Sometimes the truth will make you bleed. The skeptics think they know what’s going on at Gethsemane Hall. So do the religious. So do the spiritualists. They’re all wrong. Richard Gray, grieving over the loss of his wife and daughter, learns that his ancestral home holds the secret of what lies beyond the grave. And all of a sudden, everybody wants a piece of Gethsemane Hall. Louise Meacham wants in because a fellow CIA agent committed suicide there, and she has to put the ghost rumours to rest to get her career back. Anna Pertwee wants in because she’s determined to save the ghosts from the unbelievers and the debunkers. Patrick Hudson wants in because he has to save Gray’s soul. So Gray will let them all in, these people who think they’re coming for the truth. What they don’t know is that the truth is coming for them.
The Hudson River Valley was the first iconic American landscape. Beginning as early as the 1820s, artists and writers found new ways of thinking about the human relationship with the natural world along the Hudson. Here, amid the most dramatic river and mountain scenery in the eastern United States, Washington Irving and James Fenimore Cooper created a distinctly American literature, grounded in folklore and history, that contributed to the emergence of a sense of place in the valley. Painters, led by Thomas Cole, founded the Hudson River School, widely recognized as the first truly national style of art. As the century advanced and as landscape and history became increasingly intertwined in the national consciousness, an aesthetic identity took shape in the region through literature, art, memory, and folklore-even gardens and domestic architecture. In Sanctified Landscape, David Schuyler recounts this story of America's idealization of the Hudson Valley during the nineteenth and early twentieth centuries. Schuyler's story unfolds during a time of great change in American history. At the very moment when artists and writers were exploring the aesthetic potential of the Hudson Valley, the transportation revolution and the rise of industrial capitalism were transforming the region. The first generation of American tourists traveled from New York City to Cozzens Hotel and the Catskill Mountain House in search of the picturesque. Those who could afford to live some distance from jobs in the city built suburban homes or country estates. Given these momentous changes, it is not surprising that historic preservation emerged in the Hudson Valley: the first building in the United States preserved for its historic significance is Washington's Headquarters in Newburgh. Schuyler also finds the seeds of the modern environmental movement in the transformation of the Hudson Valley landscape. Richly illustrated and compellingly written, Sanctified Landscape makes for rewarding reading. Schuyler expertly ties local history to national developments, revealing why the Hudson River Valley was so important to nineteenth-century Americans-and why it is still beloved today.
The eighth gripping adventure in David Gilman's critically acclaimed Master of War series set in fourteenth-century Europe. Bordeaux, 1367. Having angered the bloodthirsty Don Pedro, King of Castile, Sir Thomas Blackstone is thoroughly sick of his mission for the Prince of Wales, but must remain true to his oath. But this is the Hundred Years' War, and tensions are rising once more. With the Prince of Wales deeply unpopular in his Aquitainian lands, Blackstone, King Edward's Master of War, must return to French soil to help stem the tide of support for the King of France. Meanwhile, Henry, Blackstone's son, faces an incognito ride across France with his own motley band of outlaws and mercenaries. But the French are aware of the younger Blackstone's journey, and see a perfect way to target the Master of War... Reviews for David Gilman 'A gripping ride' Wilbur Smith 'Gilman does heart pounding action superlatively' The Times 'A gripping chronicle of pitched battle, treachery and cruelty' Robert Fabbri 'The level of suspense is ratcheted up to a truly brutal level' Sharon Penman
After working with David on his previous work for the series, The Complete Kubrick, we knew we were on to a winner for this book. Not only is David Lynch a master of modern film-making but David Hughes is well-qualified to write this 'complete' book. The book covers all Lynch's films including Mulholland Drive, TV and other projects, as well as the unrealised ventures such as Revenge of the Jedi (later directed by Richard Marquand as Return of the Jedi). It also includes a foreword by Barry Gifford - the novelist behind Wild at Heart and co-writer with Lynch of the screenplay for Lost Highway - and excerpts from a new interview David Hughes carried out with David Lynch himself. The Complete Lynch is the only comprehensive study of this great director.
