One never knows what the topic of discussion will be when taking a seat with the gentlemen in the Backbooth at Chappy’s Deli in Auburn, Alabama. The topics change daily, often several times within the same sitting. The conversation is broad and knows no bounds. Throughout the day, conservative, liberal, and even some middle-of-the-road friends gather for breakfast to chat about the news of the day or just their thoughts and feelings on certain subjects. Usually, the conversation is cordial and without rancor ... but not always. This book is a collection of the group’s recollections, hopes, and dreams. In addition to football, politics and religion, there are stories of friends and neighbors, and of people the gentlemen know only through the news media—mostly imperfect people in an imperfect world doing the best they can. Filled with Southern charm and keen insights, you’ll finish this humorous book convinced that the world would be better if we as a nation had more conversations like the men at Chappy’s.
Stories by: Glynn Owen Barrass, Andrew Coulthard, Richard Alan Scott, Sarah Walker, J. Edwin Buja, David Agranoff, Anthony Trevino, Michael Housel, John Chadwick, David Voyles, Nora Peevey, B.E. Dantalion. Second volume by Eighth Tower Publications, in a series of anthologies revolving around genre writers and artists who set the parameters and frameworks of the kind of tales that we prefer to read (the first volume was dedicated to HP Lovecraft). Here you will find another varied selection of interpretations inspired by the Gates of Hell film trilogy by the Italian legendary director Lucio Fulci. Many authors do elaborate on themes explicated in the movies, but there are an equal number that only take the barest of essentials from Fulci's works and go off tangentially instead. You will find two tales in which the film features, both in very different ways: Sarah Walker's 'The Evocation of Ansell Jeffers' and Andrew Coulthard's 'The Seventh Gate'. Some stories such as Michael Housel's 'Summer Urges' hint at the threat of the living dead (simultaneously using characters and tropes from the film City of the Living Dead, but only in passing), while John Edwin Buja's wartime-set 'Lost in Hell on the Way to Victory' similarly uses the living dead motif and mentions the Gates of Hell but otherwise makes no reference to anything from the films. More proscribed tomes lie at the heart of both John Chadwick's 'The Book of Belman' (Chadwick's own creation The Book of Belman) and Charles Evans' 'The Black Hole (Robert Bloch's De Vermis Mysteriis). Of course, other stories feature hordes of our favourite brain-munchers running amok, like Glynn Owen Barrass' 'Terror at the Harriet Kingston Motel' and Nora B. Peevy's darkly comedic 'The Witch of Fox Point', which features a cast of memorable characters including a plucky teenager who, along with her witch grandmother and the ghost of a young girl, battle against a veritable swarm of the undead (and zombie cows) in order to save the world. In Richard Alan Scott's 'Son of No one', a real-life event that terrorised New York in the seventies is given an unsettling twist, setting the tale against a palpable sense of genuine fear and panic that really was felt by people at the time, told by a native of NYC in a way that creates a sense of reality that only serves to heighten the unfolding nightmare. David Voyles' 'Last Rites' has its own blackly humorous moments in a well-observed tale set in a typical English town. Music plays a central role in David Agranoff and Anthony Trevino's nightmarish 'Scoring The Season of the Unnamed', So we invite you to barricade yourself into your house, black out the windows, set a fire in the grate, turn on a dim light by which to read, stockpile some weapons perhaps, and settle yourself into a comfortable chair and let these eleven tales of terror accompany you into the small hours of the night.
Primarily reproduces the football program covers from 1959-1976 (some redrawn) but includes a short history of each football season, rosters of players, etc.
Of all the characters bequeathed to us by the Hebrew Bible, none is more compelling or complex than David. Divinely blessed, musically gifted, brave, and eloquent, David's famous slaying of Goliath also confirms that he is a redoubtable man of war. Yet, when his son Absalom rebels, David is dogged by the accusation than he will lose his kingdom because he is not merely a man of war, but a man of 'bloods' - guilty of shedding innocent blood. In this book, for the first time, this language of 'innocent blood' and 'bloodguilt' is traced throughout David's story in the books of Samuel and 1 Kings. The theme emerges initially in Saul's pursuit of David and resurfaces regularly as David rises and men like Nabal, Saul, Ishbosheth, and Abner fall. Innocent blood and bloodguilt also turn out to be central to David's reign. This is seen in a surprising way in David's killing of Uriah, but also in the subsequent deaths of his sons, Amnon and Absalom, his general, Amasa, and even in David's encounters with Shimei. The problem rears its head again when the innocent blood of the Gibeonites shed by Saul comes back to haunt David's kingdom. Finally, the problem reappears when Solomon succeeds David and orchestrates the executions of Joab and Shimei, and the exile of Abiathar. Attending carefully to the text and drawing extensively on previous biblical scholarship, David J. Shepherd suggests that innocent blood is not only a pre-eminent concern of David, and his story in Samuel and 1 Kings, but also shapes the entirety of David's history.
Timely and encouraging words to initiate a fresh experience of God's grace. By following the dramatic story of John Newton, the Amazing Grace hymn writer, and the apostle Paul's own encounter with the God of grace, pastor and teacher Dr. David Jeremiah helps readers understand the freeing power of permanent forgiveness and mercy. Dramatic stories and biblical insights highlight the very personal effects of grace and how grace: wondrously spans all our differences rescues us from our lostness helps us overcome our weaknesses, takes us from victims to victors
This book is composed of insightful views about death, life, and the wisdom that comes with both. This debut collection of rhymed prose shall serve as a reminder that what we seek is unto us from within, and to proceed with the light though this journey with time of life and death.
One never knows what the topic of discussion will be when taking a seat with the gentlemen in the Backbooth at Chappy’s Deli in Auburn, Alabama. The topics change daily, often several times within the same sitting. The conversation is broad and knows no bounds. Throughout the day, conservative, liberal, and even some middle-of-the-road friends gather for breakfast to chat about the news of the day or just their thoughts and feelings on certain subjects. Usually, the conversation is cordial and without rancor ... but not always. This book is a collection of the group’s recollections, hopes, and dreams. In addition to football, politics and religion, there are stories of friends and neighbors, and of people the gentlemen know only through the news media—mostly imperfect people in an imperfect world doing the best they can. Filled with Southern charm and keen insights, you’ll finish this humorous book convinced that the world would be better if we as a nation had more conversations like the men at Chappy’s.
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