The Jews' Indian investigates the history of American Jewish relationships with Native Americans, both in the realm of cultural imagination and in face-to-face encounters. This book is the first history to analyze Jewish participation in, and Jews' grappling with the legacies of Native American history and the colonial project upon which America rests.
An actor, a vaudevillian, and a dramatist before he became a filmmaker, D. W. Griffith used the resources of theatre to great purpose and to great ends. In pioneering the quintessentially modern medium of film from the 1890s to the 1930s, he drew from older, more broadly appealing stage forms of melodrama, comedy, vaudeville, and variety. In Stagestruck Filmmaker, David Mayer brings Griffith’s process vividly to life, offering detailed and valuable insights into the racial, ethnic, class, and gender issues of these transitional decades. Combining the raw materials of theatre, circus, minstrelsy, and dance with the newer visual codes of motion pictures, Griffith became the first acknowledged artist of American film. Birth of a Nation in particular demonstrates the degree to which he was influenced by the racist justifications and distorting interpretations of the Civil War and the Reconstruction era. Moving through the major phases of Griffith’s career in chapters organized around key films or groups of films, Mayer provides a mesmerizing account of the American stage and cinema in the final years of the nineteenth century and the first three decades of the twentieth century. Griffith’s relationship to the theatre was intricate, complex, and enduring. Long recognized as the dominant creative figure of American motion pictures, throughout twenty-six years of making more than five hundred films he pillaged, adapted, reshaped, revitalized, preserved, and extolled. By historicizing his representations of race, ethnicity, and otherness, Mayer places Griffith within an overall template of American life in the years when film rivaled and then surpassed the theatre in popularity.
When gods fight, no mortal wins. The gods of the west, Kronos and Cholas, foresee grave danger to their mortal subjects and choose to protect them from the unmerciful eastern deity, Sibelius. Suspecting that Sibelius intends to raise up a Sorcerer to subjugate the west, the western gods plant early seeds of deliverance.
The Wars of the Roses saw a series of bloody battles during one of the most turbulent periods of English history. The houses of Lancaster and York fought for control of the crown, devastating the nobility and bringing an end to the illustrious Plantagenet dynasty. Starting with an overview of the politics and events that culminated in the wars, this new history focuses on the seventeen battles that took place around the country between 1455 and 1487. It considers the causes, course and result of each battle, beginning with the first battle of St Albans on 22 May 1455, which was won by the Yorkist faction lead by Richard, Duke of York. The bloodiest battle ever known on English soil at Towton on 29 March 1461, and the victory there of the first Yorkist King Edward IV is described here in vivid detail. The battle of Tewkesbury on 4 May 1471 saw the death of Edward Prince of Wales, the last male heir of the Lancastrians, and the subsequent murder of King Henry VI at the Tower of London. The defeat and death of King Richard III at the battle of Bosworth on 22 August 1485 marked the end of the Plantagenet dynasty. The last battle of the Wars of the Roses was at East Stoke on 16 June 1487 where the first Tudor King Henry VII crushed the Yorkist revolt. The final chapter of the book is devoted to the mystery of the Princes in the Tower, who disappeared at the Tower of London during the reign of King Richard III in 1483, and the suspects to their likely murders. Written with the most up-to-date archaeological and documentary research, and including many images of the main protagonists, battle sites, maps and genealogical charts, this is a fascinating new insight into the Wars of the Roses.
