This book offers an introduction to the field of complexity and landscape ecology. It covers such topics as connectivity, criticality, feedback, and networks, as well as their impact on the stability and predictability of ecosystem dynamics.
This book offers an introduction to the field of complexity and landscape ecology. It covers such topics as connectivity, criticality, feedback, and networks, as well as their impact on the stability and predictability of ecosystem dynamics.
A virtual evolution in IT shops large and small has begun. Microsoft's Virtal Server is the enterprise tool to free an infrastructure from its physical limitations providing the transformation into a virtual environment--this book shows you how. This book will detail the default and custom installation of Microsoft's Virtual Server 2005, as well as basic and advanced virtual machine configurations. It will also discuss the requirements for a server virtualization and consolidation project and the cost savings surrounding such an effort. Furthermore, the book will provide a thorough understanding of the benefits of a virtual infrastructure and a comprehensive examination of how Virtual Server can ease administration and lower overall IT costs. Lastly, the book delivers a thorough understanding of the virtual evolution which is underway in many IT organizations and how the reader will benefit from shifting from the physical to a virtual world. * Examines in detail the default and custom installation of Microsoft's Virtual Server 2005 * Addresses th important topics of server requirements and the cost implications involved * Looks at addressing IT costs and the benefits to the organisation
A New York Times Editors' Choice "[T]he stuff of great literature." —The New York Times | "Red or Dead is a winner." —The Washington Post The place where the swinging sixties started – Liverpool, England, birthplace of the Beatles – wasn’t so swinging. Amid industrial blight and a bad economy, the port town’s shipping industry was going bust and there was widespread unemployment, with no assistance from a government tightening its belt. Even the Beatles moved to London. Into these hard times walked Bill Shankly, a former Scottish coal miner who took over the city’s perpetually last-place soccer team. He had a straightforward work ethic and a favorite song – a silly pop song done by a local band, “You’ll Never Walk Alone.” Soon he would have entire stadiums singing along, tens of thousands of people all dressed in the team color red . . . as Liverpool began to win . . . And soon, too, there was something else those thousands of people would chant as one: Shank-lee, Shank-lee . . . In Red or Dead, the acclaimed writer David Peace tells the stirring story of the real-life working-class hero who lifted the spirits of an entire city in turbulent times. But Red or Dead is more than a fictional biography of a real man, and more than a thrilling novel about sports. It is an epic novel that transcends those categories, until there’s nothing left to call it but – as many of the world’s leading newspapers already have – a masterpiece.
The editors use the unique lens of the history of sports to examine ethnic experiences in North America since 1840. Comprised of 12 original essays and an Introduction, it chronicles sport as a social institution through which various ethnic and racial groups attempted to find the way to social and psychological acceptance and cultural integration. Included are chapters on Native Americans, Irish-Americans, German-Americans, Canadians, African-Americans, Italian-Americans, Hispanics, and several more, showing how their sports participation also provided these communities with some measure of social mobility, self-esteem, and a shared pride.
In The Tribe of Pyn, Cowart offers illuminating readings of several important novelists now at the height of their powers, whose work has received fairly limited scholarly attention thus far. Jonathan Franzen, Alice Walker, David Foster Wallace, Gloria Naylor, Richard Powers, and a raft of others are examined with lapidary care. Wrestling with the challenges inherent to distinguishing generational character (especially in the postmodern context, which is often marked by its disavowal of ideas of origin, etc.), Cowart teases out interactions and entanglements that help illuminate the work of the younger writers at the center of this study and also that of the trailblazers on its ragged frontiers. By comparing literary figures born in the 1940s, 1950s, 1960s, and later with those born in the 1920s and 1930s, Cowart seeks to map the changing terrain of contemporary letters. Hardly epigones, he argues, the younger writers add fresh inflections to the grammar of literary postmodernism. Younger writers can continue to “make it new,” Cowart establishes, without needing to dismantle the aesthetic they have inherited from a parental generation.
The definitive book about soccer, from the author of The Games: A Global History of the Olympics. There may be no cultural practice more global than soccer. Rites of birth and marriage are infinitely diverse, but the rules of soccer are universal. No world religion can match its geographical scope. The single greatest simultaneous human collective experience is the World Cup final. In this extraordinary tour de force, David Goldblatt tells the full story of soccer's rise from chaotic folk ritual to the world's most popular sport-now poised to fully establish itself in the USA. Already celebrated internationally, The Ball Is Round illuminates soccer's role in the political and social histories of modern societies, but never loses sight of the beauty, joy, and excitement of the game itself.
