From a Governor General’s Award–winning author comes a heart-rending novel about family, children and the end of life. Over the course of one Saturday night, a man and his half-sister meet at her request to spend the evening preparing for her assisted death. They drink and reminisce fondly, sadly, amusingly about their lives and especially her children, both of whom have led dramatic and profoundly different lives. Extraordinary is a powerful consideration of assisted suicide, but it is also a story about family—about how brothers and sisters turn out so differently; about how little, in fact, turns out the way we expect. In the end, this is a novel about the extraordinary business of being alive, and it may well be David Gilmour’s very best work of fiction to date.
An exhilarating novel of erotic and psychotic extremes from one of Canada’s best fiction writers. Everyone would agree that Darius Halloway was the most civilized of men, a professor of French literature, a connoisseur of ideas and women and wine, a perfect guest at life’s dinner party. Darius himself would have agreed, until Emma, waifish and insatiable,walks out the door, leaving her empty clothes hangers rattling in his closet. For a little while, it’s not so bad. He thinks she must come back, and other women find his melancholy quite compelling. But then the sparrows of insomnia start picking at the inside of his skull. Life’s little aggravating moments seem to require him to seek direct retaliation. Soon all his smoothness and cleverness is directed toward wreaking the most elaborate revenge… and getting away with it. Until the ultimate retaliation arises, and there he is, in the most damning of situations, with his nerves on fire and his heart in his throat…finally not thinking of Emma. From the Hardcover edition.
The Film Club" is the true story about David Gilmour's decision to let his 15-year-old son drop out of high school on the condition that the boy agrees to watch three films a week with him. The book examines how those pivotal years changed both t
Like a tourist visiting his own life, David Gilmour’s narrator journeys in time to reexamine those critical moments that created him. He revisits the terrible hurt of a first love, the shock of a parent’s suicide, the trauma of a best friend’s bizarre dissembling, and the pain and humiliation of unrelenting jealousy, among other rites of passage. Set within an episodic narrative arc stories about the profound effect of Tolstoy, of the Beatles, of the cult of celebrity, of the delusion of drugs, and of the literary life on the winding road of the narrator’s progress. This compelling and deeply interesting picaresque novel is a creative tour de force from the hand of one of our master storytellers. The Perfect Order of Things breaks new fictional ground and is an astonishing story of a life lived fully and with breathtaking passion. David Gilmour is a novelist who has earned critical praise from literary figures as diverse as William Burroughs and Northrop Frye, and from publications as different as the New York Times to People magazine. The author of six novels, he also hosted the award-winning Gilmour on the Arts. In 2005, his novel A Perfect Night to Go to China won the Governor General’s Award for Fiction. His next book, The Film Club, was a finalist for the 2008 Charles Taylor Prize. It became an international bestseller, and has sold over 200,000 copies in Germany and over 100,000 copies in Brazil. He lives in Toronto with his wife.
Unlike France and England, Spain has not been dominated by its capital, and the focus of its history shifts from city to city over the centuries, illuminating different features of the country's past. Toledo, Cordoba, Seville and Madrid have at various times managed to establish a political and cultural supremacy, Cadiz and Barcelona dominated the economy in the 18th and 19th centuries. Salanca housed one of the great universities of medieval Europe while Santiago became the second religious centre of Christendom. In CITIES OF SPAIN David Gilmour takes us on a journey from Visigothic kingdom and the Cordoban caliphate to the Madrid of today. The portrait of these cities both now and in the heyday reveal both their spirit and their significance, and allowed the reader an intimate view of one of Europe's most fascinating and intriguing countries.
A Superb New Biography . . . A Tragic Story, Brilliantly Told." —Andrew Roberts, Literary Review George Nathaniel Curzon's controversial life in public service stretched from the high noon of his country's empire to the traumatized years following World War I. As viceroy of India under Queen Victoria and foreign secretary under King George V, the obsessive Lord Curzon left his unmistakable mark on the era. David Gilmour's award-winning book—with a new foreword by the author—is a brilliant assessment of Curzon's character and achievements, offering a richly dramatic account of the infamous long vendettas, the turbulent friendships, and the passionate, risky love affairs that complicated and enriched his life. Born into the ruling class of what was then the world's greatest power, Curzon was a fervent believer in British imperialism who spent his life proving he was fit for the task. Often seen as arrogant and tempestuous, he was loathed as much as he was adored, his work disparaged as much as it was admired. In Gilmour's well-rounded appraisal, Curzon emerges as a complex, tragic figure, a gifted leader who saw his imperial world overshadowed at the dawn of democracy.
Bix has it all: a failed marriage, a faltering career as a speechwriter, a drinking problem (not to mention the pills) and a wayward eye for the women. The last thing he needs is trouble named Holly, which is, of course, exactly what he gets -- briefly. His only assets are his daughter Zoey and an excruciating (and excruciatingly funny) sense of who he is, which becomes his path to redemption from the erotic rollercoaster that is this impressive and un-put-downable novel.
