At the start of World War II, the British government determined the railway in East London would be vulnerable to heavy bombing by Germany. Children in the area were evacuated into the countryside to save their lives. Among the children sent to the West Country for the duration of the war were Tom and Billy Hedge. Their train journey to Cornwall was long and tiring. When the brothers finally arrived at the Applegate Farm in Netherton, where they were to be fostered, Billy stated, “I don’t like it here, Tom,” and that night, they silently cried themselves to sleep. The Applegates had two children: a son, Joshua, who at thirteen was a year older than Tom, and a daughter, Queenie, aged nine and a half, just six months younger than Billy. Tom found farm work to be hard and tedious, while Billy relished looking after the chickens, and later, the horses. Billy and Queenie bonded right from the start and became inseparable. They shared numerous adventures in the small village, including meeting a local ghost and helping an army deserter. After the war, and just before Christmas 1949, the two married.
At the start of World War II, the British government determined the railway in East London would be vulnerable to heavy bombing by Germany. Children in the area were evacuated into the countryside to save their lives. Among the children sent to the West Country for the duration of the war were Tom and Billy Hedge. Their train journey to Cornwall was long and tiring. When the brothers finally arrived at the Applegate Farm in Netherton, where they were to be fostered, Billy stated, “I don’t like it here, Tom,” and that night, they silently cried themselves to sleep. The Applegates had two children: a son, Joshua, who at thirteen was a year older than Tom, and a daughter, Queenie, aged nine and a half, just six months younger than Billy. Tom found farm work to be hard and tedious, while Billy relished looking after the chickens, and later, the horses. Billy and Queenie bonded right from the start and became inseparable. They shared numerous adventures in the small village, including meeting a local ghost and helping an army deserter. After the war, and just before Christmas 1949, the two married.
Sergeant Penny was a jovial 40-something policeman in Cornwall. Dedicated to upholding the law, he took his position very seriously, but only up to a point. His one failing was that he sympathized with the wrecking gangs, who earned their living plundering wrecks around local beaches in spells of rough weather. Penny’s mentor and lifelong friend was Doctor Mays. Kate Kessell was another of Penny’s associates. Kate was pregnant with her seventh child when she survived the cholera pandemic of 1849 that took her six children and her husband. It was Kate who discovered the body of a young woman one foggy night as she was on her way home after visiting her pregnant daughter. The victim’s half-naked body was sprawled on the low wall of a bridge over the River Amble – with a fisherman’s knife protruding from her chest. This was Penny’s first serious case since becoming a policeman, one that would take all his detection skills to unravel a seemingly perfect crime.
Petrov Madiski, Polish by birth, fled Poland at the start of World War II. After lying about his age, he joined the Royal Air Force at the age of 15 and became a fighter pilot. On D-Day, he was part of Operation Overlord, flying sorties across the Channel to support the Allied landings along the Normandy coastline. Following the advance into Europe, Petrov (Peter) is based in France, and it is here that he becomes firm friends with an American officer, Donald (Taffy) Welch, who gives him a letter of introduction to his brother in America. But Taffy is then killed. Peter survives the war, but his fianc, Ellie, dies in an air raid. Peter decides to take up Taffy's offer and go to America. The journey to Tuscaloosa, Alabama, proves more difficult than he imagined, and after several mishaps, Peter finally arrives on the doorstep of Taffy's brother, Elliott Welch. He is welcomed into the family and begins working for Elliott's construction company, which specializes in building trestle bridges. Peter's knowledge of lumber, his willingness to learn, and his appetite for hard work, soon gain him promotion within the company. While on a business trip, Peter meets a second Ellie, whom he later marries. But then disaster strikes. Peter is arrested for murder, and his pregnant wife is named as his accomplice. Author David J Wiles began writing in 1990, soon after he retired from the television industry. He lives in Cornwall, England, with his wife of 55 years. This is his first published novel.
Silver Winner, 2017 Foreword INDIES Book of the Year Awards in the Philosophy category In 1848, almost a year and a half before Edgar Allan Poe died at the age of forty, his book Eureka was published. In it, he weaved together his scientific speculations about the universe with his own literary theory, theology, and philosophy of science. Although Poe himself considered it to be his magnum opus, Eureka has mostly been overlooked or underappreciated, sometimes even to the point of being thought an elaborate hoax. Remarkably, however, in Eureka Poe anticipated at least nine major theories and developments in twentieth-century science, including the Big Bang theory, multiverse theory, and the solution to Olbers' paradox. In this book—the first devoted specifically to Poe's science side—David N. Stamos, a philosopher of science, combines scientific background with analysis of Poe's life and work to highlight the creative and scientific achievements of this text. He examines Poe's literary theory, theology, and intellectual development, and then compares Poe's understanding of science with that of scientists and philosophers from his own time to the present. Next, Stamos pieces together and clarifies Poe's theory of scientific imagination, which he then attempts to update and defend by providing numerous case studies of eureka moments in modern science and by seeking insights from comparative biography and psychology, cognitive science, neuroscience, and evolution.
The School Story: Young Adult Narratives in the Age of Neoliberalism examines the work of contemporary writers, filmmakers, and critics who, reflecting on the realm of school experience, help to shape dominant ideas of school. The creations discussed are mostly stories for children and young adults. David Aitchison looks at serious novels for teens including Laurie Halse Anderson’s Speak and Faiza Guène’s Kiffe Kiffe Tomorrow, the light-hearted, middle-grade fiction of Andrew Clements and Tommy Greenwald, and Malala Yousafzai’s autobiography for young readers, I Am Malala. He also responds to stories that take young people as their primary subjects in such novels as Sapphire’s Push and films including Battle Royale and Cooties. Though ranging widely in their accounts of young life, such stories betray a mounting sense of crisis in education around the world, especially in terms of equity (the extent to which students from diverse backgrounds have fair chances of receiving quality education) and empowerment (the extent to which diverse students are encouraged to gain strength, confidence, and selfhood as learners). Drawing particular attention to the influence of neoliberal initiatives on school experience, this book considers what it means when learning and success are measured more and more by entrepreneurship, competitive individualism, and marketplace gains. Attentive to the ways in which power structures, institutional routines, school spaces, and social relations operate in the contemporary school story, The School Story offers provocative insights into a genre that speaks profoundly to the increasingly precarious position of education in the twenty-first century.
Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period . Modern British Playwriting: The 1950s provides an authoritative and stimulating reassessment of the theatre of the decade together with a detailed study of the work of T.S Eliot (by Sarah Bay-Cheng) , Terence Rattigan (David Pattie), John Osborne (Luc Gilleman) and Arnold Wesker (John Bull). The volume sets the context by providing a chronological survey of the 1950s, a period when Britain was changing rapidly and the very fabric of an apparently stable society seemed to be under threat. It explores the crisis in the theatrical climate and activity in the first part of the decade and the shift as the theatre began to document the unease in society, before documenting the early life of the four principal playwrights studied in the volume. Four scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts, interviews and the critical receptions of the time. An Afterword reviews what the writers went on to do and provides a summary evaluation of their contribution to British theatre from the perspective of the twenty-first century.
Alerts students and teachers in education and the humanities to the area of thought known as Continental or reflective philosophy. This book discusses the various disciplines included in this philosophy that come under the rubric of philosophical anthropology: philosophical biology, psychoanalysis, phenomenology, and branches of postcritical philosophy.
Gloucestershire 2: The Vale and the Forest of Dean and its companion, Gloucestershire I: The Cotswolds, provide a lively and uniquely comprehensive guide to the architecture of Gloucestershire. Alan Brooks's extensively revised and expanded editions of David Verey's original volumes bring together the latest research on a county unusually rich in attractive and interesting buildings. The area covered lies on both sides of the River Severn, rising from flat alluvial lands to the lower slopes of the Cotswold Escarpment on the east and the rough wooded hills of the Forest of Dean on the Welsh border, with its distinctive industrial inheritance. Architecture is generally more varied and unpredictable than in the Cotswolds: stone, timber, brick and stucco all have local strongholds. The Vale is most famous for its two great churches, Gloucester Cathedral and Tewkesbury Abbey, both Norman buildings with brilliantly inventive late medieval modifications. The other major settlement is the spa town of Cheltenham, with its fine parades of Regency terraces. Country houses include Thornbury Castle, greatest of Early Tudor private houses, timber-framed manors such as Preston Court, and the extravagantly Neo-Gothic Toddington; churches range from the enigmatic Anglo-Saxon pair at Deerhurst to Randall Wells's Arts-and-Crafts experiment at Kempley. Amongst the memorable post-war landmarks are the suspension bridges and nuclear power stations on the banks of the Severn, and Aztec West, one of the best British business parks, on the northern fringes of Bristol. Visitors and residents alike will find their understanding and enjoyment of west Gloucestershire transformed by this book.
This volume introduces the study of 144 cemeteries in Jackson and Sandy Ridge Townships, Union Co., NC, and the surrounding areas. Over 27,524 graves are included.
John Hick is considered to be one of the greatest living philosophers of religion. Hick's philosophical journey has culminated in the grand proposal that we should see all the major world religions as equally valid responses to the same ultimate reality (the 'Real'). This book presents a critical introduction to John Hick's speculative theology and philosophy. The book begins where Hick began, with the problems of religious language, and ends where Hick is now, exploring the questions of religious plurality. Incorporating early aspects that Hick himself would now wish to qualify, as well as explanations that reflect Hick's present focus, Cheetham offers some speculative reflections of his own on key topics, highlighting Hick's influence on contemporary theology and philosophy of religion. All those studying the work of this great philosopher and theologian will find this new introduction offers an invaluable overview along with fresh critical insight.
Bible study notes and commentary on the New Testament books of 1&2 Peter, 1,2,3, John, and Jude. Emphasizes understanding the text with practical applications. Intended to be helpful to all Christians, including teachers and preachers, while avoiding an emphasis on technical issues. Written from the conservative viewpoint of faith in the Bible as the absolute, inerrant, verbally inspired word of God. Comments include discussion of these topics: * Faithfulness in time of suffering * Qualities needed in a Christian's character * Second coming of Jesus * The Deity and humanity of Jesus * Conditions for fellowship with God * Love for God and others * Importance of obedience to truth
“A superbly written and intellectually stimulating novel.”—The Independent (London) Since he was a young boy, John has studied at the Franciscan monastery outside Oxford, under the tutelage of friar and magus Roger Bacon, an inventor, scientist, and polymath. In 1267 Bacon arranges for his young pupil to embark on a journey of penitence to Italy. But the pilgrimage is a guise to deliver scientific instruments and Bacon’s great opus to His Holiness, Pope Clement IV. Two companions will accompany John, both Franciscan novices: the handsome, sweet-tempered Brother Andrew; and the brutish Brother Bernard. John the Pupil is a road movie, recounting the journey taken from Oxford to Viterbo by John and his two companions. Modeling themselves after Saint Francis, the men trek by foot through Europe, preaching the gospel and begging for sustenance. In addition to fighting off ambushes from thieves hungry for the thing of power they are carrying, the holy trio is tried and tempted by all sorts of sins: ambition, pride, lust—and by the sheer hell and heaven of medieval life. “Astonishing.”—Booklist (starred review) “Strikingly original . . . a hugely enjoyable read.”—The Times (London)
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