Catalog of an exhibition organized by the J. Paul Getty Museum and the Sterling and Francine Clark Art Institute, held in Williamstown, Mass., June 5-Sept. 5, 2004.
It was November 1987, David Allan Jacques pulled into a parking lot, found a spot under a shade tree, and parked his car. Moments later as he wailed into a towel held over his mouth to muffle the sound, David spiraled downward into self-condemnation. As he reflected on a violent, rocky past and a tragic failed relationship, David was forced to make a choice: to escape his torment by taking his own life or confront his demons and profound brokenness. Thankfully he chose the latter. In an inspiring spiritual memoir, David candidly reveals how he embarked on a journey to overcome his past, search for his purpose, and find a pathway to freedom, healing, and recovery. While detailing his experiences as he wrestled with devastating blows and confronted seemingly insurmountable obstacles, David discloses how God intervened, delivered him from his internal prison, helped him navigate the shadowlands and, most importantly, taught him that no matter what, He was always accessible, faithful, and willing to act. Navigating the Shadowlands is a true story of transformation as a lost soul climbs his way out of darkness and into the light of restoration, with help from a powerful and loving God.
Gardens of Court and Country provides the first comprehensive overview of the development of the English formal garden from 1630 to 1730. Often overshadowed by the English landscape garden that became fashionable later in the 18th century, English formal gardens of the 17th century displayed important design innovations that reflected a broad rethinking of how gardens functioned within society. With insights into how the Protestant nobility planned and used their formal gardens, the domestication of the lawn, and the transformation of gardens into large rustic parks, David Jacques explores the ways forecourts, flower gardens, bowling greens, cascades, and more were created and reimagined over time. This handsome volume includes 300 illustrations - including plans, engravings, and paintings - that bring lost and forgotten gardens back to life.
This book examines the many theories of preferred landscape over the last half century and informs those readers teaching or in landscape practice of the main lines of argument so that they can make up their own minds.
The principal exponent of the Neoclassical reaction against the Rococo style, Jacques-Louis David won wide acclaim with his huge canvases on classical themes. The appointed painter to Napoleon, David developed his Empire style, notable for its use of warm Venetian colours, confirming his status as the most celebrated artist of his day. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents David’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Jacques-Louis David — fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore David’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you wish to view * Includes David’s drawings - explore the artist’s varied works * Features a bonus biography - discover David’s artistic and personal life Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights Erasistratus Discovering the Cause of Antiochus’ Disease Andromache Mourning Hector Oath of the Horatii The Death of Socrates The Lictors Bring to Brutus the Bodies of His Sons Sketch of ‘The Tennis Court Oath’ The Death of Marat Self Portrait of Jacques-Louis David Unfinished Portrait of General Bonaparte The Intervention of the Sabine Women Portrait of Madame Récamier Leonidas at Thermopylae Napoleon Crossing the Alps The Coronation of Napoleon The Emperor Napoleon in His Study at the Tuileries Portrait of Emmanuel Joseph Sieyès Mars Being Disarmed by Venus and the Three Graces The Paintings The Complete Paintings Alphabetical List of Paintings The Drawings List of Drawings The Biography Brief Biography: Jacques-Louis David Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
I have nothing to look forward to. Eighteen years old and every vision I've ever had, every memory of the future; they've nearly all become real memories now. What you would call the past." Ezekiel, eighteen and clairvoyant, knows the end is coming. He's been expecting it for years. But with mere weeks to go, he may have finally met his savior. Her name is Mona, and she filled his visions long before she walked into his life. The question is — why? ,
The Word of God in the Ethics of Jacques Ellul originated (1979) as one of the first PhD dissertations on the thought of French sociologist and theologian Jacques Ellul (1912–94), author of some sixty volumes on the nature and impact of modern technology and on Christian ethics. Ethicist David Gill studied with Ellul and devoted his own career to an exploration of how Jesus and Scripture can bring the Word of God to our contemporary world, especially to our work and technology. More recently Jacques Ellul and the Bible: Toward a Hermeneutic of Freedom, edited by Jacob Marques Rollison (Wipf & Stock, 2020), including an essay by David Gill, adds fresh insight to this critical topic.
This study examines the French thinker Jacques Ellul (1912–1994) and his historical, biblical, and social analyses of how technology manipulates and impoverishes modern thought, culture, and language. In the spirit of Georg Hegel and Ernst Cassirer, Ellul explores how technology begins in myths, stories, and religion, advances to tools, and then develops into data, algorithms, and abstract systems which are detached from human bodies and communities. Efficiency then becomes an absolute in all areas of human life, and the mentality of technique becomes lost in its creations. These modern symbols, posing as ultimate human goods and values, are denigrated by technique, leaving humanity awash in clichés, in groundless social media, and in blathering slogans that sustain the illusion that politics and culture have now become.
Presence in the Modern World is Jacques Ellul's most foundational book, combining his social analysis with his theological orientation. Appearing first in French in 1948, and later in English as The Presence of the Kingdom, it has reached the status of a classic that retains all of its relevance today in the face of the challenges that beset us. How should we respond toward such complex forces as technology or the state? How can we communicate with one another, despite the problems inherent in modern forms of media? Do we have hope for the future of our civilization? Ellul responds by describing how a Christian's unique presence in the world can make a difference. Instead of acting "as sociological beings," we must commit ourselves to the kind of revolution that will occur only when we become radically aware of our present situation and undertake "a ferocious and passionate destruction of myths, intellectual idols, unconscious rejections of reality, and outmoded and empty doctrines." In this way, says Ellul, we become the medium for God's action in the modern world. This 2016 edition presents a fresh translation along with new footnotes, an introduction to Ellul's life, and a complete bibliography of his books in English and French.
The first intellectual biography of 20th century philosopher Jacques Derrida, a full-scale appraisal of his career, his influences, and his philosophical sources.
Before the Second World War landscape architect Christopher Tunnard was the first author on Modernism in Landscape in the English language, but later became alarmed by the destructive forces of Post-war reconstruction. Between the 1950s and the 1970s he was in the forefront of the movement to save the city, becoming an acclaimed author sympathetic to preservation. Ironically it was the Modernist ethos that he had so fervently advocated before the war that was the justification for the dismemberment of great cities by officials, engineers and planners. This was not the first time that Tunnard had to re-evaluate his principles, as he had done so in the 1930s in rejecting Arts-and-Crafts in favour of Modernism. This book tracks his changing ideology, by reference to his writings, his colleagues and his work. Christopher Tunnard is one of the most influential figures in Landscape Architecture and his journey is one that still resonates in the discipline today. His leading role in first embracing the tenets of Modernism and then moving away from to embrace a more conservationist approach can be seen in the success and impact on the profession of those with whom he worked and taught.
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