly predators. Tyler the mosasaurus, the blood-thirsty killer of the Pierre Seaway. Sky Rider the Quetzalcoatlus, the winged giant that masters the air. Rumble the triceratops, and his great ambitions to rule his own herd. Cutter the wounded troodon, who tries to find peace at a waterhole, but will receive anything but... All these stories have climatic endings, although some individuals will be more fortunate than others.
One thousand years after the assumed apocalypse, a demonic army known as the Demon Plague has invaded the new world. With various races and cultures split by their differences, one man inspires them to unite in order to defeat the unfathomable evil force. Experience the epic story that follows these heroes into the darkness. Join the resistance and find out what it takes to defeat demons.
The meteoric rise of video technology in the early 1980s was met with suspicion in some quarters. Pressure groups found certain videocassettes objectionable and ‘video nasties’ became a catch-all term for undesirable films or films potentially liable for prosecution under the Obscene Publications Act 1959. This book is not a discussion of the video nasties themselves, but instead gives a detailed synopsis of each film, from Absurd to Zombie Flesh Eaters, without criticism or commentary — 75 video nasty plots without dissection. The book may be considered a nostalgic reverie for those fans and collectors who don’t have the fortitude to sit through these films again and would like an aide-memoire means of revisiting them. What’s more, many of the films are cheap and exploitative, little masterclasses of cutting corners, and the brutal logic of their storylines when laid bare make for entertaining reading. The material contained in LAST ORGY BY THE CEMETERY originally appeared in a different form in the authors’ See No Evil: Banned Films and Video Controversy, published by Headpress in 2000 and now out of print.
Exalting Jesus in Job is part of the Christ-Centered Exposition Commentary series. Edited by David Platt, Daniel L. Akin, and Tony Merida, this commentary series, to include 47 volumes when complete, takes a Christ-centered approach to expositing each book of the Bible. Rather than a verse-by-verse approach, the authors have crafted chapters that explain and apply key passages in their assigned Bible books. Readers will learn to see Christ in all aspects of Scripture, and they will be encouraged by the devotional nature of each exposition presented as sermons and divided into chapters that conclude with a “Reflect & Discuss” section, making this series ideal for small group study, personal devotion, and even sermon preparation. It’s not academic but rather presents an easy reading, practical, and friendly commentary. The CCE series will include 47 volumes when complete. The author of Exalting Jesus in Job is David L. Allen.
David Galenson's work on the history of art is a unique fusion of econometrics and cultural analysis that is unprecedented in the literature on creativity in any discipline, whether economics, psychology, literary studies or art history.
David Lapham (Stray Bullets) pits Robert E. Howard's original barbarian king against a terrifying magical foe from his doomed homeland of Atlantis. The Hate Witch has waited from the beginning of time for a great man of uncertain destiny, whom she can use to bring about the destruction of civilization. She believes that King Kull is that man, and she has launched an all-out assault on Valusia, slaughtering its people, in an attempt to draw him to her seat of power—the wilds of Atlantis! Kull will have to return to his savage origins if he wants to hold onto the throne in Valusia and save it from civil war! Collects issues #1-#4 of the miniseries.
Hawaiian Antiquities (1898) is an ethnography by David Malo. Originally published in 1838, Hawaiian Antiquities, or Moolelo Hawaii, was updated through the end of Malo’s life and later translated into English by Nathaniel Bright Emerson, a leading scholar of Hawaiian mythology. As the culmination of Malo’s research on Hawaiian history, overseen by missionary Sheldon Dibble, Hawaiian Antiquities was the first in-depth written history of the islands and its people. “The ancients left no records of the lands of their birth, of what people drove them out, who were their guides and leaders, of the canoes that transported them, what lands they visited in their wanderings, and what gods they worshipped. Certain oral traditions do, however, give us the names of the idols of our ancestors.” As inheritor of this ancient oral tradition, David Malo, a recent Christian convert who studied reading and writing with missionaries, provides an essential introduction to the genealogies, history, traditions, and stories of his people. Engaging with the legends passed down from ancient generations as well as the flora and fauna of the islands in his own day, Malo links the Hawaii of the past to the world in which he lived, a time of political and religious change introduced by missionaries from the newly formed United States. With a beautifully designed cover and professionally typeset manuscript, this edition of David Malo’s Hawaiian Antiquities is a classic work of Hawaiian literature reimagined for modern readers.