As in his highly acclaimed Austerity Britain, David Kynaston invokes an astonishing array of vivid, intimate and unselfconscious voices to drive his narrative of 1950s Britain. The keen-eyed Nella Last shops assiduously at Barrow Market as austerity and rationing gradually give way to relative abundance; housewife Judy Haines, relishing the detail of suburban life, brings up her children in Chingford; the self-absorbed civil servant Henry St John perfects the art of grumbling. These and many other voices give a rich, unsentimental picture of everyday life in the 1950s. Well-known figures are encountered on the way, such as Doris Lessing (joining and later leaving the Communist Party), John Arlott (sticking up on Any Questions? for the rights of homosexuals) and Tiger's Roy of the Rovers (making his goal-scoring debut for Melchester). All this is part of a colourful, unfolding tapestry, in which the great national events - the Tories returning to power, the death of George VI, the Coronation of Queen Elizabeth, the Suez Crisis - jostle alongside everything that gave Britain in the 1950s its distinctive flavour: Butlin's holiday camps, Kenwood food mixers, Hancock's Half-Hour, Ekco television sets, Davy Crockett, skiffle and teddy boys. Deeply researched, David Kynaston's Family Britain offers an unrivalled take on a largely cohesive, ordered, still very hierarchical society gratefully starting to move away from the painful hardships of the 1940s towards domestic ease and affluence.
David Beckham’s arrival in Los Angeles represents the latest attempt to jump-start soccer in the United States where, David Wangerin says, it “remains a minority sport.” With the rest of the globe so resolutely attached to the game, why is soccer still mostly dismissed by Americans? Calling himself “a soccer fan born in the wrong country at nearly the wrong time,” Wangerin writes with wit and passion about the sport’s struggle for acceptance in Soccer in a Football World. A Wisconsin native, he traces the fragile history of the game from its early capitulation to gridiron on college campuses to the United States’ impressive performance at the 2002 World Cup. Placing soccer in the context of American sport in general, he chronicles its enduring struggle alongside the country’s more familiar pursuits and recounts the shifting attitudes toward the “foreign” game. His story is one that will enrich the perspective of anyone whose heart beats for the sport, and is curious as to where the game has been in America—and where it might be headed.
It is only the unimaginative who ever invents," Oscar Wilde once remarked. "The true artist is known by the use he makes of what he annexes, and he annexes everything." Converying a similar awareness, James Joyce observes in Finnegan's Wake that storytelling is in reality "stolen-telling," that art always involves some sort of "theft" or borrowing. Usually literary borrowings are so integrated into the new work as to be disguised; however, according to David Cowart, recent decades have seen an increasing number of texts that attach themselves to their sources in seemingly parasitic—but, more accurately, symbiotic—dependence. It is this kind of mutuality that Cowart examines in his wide-ranging and richly provocative study Literary Symbiosis. Cowart considers, for instance, what happens when Tom Stoppard, in Rosencrantz and Guildenstern Are Dead, rewrites Hamlet from the point of view of its two most insignificant characters, or when Jean Rhys, in Wide Sargasso Sea, imagines the early life of Bertha Rochester, the mad-woman in the attic in Jane Eyre. In such works of literary symbiosis, Cowart notes, intertextuality surrenders its usual veil of near invisibility to become concrete and explicit—a phenomenon that Cowart sees as part of the postmodern tendency toward self-consciousness and self-reflexivity. He recognizes that literary symbiosis has some close cousins and so limits his compass to works that are genuine reinterpretations, writings that cast a new light on earlier works through "some tangible measure of formal or thematic evolution, whether on the part of the guest alone or the host and guest together." Proceeding from this intriguing premise, he offers detailed readings of texts that range from Auden's "The Sea and the Mirror," based on The Tempest, to Valerie Martin's reworking of The Strange Case of Dr. Jekyll and Mr. Hyde as Mary Reilly, to various fictions based on Robinson Crusoe. He also considers, in Nabokov's Pale Fire, a compelling example of text and parasite-text within a single work. Drawing on and responding to the ideas of disparate thinkers and critics—among them Freud, Harold Bloom, Jacques Lacan, Jacques Derrida, Hillis Miller, and Henry Louis Gates Jr.—Cowart discusses literary symbiosis as Oedipal drama, as reading and misreading, as deconstruction, as Signifying, and as epistemic dialogue. Although his main examples come from the contemporary period, he refers to works dating as far back as the classical era, works representing a range of genres (drama, fiction, poetry, opera, and film). The study of literary symbiosis, Cowart contends, can reveal much about the dynamics of literary renewal in every age. If all literature redeems the familiar, he suggests, literary symbiosis redeems the familiar in literature itself.
