Consolation has always played an uncomfortable part in the literary history of loss. But in recent decades its affective meanings and ethical implications have been recast by narratives that appear at first sight to foil solace altogether. Illuminating this striking archive, Discrepant Solace considers writers who engage with consolation not as an aesthetic salve but as an enduring problematic, one that unravels at the centre of emotionally challenging works of late twentieth- and twenty-first-century fiction and life-writing. The book understands solace as a generative yet conflicted aspect of style, where microelements of diction, rhythm, and syntax capture consolation's alternating desirability and contestation. With a wide-angle lens on the contemporary scene, David James examines writers who are rarely considered in conversation, including Sonali Deraniyagala, Colson Whitehead, Cormac McCarthy, W.G. Sebald, Doris Lessing, Joan Didion, J. M. Coetzee, Marilynne Robinson, Julian Barnes, Helen Macdonald, Ian McEwan, Colm Toibin, Kazuo Ishiguro, Denise Riley, and David Grossman. These figures overturn critical suppositions about consolation's kinship with ideological complaisance, superficial mitigation, or dubious distraction, producing unsettling perceptions of solace that shape the formal and political contours of their writing. Through intimate readings of novels and memoirs that explore seemingly indescribable experiences of grief, trauma, remorse, and dread, James demonstrates how they turn consolation into a condition of expressional possibility without ever promising us relief. He also supplies vital traction to current conversations about the stakes of thinking with contemporary writing to scrutinize affirmative structures of feeling, revealing unexpected common ground between the operations of literary consolation and the urgencies of cultural critique. Discrepant Solace makes the close reading of emotion crucial to understanding the work literature does in our precarious present.
Learn the fundamentals and foundations of modern organic chemistry with this comprehensive guide Foundations of Organic Chemistry: Unity and Diversity of Structures, Pathways, and Reactions, 2nd Edition, is a substantive guide for students beginning their study of organic chemistry and instructors, as well as senior undergraduates and graduate students seeking to further their understanding of the subject. Foundations of Organic Chemistry is a serious attempt to show students who want to learn organic chemistry how we know what we know about the subject and to guide them to learn. In this work, the emphasis of the discussion of structures, pathways, and reactions is placed on the original literature and the fundamentals and use of spectroscopic and kinetic tools. Application of the resulting working knowledge of the substance of organic chemistry will lead the serious student to ask additional questions and, ultimately, to solve problems we face. The book also includes solutions guides for instructors and lecturers, as well as access to a companion website for furthering the reader’s knowledge of organic chemistry.
An innovative blend of cultural and political history, Emancipating New York is the most complete study to date of the abolition of slavery in New York state. Focusing on public opinion, David N. Gellman shows New Yorkers engaged in vigorous debates and determined activism during the final decades of the eighteenth century as they grappled with the possibility of freeing the state's black population. The gradual emancipation that began in New York in 1799 helped move an entire region of the country toward a historically rare slaveless democracy, creating a wedge in the United States that would ultimately lead to the Civil War. Gellman's comprehensive examination of the reasons for and timing of New York's dismantling of slavery provides a fascinating narrative of a citizenry addressing longstanding injustices central to some of the greatest traumas of American history.
In this interdisciplinary study of sentimental discourse of the late eighteenth century, David J. Denby sheds new light on Enlightenment thought and sensibility. He situates sentimental subliterature in its social and political context, analyzing how its formal structures are reflected in contemporary theories and texts concerning society, morality, politics, and history. Denby argues that sentimentalism is central to the culture of late-eighteenth-century France. Texts discussed include works by Rousseau and de Staël.
In this interdisciplinary study of sentimental discourse of the late eighteenth century, David J. Denby sheds new light on Enlightenment thought and sensibility. He situates sentimental subliterature in its social and political context, analyzing how its formal structures are reflected in contemporary theories and texts concerning society, morality, politics, and history. Denby argues that sentimentalism is central to the culture of late-eighteenth-century France. Texts discussed include works by Rousseau and de Staël.
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