Hegel's Philosophy of Right is a classic text in the history of Western political thought and one with which all serious students of political philosophy must engage. While it is a hugely important and exciting piece of philosophical writing, Hegel's ideas and style are notoriously difficult to understand and the content is particularly challenging. In Hegel's 'Philosophy of Right': A Reader's Guide, David Rose explains the philosophical and political background against which the book was written and, taking each part of the book in turn, guides the reader to a clear understanding of the text as a whole. This is the ideal companion to study of this most influential and challenging of texts, offering guidance on Philosophical and historical context Key themes Reading the text Reception and Influence Further Reading
Free Will and Continental Philosophy explores the concepts of free-will and self-determination in the Continental philosophical tradition. David Rose examines the ways in which Continental philosophy offers a viable alternative to the hegemonic scientistic approach taken by analytic philosophy. Rose claims that the problem of free-will is only a problem if one makes an unnecessary assumption consistent with scientific rationalism. In the sphere of human action we assume that, since action is a physical event, it must be reducible to the laws and concepts of science. Hence, the problematic nature of free will raises its head, since the concept of free will is intrinsically contradictory to such a reductionist outlook. This book suggests that the Continental thinkers offer a compelling alternative by concentrating on the phenomena of human action and self-determination in order to offer the truth of freedom in different terms. Thus Rose offers a revealing investigation into the appropriate concepts and categories of human freedom and action.
Technological advances directly affect the human being's material existence and its self-understanding. The Enlightenment's intentional agent is, due to specific technologies, undergoing a fundamental transformation. Yet, if the ideological basis of this understanding, the justness of social luck, is not rejected, then a new understanding of the "subject" which would avoid unfreedom in the territorialization of the digital world is made impossible. This book offers a novel Hegelian reading of the posthuman discipline in order to propose a new subjectivity.
Paul Revere's midnight ride looms as an almost mythical event in American history--yet it has been largely ignored by scholars and left to patriotic writers and debunkers. Now one of the foremost American historians offers the first serious look at the events of the night of April 18, 1775--what led up to it, what really happened, and what followed--uncovering a truth far more remarkable than the myths of tradition. In Paul Revere's Ride, David Hackett Fischer fashions an exciting narrative that offers deep insight into the outbreak of revolution and the emergence of the American republic. Beginning in the years before the eruption of war, Fischer illuminates the figure of Paul Revere, a man far more complex than the simple artisan and messenger of tradition. Revere ranged widely through the complex world of Boston's revolutionary movement--from organizing local mechanics to mingling with the likes of John Hancock and Samuel Adams. When the fateful night arrived, more than sixty men and women joined him on his task of alarm--an operation Revere himself helped to organize and set in motion. Fischer recreates Revere's capture that night, showing how it had an important impact on the events that followed. He had an uncanny gift for being at the center of events, and the author follows him to Lexington Green--setting the stage for a fresh interpretation of the battle that began the war. Drawing on intensive new research, Fischer reveals a clash very different from both patriotic and iconoclastic myths. The local militia were elaborately organized and intelligently led, in a manner that had deep roots in New England. On the morning of April 19, they fought in fixed positions and close formation, twice breaking the British regulars. In the afternoon, the American officers switched tactics, forging a ring of fire around the retreating enemy which they maintained for several hours--an extraordinary feat of combat leadership. In the days that followed, Paul Revere led a new battle-- for public opinion--which proved even more decisive than the fighting itself. ] When the alarm-riders of April 18 took to the streets, they did not cry, "the British are coming," for most of them still believed they were British. Within a day, many began to think differently. For George Washington, Thomas Jefferson, John Adams, and Thomas Paine, the news of Lexington was their revolutionary Rubicon. Paul Revere's Ride returns Paul Revere to center stage in these critical events, capturing both the drama and the underlying developments in a triumphant return to narrative history at its finest.
The underground has been a dominant image of modern life since the late eighteenth century. A site of crisis, fascination, and hidden truth, the underground is a space at once more immediate and more threatening than the ordinary world above. In Subterranean Cities, David L. Pike explores the representation of underground space in the nineteenth and early twentieth centuries, a period during which technology and heavy industry transformed urban life.The metropolis had long been considered a moral underworld of iniquity and dissolution. As the complex drainage systems, underground railways, utility tunnels, and storage vaults of the modern cityscape superseded the countryside of caverns and mines as the principal location of actual subterranean spaces, ancient and modern converged in a mythic space that was nevertheless rooted in the everyday life of the contemporary city. Writers and artists from Felix Nadar and Charles Baudelaire to Charles Dickens and Alice Meynell, Gustave Doré and Victor Hugo, George Gissing and Emile Zola, and Jules Verne and H. G. Wells integrated images of the urban underworld into their portrayals of the anatomy of modern society. Illustrated with photographs, movie stills, prints, engravings, paintings, cartoons, maps, and drawings of actual and imagined urban spaces, Subterranean Cities documents the emergence of a novel space in the subterranean obsessions and anxieties within nineteenth-century urban culture. Chapters on the subways, sewers, and cemeteries of Paris and London provide a detailed analysis of these competing centers of urban modernity. A concluding chapter considers the enduring influence of these spaces on urban culture at the turn of the twenty-first century.