After surviving a near-fatal scalding aged three, David Miller's life incentives emerged through involvement and achievement in a range of sports, nearing amateur international level in football and athletics. But then, needing employment, he retired at 22 to enter sports journalism. Having written on 30 sports from 120 countries for four national newspapers, Miller is perfectly placed to analyse and explain what drives those who excel in sport. This anthology of 50 epic performers provides a mirror of the emotions and commitment that drive the imagination of the many and the ambitions of the elite. From the unself-conscious self-discipline of Jesse Owens, Stanley Matthews, Jahangir Khan, Torvill and Dean and Steve Redgrave, to the fundamental loneliness and insecurity that galvanises spontaneous exhibitionists such as Jack Johnson, George Best and Alex Higgins, Miller uncovers what makes these great athletes and sports stars tick.
The 1953 FA Cup Final between Blackpool and Bolton Wanderers had everything: seven goals, a dramatic comeback and, in Stanley Matthews, a fairytale hero. Sixty years on, this legendary game has come to represent a golden age-the year when Queen Elizabeth II was crowned and a British expedition conquered Everest. The Great English Final looks at the cultural importance of the match as Britain broke free from post-war austerity, with pre-Coronation television sales taking the Cup Final into more homes than ever before. In 1953, Britain clung to the old-fashioned values epitomized by Matthews while bracing itself for a new consumer-driven age under its young monarch. Football was on the threshold of similar change. Five months later, the England team would be torn apart by Hungary and the national game would never be the same again. Yet the 1953 FA Cup Final would live forever.
Futebol Nation by David Goldblatt - a thriling history of Brazil through its sporting passion From the genius of Pelé to corruption and civil unrest, no nation has so closely aligned its national identity with playing and watching football as Brazil. Football is regarded as a thing of joy, its yellow shirts a delightful amalgam of sport and art, entwined with its cultures of music and religion. This is true, but there is another side to the story too. The corruption of Brazil's football authorities is characteristic of its society as a whole; some of its biggest tournaments have recently been played amidst the largest protests Brazil has ever seen. From the acclaimed author of the classic football history The Ball is Round, this book is the whole story: the players, the fans, the corruption, the passion. It will be enjoyed by readers of I am the Secret Footballer, The Numbers Game, Why England Lose and fans of football around the world. David Goldblatt was born in London in 1965 and is a supporter of Tottenham Hotspurs and Bristol Rovers. He teaches sociology at Bristol University, reviews sports books for the TLS, and for some years wrote the Sporting Life column in Prospect magazine. 'A tour de force of brilliant writing, historical colour and sporting vignette' Observer on The Ball is Round
Shifting European identities, cultural loyalties and divisions are often expressed more directly through attitudes to 'the people's game' game than in any other arena. This book examines European football journalism from throughout the last century to present a unique cross-cultural analysis of changing European national and regional identities. Building on detailed research into original language sources from across Western Europe, from the early 20th century to the present day, Football and European Identity traces this fascinating evolution. The resulting cross-cultural analysis of national identity in Europe provides the basis for a unique study of the interplay between football, society, politics and the print media, in three parts: Part 1: Old Europe national identity in the football writing of England, France, Germany, Italy and Spain Part 2: Nations within a State examines the status of Corsican, Catalonian and Basque identities Part 3: New (Football) Worlds explores the response of Europe’s presses to the emergence of Africa, South East Asia and the USA as major forces in world football
Shortlisted for the William Hill Sports Book of the Year Award 2017. Longlisted for the Coutts Football Writers Association Award 2018. Before Pep Guardiola and before José Mourinho, there was Béla Guttmann: the first superstar football coach, and the man who paved the way for the celebrated coaches of the modern age. More extraordinarily still, Guttmann was a Holocaust survivor. Having narrowly dodged death by hiding for months in an attic near Budapest as thousands of fellow Jews in the neighbourhood were dragged off to be murdered, Guttmann later escaped from a slave labour camp. He was one of the lucky ones. His father, sister and wider family perished at the hands of the Nazis. But by 1961, as coach of Benfica, he had lifted one of football's greatest prizes: the European Cup a feat he repeated the following year. Rising from the death pits of Europe to become its champion in just over sixteen years, Guttmann performed the single greatest comeback in football history. This remarkable story spans two visions of twentieth-century Europe: a continent ruptured by barbarism and genocide, yet lit up by exhilarating encounters in magnificent cities, where great players would strive to win football s holy grail. With dark forces rising once again, the story of Béla Guttmann s life asks the question: which vision of Europe will triumph in our times?