Intense, original, compelling . . . bristles with attitude. So cool. Just read it."--Michael Grant, New York Times bestselling author In the vein of the cult classic Mad Max series, crossed with Cormac McCarthy's The Road and S.E. Hinton's The Outsiders, this inventive debut novel blends adrenaline-fueled action with an improbable yet tender romance to offer a rich and vivid portrayal of misfits and loners forced together in their struggle for a better life. Adam Stone wants freedom and peace. He wants a chance to escape Blackwater, the dust-bowl desert town he grew up in. Most of all, he wants the beautiful Sadie Blood. Alongside Sadie and the dangerous outsider Kane, Adam will ride the Blackwater Trail in a brutal race that will test them all, body and soul. Only the strongest will survive. The prize? A one-way ticket to Sky-Base and unimaginable luxury. And for a chance at this new life, Adam will risk everything. More Praise for Stone Rider “Hofmeyr constructs a bleak futuristic world and a landscape both sublime and unforgiving...[in his] novel about self-preservation and reclaiming one’s humanity amid brutality."-Publishers Weekly "A dangerous race is run with everything on the line in this gritty dystopian thrill ride."--Kirkus Reviews "Gritty nonstop action."-School Library Journal "A truly gripping dystopian novel."-VOYA
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.
David Bordwell and Kristin Thompson are two of America’s preeminent film scholars. You would be hard pressed to find a serious student of the cinema who hasn’t spent at least a few hours huddled with their seminal introduction to the field—Film Art, now in its ninth edition—or a cable television junkie unaware that the Independent Film Channel sagely christened them the “Critics of the Naughts.” Since launching their blog Observations on Film Art in 2006, the two have added web virtuosos to their growing list of accolades, pitching unconventional long-form pieces engaged with film artistry that have helped to redefine cinematic storytelling for a new age and audience. Minding Movies presents a selection from over three hundred essays on genre movies, art films, animation, and the business of Hollywood that have graced Bordwell and Thompson’s blog. Informal pieces, conversational in tone but grounded in three decades of authoritative research, the essays gathered here range from in-depth analyses of individual films such as Slumdog Millionaire and Inglourious Basterds to adjustments of Hollywood media claims and forays into cinematic humor. For Bordwell and Thompson, the most fruitful place to begin is how movies are made, how they work, and how they work on us. Written for film lovers, these essays—on topics ranging from Borat to blockbusters and back again—will delight current fans and gain new enthusiasts. Serious but not solemn, vibrantly informative without condescension, and above all illuminating reading, Minding Movies offers ideas sure to set film lovers thinking—and keep them returning to the silver screen.
The samurai films of legendary Japanese director Akira Kurosawa are set in the past, but they tell us much about the present, as do his crime stories, romances, military films, medical dramas and art films. His movies are beloved for their timeless protagonists and haunting vistas of old Japan, but we haven't yet fully grasped everything they can teach us about modern Japan. Kurosawa's films evolved as Japan redefined and reinvented itself, from movies made for the wartime regime to those made amid the trials of American occupation. From the lavish epics of the economic miracle years to searching masterpieces made with international assistance in a globalizing world, Kurosawa's movies responded to changing times. This detailed study of all 30 of Kurosawa's films analyzes the links between the thrilling narratives onscreen and the equally remarkable events that occurred in Japan over his long, productive career. This book explores how Kurosawa's classics depict the political, economic, cultural, sexual and environmental upheavals of a nation at the center of a turbulent century, both directly and through period-piece mythmaking.