Alienation After Derrida rearticulates the Hegelian-Marxist theory of alienation in the light of Derrida's deconstruction of the metaphysics of presence. Simon Skempton aims to demonstrate in what way Derridian deconstruction can itself be said to be a critique of alienation. In so doing, he argues that the acceptance of Derrida's deconstructive concepts does not necessarily entail the acceptance of his interpretations of Hegel and Marx. In this way the book proposes radical reinterpretations, not only of Hegel and Marx, but of Derridian deconstruction itself. The critique of the notions of alienation and de-alienation is a key component of Derridian deconstruction that has been largely neglected by scholars to date. This important new study puts forward a unique and original argument that Derridian deconstruction can itself provide the basis for a rethinking of the concept of alienation, a concept that has received little serious philosophically engaged attention for several decades.
The purpose of this book is to explore the ways in which the London Underground/ Tube was ‘mapped’ by a number of writers from George Gissing to Virginia Woolf. From late Victorian London to the end of the World War II, ‘underground writing’ created an imaginative world beneath the streets of London. The real subterranean railway was therefore re-enacted in number of ways in writing, including as Dantean Underworld or hell, as gateway to a utopian future, as psychological looking- glass or as place of safety and security. The book is a chronological study from the opening of the first underground in the 1860s to its role in WW2. Each chapter explores perspectives on the underground in a number of writers, starting with George Gissing in the 1880s, moving through the work of H. G. Wells and into the writing of the 1920s & 1930s including Virginia Woolf and George Orwell. It concludes with its portrayal in the fiction, poetry and art (including Henry Moore) of WW2. The approach takes a broadly cultural studies perspective, crossing the boundaries of transport history, literature and London/ urban studies. It draws mainly on fiction but also uses poetry, art, journals, postcards and posters to illustrate. It links the actual underground trains, tracks and stations to the metaphorical world of ‘underground writing’ and places the writing in a social/ political context.
?In one very real sense,? David Lavender writes, ?the story of the Oregon Trail begins with Columbus.? This opening suggests the panoramic sweep of his history of that famous trail. In chiseled, colorful prose, Lavender illustrates the ?westward vision? that impelled the early explorers of the American interior looking for a northwest passage and send fur trappers into the region charted by Lewis and Clark. For the emigrants following the trappers? routes, that vision gradually grew into a sense of a manifest American destiny. ø Lavender describes the efforts of emigration societies, of missionaries like Marcus and Narcissa Whitman, and of early pioneer settlers like Hall Jackson Kelley, Jason Lee, and Thomas Jefferson Farnham, as well as the routes they took to the ?Promised Land.? He concludes by recounting the first large-scale emigrations of 1843?45, which steeled the U. S. government for war with Mexico and agreements with Britain over the Oregon boundary. ø
In 1975, David Thomson published his Biographical Dictionary of Film, and few film books have enjoyed better press or such steady sales. Now, thirty-three years later, we have the companion volume, a second book of more than 1,000 pages in one voice—that of our most provocative contemporary film critic and historian. Juxtaposing the fanciful and the fabulous, the old favorites and the forgotten, this sweeping collection presents the films that Thomson offers in response to the question he gets asked most often—“What should I see?” This new book is a generous history of film and an enticing critical appraisal written with as much humor and passion as historical knowledge. Not content to choose his own top films (though they are here), Thomson has created a list that will surprise and delight you—and send you to your best movie rental service. But he also probes the question: after one hundred years of film, which ones are the best, and why? “Have You Seen . . . ?” suggests a true canon of cinema and one that’s almost completely accessible now, thanks to DVDs. This book is a must for anyone who loves the silver screen: the perfect confection to dip into at any point for a taste of controversy, little-known facts, and ideas about what to see. This is a volume you’ll want to return to again and again, like a dear but argumentative friend in the dark at the movies.