Thomas Pynchon helped pioneer the postmodern aesthetic. His formidable body of work challenges readers to think and perceive in ways that anticipate--with humor, insight, and cogency--much that has emerged in the field of literary theory over the past few decades. For David Cowart, Pynchon's most profound teachings are about history--history as myth, as rhetorical construct, as false consciousness, as prologue, as mirror, and as seedbed of national and literary identities. In one encyclopedic novel after another, Pynchon has reconceptualized historical periods that he sees as culturally definitive. Examining Pynchon's entire body of work, Cowart offers an engaging, metahistorical reading of V.; an exhaustive analysis of the influence of German culture in Pynchon's early work, with particular emphasis on Gravity's Rainbow; and a critical spectroscopy of those dark stars, Mason & Dixon and Against the Day. He defends the California fictions The Crying of Lot 49, Vineland, and Inherent Vice as roman fleuve chronicling the decade in which the American tapestry began to unravel. Cowart ends his study by considering Pynchon's place in literary history. Cowart argues that Pynchon has always understood the facticity of historical narrative and the historicity of storytelling--not to mention the relations of both story and history to myth. Thomas Pynchon and the Dark Passages of History offers a deft analysis of the problems of history as engaged by our greatest living novelist and argues for the continuity of Pynchon's historical vision.
Both an intellectual autobiography and a chronicle of the ideological and methodological upheaval in textual studies during the last two decades, this book presents provocative essays by one of the foremost textual scholars of our day. As founder and executive director of the interdisciplinary Society for Textual Scholarship, Professor Greetham has had the opportunity to observe and engage with the main players of the textual revolution during its most turbulent years and enlivens his account with revealing character sketches.
The Soft Machine, originally published in 1985, represents a significant contribution to the study of contemporary literature in the larger cultural and scientific context. David Porush shows how the concepts of cybernetics and artificial intelligence that have sparked our present revolution in computer and information technology have also become the source for images and techniques in our most highly sophisticated literature, postmodern fiction by Barthelme, Barth, Pynchon, Beckett, Burroughs, Vonnegut and others. With considerable skill, Porush traces the growth of "the metaphor of the machine" as it evolves both technologically and in literature of the twentieth century. He describes the birth of cybernetics, gives one of the clearest accounts for a lay audience of its major concepts and shows the growth of philosophical resistance to the mechanical model for human intelligence and communication which cybernetics promotes, a model that had grown increasingly influential in the previous decade. The Soft Machine shows postmodern fiction synthesizing the inviting metaphors and concepts of cybernetics with the ideals of art, a synthesis that results in what Porush calls "cybernetic fiction" alive to the myths and images of a cybernetic age.
Captain Alicia DeVries, Imperial Cadre, has been many things in her life. An Imperial Marine, dedicated to the protection and preservation of the Terran Empire she loves. An Imperial Cadre drop commando, personal liegewoman of Emperor Seamus II, whom she honors and reveres. Hero of the Terran Empire, one of only three living holders of the Banner of Terra. And now, outcast, rogue, pirate ... and madwoman." "From the time she graduated from high school, Alicia DeVries knew what she wanted to do with her life, and she did it well. On planets like Gyangtse, Chengchou, Fuller, and Louvain - in cities like Zhikotse and Shallingsport - she's put her life on the line in defense of her Empire and Emperor again and again. She's given her blood, and the lives of men and women closer to her than brothers and sisters." "But her dead have been betrayed in the name of political expediency. The justice they deserved has been denied, and a brokenhearted Alicia DeVries has resigned her commission and retired to the colony world of Mathison with her family to begin a new life." "Yet Alicia is still a warrior, and the pirates who attacked Mathison, tortured and murdered her family, and left her for dead, are about to discover just how big a mistake they made." "Imperial Intelligence can't find them. The Imperial Fleet can't catch them. Local defenses can't stop them. But Alicia has stolen an imperial A1 starship from the bleeding edge of technology and set out to teach them what vengeance truly is." "Her fellow veterans think she's gone mad, the Fleet has shoot-on-sight orders, and the "pirates" have allies at the highest levels of the Imperial government. But Alicia DeVries has two allies of her own. Allies no one knows about. Allies as implacable as she is: a self-aware computer, and a creature from the mists of Old Earth's most ancient legends."--BOOK JACKET.
