Representations of masochism - both overt and oblique - permeate the work of James Joyce. While a number of critics have noted this, to date there has been no sustained and focused analysis of this trope in his writings. David Cotter argues that such an examination is key to understanding the meanings and messages of Joyce's work. Adding further dimensions to moral, political and aesthetic considerations in the novels and stories - particularly Ulysses - this book provides a comprehensive account of masochistic elements in James Joyce's work. Cotter draws upon psychoanalytic theory and social history to illustrate the subversive power of perversity in the literature of the modern period. This edition first Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
It’s every motorcyclist’s dream. A friend or acquaintance says, “You know, there’s an old bike that’s been sitting in this garage for years.” The hunt is on. And rather than the usual worthless Hondazukimaha pile of hopeless oxidation, at the back of that barn you find a genuine classic, the motorcycle collector’s dream. The Vincent in the Barn tells forty such stories--tales of motorcycle hunting dreams come true. From Ducatis in basements to Vincents abandoned in sheds, Harleys in barns to Brit bikes moldering behind urban garages, these are the stories that fuel every motorcyclist’s fantasies. The only difference? They’re true. See Tom Cotter, author of Motorbooks “In the Barn” series, interviewed by Jay Leno on JayLenosGarage.com: http://www.jaylenosgarage.com/video/jays-book-club-the-hemi-in-the-barn/1237422/
The World Religions Paradigm has been the subject of critique and controversy in Religious Studies for many years. After World Religions provides a rationale for overhauling the World Religions curriculum, as well as a roadmap for doing so. The volume offers concise and practical introductions to cutting-edge Religious Studies method and theory, introducing a wide range of pedagogical situations and innovative solutions. An international team of scholars addresses the challenges presented in their different departmental, institutional, and geographical contexts. Instructors developing syllabi will find supplementary reading lists and specific suggestions to help guide their teaching. Students at all levels will find the book an invaluable entry point into an area of ongoing scholarly debate.
There is a time of night when the ghosts grow more active. This hour is the witching hour. Here is a collection of 13 ghostly tales. Be careful when you read, we wouldn't want to get ... "Lost in the Witching Hour" Table of Contents Approaching by Ryan Tandy Sonic Fear by Michael Kleen Amanda by Walter Conley In My Dreams are Halle's Embers by Rhesa Sealy Never Too Late by Rick McQuiston Battlefield of Souls by Richard Farren Barber Crybaby Bridge by Christian A. Larsen What Happened to Little Caitlin by Nicky Peacock When the Goatman Comes by Amelia Cotter Charlatan Charade by Amy Braun The Patience Factor by Rick McQuiston DO NOT DISTURB: The Glen Tavern Entities by Jason Hughes Cleopatra's Ghost by Anton Sim The Whorehouse Ghosts by James David Park
There has recently been a rapid growth of activity in nonlinear optics. Effects such as frequency doubling, stimulated Raman scattering, phase conjugation and solitons are of great interest both for their fundamental properties and their many important applications in science and engineering. It is mainly these applications - especially in telecommunications and information processing - that have stimulated the recent surge of activity. This book is a self contained account of the most important principles of nonlinear optics. Assuming only a familiarity with basic mathematics, the fundamentals of nonlinear optics are fully developed from basic concepts. The essential quantum mechanical apparatus is introduced and explained. In later chapters the underlying ideas are illustrated by discussing particular experimental configurations and materials. This book will be an invaluable introduction to the field for beginning graduates in physics or engineering, and will provide an excellent overview and reference work for active researchers in the field.
This two-volume set is a literary commentary of the book of the Twelve Prophets. Building upon the author's previous work on the structure and literary coherence of the book of Isaiah, it attempts to read the book of the Twelve as a distinctive literary work with its own structure, themes and theological or ideological perspective. In addition, it treats each of the twelve minor prophets as a literary entity unto itself as well as a component unity of the larger book of the Twelve.