William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.
A terrifying tour of cemeteries where ghosts of Civil War soldiers, criminals, and others wander the grounds . . . includes photos! From the neatly tended urban necropolis to the long-forgotten family plot at the end of a winding gravel road, these “quiet cities” of the Ozarks have the power to send chills up and down the spine of the most hardened skeptic. Be it the restless Civil War soldiers of Greenbrier, the mass murderer who stalks Peace Church, or the red eyes that persecute visitors to Robinson, tales of ghostly activity abound in every burial ground carved out of the ancient Ozark hills. Follow Dave Harkins as he explores the fascinating history and unsettling lore clinging to these haunted graveyards.
The definitive biography: a masterly account of Marlowe's work and life and the world in which he lived Shakespeare's contemporary, Christopher Marlowe revolutionized English drama and poetry, transforming the Elizabethan stage into a place of astonishing creativity. The outline of Marlowe's life, work, and violent death are known, but few of the details that explain why his writing and ideas made him such a provocateur in the Elizabethan era have been available until now. In this absorbing consideration of Marlowe and his times, David Riggs presents Marlowe as the language's first poetic dramatist whose desires proved his undoing. In an age of tremendous cultural change in Europe when Cervantes wrote the first novel and Copernicus demonstrated a world subservient to other nonreligious forces, Catholics and Protestants battled for control of England and Elizabeth's crown was anything but secure. Into this whirlwind of change stepped Marlowe espousing sexual freedom and atheism. His beliefs proved too dangerous to those in power and he was condemned as a spy and later murdered. In The World of Christopher Marlowe, Riggs's exhaustive research digs deeply into the mystery of how and why Marlowe was killed.
For over two hundred years, the Catskill Mountains have been repeatedly and dramatically transformed by New York City. In Making Mountains, David Stradling shows the transformation of the Catskills landscape as a collaborative process, one in which local and urban hands, capital, and ideas have come together to reshape the mountains and the communities therein. This collaboration has had environmental, economic, and cultural consequences. Early on, the Catskills were an important source of natural resources. Later, when New York City needed to expand its water supply, engineers helped direct the city toward the Catskills, claiming that the mountains offered the purest and most cost-effective waters. By the 1960s, New York had created the great reservoir and aqueduct system in the mountains that now supplies the city with 90 percent of its water. The Catskills also served as a critical space in which the nation's ideas about nature evolved. Stradling describes the great influence writers and artists had upon urban residents - especially the painters of the Hudson River School, whose ideal landscapes created expectations about how rural America should appear. By the mid-1800s, urban residents had turned the Catskills into an important vacation ground, and by the late 1800s, the Catskills had become one of the premiere resort regions in the nation. In the mid-twentieth century, the older Catskill resort region was in steep decline, but the Jewish "Borscht Belt" in the southern Catskills was thriving. The automobile revitalized mountain tourism and residence, and increased the threat of suburbanization of the historic landscape. Throughout each of these significant incarnations, urban and rural residents worked in a rough collaboration, though not without conflict, to reshape the mountains and American ideas about rural landscapes and nature.
An out-of-favour journalist tracks down a ring of spies bent on sabotaging Britain’s ‘Exit Day’. A senior Minister leaks Cabinet secrets to Brussels. An assassin stalks the Prime Minister.
By the summer of 1967, the nation's Selective Service System was fueling the largest military build-up since World War II. Hundreds of thousands of young men, many too young to legally drink and vote, were inducted to wage an ill-fated war in Vietnam. Written as a narrative history, this story is a lasting tribute to those who answered the call and paid the ultimate sacrifice in the face of improbable odds.
