From the fifteenth to the eighteenth centuries, the major cultures of southern India underwent a revolution in sensibility reminiscent of what had occurred in Renaissance Italy. During this time, the imagination came to be recognized as the defining feature of human beings. More than Real draws our attention to a period in Indian history that signified major civilizational change and the emergence of a new, proto-modern vision. In general, India conceived of the imagination as a causative agent: things we perceive are real because we imagine them. David Shulman illuminates this distinctiveness and shows how it differed radically from Western notions of reality and models of the mind. Shulman's explication offers insightful points of comparison with ancient Greek, medieval Islamic, and early modern European theories of mind, and returns Indology to its rightful position of intellectual relevance in the humanities. At a time when contemporary ideologies and language wars threaten to segregate the study of pre-modern India into linguistic silos, Shulman demonstrates through his virtuoso readings of important literary works—works translated lyrically by the author from Sanskrit, Tamil, Telugu, and Malayalam—that Sanskrit and the classical languages of southern India have been intimately interwoven for centuries.
South India is a land of many temples and shrines, each of which has preserved a local tradition of myth, folklore, and ritual. As one of the first Western scholars to explore this tradition in detail, David Shulman brings together the stories associated with these sacred sites and places them in the context of the greater Hindu religious tradition. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
For decades, we’ve been shocked by images of violent clashes between Israelis and Palestinians in the West Bank and Gaza. But for all their power, those images leave us at a loss: from our vantage at home, it’s hard for us to imagine the struggles of those living in the midst of the fighting. Now, American-born Israeli David Shulman takes us right into the heart of the conflict with Dark Hope, an eye-opening chronicle of his work as a member of the peace group Ta‘ayush, which takes its name from the Arabic for “living together.” Though Shulman never denies the complexity of the issues fueling the conflict—nor the culpability of people on both sides—he forcefully clarifies the injustices perpetrated by Israel by showing us the human dimension of the occupation. Here we meet Palestinians whose houses have been blown up by the Israeli army, shepherds whose sheep have been poisoned by settlers, farmers stripped of their land by Israel’s dividing wall. We watch as whip-swinging police on horseback attack crowds of nonviolent demonstrators, as Israeli settlers shoot innocent Palestinians harvesting olives, and as families and communities become utterly destroyed by the unrelenting violence of the occupation. Opposing such injustices, Shulman and his companions—Israeli and Palestinian both—doggedly work through checkpoints to bring aid, rebuild houses, and physically block the progress of the dividing wall. As they face off against police, soldiers, and hostile Israeli settlers, anger mixes with compassion, moments of kinship alternate with confrontation, and, throughout, Shulman wrestles with his duty to fight the cruelty enabled by “that dependable and devastating human failure to feel.” With Dark Hope, Shulman has written a book of deep moral searching, an attempt to discover how his beloved Israel went wrong—and how, through acts of compassionate disobedience, it might still be brought back.
Siva, a Hindu god, plays dice with his wife, to whom he habitually loses. The result of the game is our world, which turns the god inside-out and changes his internal composition. This book aims to show the logic implicit in this theology of play, fragmentation, divine self-knowledge and love.
Since The Rediscovery Of The`Kridabhiramamu` At The Beginning Of The Twentieth Century, The Book Has Been The Subject Of Intense Controversy Among Telugu Scholars And Critics, Some Of Whom Attacked It As Obscene. The Translators Discuss This Controversy And Suggest A New Way Of Closely Reading The Text In The Light Of The Vibrant Literary Milieu In Which It Was Composed.
The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This book offers a new exploration of the mythology of the Hindu god Siva, who spends his time playing dice with his wife, to whom he habitually loses. The result of the game is our world, which turns the god inside-out and changes his internal composition. Hindus maintain that Siva is perpetually absorbed in this game, which is recreated in innumerable stories, poems, paintings, and sculptural carvings. This notion of the god at play, arguee Handelman and Shulman, is one of the most central and expressive veins in the metaphysics elaborated through the centuries, in many idioms and modes, around the god. The book comprises three interlocking essays; the first presents the dice-game proper, in the light of the texts and visual depictions the authors have collected. The second and third chapters take up two mythic "sequels" to the game. Based on their analysis of these sequels, the authors argue that notions of "asceticism" so frequently associated with Siva, with Yoga, and with Hindu religion are, in fact, foreign to Hinduism's inherent logic as reflected in Siva's game of dice. They suggest an alternative reading of this set of practices and ideas, providing startling new insights into Hindu mythology and the major poetic texts from the classical Sanskrit tradition.
Siva, a Hindu god, plays dice with his wife, to whom he habitually loses. The result of the game is our world, which turns the god inside-out and changes his internal composition. This book aims to show the logic implicit in this theology of play, fragmentation, divine self-knowledge and love.
