Through descriptions of the town's schools, streets, homes, and natural surroundings, Leff offers this affectionate, insightful portrait of his adopted home of Collinsville, Connecticut, a village that looked perfectly ordinary until he fell prey to its rhythms and charm.
Deeply rooted in place and time, these poems explore nature, the built environment, and human relationships with an acute sense of reverence and wonder that renews the spirit.
David K. Leff explores the phenomenon he calls "terranexus," a profound connection to terrain or place, including built places as well as natural marvels.
The art of discovering cultural and natural treasures in everyday landscapes In the course of the mundane routines of life, we encounter a variety of landscapes and objects, either ignoring them or looking without interest at what appears to be just a tree, stone, anonymous building, or dirt road. But the "deep traveler," according to Hartford Courant essayist David K. Leff, doesn't make this mistake. Instead, the commonplace elements become the most important. By learning to see the magic in the mundane, we not only enrich daily life with a sense of place, we are more likely to protect and make those places better. Over his many years working at the Connecticut Department of Environmental Protection and writing about the state's landscape, Leff gained unparalleled intimacy while traveling its byways and back roads. In Hidden in Plain Sight, Leff's essays and photographs take us on a point-by-point journey, revealing the rich stories behind many of Connecticut's overlooked landmarks, from the Merritt Parkway and Cornwall's Cathedral Pines to roadside rock art and centuries-old milestones.
Since its founding four hundred years ago, New England has been a vital source of nature writing. Maybe it’s the diversity of landscapes huddled so close together or the marriage of nature and culture in a relatively small, six-state region. Maybe it’s the regenerative powers of the ecosystem in a place of repeated exploitations. Or maybe we have simply been thinking about our relationship with the natural world longer than everyone. If all successive nature writing is a footnote to Henry David Thoreau, then New England has a strong claim to being the birthplace of the genre. But there are, as the sixty entries in this anthology demonstrate, many other regional voices that extol the wonders and beauty of the outdoors, explore local ecology, and call for environmental sustainability. Between these covers, Noah Webster calls for our stewardship of nature and Lydia Sigourney finds sublime pleasure in it. Jonathan Edwards and Helen Keller both find miracles, while Samuel Peters and Mark Twain find humor. Author Nathaniel Hawthorne discovers a place to hide his metaphors, while the enslaved James Mars discovers an actual hiding place. Through it all is the apprehension of a profound and lasting splendor, “the glory of physical nature,” as W.E.B. Dubois calls it, something beyond our everyday concerns and yet tied so closely to our daily lives that we cannot escape it. Nature writing cultivates our sense of beauty, inflaming curiosity and the passion to explore. It opens us to deep, primal experiences that enrich life. Anyone wanting to understand our relationship with the world must start here.
Through descriptions of the town's schools, streets, homes, and natural surroundings, Leff offers this affectionate, insightful portrait of his adopted home of Collinsville, Connecticut, a village that looked perfectly ordinary until he fell prey to its rhythms and charm.
“Takes readers into the forests and sugar shacks of New England . . . Filled with entertaining anecdotes, traditional knowledge and recipes.” —Waterbury Republican-American These stories, told by real-life sugarmakers, reveal how this ancient industry has continued into the twenty-first century. Thanks to the newest technology—and the old-fashioned virtue of patience—New England sugarmakers are still keeping it real. A former maple sugarmaker and board member of the Maple Syrup Producers’ Association of Connecticut, David Leff takes us on a journey into the very heart of New England’s character. Along the way he talks with the sugar gurus, who share their expertise, insights, and anecdotes about their experiences in the business. What makes maple sugaring such a beloved tradition? Is it marketing savvy or something deeper—and harder to tap? This book is for anyone with a sweet tooth who is curious about the science, or simply enjoys a good story full of wisdom, quirky characters, and recipes.
In the hot summer of 2004, David Leff floated away from the routine of daily life just as Henry David Thoreau and his brother had done in their own small boat in 1839. Fortified with Thoreau’s observations as revealed in A Week on the Concord and Merrimack Rivers, Leff brought his own concept of mindful deep travel to these same New England waterways. His first-person narrative uses his ecological way of looking, of going deep rather than far, to show that our outward journeys are inseparable from our inward ones. How we see depends on where we are in our lives and with whom we travel. Leff chose his companions wisely. In consecutive journeys his neighbor and friend Alan, a veteran city planner; his son Josh, an energetic eleven-year-old; and his sweetheart Pamela, a compassionate professional caregiver, added their perspectives to Leff’s own experiences as a government official in natural resources policy. Not so much sight seeing as sight seeking, together they explored a geography of the imagination as well as the rich natural and human histories of the rivers and their communities. The heightened awareness of deep travel demands that we immerse ourselves fully in places and realize that they exist in time as well as space. Its mindfulness enriches the experience and makes the voyager worthy of the journey. Leff’s intriguing, contemplative deep travel along these historic rivers presents a methodology for exploration that will enrich any trip.
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