Reflections on the Pandemic: COVID and Social Crises in the Year Everything Changed is a collection of essays, poems, and artwork that captures the raw energy and emotion of 2020 from the perspective of the Rutgers University community. The project features work from a diverse group of Rutgers scholars, students, staff, and alumni. Reflecting on 2020 from a number of perspectives – mortality, justice, freedom, equality, democracy, family, health, love, hate, economics, history, medicine, science, social justice, the environment, art, food, sanity – the book features contributions by Evie Shockley, Joyce Carol Oates, Naomi Jackson, Ulla Berg, Grace Lynne Haynes, Jordan Casteel, and President Jonathan Holloway, among others. This book, through its rich and imaginative storytelling at the intersection of scholarly expertise and personal narrative, brings readers into the hearts and minds of not just the Rutgers community but the world. Contributors include: Patricia Akhimie, Marc Aronson, Ulla D. Berg, Stephanie Bonne, Stephanie Boyer, Kimberly Camp, Jordan Casteel, Kelly-Jane Cotter, Mark Doty, David Dreyfus, Adrienne E. Eaton, Katherine C. Epstein, Leah Falk, Paul G. Falkowski, Rigoberto González, James Goodman, David Greenberg, Angelique Haugerud, Grace Lynne Haynes, Leslieann Hobayan, Jonathan Holloway, James W. Hughes, Naomi Jackson, Amy Jordan, Vikki Katz, Mackenzie Kean, Robert E. Kopp, Christian Lighty, Stephen Masaryk, Louis P. Masur, Revathi V. Machan, Yalidy Matos, Belinda McKeon, Susan L. Miller, Yehoshua November, Joyce Carol Oates, Mary E. O’Dowd, Katherine Ognyanova, David Orr, Gregory Pardlo, Steve Pikiell, Teresa Politano, en Purkert, Nick Romanenko, Evie Shockley, Caridad Svich, and Didier William.
This book introduces recently developed mixed finite element methods for large-scale geophysical flows that preserve essential numerical properties for accurate simulations. The methods are presented using standard models of atmospheric flows and are implemented using the Firedrake finite element library. Examples guide the reader through problem formulation, discretisation, and automated implementation. The so-called “compatible” finite element methods possess key numerical properties which are crucial for real-world operational weather and climate prediction. The authors summarise the theory and practical implications of these methods for model problems, introducing the reader to the Firedrake package and providing open-source implementations for all the examples covered. Students and researchers with engineering, physics, mathematics, or computer science backgrounds will benefit from this book. Those readers who are less familiar with the topic are provided with an overview of geophysical fluid dynamics.
In Ruth, Tod Linafelt offers an interpretation of the book which he calls "unsettling," in that he refuses to settle on a single meaning in a book so fraught with complexity and ambiguity. Ambiguity built into grammar, syntax, and vocabulary carrie over into the larger issues of characterization, theology, and the book's purpose. He also argues that Ruth is intended to read as an interlude between Judges and Samuel. Esther, by Timothy Beal, focuses on a story of anti-Judaism in an ancient world that raises contemporary questions about sexism, ethnocentrism, and natioinal identity. Beal questions the text without assuming that there will be univocal answers, allowing for complexity, perplexity, and the importance of accidents. Beal emphasizes the general and the tenative over the continuous. Using rhetorical criticism as a way into the text, Beal also focuses on its narrative structure.
The narratives of Solomon and Jeroboam, of Elijah and Ahab, have fascinated readers for millennia. They are the principal foundation of our knowledge of the history of Israel during the early years of the divided monarchy, and their reliability and verifiability as historical sources have long been the subject of intense scholarly analysis and debate. But even apart from questions of historical authenticity, they are gripping stories of richly drawn characters caught up in the complex tale of Yahweh's dealings with Israel: Solomon the wise is the builder of Yahweh's Temple, yet he becomes an idolater; Jeroboam is chosen by Yahweh as king, yet he worships the golden calves; Elijah is a prophet second only to Moses, yet he tries to renounce his calling; and Ahab is the worst of Israel's kings, yet shows traces of greatness. This study explores the narrative world created by the ancient Israelite author - the people who inhabit it, the lives they live and the deeds they do, and the face of God who is revealed in their stories.