Over a career spanning forty years, David G. Dalin has written extensively about the role of American Jews in public life, from the nation’s founding, to presidential appointments of Jews, to lobbying for the welfare of Jews abroad, to Jewish prominence in government, philanthropy, intellectual life, and sports, and their one-time prominence in the Republican Party. His work on the separation of Church and State and a prescient 1980 essay about the limits of free speech and the goal of Neo-Nazis to stage a march in Skokie, Illinois, are especially noteworthy. Here for the first time are a collection of sixteen of his essays which portray American Jews who have left their mark on American public life and politics.
Hindu Goddesses is a valuable sourcebook and reference work for students and scholars of Hindu goddesses and of Hinduism in general. Each goddess is dealt with as an independent deity with a coherent mythology, theology and, in some cases, cult of her own. Within the complex, diverse, and rich goddess traditions of Hinduism, one can find suggestions of nearly every important theme in the Hindu religion. In many ways, this book is as much a study of the Hindu tradition itself as it is a study of one aspect of that tradition. No other living religious tradition has displayed such an ancient, continuous, and diverse history of goddess worship.
South India is a land of many temples and shrines, each of which has preserved a local tradition of myth, folklore, and ritual. As one of the first Western scholars to explore this tradition in detail, David Shulman brings together the stories associated with these sacred sites and places them in the context of the greater Hindu religious tradition. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
An impressive and important cross-cultural study that has vast implications for history, religion, anthropology, folklore, and other fields. . . . Remarkably wide-ranging and extremely well-documented, it covers (among much else) the following: medieval Christian legends such as the 14th-century Ethiopian Gadla Hawaryat (Contendings of the Apostles) that had their roots in Parthian Gnosticism and Manichaeism; dog-stars (especially Sirius), dog-days, and canine psychopomps in the ancient and Hellenistic world; the cynocephalic hordes of the ancient geographers; the legend of Prester John; Visvamitra and the Svapacas ("Dog-Cookers"); the Dog Rong ("warlike barbarians") during the Xia, Shang, and Zhou periods; the nochoy ghajar (Mongolian for "Dog Country") of the Khitans; the Panju myth of the Southern Man and Yao "barbarians" from chapter 116 of the History of the Latter Han and variants in a series of later texts; and the importance of dogs in ancient Chinese burial rites. . . . Extremely well-researched and highly significant."—Victor H. Mair, Asian Folklore Studies
Jewish Justices of the Supreme Court examines the lives, legal careers, and legacies of the eight Jews who have served or who currently serve as justices of the U.S. Supreme Court: Louis D. Brandeis, Benjamin Cardozo, Felix Frankfurter, Arthur Goldberg, Abe Fortas, Ruth Bader Ginsburg, Stephen G. Breyer, and Elena Kagan. David Dalin discusses the relationship that these Jewish justices have had with the presidents who appointed them, and given the judges' Jewish background, investigates the antisemitism some of the justices encountered in their ascent within the legal profession before their appointment, as well as the role that antisemitism played in the attendant political debates and Senate confirmation battles. Other topics and themes include the changing role of Jews within the American legal profession and the views and judicial opinions of each of the justices on freedom of speech, freedom of religion, the death penalty, the right to privacy, gender equality, and the rights of criminal defendants, among other issues.
This volume deals with the political culture of the NAyaka period in medieval South India, an era which extends from the early sixteenth century to the early eighteenth century. The book looks at the three major Nayaka states --- ruled from Senji, Tanjavur, and MAadurai/Tiruccirapalli --- as well as at minor states located at their periphery. While these states had differing life-spans, devlopmental patterns, geo-ecological environments, as well as distinct forms of historical experience,they shared salient structural and cultural features. At their height, in the early seventeenth century, they encompassed the greater part of the Tamil country. Supplementing standard sources by an imaginative use of Dutch, Portugese, Tamil, Sanskrit, and Telugu sources, the authors show how the Nayakas witnessed, and partly produced, a profound shift in the conceptual and institutional bases of South Indian civilization.
This is a full account of Siva's Dance of Bliss, which has become a popular symbol in the West for Hinduism and Eastern Mysticism. Siva is one of the two main gods of Hinduism, and his worshippers comprise half of all Hindus. Siva's Dance of Bliss is based on a remarkable Sanskrit poem written by Umapati Sivacarya, Saiva theologian and temple priest in Cidambaram, South India, in the fourteenth century. Starting with the bronze image of Nataraja, King of Dancers, thereafter the Cidambaram temple, its myth and its priests are viewed in the light of the poem. Umapati's Saiva theology is discussed in relation to his life and also in relation to Vedanta and yoga. The iconography and mythology of the Goddess and of other forms of Siva provide necessary perspective. Art from Cidambaram and neighbouring sites illuminates the text.
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