David Hamlet's Books

David Schalkwyk tells the ‘Robben Island Shakespeare' story and explores the representation and experience of imprisonment in South African prison memoirs and Shakespeare's Hamlet.

This cutting-edge book explores Shakespeare’s negotiation of Reformation controversy about theories of salvation. While twentieth century literary criticism tended to regard Shakespeare as a harbinger of secularism, the so-called “turn to religion” in early modern studies has given renewed attention to the religious elements in Shakespeare and his contemporaries. Nevertheless, there remains an aura of uncertainty regarding some of the doctrinal and liturgical specificities of the period. This historical gap is especially felt with respect to theories of salvation, or soteriology. Such ambiguity, however, calls for further inquiry into historical theology. The author explores how the language and concepts of faith, grace, charity, the sacraments, election, free will, justification, sanctification, and atonement find expression in Shakespeare’s plays. In doing so, this book contributes to the recovery of a greater understanding of the relationship between early modern religion and Shakespearean drama. While the author shares David Scott Kastan’s reluctance to attribute particular religious convictions to Shakespeare, in some cases such critical guardedness has diverted attention from the religious topography of Shakespeare’s plays. Throughout this study, the author’s hermeneutic is to read Shakespeare through the lens of early modern theological controversy and to read early modern theology through the lens of Shakespeare.

Offers a critical analysis of the themes, ideas, and preoccupation exemplified in the body of Shakespeare's work, including the nature of motive, cause, personal identity and relation, the status of imagination, ethics and subjectivity, and language and its capacity to occlude and communicate, in a study that emphasizes the link between great literature and its social and historical matrix.

Extensive description and analysis of the archaeological settlement data collected in the late 1960s and early 1970s in the Chalco-Xochimilco Region in the Valley of Mexico.

Focusing on the clown Will Kemp, this book shows how Shakespeare and other dramatists wrote specific roles as vehicles for him.

16. Holding On -- 17. Civil War -- 18. The Final Chapter -- Notes -- Appendix A: The Human Cost -- Appendix B: Reflections -- Bibliography -- Index

David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the la nguage of the sonnets is primarily performative rather than descriptive. In a wide-ranging analysis of both the 1609 quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period.

This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.

This original work captures the heart, and enlarges the soul, of reform movements within the study of governance and bureaucracy. Author David John Farmer provides constitutive features of a new consciousness for democratic governance that will revolutionize the subject of public administration. To Kill the King sketches post-traditional consciousness in terms of three rejuvenating concepts--thinking as play, justice as seeking, and practice as art. In a series of critical essays on each of these concepts, the book describes a post-traditional consciousness of governance that can yield enormous improvement in the quality of life for each individual. To Kill the King will appeal to any professor (whether in the post-modernist camp or not) who wants to expose students to fresh challenges and new insights.

In The Tools of screenwriting, the authors illuminate the essential elements of cinematic storytelling. These elements are guideposts for the aspiring screenwriter, and they can be used in different ways to accomplish a variety of ends. Questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics are discussed as they apply to the special art of filmmaking.

Great works and authors of the world are introduced and reviewed artistically, intellectually, and theologically. Persons discussed include Plato, Milton, Dickens, Shakespeare, Charlotte Bronte, Mark Twain, and C. S. Lewis.

In a sensitive and provocative study of six great works of British literature, David Rosen traces the evolution of masculinity, inviting readers to contemplate the shifting joys and sorrows men have experienced throughout the last millennium, and the changing but constant tensions between their lives and ideals. Focusing on Beowulf, Sir Gawain and the Green Knight, Hamlet, Paradise Lost, Hard Times, and Sons and Lovers, Rosen shows how the actions of heroes fail to resolve tensions between masculine ideals and male experiences.

David Margolies provides a new and accessible way for teachers and students of Shakespeare to understand the immediacy of the plays for a contemporary audience.

Contents: Two Unassimilable Men; Hamlet: ^R Conversations with the dead; Measure for Measure: ^R The bed-trick; Shallow's Orchard, Adam's Garden; The Stoic in Love; Fishes in the Trees; Causal Dum: A note on^R Aeneid, vi. 585-6; Ovid Immoralised: The method of wit in Marvell's 'The Garden'; Gulliver among the Horses; Moving Cities: Pope as translator and transposer; Adam's Dream and Madeline's; Jack the Giant-Killer; Personality and Poetry; Is there a Legitimate Reductionism?; Did Meursault Mean to Kill the Arab? The intentional fallacy fallacy; Publications; Index

Literary criticism of the work of Russian poet Joseph Brodsky has tended to be biographical, stressing the significance of physical or metaphysical exile, estrangement, and alienation in his poetry. In a welcome move away from previous emphases, David MacFadyen argues that Brodsky's corpus was inspired by a baroque aesthetic.

Considered an essential text since its publication thirty-five years ago, this guide for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts

Perhaps because major Victorians like Thomas Carlyle and Matthew Arnold proscribed Romantic melancholy as morbidly diseased and unsuitable for poetic expression, critics have neglected or understated the central importance of melancholy in Victorian poetry. Allegories of One's Own Mind re-directs our attention to a mode that Arnold was rejecting as morbid but also acknowledging when he disparaged the widely current idea that the highest ambition of poetry should be to present an allegory of the poet's own mind. This book shows how early Victorian poets suffered from and railed against what they perceived to be a "disabling post-Wordsworthian melancholy"-we might refer to it as depression-and yet benefited from this self-absorbed or love-obsessed state, which ironically made them more productive. David G. Riede argues that the dominant thematic and formal concerns of the age, in fact, are embodied in the ambivalence of Carlyle, Arnold, and others, who pitted a Victorian ideology of duty, rationality, and high moral character against a still compelling Romantic cultivation of the deep self intuited as melancholy. Such ambivalence, in fact, is in itself constitutive of melancholy, long understood as the product of conscience raging against inchoate desire, and it constitutes the mood of the age's most important poetry, represented here in the major works of Alfred Tennyson, Elizabeth Barrett Browning, and even in the notoriously "optimistic" Robert Browning. David G. Riede is professor of English at The Ohio State University.

DIVUses C.L.R. James’sThe Black Jacobins as a jumping-off point for a reconsideration of colonial and postcolonial concepts of history, politics, and agency./div

It uses the Wittgensteinian notions of "samples" and "criteria" to show that language is involved in the appropriation of aspects of the world through the historically contingent activities of linguistic practice, and it uses Wittgenstein's analysis of aspect perception to forge a new account of the ideological role of the literary and its relation to the real."--Jacket.

The first graphic account of the major and very bloody battle at an outpost called Duc Lap involving members of the Australian Training Team in Vietnam and their American equivalents.

Book's by David Hamlet

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