Greene County was created in 1800 from parts of Albany and Ulster Counties, and it is named after Gen. Nathanael Greene of Revolutionary War fame. Early on, the economy of the county was primarily agricultural with a few small mills and most of the settlements located along the Hudson River and its tributaries. In the early 19th century, the economy took off: people from New England began settling the mountains to the west, the Susquehanna Turnpike opened, leather tanning and brick- and pottery-making became prominent, ice was harvested and shipped to New York City, ship-building gained importance, and tourism started to be popular. Today, tourism is still important to the area, and the county features two major ski resorts. Much of Greene County is also part of the Catskill Mountain Park, which attracts many nature-lovers all year round. Over the years, county natives and transplants have made many contributions to industry, entertainment, government, military, recreation, and the arts.
Greene County was created in 1800 from parts of Albany and Ulster Counties, and it is named after Gen. Nathanael Greene of Revolutionary War fame. Early on, the economy of the county was primarily agricultural with a few small mills and most of the settlements located along the Hudson River and its tributaries. In the early 19th century, the economy took off: people from New England began settling the mountains to the west, the Susquehanna Turnpike opened, leather tanning and brick- and pottery-making became prominent, ice was harvested and shipped to New York City, ship-building gained importance, and tourism started to be popular. Today, tourism is still important to the area, and the county features two major ski resorts. Much of Greene County is also part of the Catskill Mountain Park, which attracts many nature-lovers all year round. Over the years, county natives and transplants have made many contributions to industry, entertainment, government, military, recreation, and the arts.
This book examines the performance of Greek tragedy in the classical Athenian theatre. David Wiles explores the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political. After reviewing controversies and archaeological data regarding the fifth-century performance space, Wiles turns to the chorus and shows how dance mapped out the space for the purposes of any given play. The book shows how performance as a whole was organised and, through informative diagrams and accessible analyses, Wiles brings the theatre of Greek tragedy to life.
What is known of the expansion of the Roman Empire in Asia and adjacent lands to the East between 133 B.C. and A.D. 285 is presented here in a comprehensive organization of all the existing scholarship. An authority in the field of ancient history and archaeology, Mr. Magie presents a thorough account of political and economic conditions in this period. Volume 2 contains the notes. Originally published in 1950. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The first comprehensive biography of pioneering archaeologist and museum curator Winnifred Lamb, who was honorary keeper of Greek antiquities at the Fitzwilliam Museum, Cambridge in the four decades immediately following the First World War.
Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.
This acclaimed novel based on true events in the 1928 Tour de France “is a powerful story of grim determination and one man’s forlorn hope to conquer fear” (Publishers Weekly). In 1928, the Ravat-Wonder cycling team became the first English-speaking peloton to compete in the Tour de France. The riders, hailing from New Zealand and Australia, were treated as exotics and isolated by language and cultural barriers. Underfinanced and undertrained, the team faced one of the toughest routes in the race’s history: 5,476 kilometers over unsealed roads through a landscape heavy with the legacy of the Great War. 162 cyclists began the race that year; only 42 finished. A deeply introspective book, The Invisible Mile is narrated by a fictional, unnamed rider on the Ravat-Wonder team. Speaking no French and knowing few of his fellow riders, his race becomes a confrontation with memories of the Great War and a quest to understand his own place in its history. He rides on the alternating highs of cocaine and opium, pain and pleasure, victory and defeat. As he nears his final mile along the northern battlefields, trauma, exertion, and his personal demons take over. “Bruising, beautiful and ultimately transcendent, there’s a perfect thought on sport, humanity or endurance on just about every page.” —Markus Zusak, author of The Book Thief
Open Access in Theory and Practice investigates the theory-practice relationship in the domain of open access publication and dissemination of research outputs. Drawing on detailed analysis of the literature and current practice in OA, as well as data collected in detailed interviews with practitioners, policymakers, and researchers, the book discusses what constitutes ‘theory’, and how the role of theory is perceived by both theorists and practitioners. Exploring the ways theory and practice have interacted in the development of OA, the authors discuss what this reveals about the nature of the OA phenomenon itself and the theory-practice relationship. Open Access in Theory and Practice contributes to a better understanding of OA and, as such, should be of great interest to academics, researchers, and students working in the fields of information science, publishing studies, science communication, higher education policy, business, and economics. The book also makes an important contribution to the debate of the relationship between theory and practice in information science, and more widely across different fields of the social sciences and humanities
The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Nemean Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms. The Crown Games of Ancient Greece examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits—as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states.
The Handbook for Classical Research offers guidance to students needing to learn more about the different fields and subfields of classical research, and its methods and resources.
