Outlines the history of humanism from medieval times to the present discussing prominent philosophers from the past, and settles the rivalry between humanism and absolutism by arguing that both sides are guilty of a lack of humility. The author further maintains that there is a "doctrine of mystery" that draws upon the Buddhist conception of "emptiness" and the writings of Heidegger and that must be considered when discussing human beliefs and conduct.
Outlines the history of humanism from medieval times to the present discussing prominent philosophers from the past, and settles the rivalry between humanism and absolutism by arguing that both sides are guilty of a lack of humility. The author further maintains that there is a "doctrine of mystery" that draws upon the Buddhist conception of "emptiness" and the writings of Heidegger and that must be considered when discussing human beliefs and conduct.
First published in 1972, The Great Bridge is the classic account of one of the greatest engineering feats of all time. Winning acclaim for its comprehensive look at the building of the Brooklyn Bridge, this book helped cement David McCullough's reputation as America's preeminent social historian. Now, The Great Bridge is reissued as a Simon & Schuster Classic Edition with a new introduction by the author. This monumental book brings back for American readers the heroic vision of the America we once had. It is the enthralling story of one of the greatest events in our nation's history during the Age of Optimism -- a period when Americans were convinced in their hearts that all great things were possible. In the years around 1870, when the project was first undertaken, the concept of building a great bridge to span the East River between the great cities of Manhattan and Brooklyn required a vision and determination comparable to that which went into the building of the pyramids. Throughout the fourteen years of its construction, the odds against the successful completion of the bridge seemed staggering. Bodies were crushed and broken, lives lost, political empires fell, and surges of public emotion constantly threatened the project. But this is not merely the saga of an engineering miracle: it is a sweeping narrative of the social climate of the time and of the heroes and rascals who had a hand in either constructing or obstructing the great enterprise. Amid the flood of praise for the book when it was originally published, Newsday said succinctly "This is the definitive book on the event. Do not wait for a better try: there won't be any.
The author sifts through evidence that depicts Austen not as a modest, retiring daughter, but rather as a rebellious, satirical, and wild woman. -- Back cover.
Three men are found with their throats cut, and all are connected in some way to an ancient City of London livery company, the Silkworkers. Lord Powerscourt has no shortage of suspects or suspicions. The first victim had shadowy links with the Secret Service. The second had wiped fifteen years out of his own past. The third, a man who collected women at church during Christmas Carol services, had been threatened by angry husbands and disinherited sons. All the victims had been opposed to the reorganization of the Silkworkers' finances and, interestingly, Sir Peregrine Fishborne, the head of the Silkworkers, was present just before each victim's death. Lord knows that the key to solving the mystery lies in the strange markings found on the bodies, which no coroners can identify. From the Hardcover edition.
Meet Cairo Banks, defender of Banks Cay, a rugged little Florida island that a whole bunch of folks are willing to kill for. He's back home from doing God-knows-what as a diplomatic hit man for the United States Security Service. He's been trying to be a simple shopkeeper, a good husband to his saltwater rock and roller wife, and a good father to two enterprising daughters with his penchant for risk and adventure. And he has enjoyed being the son of his salty-tongued cracker momma who has protected their bucolic little island home with a will stronger than a well rope. Then somebody goes and shoots Cairo's momma. Pissing off Cairo Banks turns out not to be such a good thing. "Benson has dreamed up an ensemble of delightfully offbeat characters who populate a place we’d all like to find." —Saltwater Writer’s Review "With this debut novel, Benson may be on his way in joining the ranks of the fun Florida writers like Shames, Hiaasen and Corcoran. This charmingly zany story draws readers right into the action." —Bud Holland Florida Loafing "If he’s the dude who gave me twenty bucks to say something good about a book he wrote, then sure, it’s a helluva book. Great read." —Willard "Junkman" Moody Tenth Street Viaduct
Who has ruled New York? Has power become more concentrated—or more widely and democratically dispersed—in American cities over the past one hundred years? How did New York come to have its modern physical and institutional shape? Focusing on the period when New York City was transformed from a nineteenth-century mercantile center to a modern metropolis, David C. Hammack offers an entirely new view of the history of power and public policy in the nation's largest urban community. Opening with a fresh and original interpretation of the metropolitan region's economic and social history between 1890 and 1910, Hammack goes on to show how various population groups used their economic, social, cultural, and political resources to shape the decisions that created the modern city. As New York grew in size and complexity, its economic and social interests were forced to compete and form alliances. No single group—not even the wealthy—was able to exercise continuing control of urban policy. Building on his account of this interplay among numerous elites, Hammack concludes with a new interpretation of the history of power in New York and other American cities between 1890 and 1950. This book makes a major contribution to the study of community power, of urban and regional history, and of public policy. And by taking the meaning and distribution of power as his theme, Hammack is able to reintegrate economic, social, and political history in a rich and comprehensive work. "Lucid, instructive, and discerning....The most commanding analysis of its subject that I know." —John M. Blum, professor of history, Yale University "A powerful and persuasive treatment of a marvelous subject." —Nelson W. Polsby, professor of political science, University of California, Berkeley
Jane Austen's novels portray a leisured society of gentlemen and ladies who do not need to work. Even the minority of clergymen, soldiers and sailors - men with professions - are almost never seen working. Jane Austen herself, despite responsibility for some domestic tasks, wrote as a woman of leisure. Yet leisure, the distinguishing mark of a gentleman, was not meant to be an excuse for idleness. The proper use of leisure to fulfil duties, to read and to think, and above all to pursue social relations in a world where family and marriage for the propertied was of central importance, was a vital test of character.
