A Pulitzer Prize-winning photographer offers tips and techniques for using an iPhone to take great pictures, explaining that he divined these secrets during a photograph-a-day mission in 2013.
From the jungles of Vietnam, where he shot a photo of "the loneliness and desolation of war" that won a Pulitzer Prize, to the impeachment trial of President Bill Clinton, David Hume Kennerly witnessed and photographed most of the history-making moments of the last third of the twentieth century. As the millennium turned and he set out to cover his eighth presidential campaign, however, the veteran photojournalist sensed something missing. In his words, "I had the uneasy feeling that I couldn't focus only on the story at hand while bypassing the texture of life that surrounds it.... This time I wouldn't speed across that covered bridge to get to the big event on the other side, but instead I would slow down a bit, maybe even pause to take a picture of the bridge." Photo du Jour is Kennerly's visual diary of "the texture of life" at the start of the twenty-first century. As he traveled more than a quarter of a million miles across thirty-eight states and seven countries, Kennerly took a picture every single day in the year 2000, using just one camera and one lens. Some offer candid, behind-the-scenes glimpses of the men who would be president--John McCain, Al Gore, and George W. Bush. Most of the photographs, though, seek to capture not the big, historic moments but rather the ordinary, even whimsical moments when the essence of a person or a place reveals itself to the observer who takes the time and has the heart to really see. Travel with him from Beijing to Boston, Moose to Miami, and Whynot to Weimea in Photo du Jour, and you'll quickly discover that David Kennerly is just such an observer.
From the jungles of Vietnam, where he shot a photo of "the loneliness and desolation of war" that won a Pulitzer Prize, to the impeachment trial of President Bill Clinton, David Hume Kennerly witnessed and photographed most of the history-making moments of the last third of the twentieth century. As the millennium turned and he set out to cover his eighth presidential campaign, however, the veteran photojournalist sensed something missing. In his words, "I had the uneasy feeling that I couldn't focus only on the story at hand while bypassing the texture of life that surrounds it.... This time I wouldn't speed across that covered bridge to get to the big event on the other side, but instead I would slow down a bit, maybe even pause to take a picture of the bridge." Photo du Jour is Kennerly's visual diary of "the texture of life" at the start of the twenty-first century. As he traveled more than a quarter of a million miles across thirty-eight states and seven countries, Kennerly took a picture every single day in the year 2000, using just one camera and one lens. Some offer candid, behind-the-scenes glimpses of the men who would be president--John McCain, Al Gore, and George W. Bush. Most of the photographs, though, seek to capture not the big, historic moments but rather the ordinary, even whimsical moments when the essence of a person or a place reveals itself to the observer who takes the time and has the heart to really see. Travel with him from Beijing to Boston, Moose to Miami, and Whynot to Weimea in Photo du Jour, and you'll quickly discover that David Kennerly is just such an observer.
From the beginning, rhetoric has been a productive and practical art aimed at preparing citizens to participate in communal life. Possibilities for this participation are continually evolving in light of cultural and technological changes. The Available Means of Persuasion: Mapping a Theory and Pedagogy of Multimodal Public Rhetoric explores the ways that public rhetoric has changed due to emerging technologies that enable us to produce, reproduce, and distribute compositions that integrate visual, aural, and alphabetic elements. David M. Sheridan, Jim Ridolfo, and Anthony J. Michel argue that to exploit such options fully, rhetorical theory and pedagogy need to be reconfigured.
Suicide bombers are coming to America's heartland. Their targets: our most precious and vulnerable assets, our children. Following the most terrifying lead of his life, CIA Director Kirk McGarvey traces the threat to a Saudi playboy prince, but the White House wants nothing to do with McGarvey's assumptions. Accusing a Saudi prince of such a heinous plan will surely strain the delicate political balance between the United States and Saudi Arabia. But McGarvey refuses to let politics stand in the way of his investigation, even if it means that the president of the United States will call him a traitor, even if it means he must resign as director of the CIA, and even if it means his meddling will lead to the kidnapping and brutal beating of his own wife. From the deadly, frigid Alaskan waters to the balmy breezes of the French Riviera and finally to the Saudi Arabian embassy in Washington, D.C., Mac fights through his own nation's restraints to stop suicide bombers willing to martyr themselves for their cause as Soldiers of God.