A unique ‘backstory’ of Alexander and his successors: the biased historians, deceits, wars, generals, and the tale of the literature that preserved them. ‘Babylon, mid-June 323 BCE, the gateway of the gods; prostrated in the Summer Palace of Nebuchadrezzar II on the east bank of the Euphrates, wracked by fever and having barely survived another night, King Alexander III, the rule of Macedonia for 12 years and 7 months, had his senior officers congregate at his bedside. Abandoned by Fortune and the healing god Asclepius, he finally acknowledged he was dying. Some 2,340 years on, five barely intact accounts survive to tell a hardly coherent story. At times in close accord, though more often contradictory, they conclude with a melee of death-scene rehashes, all of them suspicious: the first portrayed Alexander dying silent and intestate; he was Homeric and vocal in the second; the third detailed his Last Will and Testament though it is attached to the stuff of romance. Which account do we trust?’ In Search Of The Lost Testament Of Alexander The Great is the result of a ‘decade of contemplations on Alexander’ presented as a rich thematic narrative Grant describes as the ‘backstory behind the history’ of the great Macedonian and his generals. Taking an uncompromising investigative perspective, Grant delves into the challenges faced by Alexander’s unique tale: the forgeries and biased historians, the influences of rhetoric, romance, philosophy and religion on what was written and how. Alexander’s own mercurial personality is vividly dissected and the careers and the wars of his successors are presented with a unique eye. But the book never loses sight of central aim: to unravel the mystery behind Alexander’s ‘unconvincingly reported’ intestate death. And out of Grant’s research emerges one unavoidable verdict: after 2,340 years, the Last Will and Testament of Alexander III of Macedonia needs to be extracted from ‘romance’ and reinstated to its rightful place in mainstream history: Babylon in June 323 BCE. Although the result a decade of academic research, In Search Of The Lost Testament Of Alexander The Great is written in an entertaining and engaging style that opens the subject to both scholars and the casual reader of history looking to learn more about the Macedonian king and the men who ‘made’ his story. It concludes with a wholly new interpretation of the death of Alexander the Great and the mechanism behind the wars of succession that followed.
The PARIS 4 conference, which took place at the National Museum of Denmark in 2011, attracted over 100 participants from 18 countries. Delegates presented and discussed the latest developments in the field of Preserving Archaeological Remains In Situ. These proceedings explore four major themes: rates of degradation in archaeological remains and the limits of acceptable change; the techniques and duration of monitoring on archaeological sites; the role of multinational standards when the sites and national legislations are so variable; reviewing the effectiveness of in situ preservation, after nearly two decades of research. A special issue of Conservation and Management of Archaeological Sites (Vol 14 Nos 1-4).
In exploring the significance of Homer for the poetry of modern Greece - benign shade or looming shadow? - Dr Ricks is tackling a theme that has implications for the study of poetic influence in general. In this 1989 book, he takes the work of Sikelianos, Cavafy and Seferis and subjects a selection of poems to a careful scrutiny. These poems are not imitations of Homer but fresh engagements with Homeric themes, and comparison of the modern versions with the original is found to be illuminating for the poets' methods of composition. Dr Ricks does not lose sight of the larger significance of his subject, and modern poets from outside Greece - Eliot and Pound, in particular - find their way into the discussion. All Greek is translated and the reader has no need to be a specialist in modern or in ancient Greek to find this study absorbing and instructive.
The history of anthropology at Harvard is told through vignettes about the people, famous and obscure, who shaped the discipline at Harvard College and the Peabody Museum. The role of amateurs and private funders in the early growth of the field is highlighted, as is the participation of women and of students and scholars of diverse ethnicities.
For more than a millennium, the ancient Olympics captured the imaginations of the Greeks, until a Christianized Rome terminated the competitions in the fourth century AD. But the Olympic ideal did not die and this book is a succinct history of the ancient Olympics and their modern resurgence. Classics professor David Young, who has researched the subject for over 25 years, reveals how the ancient Olympics evolved from modest beginnings into a grand festival, attracting hundreds of highly trained athletes, tens of thousands of spectators, and the finest artists and poets.
This volume presents 50 peer-reviewed papers presented at the Sixth Annual Conference of the Construction History Society held at Queens' College Cambridge from 5-7 April 2019 which cover a wide variety of topics on aspects of construction history with a section devoted entirely to papers on water engineering.
This innovative book provides a historical account of performance space within the theatrical traditions of western Europe. David Wiles takes a broad-based view of theatrical activity as something that occurs in churches, streets, pubs and galleries as much as in buildings explicitly designed to be 'theatres'. He traces a diverse set of continuities from Greece and Rome to the present, including many areas that do not figure in standard accounts of theatre history.
Here is the most explosive adventure yet from the New York Times bestselling author of Atlantis and The Lost Tomb—a whiplash-inducing novel that sends marine archaeologist Jack Howard and his team on a treasure hunt . . . and a race against time to stop a terrifying threat. Greece, 1876. Renowned archaeologist Heinrich Schliemann unearths the tomb of legendary King Agamemnon and makes a mind-blowing discovery. Determined to keep it secret until the time is right, he dies before it can be revealed to the world. Germany, 1945. The liberation of a concentration camp reveals clues to the lost antiquities stolen by the Nazis. But the operation is covered up after a horrific secret surfaces. Northern Aegean, present day. Jack Howard, head of the International Maritime University, and his team discover the wreckage of the legendary Greek fleet from the Trojan War, sending shockwaves around the world. But the biggest surprise is yet to come, for Jack is on the trail not only of Agamemnon, but of Schliemann’s true discovery—and a mystery so explosive that it leads to the kidnapping of Jack’s daughter and a confrontation with a new and evil foe.
This book shows how, in unearthing biblical cities, archaeology transformed nineteenth-century thinking on the truth of Christianity and its role in modern cities.
Introduces the history and mythology of the Greek Islands, suggests itineraries, and provides information on food, lodging, entertainment, and transportation between islands.
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