This book is a political history of the island of Malaita in the British Solomon Islands Protectorate from 1927, when the last violent resistance to colonial rule was crushed, to 1953 and the inauguration of the island’s first representative political body, the Malaita Council. At the book’s heart is a political movement known as Maasina Rule, which dominated political affairs in the southeastern Solomons for many years after World War II. The movement’s ideology, kastom, was grounded in the determination that only Malaitans themselves could properly chart their future through application of Malaitan sensibilities and methods, free from British interference. Kastom promoted a radical transformation of Malaitan lives by sweeping social engineering projects and alternative governing and legal structures. When the government tried to suppress Maasina Rule through force, its followers brought colonial administration on the island to a halt for several years through a labor strike and massive civil resistance actions that overflowed government prison camps. David Akin draws on extensive archival and field research to present a practice-based analysis of colonial officers’ interactions with Malaitans in the years leading up to and during Maasina Rule. A primary focus is the place of knowledge in the colonial administration. Many scholars have explored how various regimes deployed “colonial knowledge” of subject populations in Asia and Africa to reorder and rule them. The British imported to the Solomons models for “native administration” based on such an approach, particularly schemes of indirect rule developed in Africa. The concept of “custom” was basic to these schemes and to European understandings of Melanesians, and it was made the lynchpin of government policies that granted limited political roles to local ideas and practices. Officers knew very little about Malaitan cultures, however, and Malaitans seized the opportunity to transform custom into kastom, as the foundation for a new society. The book’s overarching topic is the dangerous road that colonial ignorance paved for policy makers, from young cadets in the field to high officials in distant Fiji and London. Today kastom remains a powerful concept on Malaita, but continued confusion regarding its origins, history, and meanings hampers understandings of contemporary Malaitan politics and of Malaitan people’s ongoing, problematic relations with the state.
Dreamwork for Dramatic Writing: Dreamwrighting for Stage and Screen teaches you how to use your dreams, content, form, and structure, to write surprisingly unique new drama for film and stage. It is an exciting departure from traditional linear, dramatic technique, and addresses both playwriting and screenwriting, as the profession is increasingly populated by writers who work in both stage and screen. Developed through 25 years of teaching award-winning playwrights in the University of Missouri’s Writing for Performance Program, and based upon the phenomenological research of renowned performance theorist Bert O. States, this book offers a foundational, step-by-step organic guide to non-traditional, non-linear technique that will help writers beat clichéd, tired dramatic writing and provides stimulating new exercises to transform their work.
Judas Duncan was born dirt poor. Through hard work, he manages to become a professor of criminology by the age of 25. His good looks and promising future all come to a crashing halt one day when he is arrested in his classroom. His story of struggle and forgiveness could have happened anywhere. Judas fights to prove himself innocent of a crime he didn't commit, but instead ends up spending 18 years in prison. Once released, he can only think of vengeance, and seeks retaliation against the government that jailed him by counterfeiting money. After he discovers his wife is unfaithful and the son he raised is not his own, he finally finds forgiveness within himself and starts life anew as a pastor.
A History of Modern Drama: Volume II explores a remarkable breadth of topics and analytical approaches to the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 through to the dawn of the new millennium. Features detailed analyses of plays and playwrights, examining the influence of a wide range of writers, from mainstream icons such as Harold Pinter and Edward Albee, to more unorthodox works by Peter Weiss and Sarah Kane Provides global coverage of both English and non-English dramas – including works from Africa and Asia to the Middle East Considers the influence of art, music, literature, architecture, society, politics, culture, and philosophy on the formation of postmodern dramatic literature Combines wide-ranging topics with original theories, international perspective, and philosophical and cultural context Completes a comprehensive two-part work examining modern world drama, and alongside A History of Modern Drama: Volume I, offers readers complete coverage of a full century in the evolution of global dramatic literature.
It is 2003. George Bush has just appeared aboard a Navy carrier flashing a Mission Accomplished banner. In England, a Wicca coven warns British Intelligence of a prophecy to assassinate a future US president. It is to be carried out by Ramses, the son of the Anti-Christ. British MI-5 notifies the CIA. The CIA enlists the Hawaii Attorney General because Ramses was last known to be in Hawaii. Hawaii authorities discover that there is more to the prophecy besides a potential assassination. If the assassination is carried out, it will lead to the start of Armageddon. To prevent the fulfillment of the prophecy, Ramses must be reunited with the Anti-Christ in ancient Babylon, now modern-day Iraq. The Bible believing Lieutenant Governor of Hawaii sees this as another piece of evidence of the approaching End-Times. He recruits Honolulu narcotics detective Jake Cohen-Garcia, a former Navy SEAL. Jake is the ideal Anti-Christ bounty hunter because of his born again Christian reputation and his unique Jewish-Hispanic DNA. Jakes DNA heritage matches up perfectly with links connected to the Wicca prophecy. Jake is teamed up with two investigators and a certified exorcist priest. They form a unique investigative unit: The God Squad. The squads mission is to locate Ramses and short-circuit the prophecy of Armageddon. The mission takes the squad into the bizarre world of the occult and quantum mechanics that challenges their faith, their strength, and their sanitythe battles with the paranormal compound, Cohen-Garcias struggle with his personal demons and split personality. It threatens to destroy his faith, along with his family, as it propels him toward his own destruction. In the end, Jakes salvation comes from an up-close and personal confrontation with Ramses, a holy man from another world. The salvation of the world hangs in the balance.