DIVDefinitive study of strange symbolism Blake used to attack political tyranny of his time. "For our sense of Blake in his own times we are indebted to David Erdman more than anyone else."—Times Literary Supplement. Third revised edition. 32 black-and-white illus. /div
Frontier scout Seamus Donegan joins Colonel Joseph Reynolds and four hundred soldiers in their lightning attack on a massive encampment of Native Americans.
Yorkshire's past is replete with bloody battles and sieges. From the earliest times armies have marched across the Yorkshire countryside and have fought for control of the land, the towns and the cities. Roman, Viking, Norman and the Scottish invaders have all contributed ruthless episodes to the story. Christian fought pagan, Englishman fought foreign invader, and loyalist fought rebel, in some of the most destructive battles of British history. And bitter internal conflicts, which set neighbour against neighbour, created an equally violent heritage as rival lords and landowners contended for power and influence in the north. David Cooke gives a vivid description of the outbreaks of warfare that have punctuated the county's history. Using graphic contemporary accounts and numerous illustrations and maps, he creates a vivid narrative of a county that was a battleground until modern times.
This is a story about a modern day pirate, the most ruthless gangster and feared crime boss to ever come off the streets of Boston. Some readers would no doubt recognize this man, so his name and the other characters in this story have been changed to protect the dead-- and those who could become the dead. For twenty-five years, he ruled the Boston underworld, controlling illegal gambling, loan sharking, and drug dealing in Boston, up and down the East Coast from Maine to Rhode Island. He was the Don of Bostons Irish Mafia. Who is this modern day pirate? What was his secret deal with the FBI? Where is this man now? Only The Phantom Pirate knows
In Metropolis on the Styx,David L. Pike considers how underground spaces and their many myths have organized ways of seeing, thinking about, and living in the modern city. Expanding on the cultural history of underground construction in his acclaimed previous book, Subterranean Cities, Pike details the emergence of a vertical city in the imagination of nineteenth-century Paris and London, a city overseen by hosts of devils and undermined by subterranean villains, a city whose ground level was replete with passages between above and below. Metropolis on the Styx brings together a rich variety of visual and written sources ranging from pulp mysteries and movie serials to the poetry of Charles Baudelaire and the novels of Marcel Proust, F. Scott Fitzgerald, and Elinor Glyn to the broadsheets and ephemera of everyday urban life. From these materials, Pike conjures a working theory of modern underground space that explains why our notions about urban environments remain essentially nineteenth-century in character, even though cities themselves have since changed almost beyond recognition.Highly original in subject matter, methodology, and conclusions, Metropolis on the Styx synthesizes a number of critical approaches, periods of study, and disciplines in the analysis of a single category of space—the underground. Pike studies the built environments and the textual and visual ephemera (including little-known or unknown archival material) of Paris, London, and other cities in conjunction with canonical modern literature and art. This book integrates a rich visual component—photographs, movie stills, prints, engravings, paintings, cartoons, maps, and drawings of actual and imagined subterranean spaces—into the fabric of the argument.