An insightful look at the philosophy of language. Philosophers have traditionally approached questions of meaning as part of the philosophy of language. In this book David Cooper broadens the analysis beyond linguistic meaning to offer an account of meaning in general. He shows that not only words, sentences, and utterances in the linguistic domain can be described as meaningful but also items in such domains as art, ceremony, social action, and bodily gesture. Unlike much of the recent work in the philosophy of meaning, Cooper is not concerned with trying to develop a theory of (linguistic) meaning but with examining the meaning of meaning through an overview of the behaviour and scope of meaning and its cognates, addressing questions about the import, function, and status of meaning. This fuller account of meaning not only addresses questions of the meaning of meaning but also the issues or problems that answers to those questions generate, such as, Is meaning just a misleading folk term for something more basic, such as the causal conditions governing the production of certain noises and movements? Is meaning something that we should strive for or should we let our lives just be, rather than mean? By taking the problem of meaning out of the technical philosophy of language and providing a more general account Cooper is able to offer new insights into the meaning of meaning that will be of interest not only to philosophers of language but to philosophers working in other areas, such as epistemology and metaphysics.
Music has been an integral part of film exhibition from its beginnings in the late nineteenth century. With the arrival of sound film in the late 1920s, music became part of a complex multimedia text. Although industry, fan-oriented, and scholarly literatures on film music have existed from early on, and music was frequently among the topics discussed and disputed, only in the past thirty years has sustained scholarly attention gone to music in visual media, beginning with the feature film. The Oxford Handbook of Film Music Studies charts that interdisciplinary activity in its primary areas of inquiry: history, genre and medium, analysis and criticism, and interpretation. The handbook provides an overview to the field on a large scale. Chapters in Part I range from the relations of music and the soundtrack to opera and film, textual representation of film sound, and film music as studied by cognitive scientists. Part II addresses genre and medium with chapters focusing on cartoons and animated films, the film musical, music in arcade and early video games, and the interplay of film, music, and recording over the past half century. The chapters in Part III offer case studies in interpretation along with extended critical surveys of theoretical models of gender, sexuality, and subjectivity as they impinge on music and sound. The three chapters on analysis in Part IV are diverse: one systematically models harmonies used in recent films, a second looks at issues of music and film temporality, and a third focuses on television. Chapters on history (Part V) cover topics including musical antecedents in nineteenth-century theater, the complex issues in sychronization of music in performance of early (silent) films, international practices in early film exhibition, and the symphony orchestra in film.
Creating Christian Granada provides a richly detailed examination of a critical and transitional episode in Spain's march to global empire. The city of Granada-Islam's final bastion on the Iberian peninsula-surrendered to the control of Spain's "Catholic Monarchs" Isabella and Ferdinand on January 2, 1492. Over the following century, Spanish state and Church officials, along with tens of thousands of Christian immigrant settlers, transformed the formerly Muslim city into a Christian one. With constant attention to situating the Granada case in the broader comparative contexts of the medieval reconquista tradition on the one hand and sixteenth-century Spanish imperialism in the Americas on the other, Coleman carefully charts the changes in the conquered city's social, political, religious, and physical landscapes. In the process, he sheds light on the local factors contributing to the emergence of tensions between the conquerors and Granada's formerly Muslim, "native" morisco community in the decades leading up to the crown-mandated expulsion of most of the city's moriscos in 1569-1570. Despite the failure to assimilate the moriscos, Granada's status as a frontier Christian community under construction fostered among much of the immigrant community innovative religious reform ideas and programs that shaped in direct ways a variety of church-wide reform movements in the era of the ecumenical Council of Trent (1545-1563). Coleman concludes that the process by which reforms of largely Granadan origin contributed significantly to transformations in the Church as a whole forces a reconsideration of traditional "top-down" conceptions of sixteenth-century Catholic reform.
