At four years old, David spends his days exploring with curious contemplation the vast wonders of the seemingly magical world around him. His only real care is wondering when his big brother, Robert, will be home from school to share it with him. His life is replete with typical childhood antics, joys and fears, and nightmares that wrack his sleep, but ultimately every morning, he knows a new adventure awaits. The divorce of their parents two years later sets in motion a chain of unforeseen events that bring David closer to his brother as a real-life nightmare unfolds. Alcoholism, tough financial times, and an archaic and draconian version of religion lead to physical, mental, and emotional abuse, and ultimately to abandonment. Seldom told are first-person perspectives from such a young age, but author David Faulkner's meticulous recall and witty but poignant narration capture the spirit of childhood and reveal the often dark realities of what goes on behind closed doors. Superheroes takes us on a compelling journey from innocence to awareness, from a carefree world to one of heartbreak and tragedy, and leaves no emotional stone unturned.
Minter shows that Faulkner's talent lay in his exploration of a historical landscape and that his genius lay in his creation of an imaginative one. According to Minter, anyone who has ever been moved by William Faulkner's fiction, who has ever tarried in Yoknopatawpha County, will find here a sensitive and readable account of the novelist's struggle in art and life.
Focusing on the core novels, including The Sound and the Fury, Absalom, Absalom!, Sanctuary, Light in August 2003, and Go Down, Moses, David Minter illuminates Faulkner's mature fiction: the tensions at play within the fiction and the creativity not only exhibited by the author but also extended to his characters and required of his readers.Faulkner's achievement, Minter contends, was in combining daring experiments in form with searching examinations of grave social, political, and moral problems. His novels change and expand the role of the reader by means of proliferating narratives that lead to questions rather than answers and to approximation rather than resolution. Minter shows how this process at times implicates the reader in the corruption and violence of the story, as when the reader is required to fill in--out of his or her own experience--the crucial gaps left in the narrative of Sanctuary.Positioning Faulkner on the cusp between modernist and postmodernist writing, Minter shows how his methods undercut the self-contained exclusivity of the New Criticism by integrating the world of the novel with the reader's experience of history and culture.
Servant of the Crown takes the reader inside Whitehall to see how issues of the day were handled and policies formed as the author progressed to working alongside Home Secretaries and other senior politicians. Charting high profile events and everyday activities, it covers government’s approaches towards political, strategic and operational situations, looking also at traditions of public service and freedom under the law. Centrally the book discusses the relationship between civil servants and ministers; also with judges, magistrates and criminal justice services across a 30-year time frame (from the late-1950s to the early-1990s). It includes an explanation of the author’s understanding of a civil servant’s duty as a servant of the Crown, historically and in a world where public services have become increasingly subject to political intervention. The book is illustrated by examples of the interaction between political and professional points of view, covering situations familiar to the police, courts and correctional services. Equally it will be of interest to students of government, especially those concerned with how policy is formulated in answer to the immediacy of political events or the continuum of knowledge and experiences of civil servants (whichever administration is in power). With a Foreword by the Rt Hon Sir John Chilcot, GCB. ‘Raises crucial questions about … the proper roles of civil servants and politicians’: Professor Rob Canton. ‘Enriches our understanding’: Professor David Downes. ‘Anyone interested in the state and its relationship to citizens should read [this book]’: Professor Graham Towl. ‘A uniquely rewarding book’: John Chilcot.
In William Faulkner, William James, and the American Pragmatic Tradition, David H. Evans pairs the writings of America's most intellectually challenging modern novelist, William Faulkner, and the ideas of America's most revolutionary modern philosopher, William James. Though Faulkner was dubbed an idealist after World War II, Evans demonstrates that Faulkner's writing is deeply connected to the emergence of pragmatism as an intellectual doctrine and cultural force in the early twentieth century. Tracing pragmatism to its very roots, Evans examines the nineteenth-century confidence man of antebellum literature as the original practitioner of the pragmatic principle that a belief can give rise to its own objects. He casts this figure as the missing link between Faulkner and James, giving him new prominence in the prehistory of pragmatism. Moving on to Jamesian pragmatism, Evans contends that James's central innovation was his ability to define truth in narrative terms -- just as the confidence man did -- as something subjective and personal that continually shapes reality, rather than a set of static, unchanging facts. In subsequent chapters Evans offers detailed interpretations of three of Faulkner's most important novels, Absalom, Absalom!, Go Down, Moses, and The Hamlet, revealing that Faulkner, too, saw truth as fluid. By avoiding conclusion and finality, these three novels embody the pragmatic belief that life and the world are unstable and constantly evolving. Absalom, Absalom! stages a conflict of historical discourses that -- much like the pragmatic concept of truth -- can never be ultimately resolved. Evans shows us how Faulkner explores the conventional and arbitrary status of racial identity in Go Down, Moses, in a way that is strikingly similar to James's criticism of the concept of identity in general. Finally, Evans reads The Hamlet, a work that is often used to support the idea that Faulkner is opposed to modernity, as a depiction of a distinctly pragmatic and modern world. With its creative coupling of James's philosophy and Faulkner's art, Evans's lively, engaging book makes a bold contribution to Faulkner studies and studies of southern literature.