An unwelcome guest - Death - gatecrashes a society wedding and Lord Francis Powerscourt is summoned by his barrister friend, Charles Augustus Pugh, to investigate this most singular case of murder in the Fens. The dead man is Randolph Colville, successful wine merchant and father of the groom. The murderer would appear to be his brother Cosmo, found in the same room with a gun in his hand. But is this simply a modern-day version of Cain and Abel, or is there more to it than that? Cosmo isn't speaking and time is running out for him for he has an appointment with the gallows in two weeks. Francis has to act fast and sets out to discover all he can about the dead man - and his brother. Cosmo's silence is bothering him for it can only be for two reasons; either he is protecting a woman - or a family scandal. His investigations take him to the vineyards and towns of Burgundy, where he uncovers evidence of serious malpractise in the Colville wine trade, bitter rivalry with a London-based competitor and a disgruntled ex-employee bent on revenge. But there is another secret - more terrible and shocking than anything gone on before - which finally reveals the motive for the untimely death of a wine merchant. Praise for David Dickinson: 'Splendid entertainment' Publishers Weekly 'A leisurely period whodunit with Dickinson's customary historical tidbits and patches of local color, swathed in an appealing Victorian narrative' Kirkus Reviews 'Detective fiction in the grand style' James Naughtie 'A cracking yarn, beguilingly real from start to finish' Peter Snow
“If you seek vicarious adventure, these pages await the armchair explorer.” —Providence Journal In 1804, John Colter set out with Meriwether Lewis and William Clark on the first US expedition to traverse the North American continent. During the 28- month ordeal, Colter served as a hunter and scout, and honed his survival skills on the western frontier. But when the journey was over, Colter stayed behind. He spent two more years trekking alone through dangerous and unfamiliar territory, charting some of the West’s most treasured landmarks. Historian David W. Marshall crafts this captivating history from Colter’s primary sources, and has retraced Colter’s steps— experiencing firsthand how he survived in the wilderness (how he pitched a shelter, built a fire, followed a trail, and forded a stream)— adding a powerful layer of authority and detail.
David John Malloy was bo in St. John's in 1954 and attended Bonaventure College in his youth. Later, he studied at several secondary schools in Nova Scotia before enrolling at Dalhousie University. In 1976 he received a BSc (Honours in Psychology) and went on to study architecture at the technical University of Nova Scotia, receiving his bachelor of architecture in 1980. He also studied in Copenhagen and traveled extensively throughout Europe. After practicing architecture with several firms in Nova Scotia and Newfoundland, he joined the department of Municipal Affairs in St. John's, where he now works with municipalities in developing indoor and outdoor recreational facilities. The story of ten of the province's most historic lighthouses, each chapter highlights one of these magnificent places. Tales of heroic rescues and tragic shipwrecks are laced with descriptions of Newfoundland's coastal flora and fauna. Travel back in time to touch the weathered stone and iron towers, which still encircle Newfoundland's rugged coastline.
Sweet Poison It is August 1935 and the Duke of Mersham is hosting one of his influential parties, bringing together public figures interested in improving Anglo-German relations. One of his guests is General Sir Alistair Craig VC, who swallows poison in the duke's excellent port and dies just as latecomer Lord Edward Corinth and journalist Verity Browne arrive on the scene. The unlikely pair - the younger son of a duke and a journalist committed to the Communist Party find common ground as they seek for the truth behind the genera's murder and discover that everyone present - including the duke himself - had a motive for wanting Sir Alistair out of the way. First published in hardback in 2000, this classic detective story introducing Lord Edward Corinth and Verity Browne was much acclaimed. Bones of the Buried Second in the popular Lord Edward Corinth murder-mystery series; This exciting 1930s murder-mystery is the second in the Lord Edward Corinth/Verity Browne series, following the success of David Roberts' first book Sweet Poison. Corinth returns to London after six months in New York to find his sleuthing partner, journalist Verity Browne, Insisting he investigate a murder in Madrid. It is 1936 and Spain is about to erupt into civil war. Verity is now correspondent for a national newspaper and passionately committed to defending the Spanish republic against the Fascist threat. Her lover, David Griffiths-Jones, a senior figure in the Communist Party, has been convicted of murder and Verity appeals to Edward to help save him from the firing