In his day Walter Wellman (1858–1934) was one of America’s most famous men. To his contemporaries, he seemed like a character from a Jules Verne novel. He led five expeditions in search of the North Pole, two by dogsled and three by dirigible airship, and in 1910 made the first attempt to cross the Atlantic Ocean by air—which the self-styled expert on aerial warfare saw as a mission of world peace. He endured hardships, cheated death on more than one occasion, and surrounded himself with a team of assistants as eccentric and audacious as he was. In addition to his daring adventures, Wellman became a nationally known political reporter and unofficial spokesman for the McKinley and Roosevelt administrations. He was not the first newspaper-sponsored adventurer, but more than any of his predecessors he turned exploration into a real-time media event, and his reputation both flourished and suffered because of it. Wellman lived during a time of rapid social and technological change, when explorers were racing to fill in the last remaining blank spots on the map and when aviation promised to fulfill humanity’s greatest hopes and darkest fears. Flight to the Top of the World is a window into Wellman’s time and illuminates many of its dreams and contradictions.
In The Tools of screenwriting, the authors illuminate the essential elements of cinematic storytelling. These elements are guideposts for the aspiring screenwriter, and they can be used in different ways to accomplish a variety of ends. Questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics are discussed as they apply to the special art of filmmaking.
The Drakh have assaulted Earth with deadly Shadow technology -- but the worst is yet to come in this stunning continuation of the Babylon 5 epic adventure... Centauri Prime has been infiltrated by malevolent allies of the Shadows, creatures known as the Drakh. While Centauri citizens continue to rebuild their war-torn planet, their secret masters work feverishly toward one ultimate goal: to crush the Interstellar Alliance once and for all. As the Drakh carry out their horrific plans, Emperor Londo Mollari languishes on his throne, a puppet of the Drakh-bred keeper, an insidious creature that monitors his every thought, word, and action. While the emperor broods, the power-obsessed Lord Durla -- an unwitting Drakh pawn -- follows his own agenda. But Drakh control is not absolute. Vir Cotto -- a most unlikely hero -- has begun a resistance movement, and Alliance President John Sheridan has sent his most trusted troubleshooter, Michael Garibaldi, to investigate. Yet this move may prove costly, and though the Centauri continue to build a new military machine, the Alliance avoids any overt confrontation, hoping the problem will go away. They're about to discover how wrong they are...
A biography of the Scottish leader by an author with “an excellent eye for political detail” (Scotland on Sunday). Nicola Sturgeon became involved in politics as a teenager, and then began a law career in Glasgow. She would go on to become Scotland’s youngest parliamentary candidate in 1992, in her early twenties. Considered a rising star, she eventually reached the pinnacle of Scottish government as First Minister and leader of the Scottish National Party—the party she’d joined at the age of sixteen. This book explores her reputation for efficiency and shrewd political judgment, her family life, and her role in the country’s turbulent recent years with the campaign for Scottish independence from the United Kingdom and the Brexit vote. It is a portrait of a fascinating woman as well as an “illuminating appraisal” of her impressive career (Spectator).
Public Piers Plowman is divided into two parts. The first is an extended essay on what Benson calls the "Langland myth." He traces the evolution of Piers scholarship and demonstrates the limitations of treating Piers as a direct expression of the poet's experience and intellectual views." "In the second part Benson offers an alternative history for the poem. Benson approaches it from a broader public context, using representative examples from vernacular writing, parish art, and civic practices. He argues that Piers reached a wide contemporary audience because, far from being an account only of the author's own life and opinions, it was securely rooted in the common culture of its time and place."--Jacket.
For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”
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