Ezra-Nehemiah has been neglected in biblical studies, but it is important as one of the few windows into the Persian period of Israel's history, the setting for so much of the final shape of the Hebrew Bible. To know this period is to know what influenced these redactors. In Ezra and Nehemiah Gordon Davies provides that knowledge using rhetorical criticism, a methodology that reveals the full range and progress of the book's ideas without hiding its rough seams and untidy edges. The purpose of rhetorical criticism is to explain not the source but the power of the text as a unitary message. This approach does not look at plot development, characterization, or other elements whose roughness makes Ezra-Nehemiah frustrating to read. Instead, it examines the three parts of the relationship - the strategies, the situations, and the effects - between the speaker and the audience. Rhetorical criticism's scrutiny of the audience in context favors the search for the ideas and structures that are indigenous to the culture of the text. Rhetorical criticism is interested in figures of speech as means of persuasion. Therefore, to apply it to Ezra-Nehemiah, Davies concentrates on the public discourse - the orations, letters, and prayers - throughout its text. In each chapter he follows a procedure that: (1) where it is unclear, identifies the rhetorical unit in which the discourse is set; (2) identifies the audiences of the discourse and the rhetorical situation; (3) studies the arrangement of the material; (4) studies the effect on the various audiences; (5) reviews the passage as a whole and judges its success. In the conclusion, Davies explains that Ezra-Nehemiah makes theological sense on its own terms, by forming a single work in which a range of ideas is argued. Biblical scholars as well as those interested in literary criticism, communication studies, rhetorical studies, ecclesiology, and homiletics will find Ezra and Nehemiah enlightening. Chapters are Ezra 1:1-6," "Ezra 4:1-24," "Ezra 5:1-6: 15," "Ezra 7," "Ezra 9-10," "Nehemiah 1- 2," "Nehemiah 3-7," and "Nehemiah 8-10." Gordon F. Davies is associate professor of Old Testament and dean of students at St. Augustine's Seminary of Toronto.
Opening with the prophet Elijah's ascent into heaven and closing with the people of Judah's descent to Babylonia, 2 Kings charts the story of the two Israelite kingdoms until their destruction. This commentary unfolds the literary dimensions of 2 Kings, analyzes the strategies through which its words create a world of meaning, and examines the book's tales of prophets, political intrigue, royal apostasy, and religious reform as components of larger patterns. 2 Kings pays attention to the writers' methods of representing human character and of twisting chronological time for literary purposes. It also shows how the contests between kings and prophets are mirrored in the competing structures of regnal synchronization and prophecy-fulfillment. Much more than a common chronicle of royal achievements and disasters, 2 Kings emerges as a powerful history that creates memories and forges identities for its Jewish readers. 2 Kings is divided into four parts including Part One The Story of Elisha: 2 Kings 1:1-8:6"; Part Two "Revolutions in Aram, Israel, and Judah: 2 Kings 8:7-13:25"; Part Three "Turmoil and Tragedy for Israel: 2 Kings 14-17"; and Part Four "Renewal and Catastrophe for Judah: 2 Kings 18-25." Robert L. Cohn is professor of religion and holds the Philip and Muriel Berman Chair in Jewish studies at Lafayette College. Under the auspices of the American Jewish Committee, he lectured on Jewish interpretations of the Bible as the first American Jewish-scholar-in-residence at four Roman Catholic seminaries in Poland.
This commentary views the Song of Songs as a collection of love poems that pays tribute to mutual love, and it carefully examines features of Hebrew poetry in order to uncover the delicacy of their expression. It is unique in the attention that it gives to the obvious feminine perspective of the poems and to their ecosensitive character. Whether it is the woman in awe of the strength and splendor of her lover or the man praising her physical charms, the descriptions all call on elements from the natural world to characterize the feature being described.
Without a Home is the second novel in a trilogy of books that follow a boy named David, and his experience with abuse—and the ways in which he survives it. Without a Home chronicles David's teenage years as he navigates the many sides of the foster care system in Cleveland, Ohio. The first book in the trilogy, The Broken Son, depicts David's life up to the age of twelve in Detroit, Michigan, where he lives with his abusive parents. He has reason to believe that they are determined to kill him. To make matters worse, David is plagued with hallucinations of an evil clown who makes his journey that much more difficult.The trilogy concludes with Never Again, the final book in the trilogy. David, now a grown man returning from war, finds himself forced to live with his parents once more. Only this time, it's David who wants to do the killing.
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