The 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty for scholars. This book explores and recovers a neglected culture of poetry in those years, and it demonstrates that culture was a crucial turning point in literary history. It explores a uniquely wide range of poets, including the poetry of the literary annuals, Letitia Landon, Felicia Hemans, Robert Browning, Samuel Taylor Coleridge, Thomas Hood and John Clare, placing their work in the light of new research into the conditions of the literary market. In turn, it uses that culture to open up wider theoretical issues relating to literary form, book history, print culture, gender and periodisation. The period’s doubt about poetry’s place in culture and its capacity to last prompted a dazzling range of creative experiments that reimagined the metrical, material and commercial forms of poetry.
Other People is something of a revelation: seventy-plus essays that form neither a miscellany nor a memoir but an intellectually thrilling and emotionally wrenching investigation of otherness. Can one person know another person? How do we live through other people? Is it possible to fill the gap between people? If not, what function does art serve? Whether he is writing about sexual desire or information sickness, George W. Bush or Kurt Cobain, women's eyeglasses or Greek tragedy, Howard Cosell or Bill Murray, the comedy of high school journalism or the agony of first love, Shields sustains a piercing focus on the multiplicity of perspectives, the irreducible log jam of human information, and the possibilities and impossibilities for human connection.
Essayist, lecturer, and radical pamphleteer, William Hazlitt (1778-1830) was the greatest of English critics and a master of the art of prose. This book is a superb appreciation of the man and his works, at once a revaluation of the aesthetics of Romanticism and a sustained intellectual portrait. Nominated for the National Book Critics Circle Award in criticism when it was first published in 1983, it is now reissued with a new preface and bibliography by the author. "Few literary figures in recent decades have seen their reputations rise as securely as Hazlitt's. Now it will soar. David Bromwich's book is the most persuasive and ambitious exploration of Hazlitt's genius hitherto attempted."--Michael Foot, New Republic "Hazlitt: the Mind of a Critic is an intellectual biography in the best sense of the word, and intellectual biography is the type of writing that shows Hazlitt in his truest light."--Kenneth R. Johnston, Indiana University "Bromwich's volume was first published in 1983, and its achievement has never been questioned. All Romanticists recognize that this is one of the great critical works in our field to appear in the post-war era. It aspires to (and achieves) a classical simplicity and elegance."--Duncan Wu, University of Glasgow
While the clash between what has been called the modern and undeveloped worlds has led to America's military involvement in the Middle East and other places, few people realize the tension between the modern and the traditional within the United States. Beginning in the 1920's, professional intellectuals and academics began influencing the nation's public policy on matters as diverse as education, economics, and public health. In this thoughtful work, David A. Horowitz analyzes the tension between the so-called New Class of knowledge professionals and their critics, who accused them of being out of touch with the common sense of everyday people, strangers to the American Way, even Communists. America's Political Class Under Fire is organized over nine periods of 20th-century history, providing a window into everything from the Scopes evolution trial and McCarthyism to affirmative action and the Clinton health care fiasco. Along the way, the book explores the New Left, populist conservatism, and the mid-90's reaction to political liberalism, which saw Newt Gingrich rise to the top post in the House of Representatives. In telling these stories, Horowitz seeks to encourage a more balanced and fair-minded assessment of the consequences of expertise and applied intellect to democratic existence in the United States.
Pioneers of Armour in the Great War tells the story of the only Australian mechanized units of the Great War. The 1st Australian Armoured Car Section, later the 1st Australian Light Car Patrol, and the Special Tank Section were among the trailblazers of mechanization and represented the cutting edge of technology on the Great War battlefield.The1st Armoured Car Section was raised in Melbourne in 1916, the brainchild of a group of enthusiasts who financed, designed and then built two armored cars. Having persuaded the Australian Army of the vehicles' utility in the desert campaign, the armored car section, later re-equipped with Model T Fords and retitled the 1st Australian Light Car Patrol, provided valuable service until well after the Armistice.The First World War also saw the emergence of the tank which, despite unpromising beginnings, was to realize its potential in the crucial 1918 battles of Hamel and Amiens. A British Mark IV tank which toured Australia in 1918 demonstrated the power of this new weapon to an awestruck Australian public.Much of the story of the armored cars is told in the voices of the original members of the section and in newspaper articles of the time which highlight the novelty of these vehicles. Painstaking research has produced a remarkable collection of images to accompany the narrative, many never previously published. Biographies of the members of these extraordinary units are also a feature of this book, their stories told from the cradle to the grave. Appendixes provide a wealth of supporting biographical and technical information that enriches the text and adds factual detail.