Rudyard Kipling (1865-1936) was a unique figure in British history, a great writer as well as an imperial icon whose life trajectory matched that of the British Empire from its zenith to its final decades. Kipling was in his early twenties when his first stories about Anglo-Indian life vaulted him into celebrity. He went on to be awarded the Nobel Prize, and to add more phrases to the language than any man since Shakespeare, but his conservative views and advocacy of imperialism damaged his critical reputation -- while at the same time making him all the more popular with a general readership. By the time he died, the man who incarnated an era for millions was almost forgotten, and new generations must come to terms in their own way with his enduring but mysterious powers. Previous works on Kipling have focused exclusively on his writing and on his domestic life. Here, the distinguished biographer David Gilmour not only explains how and why Kipling wrote, but also explores the themes of his complicated life, his ideas, his relationships, and his views on the Empire and the future. Gilmour is the first writer to explore Kipling's public role, his influence on the way Britons saw themselves and their Empire. His fascinating new book, based on extensive research (especially in the under explored archives of the United States), is a groundbreaking study of a great and misunderstood writer."--
An account of Italy's diverse culture of the past and present evaluates the appropriateness of political unification, sharing anecdotes on major historical figures and events while debunking nationalistic myths.
Gilmour offers his 15-year-old son an unconventional deal: Jesse can drop out of school, but he must watch three movies a week of his father's choosing. Through their film club, father and son discuss everything from love to drugs--and their own lives change in surprising ways.
Jesse didn't want to go to school anymore. After much deliberation, his father offers him an unconventional deal: he can drop out, sleep all day, not work, not pay rent, but on one condition - that he watches three films a week, of his father's choosing. What follows is an unusual journey as week by week, side by side, they watch the world's best (and occasionally worst) films - from True Romance to Chunking Express, A Hard Day's Night to Rosemary's Baby, and La Dolce Vita to Giant. The films get them talking: about girls, music, heartbreak, work, drugs, money, friendship - but they also open doors to a young man's interior life at a time when a parent is normally shut out. Gradually the father's initial worries are set aside as he watches his son morph from chaotic teenager to self-assured adult - who even starts to get up before noon. As the film club moves towards its poignant and inevitable conclusion, the young man makes a decision which surprises even his father... The Film Club is a book that goes straight to the heart. Honest, unsparing, and emotive, it follows one man's attempt to chart a course for his beloved son's rocky passage into adulthood.
Jesse didn't want to go to school anymore. After much deliberation, his father offers him an unconventional deal: he can drop out, sleep all day, not work, not pay rent, but on one condition - that he watches three films a week, of his father's choosing. What follows is an unusual journey as week by week, side by side, they watch the world's best (and occasionally worst) films - from True Romance to Chunking Express, A Hard Day's Night to Rosemary's Baby, and La Dolce Vita to Giant. The films get them talking: about girls, music, heartbreak, work, drugs, money, friendship - but they also open doors to a young man's interior life at a time when a parent is normally shut out. Gradually the father's initial worries are set aside as he watches his son morph from chaotic teenager to self-assured adult - who even starts to get up before noon. As the film club moves towards its poignant and inevitable conclusion, the young man makes a decision which surprises even his father... The Film Club is a book that goes straight to the heart. Honest, unsparing, and emotive, it follows one man's attempt to chart a course for his beloved son's rocky passage into adulthood.
A history of the British administration in South Asia during the reign of Queen Victoria profiles the India Civil Service and the society they attempted to build in the region, explaining how officers and their families were expected to fulfill a wide range of roles.
BACK ON TUESDAY is the savagely funny story of Eugene H., a failed, womanizing writer from Toronto. After a nasty flare-up with his ex-wife, he snatches their five-year-old daughter from school and flees to Jamaica. Over the next eighteen hours he muddles over his life, fumes, plots, drinks rum, regrets, reminisces, encounters a young woman with grey eyes, a coffin maker, a black Napoleon on his motorcycle…and a host of other creatures from the Jamaican night.
Yes, women are the greatest evil Zeus has made, and men are bound to them hand and foot with impossible knots by God."—Semonides, seventh century B.C. Men put women on a pedestal to worship them from afar—and to take better aim at them for the purpose of derision. Why is this paradoxical response to women so widespread, so far-reaching, so all-pervasive? Misogyny, David D. Gilmore suggests, is best described as a male malady, as it has always been a characteristic shared by human societies throughout the world. Misogyny: The Male Malady is a comprehensive historical and anthropological survey of woman-hating that casts new light on this age-old bias. The turmoil of masculinity and the ugliness of misogyny have been well documented in different cultures, but Gilmore's synoptic approach identifies misogyny in a variety of human experiences outside of sex and marriage and makes a fresh and enlightening contribution toward understanding this phenomenon. Gilmore maintains that misogyny is so widespread and so pervasive among men that it must be at least partly psychogenic in origin, a result of identical experiences in the male developmental cycle, rather than caused by the environment alone. Presenting a wealth of compelling examples—from the jungles of New Guinea to the boardrooms of corporate America—Gilmore shows that misogynistic practices occur in hauntingly identical forms. He asserts that these deep and abiding male anxieties stem from unresolved conflicts between men's intense need for and dependence upon women and their equally intense fear of that dependence. However, misogyny, according to Gilmore, is also often supported and intensified by certain cultural realities, such as patrilineal social organization; kinship ideologies that favor fraternal solidarity over conjugal unity; chronic warfare, feuding, or other forms of intergroup violence; and religious orthodoxy or asceticism. Gilmore is in the end able to offer steps toward the discovery of antidotes to this irrational but global prejudice, providing an opportunity for a lasting cure to misogyny and its manifestations.
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