squad, even though she knows he sees him as his rival in love Hollow Crown It is October 1936. Lord Edward Corinth is invited by his friend Joe Weaver, the press lord and close friend of the British royal family, to recover certain letters stolen from the king's intimate friend Wallis Simpson. There is no mystery about who has taken these letters - a woman called Mrs Raymond Harkness, a former mistress of the king and a close friend of Edward's. When Edward goes down to Haling, the country house of conservative MP Leo Scannon where Mrs Harkness is also a house guest, he is far from easy in his mind at the task before him, but he cannot guess that retrieving stolen goods is to be complicated by murder... Dangerous Sea Fourth in the Corinth/Browne Murder Mystery Series. Lord Benyon is on the Queen Mary, bound for New York. It is 1937, and his mission is to persuade President Roosevelt to supply Britain with arms and money if it comes to war with Germany. Those who want him to fail will not stop at murder to achieve their aim. But, when Benyon refuses police protection, Special Branch asks Lord Edward Corinth to keep an unofficial eye on him. However, it is not Benyon who is murdered but a racist senator from South Carolina, who has enraged many of his fellow passengers - not least Warren Fairley, the black singer. But if Fairley is too obvious a candidate, there are other suspects. How about union organiser Sam Forrest, with whom Verity Browne - going to America at the Party's behest to liaise with Communist sympathisers - is so taken? The thrilling denouement is yet another triumph for classic murder-mystery writer David Roberts.
A murder mystery featuring Lord Edward Corinth and Verity Browne. After six months in New York, Lord Edward returns to London only for his old sparring partner, Verity Browne, to convince him to investigate a murder in Madrid. Her lover, David Griffith-Jones, has been convicted for the murder of a fellow Communist Party member and is set to face a firing squad. Against all odds, Edward clears David's name and heads back to England. Here, Edward discovers another murder, surprisingly connected to the murder back in Spain. And it isn't too long before a third mysterious murder comes to light... Edward and Verity join forces once again in search of the truth. But danger is all around them, and there is no guarantee that justice will be served and the murders avenged... Praise for David Roberts: 'A classic murder mystery [...] and a most engaging pair of amateur sleuths' Charles Osborne, author of The Life and Crimes of Agatha Christie 'A gripping, richly satisfying whodunit with finely observed characters, sparkling with insouciance and stinging menace' Peter James 'A really well-crafted and charming mystery story' Daily Mail 'A perfect example of golden-age mystery traditions with the cobwebs swept away' Guardian
An American Heritage(R) Book The Great West is a sweeping history of the commissioned expeditions, failed settlements, and land speculation that conquered the American West. A noted historian of the region and a dramatic storyteller, Lavender portrays the moments and movements that shaped the growing United States, from the founding of provisional governments to the laying of the railroads.
The story of America's westward movement is at heart the story of men and women of all origins and beliefs who helped shape the character of a nation. They lived a stirring epic, the telling of which grows ever more fascinating it becomes ever more remote. It has become a romance, a drama of men and women against the forces of a stupendous land and nameless terrors. Pain and violence tormented whites and Indians alike. Here, from award-winning historian David Lavender, is their enduring story.
This is the first general selection from the substantial body of surviving documents about Elizabeth’s navy. It is a companion to The Navy of Edward VI and Mary I (Vol.157 in the NRS Series), where the apparatus serving both volumes was printed, and it complements the other NRS volumes that deal specifically with the Spanish Armada. This collection concentrates (though not exclusively so) on the early years of Elizabeth’s reign when there was no formal war. From 1558-1585 the navy was involved in a number of small-scale campaigns, pursuit of pirates and occasional shows of force. The documents selected emphasize the financial and administrative processes that supported these operations, such as mustering, victualing, demobilisation, and ship maintenance and repair. The fleet varied in size from about 30 to 45 ships during the period and a vast amount of maintenance and repair was required. The main component of the volume is the massively detailed Navy Treasurer's account for 1562-3 which is followed by and collated with the corresponding Exchequer Account. The documents illustrate just how efficiently the dockyards functioned. They were one of the great early Elizabethan achievements.
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