By the time he died of cancer in 1970, after one season in Washington during which he transformed the Redskins into winners, Lombardi had become a mythic character who transcended sport, and his legend has only grown in the decades since. Many now turn to Lombardi in search of characteristics that they fear have been irretrievably lost, the oldfashioned virtues of discipline, obedience, loyalty, character, and teamwork. To others he symbolizes something less romantic: modern society's obsession with winning and superficial success. In When Pride Still Mattered, Maraniss renders Lombardi as flawed and driven yet ultimately misunderstood, a heroic figure who was more complex and authentic than the stereotypical images of him propounded by admirers and critics.
The only work that treats Ku Kluxism for the entire period of it's existence . . . the authoritative work on the period. Hooded Americanism is exhaustive in its rich detail and its use of primary materials to paint the picture of a century of terror. It is comprehensive, since it treats the entire period, and enjoys the perspective that the long view provides. It is timely, since it emphasizes the undeniable persistence of terrorism in American life."—John Hope Franklin
The History of England is David Hume's great work on the history of England, which he wrote in while he was librarian to the Faculty of Advocates in Edinburgh. It was published in six volumes. The History spanned "from the invasion of Julius Caesar to the Revolution of 1688" and went through over 100 editions. Contents: The Britons. The Romans. The Britons. The Saxons. The Heptarchy The Kingdom of Kent The Kingdom of Northumberland The Kingdom of East Anglia The Kingdom of Mercia The Kingdom of Essex. The Kingdom of Sussex. The Kingdom of Wessex. Egbert. Ethelwolf. Ethelbald and Ethelbert. Ethered Alfred. Edward the Elder. Athelstan. Edmund. Edred Edwy Edgar Edward the Martyr Ethelred Edmond Ironside Canute Harold Harefoot Hardicanute Edward the Confessor Harold William the Conqueror. Henry III. Edward I. Edward II. Edward III. Richard II. Henry IV Henry V. Henry VI. Edward IV. Edward V. And Richard III. Richard III. William Rufus. Henry I. Stephen. Henry II. Richard I. John. The Feudal and Anglo-Norman Government and Manners Henry Vii. Henry Viii. Edward Vi. Mary. Elizabeth. James I. Charles I. The Commonwealth Charles II. James II.
Treacherous Faith offers a new and ambitious cross-disciplinary account of the ways writers from the early English Reformation to the Restoration generated, sustained, or questioned cultural anxieties about heresy and heretics. This book examines the dark, often brutal story of defining, constructing, and punishing heretics in early modern England, and especially the ways writers themselves contributed to or interrogated the politics of religious fear-mongering and demonizing. It illuminates the terrors and anxieties early modern writers articulated and the fantasies they constructed about pernicious heretics and pestilent heresies in response to the Reformation's shattering of Western Christendom. Treacherous Faith analyzes early modern writers who contributed to cultural fears about the contagion of heresy and engaged in the making of heretics, as well as writers who challenged the constructions of heretics and the culture of religious fear-mongering. The responses of early modern writers in English to the specter of heresy and the making of heretics were varied, complex, and contradictory, depending on their religious and political alignments. Some writers (for example, Thomas More, Richard Bancroft, and Thomas Edwards) used their rhetorical resourcefulness and inventiveness to contribute to the politics of heresy-making and the specter of cunning, diabolical heretics ravaging the Church, the state, and thousands of souls; others (for example, John Foxe) questioned within certain cultural limitations heresy-making processes and the violence and savagery that religious demonizing provoked; and some writers (for example, Anne Askew, John Milton, and William Walwyn) interrogated with great daring and inventiveness the politics of religious demonizing, heresy-making, and the cultural constructions of heretics. Treacherous Faith examines the complexities and paradoxes of the heresy-making imagination in early modern England: the dark fantasies, anxieties, terrors, and violence it was capable of generating, but also the ways the dreaded specter of heresy could stimulate the literary creativity of early modern authors engaging with it from diverse religious and political perspectives. Treacherous Faith is a major interdisciplinary study of the ways the literary imagination, religious fears, and demonizing interacted in the early modern world. This study of the early modern specter of heresy contributes to work in the humanities seeking to illuminate the changing dynamics of religious fear, the rhetoric of religious demonization, and the powerful ways the literary imagination represents and constructs religious difference.
