David E. Bixler's Books

Workplace Violence

Issues in Threat Management

By: Christina M. Holbrook,David E. Bixler,Eugene A. Rugala,Carri Casteel

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Workplace Violence

Issues in Threat Management

By: Christina M. Holbrook,David E. Bixler,Eugene A. Rugala,Carri Casteel

Workplace Violence: Issues in Threat Management defines what workplace violence is, delves into the myths and realities surrounding the topic and provides readers with the latest statistics, thinking, and strategies in the prevention of workplace violence. The authors, who themselves have implemented successful workplace violence protection programs, guide novice and experienced practitioners alike in the development of their own programs.

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Page Count

135

Publisher

Routledge

Published Date

ISBN 10

1315352664

ISBN 13

9781315352664

Mestizo Modernity

Race, Technology, and the Body in Post-Revolutionary Mexico

By: David S. Dalton

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Mestizo Modernity

Race, Technology, and the Body in Post-Revolutionary Mexico

By: David S. Dalton

Honorable Mention, Latin American Studies Association Mexico Section Best Book in the Humanities After the end of the Mexican Revolution in 1917, postrevolutionary leaders hoped to assimilate the country’s racially diverse population into one official mixed-race identity—the mestizo. This book shows that as part of this vision, the Mexican government believed it could modernize “primitive” Indigenous peoples through technology in the form of education, modern medicine, industrial agriculture, and factory work. David Dalton takes a close look at how authors, artists, and thinkers—some state-funded, some independent—engaged with official views of Mexican racial identity from the 1920s to the 1970s. Dalton surveys essays, plays, novels, murals, and films that portray indigenous bodies being fused, or hybridized, with technology. He examines José Vasconcelos’s essay “The Cosmic Race” and the influence of its ideologies on mural artists such as Diego Rivera and José Clemente Orozco. He discusses the theme of introducing Amerindians to medical hygiene and immunizations in the films of Emilio “El Indio” Fernández. He analyzes the portrayal of indigenous monsters in the films of El Santo, as well as Carlos Olvera’s critique of postrevolutionary worldviews in the novel Mejicanos en el espacio. Incorporating the perspectives of posthumanism and cyborg studies, Dalton shows that technology played a key role in race formation in Mexico throughout the twentieth century. This cutting-edge study offers fascinating new insights into the culture of mestizaje, illuminating the attitudes that inform Mexican race relations in the present day. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Hector Fernandez L'Hoeste and Juan Carlos Rodriguez

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Page Count

187

Publisher

University Press of Florida

Published Date

ISBN 10

1683403223

ISBN 13

9781683403227

Rogers' Textbook of Pediatric Intensive Care

By: Donald H. Shaffner,David G. Nichols

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Rogers' Textbook of Pediatric Intensive Care

By: Donald H. Shaffner,David G. Nichols

Now in vibrant full color throughout, Rogers’ Textbook of Pediatric Intensive Care, 5th Edition, continues its tradition of excellence as the gold standard in the field. For more than 25 years, readers have turned to this comprehensive resource for clear explanations of both the principles underlying pediatric critical care disease and trauma as well as how these principles are applied in clinical practice. In the 5th Edition, more than 250 global contributors bring you completely up to date on today’s understanding, treatments, technologies, and outcomes regarding critical illness in children.

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Page Count

5597

Publisher

Lippincott Williams & Wilkins

Published Date

ISBN 10

1469888378

ISBN 13

9781469888378

American Scenic Design and Freelance Professionalism

By: David Bisaha

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American Scenic Design and Freelance Professionalism

By: David Bisaha

An inclusive history of the professionalization of American scenic design The figure of the American theatrical scenic designer first emerged in the early twentieth century. As productions moved away from standardized, painted scenery and toward individualized scenic design, the demand for talented new designers grew. Within decades, scenic designers reinvented themselves as professional artists. They ran their own studios, proudly displayed their names on Broadway playbills, and even appeared in magazine and television profiles. American Scenic Design and Freelance Professionalism tells the history of the field through the figures, institutions, and movements that helped create and shape the profession. Taking a unique sociological approach, theatre scholar David Bisaha examines the work that designers performed outside of theatrical productions. He shows how figures such as Lee Simonson, Norman Bel Geddes, Jo Mielziner, and Donald Oenslager constructed a freelance, professional identity for scenic designers by working within their labor union (United Scenic Artists Local 829), generating self-promotional press, building university curricula, and volunteering in wartime service. However, while new institutions provided autonomy and intellectual property rights for many, women, queer, and Black designers were not always welcome to join the organizations that protected freelance designers’ interests. Among others, Aline Bernstein, Emeline Roche, Perry Watkins, Peggy Clark, and James Reynolds were excluded from professional groups because of their identities. They nonetheless established themselves among the most successful designers of their time. Their stories expand the history of American scenic design by showing how professionalism won designers substantial benefits, yet also created legacies of exclusion with which American theatre is still reckoning.

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Page Count

272

Publisher

SIU Press

Published Date

ISBN 10

0809338750

ISBN 13

9780809338757

Richard Barr

The Playwright's Producer

By: David A. Crespy

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Richard Barr

The Playwright's Producer

By: David A. Crespy

In Richard Barr: The Playwright’s Producer, author David A. Crespy investigates the career of one of the theatre’s most vivid luminaries, from his work on the film and radio productions of Orson Welles to his triumphant—and final—production of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street. Explored in detail along the way are the producer’s relationship with playwright Edward Albee, whose major plays such as A Zoo Story and Who’s Afraid of Virginia Woolf Barr was the first to produce, and his innovative productions of controversial works by playwrights like Samuel Beckett, Terrence McNally, and Sam Shepard. Crespy draws on Barr’s own writings on the theatre, his personal papers, and more than sixty interviews with theatre professionals to offer insight into a man whose legacy to producers and playwrights resounds in the theatre world. Also included in the volume are a foreword and an afterword by Edward Albee, a three-time Pulitzer Prize–winning playwright and one of Barr’s closest associates.

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Page Count

313

Publisher

SIU Press

Published Date

ISBN 10

0809331411

ISBN 13

9780809331413

Book's by David E. Bixler

Workplace Violence

Workplace Violence

Mestizo Modernity

Mestizo Modernity

Rogers' Textbook of Pediatric Intensive Care

Rogers' Textbook of Pediatric Intensive Care

American Scenic Design and Freelance Professionalism

American Scenic Design and Freelance Professionalism

Richard Barr

Richard Barr

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