Oscar-winning actor, translator of Bertolt Brecht's Galileo, and director of the iconoclastic The Night of the Hunter, Charles Laughton's name alone commanded box office and theatre acclaim. This book is the first to offer an intimate examination of his 54 films produced in Britain and Hollywood from 1928 to 1962. Each has technical credits and cast lists, as well as publicity taglines, a plot synopsis, selected dialogue, Oscars won or nominated, and production commentaries. Also provided are listings of Laughton's miscellaneous shorts and feature films, abandoned film projects, amateur and professional stage appearances, select radio broadcasts, television broadcasts, and audio recordings. Appendices detail the studios, performers and cinematographers of the Laughton films.
The Emmy-nominated star of the classic 1950s sitcom I Married Joan, Joan Davis (1912-1961) was also radio's highest paid comedienne in the 1940s--and she displayed her unique brand of knockabout comedy in more than forty films. This book provides a complete account of her career, including a filmography with critical commentary, and the most detailed episode logs ever compiled for her radio and television programs. A biographical chapter offers never-before-published information about her family background, marriage to vaudeville comedian Si Wills and relationships with other men, and her tragic early death.
In response to Kitchener's famous call for a million volunteers, local communities raised entire battalions for the service on the Western Front. Hull folk are reticent people and the Hull Pals were no exception. This book tells their inspiring story of sacrifice and gallantry under appaling conditions. Hull Pals contains a great number of hitherto unpublished eye-witnessed accounts and photographs.As featured on BBC Radio Humberside and in The Yorkshire Post.
In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.
Join David J. Eicher in this fast-paced and entertaining journey through the history, present, and future of these important yet mysterious cosmic bodies. From ancient times, humans have been fascinated by 'broom stars' and 'blazing scimitars' lighting up the sky and moving against the fixed background of stars. The Great Comets of our time still receive in-depth attention - ISON, Hale-Bopp, Hyakutake, West, and others - while recent spacecraft encounters offer amazing insight into the earliest days of the solar system. In this guide you will discover the cutting-edge science of what comets are, how they behave, where they reside, how groups of comets are related, and much more. The author carefully explores the ideas relating comets and life on Earth - and the danger posed by impacts. He finishes with practical, how-to techniques, tips, and tricks on how to successfully observe comets and even to capture your own images of them.
On the eve of Sherlock Holmes's retirement Watson pays a final visit to 221b Baker Street. Their quiet conversation is interrupted as other guests drift in and out of the 221b sitting-room... Also included here is the account of a visit made by Holmes and Watson to Inverness and a record of a strange tale set in Borley Rectory, once believed to be the most haunted house in England.
At the close of the Civil War, Americans found themselves drawn into a new conflict, one in which the basic shape of the nation's government had to be rethought and new rules for the democratic game had to be established. In this superb new study, David Quigley argues that New York City's politics and politicians lay at the heart of Reconstruction's intense, conflicted drama. In ways that we understand all too well today, New York history became national history. The establishment of a postwar interracial democracy required the tearing down and rebuilding of many basic tenets of American government, yet, as Quigley shows in dramatic detail, the white supremacist traditions of the nation's leading city militated against a genuine revision of America's racial order, for New York politicians placed limits on the possibilities of true Reconstruction at every turn. Still, change did occur and a new America did take shape. Ironically, it was in New York City that new languages and practices for public life were developing which left an indelible mark on progressive national politics. Quigley's signal accomplishment is to show that the innovative work of New York's black activists, Tammany Democrats, bourgeois reformers, suffragettes, liberal publicists, and trade unionists resulted in a radical redefinition of reform in urban America.
Flight Simulation Software comprehensively covers many aspects of flight simulation; from software design to flight control systems, navigation systems and visual systems. It provides working software taken from flight simulators and demonstrates a variety of different systems that can be used in flight simulation. Delving into software design, programming languages, computer graphics and parallel processing, this book is detailed and covers a wide range of topics for flight simulation software. The author-a noted expert on the topic- uniquely presents flight control systems and displays, allowing readers a fresh outlook on how they view aspects of flight simulation. Written for engineers in industry and senior undergraduate/graduate students, Flight Simulation Software provides the basis of teaching across several disciplines, making this accessible for a wide audience.
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