The curiosity, entertained by all civilized nations, of inquiring into the exploits and adventures of their ancestors, commonly excites a regret that the history of remote ages should always be so much involved in obscurity, uncertainty, and contradiction. Ingenious men, possessed of leisure, are apt to push their researches beyond the period in which literary monuments are framed or preserved; without reflecting that the history of past events is immediately lost or disfigured when intrusted to memory or oral tradition; and that the adventures of barbarous nations, even if they were recorded, could afford little or no entertainment to men born in a more cultivated age. The convulsions of a civilized state usually compose the most instructive and most interesting part of its history; but the sudden, violent, and unprepared revolutions incident to barbarians are so much guided by caprice, and terminate so often in cruelty, that they disgust us by the uniformity of their appearance; and it is rather fortunate for letters that they are buried in silence and oblivion. The only certain means by which nations can indulge their curiosity in researches concerning their remote origin, is to consider the language, manners, and customs of their ancestors, and to compare them with those of the neighbouring nations. The fables which are commonly employed to supply the place of true history ought entirely to be disregarded; or if any exception be admitted to this general rule, it can only be in favour of the ancient Grecian fictions, which are so celebrated and so agreeable, that they will ever be the objects of the attention of mankind. Neglecting, therefore, all traditions, or rather tales, concerning the more early history of Britain, we shall only consider the state of the inhabitants as it appeared to the Romans on their invasion of this country: we shall briefly run over the events which attended the conquest made by that empire, as belonging more to Roman than British story: we shall hasten through the obscure and uninteresting period of Saxon annals: and shall reserve a more full narration for those times when the truth is both so well ascertained and so complete as to promise entertainment and instruction to the reader. All ancient writers agree in representing the first inhabitants of Britain as a tribe of the Gauls or Celtae, who peopled that island from the neighbouring continent. Their language was the same; their manners, their government, their superstition, varied only by those small differences which time or communication with the bordering nations must necessarily introduce. The inhabitants of Gaul, especially in those parts which lie contiguous to Italy, had acquired, from a commerce with their southern neighbours, some refinement in the arts, which gradually diffused themselves northwards, and spread but a very faint light over this island. The Greek and Roman navigators or merchants (for there were scarcely any other travellers in those ages) brought back the most shocking accounts of the ferocity of the people, which they magnified, as usual, in order to excite the admiration of their countrymen. The south-east parts, however, of Britain had already, before the age of Caesar, made the first, and most requisite step towards a civil settlement; and the Britons, by tillage and agriculture, had there increased to a great multitude [a]. The other inhabitants of the island still maintained themselves by pasture: they were clothed with skins of beasts. They dwelt in huts, which they reared in the forests and marshes, with which the country was covered: they shifted easily their habitation, when actuated either by the hopes of plunder, or the fear of an enemy: the convenience of feeding their cattle was even a sufficient motive for removing their seats: and as they were ignorant of all the refinements of life, their wants and their possessions were equally scanty and limited.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.