This follow-up to Brilliant Orange: The Neurotic Genius of Dutch Soccer is “an enchanting love letter to English football” (The Daily Telegraph). In this playful, witty, and highly original look at English soccer, David Winner, author of the acclaimed Brilliant Orange, journeys to the heart of an essential English pastime and sheds new light on the true nature of a rapidly changing game that was never really meant to be beautiful. With the same insightful eye he brought to his bestselling study of Dutch soccer, Winner shows how Victorian sexual anxiety underlies England’s many World Cup failures. He reveals the connection between Roy Keane and a soldier who never lived but died in the “Charge of the Light Brigade.” And he demonstrates how thick mud and wet leather shaped the contours of the English soul. “It’s neither a history of the game nor a memoir, instead exploring the interplay between sport, history, and national character . . . For thinking fans of the game, this is exquisitely pleasurable reading . . . As [Winner] finds acceptance, and even fondness, for the English game, his insight, humor, warmth, and enthusiasm place him in the top echelon of soccer writers.” —Booklist (starred review) “Thank God for David Winner . . . With an easy wit, Winner traces the game back to its roots and the results are as intriguing as they are amusing . . . A marvelous book.” —Duncan White, FourFourTwo
David Kelley subjects the institutions of the contemporary welfare state to sustained and withering criticism. A Life of One's Own is a devastating refutation of the flawed concept of "welfare rights." Kelley presents empirical evidence of the welfare state's effects on behavior, historical research on the origins of the welfare state (and on what it displaced), and philosophical clarification of such core ideas as freedom and rights. After a careful examination of the various arguments made on behalf of welfare rights, Kelley concludes that "the concept of welfare rights is invalid." Kelley distinguishes between statutory rights, constitutional rights, and human rights. Although current law creates statutory rights to welfare benefits, Kelley demonstrates that there are neither constitutional nor human rights to welfare. As he notes, "Just as the idea of a constitutional right to welfare is at odds with the Founders' legal conception of the function of government, so the idea of a basic human right to welfare is at odds with the Founders' philosophical conception of the rights of the individual. Welfare rights are radically different from, and incompatible with, the classical rights to life, liberty, and property." Kelley traces the emergence of the welfare state to the combination of two factors: on the one hand, "real problems, of which the two most important were continuing poverty among those left behind by economic progress and the new forms of economic risk that arose as the economic fortunes of individuals became bound up with national and international markets" under industrial capitalism and, on the other hand, "intellectual and cultural trends [that] were increasingly hostile to individualism and capitalism." The first factors were being addressed "by private, voluntary organizations well before government programs were conceived and enacted" and were rapidly being ameliorated. In A Life of One's Own, Kelley directly addresses the intellectual challenge to individualism and capitalism.
The Pentecostal and Evangelical revivals in the UK in the 20th century represented a breath of fresh air for the Church in an era of decline and struggle. This new book is an account of one of the less well known evangelists who made a significant impact in the 1930s, notably in the major urban centres of the West Midlands, the Potteries, Lancashire and climaxing in Merseyside in 1934/5 where he attracted over 300,000 to his tent meetings. Edward Jeffreys came from a famous family who were converted in the Welsh Revival in 1905 and experienced the baptism of the Holy Spirit during the first days of the Pentecostal Revival. His father was Stephen Jeffreys the leading Assemblies of God evangelist and his uncle was George Jeffreys, the founder of the Elim Foursquare Movement.
A landmark book, “brilliant, thoughtful” (The Atlantic) and “raw and gorgeous” (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.
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