Noah Cassidy, a former prosecuting attorney, agrees to investigate the seemingly random killing of a young panhandler, which the local police have labeled a "nothing case." A city homicide lieutenant schemes to abruptly close the case, ensuring that the killer will remain free. Cassidy, convinced the young man's murder was not a random street crime, presses ahead, utilizing the one resource available to him - Baltimore's Street People.
Maryland's Chesapeake Bay, November 1867. It is a time in our history when local oystermen battle greedy poachers over rich beds of "white gold" and young men are shanghaied into servitude to ruthless boat captains. Haynie McKenna's search for one victim pits him against a sharpshooting assassin, a cabal of former confederate officers, and his own family ghosts.
A powerful coming of age story as a boy walks into the life of being a man. From an agonising childhood from a broken home to venturing forward trying to make a meaning in life. That was Craig's story as he moved through the years, battling the obstacles of life as time never allowed his wounds to heal from years gone by. Caring for a sick father with a terminal disease, little did Craig know that what he fought against for his father he would inherit. Troubled from a break-up of his parents, he soon realised the learned behaviour from a distorted and bitter past would return to haunt his own future relationships. On his journey he would question the moralities of life as he struggled against the pressure of being a man. This is one man's battle to overcome a nightmarish beginning as a youngster and then confronting those very demons again that clung to his very soul. The question is, will he do it? A powerful, must read for those who have endured the many hardships of life who wish to strive forward and put to rest once and for all decades of trouble and strife.
In 1868, Maryland's embryonic maritime law enforcement agency, the State Oyster Police, set out on its mission to enforce the state's laws on the Chesapeake Bay. Haynie McKenna, the agency's deputy commander, serves as captain of the steamer "Leila." With a crew of untested officers, he heads to the Honga River in search of a rogue waterman, Marrok Blanchard, and his sons.
The FBI and CIA are in conflict over control of an Afghani teenager while both agencies struggle to identify a D.C. area terrorist cell. Failing to identify the target of the looming attack, the FBI races to locate a stash of mysterious weapons before they can be deployed...
Exploring strategic decision-making on a global scale from multinational corporations through to small enterprises, this title covers globalization, networking, culture barriers and benefits, ethics and emerging economies to provide the complete introduction for global strategy courses.
Focusing on the core novels, including The Sound and the Fury, Absalom, Absalom!, Sanctuary, Light in August 2003, and Go Down, Moses, David Minter illuminates Faulkner's mature fiction: the tensions at play within the fiction and the creativity not only exhibited by the author but also extended to his characters and required of his readers.Faulkner's achievement, Minter contends, was in combining daring experiments in form with searching examinations of grave social, political, and moral problems. His novels change and expand the role of the reader by means of proliferating narratives that lead to questions rather than answers and to approximation rather than resolution. Minter shows how this process at times implicates the reader in the corruption and violence of the story, as when the reader is required to fill in--out of his or her own experience--the crucial gaps left in the narrative of Sanctuary.Positioning Faulkner on the cusp between modernist and postmodernist writing, Minter shows how his methods undercut the self-contained exclusivity of the New Criticism by integrating the world of the novel with the reader's experience of history and culture.
Vocabulario, broken down into 30 themed units, complements Gramática unit by unit, giving you context to learn the grammar and expand your vocabulary. If you master Vocabulario, you'll not only be able to effectively contribute to conversations on just about every daily topic you come across with native speakers, you'll also impress the heck out of them.Actividades--free PDF with your purchase of Gramática and Vocabulario, and available exclusively at DavidFaulknerBooks.com--provides unit-by-unit structure and pacing as well as challenging practice with the vocabulary and grammar. This is best done with an instructor who can review your work and provide guidance.If you teach Spanish and are looking for a curriculum to use with your students or a no-fluff guide to help you polish your own skills, look no further. You no longer have to purchase book after book trying to piecemeal a complete curriculum. This is it, A to Z, beginning to end, start to finish, or as the saying goes in Spanish: de cabo a rabo.
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