Modeled after those bedside books of prayer and contemplation that millions turn to for daily spiritual guidance and growth, the national bestseller The Intellectual Devotional—offering secular wisdom and cerebral nourishment—drew a year's worth of readings from seven different fields of knowledge. In The Intellectual Devotional: American History, authors David S. Kidder and Noah D. Oppenheim have turned to the rich legacy of American history for their selections. From Thomas Jefferson and Benjamin Franklin to Martin Luther King Jr., from the Federalist Papers to Watergate, the giant figures, cultural touchstones, and pivotal events in our national heritage provide a bountiful source of reflection and education that will refresh knowledge, revitalize the mind, and open new horizons of intellectual discovery.
From the origins of the court to practical matters—the federal judiciary system, the Supreme Court’s session schedule, how cases reach the court, and the argument, decision and appeal process—this book covers it all! Making our nation’s least-understood branch of government accessible to all, The Handy Supreme Court Answer Book informs and entertains, providing a veritable docket of interesting Court lore. This fascinating book explores the defining personalities that served as the Court’s chief justices, details the history, important cases, the current events of the Court, and more. It answers more than 800 absorbing questions, including … Which Supreme Court Justice killed a man in a dual? Who was the first Supreme Court Justice to attend law school? When did the Supreme Court begin its tradition of nine justices on the bench? Which Justices signed the Declaration of Independence? What happens when a justice becomes incapacitated? In what decision did the Court uphold a ten-hour work day for mill and factory workers? The Court rejected women’s rights to vote in what decision? What future U.S. President was offered a position on the U.S. Supreme Court? Which Supreme Court justice married a sixteen-year-old? When did the Supreme Court first meet? With numerous photos and illustrations, this tome is richly illustrated, and its helpful bibliography and extensive index add to its usefulness. For a quick and useful reference to the history of the Court, the vote is unanimous for The Handy Supreme Court Answer Book!
This modular version of Myers's full-length text, Psychology, reflects the author's research-supported belief that many students learn better using a text comprised of brief modules, as opposed standard-length chapters. Psychology, Eighth Edition, in Modules breaks down the 18 chapters of Psychology into 58 short modules, retaining that acclaimed text's captivating writing, superior pedagogy, and wealth of references to recent cutting-edge research. The modular version has its own extensive media and supplements package, with content organized to match its table of contents.
Awarded the Pulitzer Prize for his coverage of the Vietnam War, photojournalist David Kennerly documents his efforts to capture on film the events that have changed history and provides examples of his photographs of wars, natural disasters, and world lea
A biography of General Powell, one of the most respected and popular military leaders of his time, and a peerless role model for African-Americans. Covers his life from the early days in Harlem to his rise as the first Black chairman of the Joint Chiefs of staff.
In the bestselling tradition of The Nine and The Brethren, The Most Dangerous Branch takes us inside the secret world of the Supreme Court. David A. Kaplan, the former legal affairs editor of Newsweek, shows how the justices subvert the role of the other branches of government—and how we’ve come to accept it at our peril. With the retirement of Justice Anthony Kennedy, the Court has never before been more central in American life. It is the nine justices who too often now decide the controversial issues of our time—from abortion and same-sex marriage, to gun control, campaign finance and voting rights. The Court is so crucial that many voters in 2016 made their choice based on whom they thought their presidential candidate would name to the Court. Donald Trump picked Neil Gorsuch—the key decision of his new administration. Brett Kavanaugh—replacing Kennedy—will be even more important, holding the swing vote over so much social policy. Is that really how democracy is supposed to work? Based on exclusive interviews with the justices and dozens of their law clerks, Kaplan provides fresh details about life behind the scenes at the Court—Clarence Thomas’s simmering rage, Antonin Scalia’s death, Ruth Bader Ginsburg’s celebrity, Breyer Bingo, the petty feuding between Gorsuch and the chief justice, and what John Roberts thinks of his critics. Kaplan presents a sweeping narrative of the justices’ aggrandizement of power over the decades—from Roe v. Wade to Bush v. Gore to Citizens United, to rulings during the 2017-18 term. But the arrogance of the Court isn’t partisan: Conservative and liberal justices alike are guilty of overreach. Challenging conventional wisdom about the Court’s transcendent power, The Most Dangerous Branch is sure to rile both sides of the political aisle.
