Phillip has a lot on his mind. At home, in his unnecessarily large, excessively expensive house, he is attempting to become a Taoist master of love with his wife, Alice, but his quest is forever being interrupted by the requests of his twin daughters -- "Can we have a pony, please?"; "We want to go to boarding school." At work, in his shed/office at the bottom of the garden, between countless games of Minesweeper and FreeCell, Phillip is trying to pay the mortgage by writing the instruction manuals to Korean bread-making machines. And at parties where he is concerned that he is not taken seriously -- he is variously mistaken as a waiter and a rhinoplastic surgeon -- Phillip tells the world he is, in fact, a screenwriter. Above all, Phillip is obsessing about his best friends, Barry and Sean. They are rich, more successful, and, most worryingly, they give great presents. Their gifts are always exquisite -- a full set of Italian crockery, a handmade corkscrew from Venice; they give them on birthdays, at parties, and quite often for no reason whatsoever; and, increasingly, these presents break all bounds of generosity. They are gifts that hurt a man's pride. And they can never be matched. Which doesn't mean Phillip won't try. . . .
“A superbly written and intellectually stimulating novel.”—The Independent (London) Since he was a young boy, John has studied at the Franciscan monastery outside Oxford, under the tutelage of friar and magus Roger Bacon, an inventor, scientist, and polymath. In 1267 Bacon arranges for his young pupil to embark on a journey of penitence to Italy. But the pilgrimage is a guise to deliver scientific instruments and Bacon’s great opus to His Holiness, Pope Clement IV. Two companions will accompany John, both Franciscan novices: the handsome, sweet-tempered Brother Andrew; and the brutish Brother Bernard. John the Pupil is a road movie, recounting the journey taken from Oxford to Viterbo by John and his two companions. Modeling themselves after Saint Francis, the men trek by foot through Europe, preaching the gospel and begging for sustenance. In addition to fighting off ambushes from thieves hungry for the thing of power they are carrying, the holy trio is tried and tempted by all sorts of sins: ambition, pride, lust—and by the sheer hell and heaven of medieval life. “Astonishing.”—Booklist (starred review) “Strikingly original . . . a hugely enjoyable read.”—The Times (London)
A hilarious and heartbreaking father-son road movie of a novel. Spencer Ludwig, idealist and filmmaker, is making one of his regular duty visits from London to New York City to tend to his declining but still fearsome father. Driving back from one of their doctors' appointments, Spencer decides not to take the turn to his father's apartment: instead, they hit the road. Ahead of them will be an emotional ride taking in police and prostitutes, film festivals and gambling in Atlantic City, as father and son try to make sense of each other's lives and hearts, and their own. To reach, Spencer hopes, a suitably cinematic conclusion.
David Flusfeder's novel, 'The Pagan House', is the story of a family's beginnings as part of the extreme 19th century Christian sect, the Perfectionists, utopians with a belief in free love.
We live with the idea of sin every day – from the greatest transgressions to the tiniest misdemeanours. But surely the concept was invented for an age where divine retribution and eternal punishment dominated the collective consciousness? In this lively collection of new writing, Nicola Barker, Dylan Evans, David Flusfeder, Todd McEwen, Martin Rowson, John Sutherland and Ali Smith go head to head with the capital vices to explore what we really mean when we talk about sin. The resulting mixture of erudite and playful essays and startling new fiction might not make you a better person, but it will certainly give you pause for thought when you’ re next laying the law down or – heaven forfend – about to do something beyond the pale yourself.
Howard and Charlie Levy loathe each other. They always have. Their fathers established the fortunes of the family plastics firm; Howard and Charlie are ruining it. But then Howard runs away. At the age of forty-seven he disappears because he can't think of anything he wants to do. Charlie is a hustler. Charlie is after the jackpot. Charlie has taken control of the company; and he has been staving off panic attacks by increased indulgence in cocaine and sex and aromatherapy. When Howard returns, the cousins' battle resumes, fought in the boardroom, in hospital wards, at the table-tennis table, while their family disintegrates around them.
We live with the idea of sin every day – from the greatest transgressions to the tiniest misdemeanours. But surely the concept was invented for an age where divine retribution and eternal punishment dominated the collective consciousness? In this lively collection of new writing, Nicola Barker, Dylan Evans, David Flusfeder, Todd McEwen, Martin Rowson, John Sutherland and Ali Smith go head to head with the capital vices to explore what we really mean when we talk about sin. The resulting mixture of erudite and playful essays and startling new fiction might not make you a better person, but it will certainly give you pause for thought when you’ re next laying the law down or – heaven forfend – about to do something beyond the pale yourself.
Featuring: David Mitchell, Daljit Nagra , Scarlett Thomas , Guy Gunaratne , Hannah Lowe, Tessa McWatt, Natasha Brown, Haifa Zangana, Ridy Wasolua, David Flusfeder & Shamshad Khan Modelled on Chaucer’s Canterbury Tales, the Refugee Tales series sets out to communicate the experiences of those who, having sought asylum in the UK, find themselves indefinitely detained. Here, poets, novelists and other established writers create a space in which the stories of those who have been detained can be safely heard, a space in which hospitality is the prevailing discourse and listening becomes an act of welcome... Featuring specially written stories (based on real-life testimonies) by David Mitchell, Daljit Nagra, Guy Gunaratne, Tess McWatt, Natasha Brown, Guy Gunaratne, David Flusfeder, Haifa Zangana and others.
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