Lebanon's significance to the Middle East and the global arena is greater than its small size suggests - bordering Israel and Syria, it holds a geo-strategic role as the playing field for their competition as well as for their allies, America and Iran. This book examines how American diplomacy has responded to the intersection of local, regional, and international factors in Lebanon. David Hale examines several key episodes in US diplomatic history with Lebanon, starting with the country's independence in 1943, up until the present moment. Crucial events such as the Lebanese Civil War, the Cedar Revolution, and more recently the spillover from the Syrian Civil War, are examined within the context of the respective US government administrations of the time and their foreign policy strategies. Hale asks whether policy-makers had realistic and compelling goals, the right strategy, sufficient means, and capable diplomats in its diplomatic approaches towards Lebanon through the years. Crucially, this study focuses on how, during these critical periods, American diplomacy toward Lebanon had consequences beyond the country itself, and on the narrative lines and lessons for the broader conduct of American foreign policy.
In The Art of Gratitude, Jeremy David Engels sketches a genealogy of gratitude from the ancient Greeks to the contemporary self-help movement. One of the most striking things about gratitude, Engels finds, is how consistently it is described using the language of indebtedness. A chief purpose of this, he contends, is to make us more comfortable living lives in debt, with the nefarious effect of pacifying the citizenry so we are less likely to speak out about social and economic injustice. To counteract this, he proposes an alternative art of gratitude-as-thanksgiving that is inspired by Indian philosophy, particularly the yoga philosophy of the Bhagavad Gita and Patanjali's Yoga-Sutras. He argues that this art of gratitude can challenge neoliberalism by reorienting our politics away from resentment, anger, and guilt and toward a democratic ethic of thanksgiving and the common good.
In a world where politics is conducted through images, the tools of art history can be used to challenge the privatized antidemocratic sphere of American television. American television embodies a paradox: it is a privately owned and operated public communications network that most citizens are unable to participate in except as passive specators. Television creates an image of community while preventing the formation of actual social ties because behind its simulated exchange of opinions lies a highly centralized corporate structure that is profoundly antidemocratic. In Feedback, David Joselit describes the privatized public sphere of television and recounts the tactics developed by artists and media activists in the 1960s and 1970s to break open its closed circuit. The figures whose work Joselit examines—among them Nam June Paik, Dan Graham, Joan Jonas, Abbie Hoffman, Andy Warhol, and Melvin Van Peebles—staged political interventions within television's closed circuit. Joselit identifies three kinds of image-events: feedback, which can be both disabling noise and rational response—as when Abbie Hoffman hijacked television time for the Yippies with flamboyant stunts directed to the media; the image-virus, which proliferates parasitically, invading, transforming, and even blocking systems—as in Nam June Paik's synthesized videotapes and installations; and the avatar, a quasi-fictional form of identity available to anyone, which can function as a political actor—as in Melvin Van Peebles's invention of Sweet Sweetback, an African-American hero who appealed to a broad audience and influenced styles of Black Power activism. These strategies, writes Joselit, remain valuable today in a world where the overlapping information circuits of television and the Internet offer different opportunities for democratic participation. In Feedback, Joselit analyzes such midcentury image-events using the procedures and categories of art history. The trope of figure/ground reversal, for instance, is used to assess acts of representation in a variety of media—including the medium of politics. In a televisual world, Joselit argues, where democracy is conducted through images, art history has the capacity to become a political science.
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